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Adelina Stehle
Adelina Stehle (30 June 1860 – 24 December 1945) was an Austrian Empire-born operatic soprano, associated almost entirely with the Italian repertory. Biography Born 30 June 1860, in Graz, she studied singing in Milan and debuted as Amina in 1881 in Broni in Lombardy. Her career eventually brought her to La Scala in 1890 where she flourished. She took part in a series of important premieres in the 1890s. In 1893, she was the first Nannetta in Verdi's ''Falstaff'' to the Fenton of her husband, Edoardo Garbin, and they were later important in the popularization of Puccini's ''La bohème''. In 1902, she went to South America before singing in Paris with the Sonzogno Company, as well as in Berlin, Vienna and Saint Petersburg. She became identified with the heavier roles of Italian verismo opera such as ''Adriana Lecouvreur'' and ''Fedora (opera), Fedora''. When she retired from the stage she became a noted teacher. Among her pupils were Giannina Arangi-Lombardi. She died on 24 D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
WikiProject Composers
A WikiProject, or Wikiproject, is an affinity group for contributors with shared goals within the Wikimedia movement. WikiProjects are prevalent within the largest wiki, Wikipedia, and exist to varying degrees within Wikimedia project, sibling projects such as Wiktionary, Wikiquote, Wikidata, and Wikisource. They also exist in different languages, and translation of articles is a form of their collaboration. During the COVID-19 pandemic, CBS News noted the role of Wikipedia's WikiProject Medicine in maintaining the accuracy of articles related to the disease. Another WikiProject that has drawn attention is WikiProject Women Scientists, which was profiled by ''Smithsonian Magazine, Smithsonian'' for its efforts to improve coverage of women scientists which the profile noted had "helped increase the number of female scientists on Wikipedia from around 1,600 to over 5,000". On Wikipedia Some Wikipedia WikiProjects are substantial enough to engage in cooperative activities with outsi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verismo
In opera, , from , meaning 'true', was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and Giacomo Puccini. ''Verismo'' as an operatic genre had its origins in an Italian literary movement of the same name. This was in turn related to the international literary movement of naturalism as practised by Émile Zola and others. Like naturalism, the ''verismo'' literary movement sought to portray the world with greater realism. In so doing, Italian ''verismo'' authors such as Giovanni Verga wrote about subject matter, such as the lives of the poor, that had not generally been seen as a fit subject for literature. History A short story by Verga called ' (), then developed into a play by the same author, became the source for what is usually considered to be the first ''verismo'' opera: ''Cavalleria rusticana'' by Mascagni, which premiered on 17 May 1890 at the Teatro Costan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. The dictionary was first published in 1992 by Macmillan Reference, London, and edited by Stanley Sadie. Christina Bashford was the managing editor. While some entries were based on their equivalent entry in ''The New Grove Dictionary of Music and Musicians'', most were specially commissioned. The work contains contributions from over 1,300 scholars, with 11,000 articles in total, covering over 2,900 composers and 1800 operas. The operas discussed range from the earliest operas in 16th century Italy to the 1992 Philip Glass work '' The Voyage''. The final volume includes four appendices: an index of principal role names in 850 notable operas; an index of incipits of arias and ensembles (first line only, no musical examples); a list of contributors; and illustration acknowledgements. In 1997, the dictio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silvano (opera)
''Silvano'' is a ''dramma marinaresco'' (literally a "seafaring drama") or opera in two acts by Pietro Mascagni from a libretto by Giovanni Targioni-Tozzetti, based on a novel by Alphonse Karr. It received its first performance on 25 March 1895 at La Scala, Milan. Although rarely performed today, the music (if not the drama) is of some technical accomplishment, and when revived, ''Silvano'' has been favourably received. The barcarolle from ''Silvano'' features prominently in a montage during the Martin Scorsese film ''Raging Bull''. Roles Recordings There has been one studio recording of ''Silvano'', recorded in 1995 and several live recordings, the earliest in 1954, and the most recent in 2003:Mascagni.orgSilvano Dirscography/ref> * Orchestra Sinfonica della RAI conducted by Pietro Argento with Aldo Bertocci in the title role. Recorded live in Milan, 1954. Label: MRF MRF-81 (part of 3-LP set) *Orchestra Sinfonica della RAI conducted by Pietro Argento with Gianni Jaia in the tit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guglielmo Ratcliff
''Guglielmo Ratcliff'' is a tragic opera in four acts by Pietro Mascagni to an Italian libretto by Andrea Maffei, translated from the German play ''Wilhelm Ratcliff'' (1822) by Heinrich Heine. Mascagni had substantially finished the composition of ''Ratcliff'' before the success of his first opera, ''Cavalleria rusticana''. After the composition and performance of further operas ''L'amico Fritz'' in 1891 and ''I Rantzau'' in 1893, ''Ratcliff'' eventually premiered on 16 February 1895 at the Teatro alla Scala in Milan and has been revived a number of times since, including a concert performance in 2003 at the Alice Tully Hall in New York and a staged performance at Wexford Festival Opera in 2015, conducted by Francesco Cilluffo. Mascagni often wrote that ''Ratcliff'' was his best opera. However, it has not entered the standard operatic repertoire, in part because the title role is one of the most taxing tenor parts ever written. It is especially known for its act 3 ''Intermezzo'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Mascagni
Pietro Mascagni (7 December 1863 – 2 August 1945) was an Italian composer primarily known for his operas. His 1890 masterpiece '' Cavalleria rusticana'' caused one of the greatest sensations in opera history and single-handedly ushered in the '' Verismo'' movement in Italian dramatic music. While it was often held that Mascagni, like Ruggero Leoncavallo, was a "one-opera man" who could never repeat his first success, '' L'amico Fritz'' and '' Iris'' have remained in the repertoire in Europe (especially Italy) since their premieres. Mascagni wrote fifteen operas, an operetta, several orchestral and vocal works, and also songs and piano music. He enjoyed immense success during his lifetime, both as a composer and conductor of his own and other people's music and created a variety of styles in his operas. Biography Early life and education Mascagni was born on 7 December 1863 in Livorno, Tuscany, the second son of Domenico and Emilia Mascagni. His father owned and operated a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Medici
''I Medici'' is an opera in four acts composed by Ruggero Leoncavallo, with a libretto by the composer. Set in Renaissance Florence at the court of Lorenzo de' Medici, it was intended as the first part of a planned but unfinished trilogy called ''Crepusculum''. The opera premiered on 6 November 1893 at the Teatro Dal Verme in Milan. Background and performance history ''I Medici'' was intended as the first part of a planned but unfinished trilogy called ''Crepusculum'', with the second and third operas to be called ''Savonarola'' and ''I Borgia.'' The word "crepusculum" is Latin for "twilight", signaling the influence of Richard Wagner's tetralogy ''Der Ring des Nibelungen'' (whose fourth installment is called "Twilight of the Gods" (''Götterdämmerung'')). The remaining two operas were never completed. Leoncavallo sought to create an "epic poem" for the stage. However, one contemporary review of the premiere stated: In ''I Medici'' we have a historical opera like those that have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Dal Verme
The Teatro Dal Verme is a theatre in Milan, Italy located on the Via San Giovanni sul Muro, on the site of the former private theatre the ''Politeama Ciniselli''. It was designed by Giuseppe Pestagalli to a commission from Count Francesco Dal Verme, and was used primarily for plays and opera performances throughout the 19th and early 20th centuries. Today, the theatre is no longer used for opera, but is a venue for concerts, plays and dance performances, as well as exhibitions and conferences. The original 3,000-seat theatre, surmounted by a large cupola, was constructed in the traditional horseshoe shape, with two tiers of boxes and a large gallery (or ''loggione'') which alone contained more than 1000 seats. It opened on 14 September 1872 with a production of Meyerbeer's ''Les Huguenots'' and soon established itself as one of Italy's most important opera houses. During its "golden years", the theatre saw the world premieres of Puccini's ''Le Villi'' (31 May 1884), Leoncavallo's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pagliacci
''Pagliacci'' (; literal translation, 'Clowns') is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. The opera tells the tale of Canio, actor and leader of a commedia dell'arte theatrical company, who murders his wife Nedda and her lover Silvio on stage during a performance. ''Pagliacci'' premiered at the Teatro Dal Verme in Milan on 21 May 1892, conducted by Arturo Toscanini, with Adelina Stehle as Nedda, Fiorello Giraud as Canio, Victor Maurel as Tonio, and Mario Ancona as Silvio. Soon after its Italian premiere, the opera played in London (with Nellie Melba as Nedda) and in New York (on 15 June 1893, with Agostino Montegriffo as Canio). ''Pagliacci'' is the best-known of Leoncavallo's ten operas and remains a staple of the repertoire. ''Pagliacci'' is often staged with ''Cavalleria rusticana'' by Pietro Mascagni, a double bill known colloquially as "Cav/Pag". Origin and disputes Leoncavallo was a little-known composer when Pietro Masc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leoncavallo
Ruggero (or Ruggiero) Leoncavallo (23 April 18579 August 1919) was an Italian opera composer and librettist. Throughout his career, Leoncavallo produced numerous operas and songs but it is his 1892 opera ''Pagliacci'' that remained his lasting contribution, despite attempts to escape the shadow of his greatest success. Today ''Pagliacci'' continues to be his most famous opera and one of the most popular and frequently performed works in the operatic repertory. His other notable compositions include the song " Mattinata", popularized by Enrico Caruso, and, to a lesser extent, his version of ''La bohème'' which, however, was overshadowed by Puccini's highly successful opera of the same name. Biography The son of Vincenzo Leoncavallo, a police magistrate and judge, Leoncavallo was born in Naples, Kingdom of the Two Sicilies, on 23 April 1857. As a child, Leoncavallo moved with his father to the town of Montalto Uffugo in Calabria, where he lived during his adolescence. In 1868 h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Wally
''La Wally'' is an opera in four acts by composer Alfredo Catalani, to a libretto by Luigi Illica, first performed at La Scala, Milan, on 20 January 1892. It was Catalani's last opera. The libretto is based on a hugely successful ' by Wilhelmine von Hillern (1836–1916), '' The Vulture Maiden'' (''Die Geier-Wally''). Wally, short for Walburga, is a girl with some heroic attributes. The story is based on an episode in the life of Tyrolean painter Anna Stainer-Knittel, whom von Hillern met. She got her epithet "Geier" (vulture, the local name for eagle) from having gutted a bearded vulture's nest going down a rope; this dangerous task, aimed at protecting the sheep in the Alpine village, was typically performed by a man. Hillern's piece was originally serialized in '' Deutsche Rundschau'' and was reproduced in English as "A German Peasant Romance" [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfredo Catalani
Alfredo Catalani (19 June 1854 – 7 August 1893) was an Italian operatic composer. He is best remembered for his operas '' Loreley'' (1890) and '' La Wally'' (1892). ''La Wally'' was composed to a libretto by Luigi Illica, and features Catalani's most famous aria "Ebben? Ne andrò lontana." This aria, sung by American soprano Wilhelmenia Fernandez, was at the heart of Jean-Jacques Beineix's 1981 film '' Diva''. Catalani's other operas were much less successful. Life and career Born in Lucca, Catalani came from a musical family. He was trained at the Milan Conservatory, where his teachers included Antonio Bazzini. Despite the growing influence of the '' verismo'' style of opera during the 1880s and early 1890s, Catalani chose to compose in a more traditional manner, which had traces of Wagner in it. As a result, his operas (''La Wally'' excepted) have largely lost their place in the modern repertoire, even compared to those of Massenet and Puccini, whose style his own peri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
