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Albertinelli
Mariotto di Bindo di Biagio Albertinelli (13 October 1474 – 5 November 1515) was an Italian Renaissance painter active in Florence. He was a close friend and collaborator of Fra Bartolomeo.Ludovico Borgo and Margot Borgo.Albertinelli, Mariotto. Grove Art Online. Oxford Art Online. Oxford University Press. Web. 20 May 2016 Some of his works have been described as "archaic" or "conservative"; others are considered exemplary of the grandiose classicism of High Renaissance art. Life and work Albertinelli was born in Florence to a local gold beater. He was a pupil of Cosimo Rosselli, in whose workshop he met Baccio della Porta, later known as Fra Bartolomeo. The two were so close that in 1494 they formed a "compagnia," or partnership, in which they operating a joint studio and divided the profits of anything produced within it. The partnership lasted until 1500, when Baccio joined the Dominican order and spent two years in cloister. At the beginning of his career Albertinelli w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albertinelli Franciabigio Vièrge Et Saints
Mariotto di Bindo di Biagio Albertinelli (13 October 1474 – 5 November 1515) was an Italian Renaissance painter active in Florence. He was a close friend and collaborator of Fra Bartolomeo.Ludovico Borgo and Margot Borgo.Albertinelli, Mariotto. Grove Art Online. Oxford Art Online. Oxford University Press. Web. 20 May 2016 Some of his works have been described as "archaic" or "conservative"; others are considered exemplary of the grandiose classicism of High Renaissance art. Life and work Albertinelli was born in Florence to a local gold beater. He was a pupil of Cosimo Rosselli, in whose workshop he met Baccio della Porta, later known as Fra Bartolomeo. The two were so close that in 1494 they formed a "compagnia," or partnership, in which they operating a joint studio and divided the profits of anything produced within it. The partnership lasted until 1500, when Baccio joined the Dominican order and spent two years in cloister. At the beginning of his career Albertin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visitation (Albertinelli)
''Visitation'' is a 1503 painting of the Visitation of the Virgin Mary to Elizabeth by Mariotto Albertinelli. The date is shown on both columns in the work. It is now in the Uffizi in Florence. According to Vasari, the work is from the Sant'Elisabetta della congrega dei Preti chapel in Florence's church of San Michele alle Trombe (a church rededicated to Elizabeth in 1517). Albertinelli collaborated with Fra Bartolomeo until 1503, when the latter took his vows as a Dominican. However, drawings now in the Louvre show that the two artists created the painting's composition together at some stage before this date. The painting itself was produced largely without studio assistance by Albertinelli, whose signature was found on the work during restoration work in 1995. The background landscape draws on the work of Perugino, whilst the detailed plants at the women's feet are influenced by similar ones by Leonardo da Vinci. The almost metallic palette anticipates that of the Doni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fra Bartolomeo
Fra Bartolomeo or Bartolommeo (, , ; 28 March 1472 – 31 October 1517), also known as Bartolommeo di Pagholo, Bartolommeo di S. Marco, and his original nickname Baccio della Porta, was an Italian Renaissance painter of religious subjects. He spent all his career in Florence until his mid-forties, when he travelled to work in various cities, as far south as Rome. He trained with Cosimo Rosselli and in the 1490s fell under the influence of Savonarola, which led him to become a Dominican friar in 1500, renouncing painting for several years. Typically his paintings are of static groups of figures in subjects such as the Virgin and Child with Saints. He was instructed to resume painting for the benefit of his order in 1504, and then developed an idealized High Renaissance style, seen in his ''Vision of St Bernard'' of that year, now in poor condition but whose "figures and drapery move with a seraphic grace that must have struck the young Raphael with the force of revela ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuliano Bugiardini
Giuliano di Piero di Simone Bugiardini (29 January 1475 – 17 February 1555) was an Italian Renaissance painter. He was born and was mainly active in Florence."Bugiardini, Giuliano." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 1 June 2016, He was a painter primarily of religious subjects but he also executed a number of portraits and a few works with mythological subjects. Life and work Giorgio Vasari, in his ''Lives of the Artists'', devoted a biography to Bugiardini in which he claimed the artist began his career under the sculptor Bertoldo in Lorenzo de' Medici's famous sculpture garden near the convent of San Marco. It was probably there that Bugiardini met the young Michelangelo, with whom he'd remain friends throughout his career. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mariotto Albertinelli - Creation And Fall Of Man
Mariotto may refer to: Given name * Mariotto Albertinelli (1474–1515), Italian Renaissance painter * Mariotto di Nardo (fl. 1388–1424), Florentine painter in the Florentine Gothic style * Mariotto Segni (born 1939), Italian politician and professor of civil law Surname * Angela Mariotto, statistician *Bernardino di Mariotto (1478–1566), Italian painter * Danilo Mariotto Danilo Mariotto dos Santos (born 15 January 1996), known as Danilo Mariotto or simply Mariotto, is a Brazilian footballer who plays as a forward, most recently for Al-Washm. Mariotto started his professional career in the team of Fluminense a ... (born 1996), Brazilian footballer * Sara Mariotto (born 1997), Italian professional racing cyclist {{disambiguation, given name, surname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piero Di Cosimo
Piero di Cosimo (2 January 1462 – 12 April 1522), also known as Piero di Lorenzo, was an Italian painter of the Renaissance. He is most famous for the mythological and allegorical subjects he painted in the late Quattrocento; he is said to have abandoned these to return to religious subjects under the influence of Savonarola, the preacher who exercised a huge sway in Florence in the 1490s, and had a similar effect on Botticelli. The High Renaissance style of the new century had little influence on him, and he retained the straightforward realism of his figures, which combines with an often whimsical treatment of his subjects to create the distinctive mood of his works. Vasari has many stories of his eccentricity, and the mythological subjects have an individual and quirky fascination. He trained under Cosimo Rosselli, whose daughter he married, and assisted him in his Sistine Chapel frescos. He was also influenced by Early Netherlandish painting, and busy landscapes f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfonsina Orsini
Alfonsina Orsini (1472 – 7 February 1520) was a Regent of Florence. She governed the Republic of Florence during the absences of her son in the period of 1515–1519. Her rule was feared as a sign of the end of republican government there. She was born from a noble family and raised in the royal court of Naples. She was the spouse of Piero di Lorenzo de' Medici from 1488 and the mother of Lorenzo II de' Medici. She helped restore the Medicis to power after they had been exiled. She worked to secure a French royal marriage for her son, and was also influential at the court of Pope Leo X, her brother-in-law. Throughout her life, she used her wealth, position, and connections to help the poor and underrepresented. She also used them to further her family's power and wealth. She was a patron of the arts and architecture, both in Florence and in Rome. This included renovation of religious buildings as well as construction of palaces for the family. Early life and family B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museo Poldi Pezzoli
The Museo Poldi Pezzoli is an art museum in Milan, Italy. It is located near the Teatro alla Scala, on Via Manzoni 12. The museum was originated in the 19th century as a private collection of Gian Giacomo Poldi Pezzoli (1822–1879) and his mother, Rosa Trivulzio, of the family of the condottiero Gian Giacomo Trivulzio. Many of the rooms in the palace were redecorated starting in 1846, a commissions entrusted to Luigi Scrosati and Giuseppe Bertini. Individual rooms were often decorated and furnished to match the paintings hung on the walls. The architect Simone Cantoni (1736–1818) rebuilt the palazzo in its present Neoclassical style with an English-style interior garden. In 1850–1853, Poldi Pezzoli commissioned the architect Giuseppe Balzaretto to refurbish his apartment. Pezzoli in his testament left ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosimo Rosselli
Cosimo Rosselli (; 1439–1507) was an Italian painter of the Quattrocento, active mainly in his birthplace of Florence, but also in Pisa earlier in his career and in 1481–82 in the Sistine Chapel in Rome, where he painted some of the large frescoes on the side walls. Though generally regarded as a lesser talent in comparison to Sandro Botticelli, Pietro Perugino, and Domenico Ghirlandaio, who were all also active at the Sistine Chapel, Rosselli was still able to win large and important commission throughout his career, a testament to his high level of activity in his native Florence. Important local commissions include a fresco in the cloister of Santissima Annunziata, Florence and those in the Chapel of the Holy Blood in Sant'Ambrogio, Florence. Biography Cosimo Rosselli was born in Florence. In 1453, at the age of fourteen, he became a pupil of Neri di Bicci, who also trained Cosimo's cousin Bernardo di Stefano Rosselli. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High Renaissance
In art history, the High Renaissance was a short period of the most exceptional artistic production in the Italian states, particularly Rome, capital of the Papal States, and in Florence, during the Italian Renaissance. Most art historians state that the High Renaissance started around 1495 or 1500 and ended in 1520 with the death of Raphael, although some say the High Renaissance ended about 1525, or in 1527 with the Sack of Rome by the army of Charles V, Holy Roman Emperor, or about 1530 (see next section for specific art historians' positions). The best-known exponents of painting, sculpture and architecture of the High Renaissance include Leonardo da Vinci, Michelangelo, Raphael, and Bramante. In recent years, the use of the term has been frequently criticized by some academic art historians for oversimplifying artistic developments, ignoring historical context, and focusing only on a few iconic works. Origin of term The term ''High Renaissance'' was first used by Jacob Bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Carrara Di Belle Arti Di Bergamo
The Accademia Carrara, (), officially Accademia Carrara di Belle Arti di Bergamo, is an art gallery and an academy of fine arts in Bergamo, in Lombardy in northern Italy. The art gallery was established in about 1780 by , a Bergamasco collector or ' of the arts. The academy of fine arts was added to it in 1794. The school was recognised by the Ministero dell'Istruzione, dell'Università e della Ricerca, the Italian ministry of education, in 1988. History The art gallery was established in the early 1780s by , a Bergamasco collector or ' of the arts; by 1785 it was open to some visitors. An academy of fine arts was added to it in 1793 or 1794, initially under the direction of the Milanese painter Carlo Dionigi Sadis. Carrara made his will in 1795, leaving his entire estate to the gallery and art school he had founded; these were to be managed by a five-member commission, of which the first five were chosen by him. He died the next year. In 1810, a new building in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musée D'Art Et D'Histoire (Geneva)
The Musée d’Art et d’Histoire (''Museum of Art and History'') is the largest art museum in Geneva, Switzerland. The building The museum is located in Les Tranchées, in the city centre, on the site of the former fortification ring. It was built by the architect Marc Camoletti between 1903 and 1910, and financed by a bequest from the banker Charles Galland (1816–1901).Présentation des Musées d'art et d'histoire History and outline of the museum, State of Geneva, 20 September 2007. Retrieved 22 September 2010. The building is square, with 60 m (200 ft) sides surrounding an inner courtyard. It has four storeys, with |
