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Adavu
Bharatanatyam () is a major form of Indian classical dance that originated in Tamil Nadu. It is one of the eight widely recognized Indian classical dance forms, and expresses South Indian religious themes and spiritual ideas, particularly of Shaivism and in general of Hinduism.Bharata-natyam ''Encyclopædia Britannica''. 2007 A description of Bharatanatyam from the 2nd century CE can be found in the ancient Tamil epic '''', while temple sculptures of the 6th to 9th century CE suggest it was a highly refined performance art by the mid-1st millennium CE. Bharatanatyam is the oldest classical dance trad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandanallur Style
The Pandanallur style is a style of Bharatanatyam Indian dance. It is mainly attributed to Dance Guru Meenakshi sundaram Pillai (1869–1964), a dance guru who lived in the village of Pandanallur, in the Thanjavur district in the south Indian state of Tamil Nadu. Teachers Meenakshisundaram Pillai, whose ancestors were nattuvanars, was a descendant from the Thanjavur Quartet, which comprised four brothers: Chinnaiah, Ponniah, Sivanandam and Vadivel. The works of these four brothers, who were court composers in the early 19th century in Thanjavur, form the main classical masterpieces of Bharata Natyam. Baroda Guru Kubernath Tanjorkar (1916 - 2007), a disciple of Pillai, later established Tanjor Dance Music & Art Research Centre in Baroda, Gujarat. Thiruvallaputhur Swaminatha Pillai, also known as T.K.Swaminatha Pillai, was one of the leading disciples of Pillai. He learned Bharathanatiyam under the Gurukula of Pillai for more than ten years. He also mentored Ram Gopal, who beca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karana Dance
Karanas are the 108 key transitions in the classical Indian dance described in 4th Chapter named "Tandava Lakshana" of Natya Shastra. ''Karana'' is a Sanskrit verbal noun, meaning "doing". Description Natya Shastra states that Karanas are the framework for the "margi" (pan-Indian classical) productions which are supposed to spiritually enlighten the spectators, as opposed to the "desi" (regional folk or pop dance) productions which can only entertain the spectators. "One who performs well this Karana dance created by Maheswara will go free from all sins to the abode of this deity," states Natya ShastraNatya Shastra translated by Manmohan Ghosh 2002 Chowkhamba Press, Varanasi - Page 75. Some of the well-known interpretations of karanas are by Dr.Padma Subramanyam that were based on 108 brief movement phrases describing specific leg, hip, body, and arm movements accompanied by hasta mudras described in the Natya shastra and other scriptures, and from depictions of the movements ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nritya
Nritya (), also referred to as Nritta, Nritta, Natana or Natya, refers to "dance, act on the stage, act, gesticulate, play" in the Indian traditions.Nritya Encyclopaedia Britannicaनृत् Monier Williams Sanskrit English Dictionary, Oxford University Press, page 515 It is sometimes sub-divided into two forms: ''nritta'' or pure dance, wherein expression-less movements of a dancer play out the rhythms and phrases of the music; and ''nritya'' or expressive dance, wherein the dancer includes facial expression and body language to portray mood and ideas with the rhythmic movements to communicate with the audience. ''Nritya'' is broa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tandava
Tandava (also spelled as ) also known as , is a divine dance performed by Hindu god Shiva. Shiva is depicted as dancing the Tandava in his form of Nataraja. The ''Natya Shastra'', a Sanskrit treatise on the performing arts describes various aspects of the Tandava. Description Tandava, as performed in the sacred dance-drama of India, has vigorous, brisk movements. Performed with joy, the dance is called '' Ananda Tandava''. Performed in a violent mood, the dance is called ''Raudra'' or ''Rudra Tandava''. The types of Tandava found in the Hindu texts are: Ananda Tandava, Tripura Tandava, Sandhya Tandava, Samhara Tandava, Kali (Kalika) Tandava, Uma Tandava, Shiva Tandava, Krishna Tandava and Gauri Tandava. Shivani Tandava is described as a vigorous dance that is the source of the cycle of creation, preservation and dissolution. While the ''Rudra Tandava'' depicts his violent nature, first as the creator and later as the destroyer of the universe, even of death itself, the ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thanjavur Quartet
''Thanjavur Quartet'' were four brothers, Chinnayya, Ponnayya, Sivanandam and Vadivelu, who lived during the early 19th century and contributed to the development of Bharatanatyam and Carnatic music. They excelled in the art of Bharatanatyam.The brothers were employed in the courts of the Maratha King Serfoji II at Thanjavur initially, and then moved to Travancore to the Court of Swati Tirunal.They lived in the courts of Tulajaji and Sarabhoji kings. The Tanjore brothers gave the actual form of the recent day repertoire of Bharatanatyam - The Margam. Musical training At the encouragement of the King they learnt the nuances of Carnatic music from a number of exponents of their time including Muthuswami Dikshitar. Dikshitar appreciated Vadivelu Pillai as an ''ekasandhagrahi'', one who had the ability to repeat a song heard only once. The quartet wrote a set of nine songs called ''navaratna mela'' in tribute of their teacher. After a stint at the courts of Serfoji, the brothers m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natya Shastra
The ''Nāṭya Śāstra'' (, ''Nāṭyaśāstra'') is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The text consists of 36 chapters with a cumulative total of 6000 poetic verses describing performance arts. The subjects covered by the treatise include dramatic composition, structure of a play and the construction of a stage to host it, genres of acting, body movements, make up and costumes, role and goals of an art director, the musical scales, musical instruments and the integration of music with art performance. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, one which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is a desired effect of performance arts but not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharata Muni
Bharata Muni ( Hindi: भरत मुनि) was an ancient sage who the musical treatise ''Natya Shastra'' is traditionally attributed to. The work covers ancient Indian dramaturgy and histrionics, especially Sanskrit theatre. Bharata is considered the father of Indian theatrical art forms. He is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE.Dace, W. (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is the desired effect of performance arts but not the primary goal and that the primary goal is to transport the individual in the audience into another parallel reality, full of wonder, where he experiences the essence of his own consci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiva
Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as "The Destroyer" within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition, the Supreme Goddess ( Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash as well as a householder with his wife Parvati and his three children, Ganesha, Ka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karnataka
Karnataka (; ISO: , , also known as Karunāḍu) is a state in the southwestern region of India. It was formed on 1 November 1956, with the passage of the States Reorganisation Act. Originally known as Mysore State , it was renamed ''Karnataka'' in 1973. The state corresponds to the Carnatic region. Its capital and largest city is Bengaluru. Karnataka is bordered by the Lakshadweep Sea to the west, Goa to the northwest, Maharashtra to the north, Telangana to the northeast, Andhra Pradesh to the east, Tamil Nadu to the southeast, and Kerala to the southwest. It is the only southern state to have land borders with all of the other four southern Indian sister states. The state covers an area of , or 5.83 percent of the total geographical area of India. It is the sixth-largest Indian state by area. With 61,130,704 inhabitants at the 2011 census, Karnataka is the eighth-largest state by population, comprising 31 districts. Kannada, one of the classical languages of In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit
Sanskrit (; attributively , ; nominalization, nominally , , ) is a classical language belonging to the Indo-Aryan languages, Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had Trans-cultural diffusion, diffused there from the northwest in the late Bronze Age#South Asia, Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a lingua franca, link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Indo-Aryan lang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Badami Cave Temples
The Badami cave temples are a complex of Hindu and Jain cave temples located in Badami, a town in the Bagalkot district in northern part of Karnataka, India. The caves are important examples of Indian rock-cut architecture, especially Badami Chalukya architecture, and the earliest date from the 6th century. Badami is a modern name and was previously known as Vataapinagara, the capital of the early Chalukya dynasty, which ruled much of Karnataka from the 6th to the 8th century. Badami is situated on the west bank of a man-made lake ringed by an earthen wall with stone steps; it is surrounded on the north and south by forts built in later times. These caves were discovered by Stella Kramrisch in 1924. The Badami cave temples represent some of the earliest known examples of Hindu temples in the Deccan region. They along with the temples in Aihole transformed the Mallaprabha River valley into a cradle of temple architecture that influenced the components of later Hindu templ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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