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Afallon
Avalon (; la, Insula Avallonis; cy, Ynys Afallon, Ynys Afallach; kw, Enys Avalow; literally meaning "the isle of fruit r appletrees"; also written ''Avallon'' or ''Avilion'' among various other spellings) is a mythical island featured in the Arthurian legend that first appeared in Geoffrey of Monmouth's influential 1136 ''Historia Regum Britanniae'' as a place of magic where King Arthur's sword Excalibur was made and later where Arthur was taken to recover from being gravely wounded at the Battle of Camlann. Since then, the island has become a symbol of Arthurian mythology, similar to Arthur's castle of Camelot. Avalon was associated from an early date with mystical practices and magical figures such as King Arthur's half-sister Morgan, cast as the island's ruler by Geoffrey and some of the later authors inspired by him. Certain Briton traditions maintain that Arthur is an eternal king who had never truly died but would return, and the particular motif of his rest in Mo ...
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The Last Sleep Of Arthur In Avalon
''The Last Sleep of Arthur in Avalon'' is a painting by Edward Burne-Jones, started in 1881. The massive painting measures 279 cm × 650 cm, and is widely considered to be Burne-Jones's ''Masterpiece, magnum opus''.Waters, p. 42. The painting was originally commissioned from Burne-Jones by his patron George Howard, 9th Earl of Carlisle, to hang on a wall in the library of Naworth Castle. Howard shared Burne-Jones's affection for the King Arthur, Arthurian legend and left the choice of topic to the artist.Mancoff, p. 118. Burne-Jones started working on it in 1881 and continued for 17 years. Within this period, he also designed the stage set for the play ''King Arthur'' by J. Comyns Carr that premiered in London in January 1895.Wildman, p. 315. The 1880s brought the deaths of Burne-Jones's close friends. As they died, the artist experienced mounting isolation and painful awareness of his own mortality.Mancoff, p. 113. Immersed in his work, Burne-Jones identified himself w ...
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Vita Merlini
''Vita Merlini'', or ''The Life of Merlin'', is a Latin poem in 1,529 hexameter lines written around the year 1150. Though doubts have in the past been raised about its authorship it is now widely believed to be by Geoffrey of Monmouth. It tells the story of Merlin's madness, his life as a wild man of the woods, and his prophecies and conversations with his sister, Ganieda, and the poet Taliesin. Its plot derives from previous Celtic legends of early Middle Welsh origin, traditions of the bard Myrddin Wyllt and the wild man Lailoken, and it includes an important early account of King Arthur's final journey to Avalon, but it also displays much pseudo-scientific learning drawn from earlier scholarly Latin authors. Though its popularity was never remotely comparable to that of Geoffrey's ''Historia Regum Britanniae'' it did have a noticeable influence on medieval Arthurian romance, and has been drawn on by modern writers such as Laurence Binyon and Mary Stewart. Synopsis ...
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