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Agostino Masucci
Agostino Masucci (; 29 August 1690– 19 October 1758) was an Italian painter of the late-Baroque or Rococo period. Biography Born in Rome, he initially apprenticed with Andrea Procaccino, and then became a member of the studio of Carlo Maratta. He joined the Accademia di San Luca in 1724, and from 1736 to 1738, he was director or ''Principe''. Masucci worked for the House of Savoy, and also obtained commissions from John V of Portugal due to his friendship with Filippo Juvarra and Luigi Vanvitelli. For example, for the latter he painted the main altarpiece of the Cathedral of Évora. Masucci also made the models for the three main mosaic panels in the Chapel of St. John the Baptist, designed by Luigi Vanvitelli (along with Nicola Salvi) for King John V of Portugal. It was built in Rome starting in 1742, disassembled in 1747, and shipped to Lisbon, where it was reassembled in the Church of St. Roch (Igreja de São Roque). It was completed in 1750, although the mosaics in it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rome
Rome (Italian language, Italian and , ) is the capital city and most populated (municipality) of Italy. It is also the administrative centre of the Lazio Regions of Italy, region and of the Metropolitan City of Rome. A special named with 2,746,984 residents in , Rome is the list of cities in the European Union by population within city limits, third most populous city in the European Union by population within city limits. The Metropolitan City of Rome Capital, with a population of 4,223,885 residents, is the most populous metropolitan cities of Italy, metropolitan city in Italy. Rome metropolitan area, Its metropolitan area is the third-most populous within Italy. Rome is located in the central-western portion of the Italian Peninsula, within Lazio (Latium), along the shores of the Tiber Valley. Vatican City (the smallest country in the world and headquarters of the worldwide Catholic Church under the governance of the Holy See) is an independent country inside the city boun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Igreja De São Roque (Lisbon)
The Igreja de São Roque (; Church of Saint Roch) is a Catholic church in Lisbon, Portugal. It was the earliest Jesuit church in the Portuguese world, and one of the first Jesuit churches anywhere. The edifice served as the Society's home church in Portugal for over 200 years, before the Jesuits were expelled from that country. After the 1755 Lisbon earthquake, the church and its ancillary residence were given to the Lisbon Holy House of Mercy to replace their church and headquarters which had been destroyed. It remains a part of the Holy House of Mercy today, one of its many heritage buildings. The Igreja de São Roque was one of the few buildings in Lisbon to survive the earthquake relatively unscathed. When built in the 16th century it was the first Jesuit church designed in the “auditorium-church” style specifically for preaching. It contains a number of chapels, most in the Baroque style of the early 17th century. The most notable chapel is the 18th-century Chapel of S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gavin Hamilton (artist)
Gavin Hamilton (1723, Lanarkshire – 4 January 1798, Rome) was a Scottish people, Scottish Neoclassicism, neoclassical history painter, who is more widely remembered for his searches for antiquities in the neighbourhood of Rome. These roles in combination made him an arbiter of neoclassical taste. Biography Born in Lanarkshire, Scotland in 1723, he matriculated at the University of Glasgow under the Professor of Humanity at the age of 15.Skinner, Basil C. (1966), ''Scots in Italy in the 18th Century'', National Galleries of Scotland, pp. 14 - 23 By 1744 he was in Italy, and probably studied in Rome in the studio of Agostino Masucci. From 1748 to 1750 he shared an apartment with James Stuart, Matthew Brettingham and Nicholas Revett, and with them visited Naples and Venice. On returning to Britain, he spent several years portrait-painting in London (1751–1756). At the end of that period, he returned to Rome. He lived there for the next four decades, until his death in 1798. Asi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Zoffany
Johan / Johann Joseph Zoffany (born Johannes Josephus Zaufallij; 13 March 1733 – 11 November 1810) was a German neoclassical painter who was active mainly in England, Italy, and India. His works appear in many prominent British collections, including the National Gallery, the Tate Gallery and the Royal Collection, as well as institutions in continental Europe, India, the United States and Australia. His name is sometimes spelled Zoffani or Zauffelij (on his grave, it is spelled Zoffanij). Life and career Of noble Hungarian and Bohemian origin, Johan Zoffany was born near Frankfurt on 13 March 1733, the son of a cabinet maker and architect of the court of Alexander Ferdinand, 3rd Prince of Thurn and Taxis. He undertook an initial period of study in a sculptor's workshop in Ellwangen during the 1740s, possibly the shop of Melchior Paulus, and later at Regensburg with the artist . In 1750, he travelled to Rome, entering the studio of Agostino Masucci. In the autumn of 1760 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stefano Pozzi
Stefano Pozzi (9 November 1699 – 11 June 1768) was an Italian painter, designer, draughtsman, and decorator whose career was spent largely in Rome. Born in Rome, he was one of four artist sons of his father, an innkeeper: Rocco (1701–74) was an engraver, with whom Stefano worked on occasion; Andrea (1718–69), a carver in ivory; Giuseppe (1723–65) was also a painter. Stefano Pozzi studied in the ateliers of the two best followers of Carlo Maratta, that of Andrea Procaccini, who departed for Spain in 1720, and then Agostino Masucci. In 1732, Stefano was admitted to the Pontifical Academy of Fine Arts and Letters of the Virtuosi al Pantheon and became its Regent in 1739. In 1736, he was admitted to the Accademia di San Luca, the artist guild in Rome. Pozzi worked primarily for Roman churches; for example, he painted a ''Blessed Niccolò Albergati'' for a chapel of the Basilica of Santa Maria Maggiore; eight ovals between the windows (c. 1736) for the church of San Silves ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassicism
Neoclassicism, also spelled Neo-classicism, emerged as a Western cultural movement in the decorative arts, decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome, largely due to the writings of Johann Joachim Winckelmann during the rediscovery of Pompeii and Herculaneum. Its popularity expanded throughout Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, eventually competing with Romanticism. In architecture, the style endured throughout the 19th, 20th, and into the 21st century. European Neoclassicism in the visual arts began in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, Ornament ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria Maggiore
Santa Maria Maggiore (), also known as the Basilica of Saint Mary Major or the Basilica of Saint Mary the Great, is one of the four Basilicas in the Catholic Church#Major and papal basilicas, major papal basilicas and one of the Seven Pilgrim Churches of Rome. The largest Catholic Marian church buildings, Marian church in Rome, it is regarded as the first Marian sanctuary in the Western world and the mother of all sanctuaries. Santa Maria Maggiore is located in Esquilino (rione of Rome), Esquilino, the 15th Rioni of Rome, rione (administrative district) of Rome, on the . Pursuant to the Lateran Treaty of 1929 between the Holy See and Kingdom of Italy, Italy, the basilica is in Italy and not Vatican City.Lateran Treaty of 1929, Article 15 However, the Holy See fully owns the basilica, and Italy is legally obliged to recognise its full ownership thereof and to concede to it "the immunity granted by international law to the headquarters of the diplomatic agents of foreign states". ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santissimo Nome Di Maria In Via Latina
''Santissimo Nome di Maria a Via Latina'' is a modern parish and titular church at Via Centirupe 18/22 in the Appio Latino quarter, just to the east of the Parco della Caffarella in Rome, Italy. The dedication is to the Holy Name of Mary. The parish is administered by the Marianists whose General Curia (world headquarters) is based here; Gaudencio Borbon Rosales is the Cardinal-Priest. Design The church was built in 1980 and was designed by Aldo Ortolani. The plan is based on a square with the major axis on the diagonal. The corners of the square at the entrance and behind the altar are truncated. From entrance to altar a high rectangular concrete frame supports a flat roof. On either side the building descends in four horizontal steps, each step supports a vertical concrete vane. These steps are replicated vertically along the side frontages. At the side angles of the square are two semi-circular chapels, one dedicated to St Anthony of Padua and the other to Our Lady of the Pi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria Del Popolo
The Parish Basilica of Santa Maria del Popolo () is a titular church and a minor basilica in Rome run by the Augustinian order. It stands on the north side of Piazza del Popolo, one of the most famous squares in the city. The church is hemmed in between the Pincian Hill and Porta del Popolo, one of the gates in the Aurelian Wall as well as the starting point of Via Flaminia, the most important route from the north. Its location made the basilica the first church for the majority of travellers entering the city. The church contains works by several famous artists, such as Raphael, Gian Lorenzo Bernini, Caravaggio, Alessandro Algardi, Pinturicchio, Andrea Bregno, Guillaume de Marcillat and Donato Bramante. History Legendary founding The well-known foundation legend of Santa Maria del Popolo revolves around the evil memory of Emperor Nero and the cleansing of the area from this malicious legacy by Pope Paschal II. As the story goes, after his suicide Nero was buried in the mau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Marcello Al Corso
San Marcello al Corso, is an ancient titular and conventual church in Rome, Italy. It has been served by friars of the Servite Order since c. 1375 and is the headquarters of their General Curia. The cardinal-protector of the church is normally of the order of cardinal priests, currently Giuseppe Betori. There has been a church dedicated to Pope Marcellus I (d. AD 309) on the site since at least the year 418 when Pope Boniface I was reportedly crowned there. It was rebuilt in its present form in the late 16th and early 17th centuries. It is located near the Piazza Venezia on the Via del Corso, in ancient times called ''via Lata'', which now connects Piazza Venezia to Piazza del Popolo and stands diagonal from the church of Santa Maria in Via Lata and two doors from the Oratory of Santissimo Crocifisso. History While the tradition holds that the church was built over the prison of Pope Marcellus I (d. 309), it is known that the ''Titulus Marcelli'' was present n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Francesco Di Paola Ai Monti
San Francesco da Paola ai Monti is an 18th-century titular church in Rome. It is dedicated to St Francis of Paola, the founder of the Order of Minims, whose friars serve this church and whose Generalate is attached to it, and is located in the Monti rione. History It was built in 1645–50 with funds given by Olimpia Aldobrandini Pamphili, who (like St Francis) had roots in Calabria. It was designed by Giovanni Pietro Morandi, given to the Minim Friars, and became the national church of the Calabrians. The monastery was refurbished under Father Francesco Zavaroni di Montalto, General of the order, and using as an architect Luigi Berettoni. The late Baroque high altar was made by Giovanni Antonio de Rossi c. 1655 (who is also credited with the church's wooden tabernacle, set into a sculptured entrance of a military pavilion). No new bell tower was built for the church - instead the 12th century Torre dei Margani was used, preserving its medieval coat-of-arms on the tower ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria In Via Lata
Santa Maria in Via Lata is a church on the Via del Corso (the ancient Via Lata), in Rome, Italy. It stands diagonal from the church of San Marcello al Corso. It is the stational church for Tuesday in the fifth week of lent. History The first Christian place of worship here was a 5th-century oratory (chapel with welfare centre) in the Roman building beneath the present church. This was constructed within the remains of a large Roman warehouse, some long, which has also been excavated. Murals were added to the lower level between the 7th and 9th centuries (these have been detached for conservation reasons). Due to the frequent flooding of the Tiber, in 1049 the church was rebuilt with an upper level added. Architecture The Arcus Novus, an arch erected in 303–304 by the emperor Diocletian, which stood on this site, was destroyed during reconstruction of the church in 1491. Antonio Tebaldeo, poet and friend of Raphael, was buried at the end of the north aisle in 1537, tho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
