|
Adutha Veettu Penn
''Adutha Veettu Penn'' () is a 1960 Indian Tamil-language romantic comedy film directed by Vedantam Raghavayya and written by Thanjai N. Ramaiah Dass. The film stars Anjali Devi (who co-produced the film with her husband, composer P. Adinarayana Rao), T. R. Ramachandran and K. A. Thangavelu. It is a remake of the Bengali film ''Pasher Bari'' (1952), itself based on the namesake short story by Arun Chowdhury. In ''Adutha Veettu Penn'', a simple man wants to impress a woman he loves by singing, but since he cannot, his friend, a singer, sings in secret while the simple man merely lip syncs, and wins the woman's love. The film was released on 11 February 1960, and became a success. Plot Mannaru, a simple man, falls in love with his wealthy neighbour Leela, who sings and dances well. He wants to impress her by singing, but he cannot sing. So he seeks the help of his friend, a singer who agrees. While the friend sings in secret, Mannaru merely lip syncs. Leela is charmed by what ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vedantam Raghavayya
Vedantam Raghavayya ( te, వేదాంతం రాఘవయ్య) (8 June 1919 – 1971) was an Indian film director, dance choreographer, Kuchipudi exponent, actor, producer, and musician known for his works in Telugu cinema, Telugu theatre, and Tamil cinema. Raghavayya was an accomplished Kuchipudi dancer, who was awarded "Bharata Kala Prapurna" in dance by the Andhra Pradesh government. Starting his career as a dance choregrapher, Raghavayya choreographed for films such as '' Raithu Bidda'' (1939), and '' Swarga Seema'' (1945). He made his directorial and production debut with ''Stree Sahasamu'' (1951). He then directed successful films such as '' Devadasu'' (1953), '' Annadata'' (1954), '' Anarkali'' (1955), ''Chiranjeevulu'' (1956), '' Bhale Ramudu'' (1956), '' Prema Pasam'' (Tamil, 1956), '' Suvarna Sundari'' (1957), '' Rahasyam'' (1967). As an actor he starred in ''Mohini Rukmanigada'' (1937), ''Garuda Garvabhangam'' (1943) and ''Raksharekha'' (1949). He was the co-o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmond Rostand
Edmond Eugène Alexis Rostand (, , ; 1 April 1868 – 2 December 1918) was a French poet and dramatist. He is associated with neo-romanticism and is known best for his 1897 play ''Cyrano de Bergerac''. Rostand's romantic plays contrasted with the naturalistic theatre popular during the late nineteenth century. Another of Rostand's works, ''Les Romanesques'' (1894), was adapted to the 1960 musical comedy ''The Fantasticks''. Early life Rostand was born in Marseille, France, into a wealthy and cultured Provençal family. His father was an economist, a poet who translated and edited the works of Catullus, and a member of the Marseille Academy and the Institut de France. Rostand studied literature, history, and philosophy at the Collège Stanislas in Paris, France. Career When Rostand was twenty years old, his first play, a one-act comedy, ''Le Gant rouge'', was performed at the Cluny Theatre, 24 August 1888, but it was almost unnoticed. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Book
A song book is a book containing lyrics for songs. Song books may be simple composition books or spiral-bound notebooks. Music publishers also produced printed editions for group singing. Such volumes were used in the United States by piano manufacturers as a marketing tool. Song books containing religious music are often called hymnals; books containing the music for hymns with minimal, or no words, are sometimes called tune books. See also * Great American Songbook The Great American Songbook is the loosely defined canon of significant early-20th-century American jazz standards, popular songs, and show tunes. Definition According to the Great American Songbook Foundation: The "Great American Songbook" ... References External links {{music-publication-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Randor Guy
Madabhushi Rangadorai (born 8 November 1937), better known by his pen name Randor Guy, is an Indian lawyer, columnist and film and legal historian associated with the English language newspaper '' The Hindu''. He is also the official editor of the weekly column "Blast from the Past" that appears in ''The Hindu''. Early life Randor Guy's original name was Rangadorai, but his pen name later became official. He graduated in BSc and B. L. from Madras University and commenced his career as a lawyer. Fernandez, p 164 After practising as a lawyer for a short time, he quit his job and joined a firm called Paterson and Co. where he worked for five years. In 1976, he resigned to devote all his time to writing. Work as a film historian Guy has been writing books on history and films since 1967. He became popular when his article on Frank Capra was purchased by the United States Information Agency for use as a reference work. As of 2008, he remains the only non-American whose work has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalki (magazine)
''Kalki'' is a Tamil-language weekly magazine published from Chennai, India. The magazine was established by Kalki Krishnamurthy, a popular Tamil novelist and Indian freedom fighter, in 1941. T Sadasivam was the magazine's co-founder. The magazine is known for its publication of historic novels such as ''Ponniyin Selvan'' and ''Sivagamiyin Sabadham''. Singer Semmangudi Srinivasa Iyer, guru of M S Subbulakshmi, and music critic S V Seshadri were also involved with the magazine in its coverage of music. Kalki Krishnamurthy also edited the magazine, which is published on a weekly basis. During his term the magazine was much more respected due to its quality. Mullum Malarum (authored by Umachandran), which won this magazine's first prize in the silver jubilee novel competition was first published in this magazine as a serial, and later made into a hit Tamil movie of the same name starring Rajnikanth Shivaji Rao Gaikwad (born 12 December 1950), known professionally as Rajinik ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ananda Vikatan
''Ananda Vikatan'' is a Tamil-language weekly magazine published from Chennai, India. History and profile ''Ananda Vikatan'' was started by Late Pudhoor Vaidyanadhaiyar in February 1926 as a monthly publication. The issue for December 1927 was not published due to financial difficulties. In January 1928 Subramaniam Srinivasan bought the rights from Vaidyanadhaiyer and relaunched the publication from February 1928 in a new format He paid at the rate of ₹25 per alphabet in the Tamil language name (ஆனந்த விகடன்) of the publication to buy the rights. He built it up into a weekly and sales soon rose. Veteran journalist and media personality and son of Subramaniam Srinivasan, S. Balasubramanian served as editor, managing director and publisher of the magazine for nearly 50 years till 2006. He also started the "Manavar Thittam" or student journalism scheme that is active for the last 30 years and counting. He also launched Junior Vikatan, a biweekly Tamil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thiruchi Loganathan
Thiruchi Loganathan (24 July 1924 – 17 November 1989) was a playback singer of the Tamil film industry. He is known for his work in movies such as '' Manthiri Kumari'' (1950) and '' Parasakthi'' (1952). He was married to Rajalakshmi, daughter of actress C. T. Rajakantham. His sons are, T. L. Maharajan, Deepan Chakravarthy, and T.L. Thyagarajan, who are also popular playback singers. Career Music composers he sang for Playback singers he sang with He sang memorable duets mostly with P. Leela and Jikki. He also sang with many others including, M. L. Vasanthakumari, M. S. Rajeswari, L. R. Eswari, P. A. Periyanayaki, T. V. Rathnam, A. G. Rathnamala, A. P. Komala, N. L. Ganasaraswathi, Radha Jayalakshmi, K. Jamuna Rani, K. Rani, Lakshmi Shankar, P. Susheela, S. Janaki, A. V. Saraswathi, T. S. Bagavathi, Vadivambal, Swarnalatha, K. Swarna and U. R. Chandra. He also sang duets with male singers, most notably with Seerkazhi Govindarajan and Mariyappa. Other sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sirkazhi Govindarajan
Sirkazhi Govindarajan (19 January 1933 – 24 March 1988) was an Indian Tamil Carnatic vocalist and a leading playback singer of Indian cinema. Early life Govindarajan, was born on 19 January 1933 at Sirkazhi (a small town in present day Mayiladuthurai district, Tamil Nadu; famed birthplace of Sambandar, one of the 63 Nayanars of the Saiva faith) to Siva Chidambaram and Avayambal Ammal. At the age of eight, Govindarajan began to perform at the Tirupurasundari Temple on the occasion of the Gnana Paal Festival. Musical education He graduated from the Tamil Isai College in Chennai (Madras) in 1949 with the degree 'Isaimani'. He also graduated with the Degree of 'Sangeetha Vidwan'. At the same time, he started rigorous training (Gurukulavasam) under his Guru Thiruppampuram Swaminatha Pillai, who was then a Professor at the Central College of Carnatic Music, Madras. Under his tutelage and in-depth study, he gained knowledge of the nuances and intricacies of Indian Music, espe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
News Today
''News Today'' is an English language evening daily newspaper in Chennai, India India, officially the Republic of India (Hindi: ), is a country in South Asia. It is the seventh-largest country by area, the second-most populous country, and the most populous democracy in the world. Bounded by the Indian Ocean on the so .... It is published from India every evening since 1982. References Newspapers published in Chennai Publications established in 1982 Evening newspapers published in India 1982 establishments in Tamil Nadu {{india-newspaper-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindolam
Hindōḷaṃ is a rāgam in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale). It is a '' janya'' rāgam (derived scale), as it does not have all the seven '' swaras'' (musical notes). Hindolam is not the same as the Hindustani Hindol. The equivalent of ''Hindolam'' in Hindustani music is '' Malkauns''''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications (or Malkosh''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras). It is known to be a rāgam that is generally beautiful and soothing to listen to. Being symmetrical in its ascending and descending scales, it lends itself very well to improvisation and is therefore popular at concerts. Structure and Lakshana ''Hindōḷaṃ'' is a symmetric rāgam that does not contain ''rishabham'' and ''panchamam''. It is a pentatonic scale (''audava-audava'' rāgam in Carnatic music classification—''au ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keeravani
Keeravani (pronounced ) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 21st '' Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. The 21st '' melakarta'' rāgam as per Muthuswami Dikshitar school of music is . This rāgam is a popular scale in western music as well. The Western equivalent is the Harmonic minor scale.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It is said to be borrowed into Hindustani music from Carnatic music. Structure and Lakshana It is the 3rd rāgam in the 4th ''chakra Veda''. The mnemonic name is ''Veda-Go''. The mnemonic phrase is ''sa ri gi ma pa dha nu''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music'' for details on below notation and terms): * : * : The notes used in this scale are ''chathusruthi rishabha, sadharana gandha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamsadhvani
Hamsadhvani (meaning "the cry of the swan"), is a rāga in Carnatic music (musical scale of Carnatic tradition of Indian classical music). It is an ''audava'' rāgam (or ''owdava'' rāga, meaning pentatonic scale). It is a ''janya'' rāga of the Melakartha raga, Sankarabharanam (29th) but according to Hamsadhvani's prayoga or the way it is sung it is said to be the janya of Kalyani (65th). ''Hamsadhvani'' is also extensively used in Hindustani music and said to be borrowed into it from Carnatic music.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It was created by the Carnatic composer Ramaswami Dikshitar (1735–1817), father of Muthuswami Dikshitar (one of the musical trinity of Carnatic music), and brought into Hindustani music by Aman Ali Khan of the Bhendibazaar gharana. It has become popular due to Amir Khan. Structure and lakshana ''Hamsadhvani'' does not contain ''madhyamam'' or ''dhaivatham''. It is a pentatonic scale (''audava-audava'' rag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
