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Agnese Schebest
Agnese Schebest, ''née'' ''Agnese Šebesta'', also ''Agnese Schebesta'' (10 February 1813 – 22 December 1869) was an Austrian operatic mezzo-soprano. She lived as a singing teacher in Munich and Stuttgart. Life and career Schebest was born in Vienna, the daughter of a Czech-born chief of the Austrian army. She moved to Prague as a child with her parents due to a professional change in her father's assignment. The latter died as a result of an injury while blasting the fortifications of Alessandria as early as 1816. She lived with her mother in Terezin, where she attracted attention as a child at church concerts. At the age of eleven she got singing lessons free of charge with Kammersänger Johann Aloys Miksch and acting lessons with the actress Friederike Vohs in Dresden. At the Dresden court opera she sang early as choirist and comprimaria. Schebest made her opera debut in 1830 as Benjamin in Méhul's ''Joseph'' at the Dresden court stage. As a result, she got a job ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Friedrich Strauß
David Friedrich Strauss (german: link=no, Strauß ; 27 January 1808 – 8 February 1874) was a German liberal Protestant theologian and writer, who influenced Christian Europe with his portrayal of the "historical Jesus", whose divine nature he denied. His work was connected to the Tübingen School, which revolutionized study of the New Testament, early Christianity, and ancient religions. Strauss was a pioneer in the historical investigation of Jesus. Early life He was born in Ludwigsburg, near Stuttgart. At age 12 he was sent to the evangelical seminary at Blaubeuren, near Ulm, to be prepared for the study of theology. Two of the principal masters in the school were Professors Friedrich Heinrich Kern (1790–1842) and Ferdinand Christian Baur, who instilled in their pupils a deep appreciation for the ancient classics and the principles of textual criticism, which could be applied to texts in the sacred tradition as well as to classical ones. In 1825, Strauss entered the U ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Le Diable
''Robert le diable'' (''Robert the Devil'') is an opera in five acts composed by Giacomo Meyerbeer between 1827 and 1831, to a libretto written by Eugène Scribe and Germain Delavigne. ''Robert le diable'' is regarded as one of the first grand operas at the Paris Opéra. It has only a superficial connection to the medieval legend of ''Robert the Devil''. The opera was immediately successful from its first night on 21 November 1831 at the Opéra; the dramatic music, harmony and orchestration, its melodramatic plot, its star singers and its sensational stage effects compelled Frédéric Chopin, who was in the audience, to say, "If ever magnificence was seen in the theatre, I doubt that it reached the level of splendour shown in ''Robert''...It is a masterpiece...Meyerbeer has made himself immortal".Brown, ''Robert le diable'', p. 572 ''Robert'' initiated the European fame of its composer, consolidated the fame of its librettist, Scribe, and launched the reputation of the new dir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Gottfried Bergmann
Johann Gottfried Bergmann (10 May 1795 – 4 July 1831) was a royal Saxon court actor and operatic tenor. Life Born in Reichenbach near Königsbrück as a child of poor parents and unable to practise a trade due to an accident in his childhood, Bergmann had to contribute to his own livelihood early on. However, he attended school and was promoted by his father, who was a violinist, in the field of music. After hearing a polyphonic choir at a fair for the first time, he prepared himself as well as possible privately to be accepted into the Dresden Singchor. His father, however, believed that he could only finance an education at a teacher's seminar, but Bergmann was able to take an entrance examination at the Kreuzschule with the intercession of the local priest, with whom he had had Latin lessons. In the six school years that he spent there, he suffered material hardship and went through several serious illnesses. Out of poverty he finally decided to become a schoolmaster and le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Ferdinand Mannstein
Heinrich Ferdinand Mannstein, real name Heinrich Ferdinand Steinmann, (16 September 1806 – 3 August 1872) was a German singing teacher, writer and music critic. Life Born in Berggießhübel, Mannstein attended the Dresden Kreuzschule and the St. Thomas School, Leipzig as Gymnasiast. At the insistence of his father, he devoted himself to studying theology at the Leipzig University, while also studying music. After some arguments at home, but also due to the general circumstances of his time, he finally joined the singing choir of the court theatre in Dresden in 1829. Soon after Johann Aloys Miksch took over and completed Mannstein's training as a singer, he left the stage for good to work as a singing teacher and writer. Beyond that Mannstein, developed extensive journalistic activities. His music-critical works are still today an important source for the history of music in Dresden in the middle of the 19th century and offer in this way deepened insights into the then cultiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lemberg
Lviv ( uk, Львів) is the largest city in western Ukraine, and the seventh-largest in Ukraine, with a population of . It serves as the administrative centre of Lviv Oblast and Lviv Raion, and is one of the main cultural centres of Ukraine. It was named in honour of Leo, the eldest son of Daniel, King of Ruthenia. Lviv emerged as the centre of the historical regions of Red Ruthenia and Galicia in the 14th century, superseding Halych, Chełm, Belz and Przemyśl. It was the capital of the Kingdom of Galicia–Volhynia from 1272 to 1349, when it was conquered by King Casimir III the Great of Poland. From 1434, it was the regional capital of the Ruthenian Voivodeship in the Kingdom of Poland. In 1772, after the First Partition of Poland, the city became the capital of the Habsburg Kingdom of Galicia and Lodomeria. In 1918, for a short time, it was the capital of the West Ukrainian People's Republic. Between the wars, the city was the centre of the Lwów Voivodeship in the Se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graz
Graz (; sl, Gradec) is the capital city of the Austrian state of Styria and second-largest city in Austria after Vienna. As of 1 January 2021, it had a population of 331,562 (294,236 of whom had principal-residence status). In 2018, the population of the Graz larger urban zone (LUZ) stood at 652,654, based on principal-residence status. Graz is known as a college and university city, with four colleges and four universities. Combined, the city is home to more than 60,000 students. Its historic centre (''Altstadt'') is one of the best-preserved city centres in Central Europe. In 1999, the city's historic centre was added to the UNESCO list of World Heritage Sites and in 2010 the designation was expanded to include Eggenberg Palace (german: Schloss Eggenberg) on the western edge of the city. Graz was designated the Cultural Capital of Europe in 2003 and became a City of Culinary Delights in 2008. Etymology The name of the city, Graz, formerly spelled Gratz, most likely st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Capuleti Ed I Montecchi
''I Capuleti e i Montecchi'' (''The Capulets and the Montagues'') is an Italian opera (''Tragedia lirica'') in two acts by Vincenzo Bellini. The libretto by Felice Romani was a reworking of the story of ''Romeo and Juliet'' for an opera by Nicola Vaccai called ''Giulietta e Romeo'' and based on the play of the same name by Luigi Scevola written in 1818, thus an Italian source rather than taken directly from William Shakespeare. Bellini was persuaded to write the opera for the 1830 Carnival season at the Teatro La Fenice in Venice, with only a month and a half available for composition. He succeeded by appropriating a large amount of music previously written for his unsuccessful opera '' Zaira''. The first performance of ''I Capuleti e i Montecchi'' took place on 11 March 1830. Composition history After ''Zaira'' Following the poor reception which ''Zaira'' received in Parma, Bellini returned to Milan by the end of June 1829 with no contract for another opera in sight. Giov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Médée (Cherubini)
''Médée'' is a French language opéra-comique by Luigi Cherubini. The libretto by François-Benoît Hoffman (Nicolas Étienne Framéry) was based on Euripides' tragedy of Medea and Pierre Corneille's play '' Médée''. It is set in the ancient city of Corinth. The opera was premiered on 13 March 1797 at the Théâtre Feydeau, Paris. It met with a lukewarm reception and was not immediately revived. During the twentieth century, it was usually performed in Italian translation as ''Medea'', with the spoken dialogue replaced by recitatives not authorized by the composer. More recently, opera companies have returned to Cherubini's original version. The long-lost final aria, which Cherubini appears to have elided from his original manuscript, was discovered by researchers from the University of Manchester and Stanford University by employing x-ray techniques to reveal the blackened out areas of Cherubini's manuscript. Performances and versions Several versions of the opera w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otello (Verdi)
''Otello'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play ''Othello''. It was Verdi's penultimate opera, first performed at the Teatro alla Scala, Milan, on 5 February 1887. The composer was reluctant to write anything new after the success of ''Aida'' in 1871, and he retreated into retirement. It took his Milan publisher Giulio Ricordi the next ten years, first to encourage the revision of Verdi's 1857 ''Simon Boccanegra'' by introducing Boito as librettist and then to begin the arduous process of persuading and cajoling Verdi to see Boito's completed libretto for ''Otello'' in July/August 1881. However, the process of writing the first drafts of the libretto and the years of their revision, with Verdi all along not promising anything, dragged on. It wasn't until 1884, five years after the first drafts of the libretto, that composition began, with most of the work finishing in late 1885. When it finally premiere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a '' dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as '' opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the succ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
