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Adrien (opera)
''Adrien'' (''Hadrian'') is an opera by the French composer Étienne Méhul. The libretto, by François-Benoît Hoffman, is closely based on Metastasio's ''Adriano in Siria''. Written in 1791 and intended for performance at the Paris Opéra in 1792, the work was caught up in the turbulent political climate of the French Revolution and banned until 1799. Performance history The opera was originally entitled ''Adrien, empereur de Rome'' and the premiere was scheduled for 13 March 1792. Hoffman had no political message in mind but the first act contained a scene in which the Emperor Hadrian celebrates a triumph. At the time, France felt under threat from Austria, whose Emperor Leopold II had just died. Rumours also spread that the horses to be used in the triumph were from the stables of Marie-Antoinette, the deeply unpopular French queen and Leopold's sister. Many Parisians began to express their displeasure at the forthcoming opera and on 12 March - in spite of the protests of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne), M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucien Bonaparte
Lucien Bonaparte, 1st Prince of Canino and Musignano (born Luciano Buonaparte; 21 May 1775 – 29 June 1840), was French politician and diplomat of the French Revolution and the Consulate. He served as Minister of the Interior from 1799 to 1800 and as the final president of the Council of Five Hundred in 1799. The third surviving son of Carlo Bonaparte and his wife Letizia Ramolino, Lucien was the younger brother of Napoleon Bonaparte. As president of the Council of Five Hundred, he was one of the participants of the Coup of 18 Brumaire that brought Napoleon to power in France. Early life Lucien was born in Ajaccio, Corsica on 21 May 1775. He was educated in mainland France, initially studying at the military schools of Autun and Brienne but later, after his father's death, at the seminary of Aix-en-Provence, from which he dropped out in 1789. In 1769, the Corsican Republic had been conquered and annexed by France. Lucien's father Carlo Bonaparte had been a strong suppor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin-Joseph Adrien
Martin-Joseph Adrien (also ''Andrien dit la Neuville''; 26 May 1766 – 19 November 1822) was a French operatic bass. Life He was born at Liège, Belgium on 26 May 1766. He was the premier bass singer at the Paris Opéra from 1785 to 1804 and took alternative operatic roles with another great singer, Auguste-Athanase Chéron (1760-1829); afterwards he became choirmaster at the opera. In March 1822 Martin-Joseph succeeded Lainé as professor of declamation at the École royale de musique. Unfortunately, he did not live long to enjoy his new position. Martin-Joseph died November 1822. Some critics considered Martin-Joseph's voice to be too harsh. However, he was an excellent actor. Martin-Joseph's musical talents did not stop with signing. He was also a composer. There are two surviving songs which deal with the aftermath of the French Revolution and foreign invasion. The first was entitled ''Hymne à la Victoire'' (1795) and the second hymn to the martyrs for liberty. In 1813, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Bass-baritone
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in '' Der fliegende Holländer'', Wotan/Der Wanderer in the '' Ring Cycle'' and Hans Sachs in ''Die Meistersinger von Nürnberg''. Wagner labelled these roles as ''Hoher Bass'' ("high bass")—see fach for more details. The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. Secondly, however, it needs to have the ripely resonant lower range typically associated with the bass voice. For example, the role of Wotan in '' Die Walküre'' covers the range from F2 (the F at the bottom of the bass clef) to F4 (the F above middle C), but only infrequently descends beyond C3 (the C below middle C). Bass-baritones are typically divi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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