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Actéon (opera)
''Actéon'' (''Actaeon'') is a ''Pastorale'' in the form of a miniature ''tragédie en musique'' in six scenes by Marc-Antoine Charpentier, Opus H.481 & H.481a, based on a Greek myth. History It is highly unlikely that this opera was written for performance at the Hôtel de Guise, the palatial Parisian residence of Marie de Lorraine, Duchess of Guise, Charpentier's protectress. (The work was copied into a Roman-number notebook, which strongly suggests that it was an outside commission; and the overall distribution of voices and instruments does not match that of the Guise ensemble of the time.) Although the patron and the place of performance remain unknown, the date can be determined with considerable accuracy: the spring hunting season of 1684. Later that year (presumably for the fall hunting season) it was revised to change the title role from an ''haute-contre'' role (perhaps originally sung by Charpentier) to a soprano part, and was at that time renamed ''Actéon changé en ...
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Marc-Antoine Charpentier
Marc-Antoine Charpentier (; 1643 – 24 February 1704) was a French Baroque composer during the reign of Louis XIV. One of his most famous works is the main theme from the prelude of his ''Te Deum'' ''H.146, Marche en rondeau''. This theme is still used today as a fanfare during television broadcasts of the Eurovision Network and the European Broadcasting Union. Marc-Antoine Charpentier dominated the Baroque musical scene in seventeenth century France because of the quality of his prolific output. He mastered all genres, and his skill in writing sacred vocal music was especially hailed by his contemporaries. He began his career by going to Italy, where he fell under the influence of Giacomo Carissimi as well as other Italian composers, perhaps Domenico Mazzocchi. He would remain marked by the Italian style and become the only one with Jean-Joseph Cassanéa de Mondonville in France to approach the oratorio. In 1670, he became a master of music (composer and singer) in the se ...
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Hyale
''Menesta'' is a moth genus of the family Depressariidae.''Menesta''
at Markku Savela's ''Lepidoptera and Some Other Life Forms''.


Species

* ''Menesta astronoma'' (Meyrick, 1909) * ''Menesta cinereocervina'' (Walsingham, [1892]) * ''Menesta melanella'' Murtfeldt, 1890 * ''Menesta succinctella'' (Walker, 1864) * ''Menesta tortriciformella'' Clemens, 1860


References

{{Taxonbar, from=Q13860153 Menesta, Stenomatinae Moth genera ...
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1684 Operas
Events January–March * January 5 ** King Charles II of England gives the title Duke of St Albans to Charles Beauclerk, his illegitimate son by Nell Gwyn. ** The earliest form of what is now the University of Tokyo (formally chartered in 1877), the Tenmongata, is established in Japan. * January 15 (January 5 O.S.) – To demonstrate that the River Thames, frozen solid during the Great Frost that started in December, is safe to walk upon, "a Coach and six horses drove over the Thames for a wager" and within three days "whole streets of Booths are built on the Thames and thousands of people are continually walking thereon." Sir Richard Newdigate, 2nd Baronet, records the events in his diary. * January 26 – Marcantonio Giustinian is elected Doge of Venice. * January – Edmond Halley, Christopher Wren and Robert Hooke have a conversation in which Hooke later claimed not only to have derived the inverse-square law, but also all the laws of planetary motion attributed to S ...
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French-language Operas
French opera is both the art of opera in France and opera in the French language. It is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV with Jean-Baptiste Lully's (1673), although there had been various experiments with the form before that, most notably by Robert Cambert. Lully and his librettist Quinault created , a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, Christoph Willibald Gluck was persuaded to produce six operas for the Paris Opera in the 1770s. They show the influence of Rameau, but simplified and with gre ...
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Operas By Marc-Antoine Charpentier
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ...
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Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language '' Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. ...
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Classic Produktion Osnabrück
Classic Produktion Osnabrück (often referred to as cpo, in lowercase) is a record label founded in 1986 by Georg Ortmann and several others. Its declared mission is to fill niches in the recorded classical repertory, with an emphasis on romantic, late romantic, and 20th-century music. The label also aims to release complete cycles of recordings, such as complete sets of symphonies, concertos, chamber music, and so forth. It is the house label of online retailer jpc. Recordings Recordings issued by cpo include: *Concertos, suites, cantates, and chamber music by Georg Philipp Telemann *The complete orchestral works and string quartets of Paul Hindemith *The complete string quartets of Mieczysław Weinberg *The complete orchestral works of Erich Wolfgang Korngold *The orchestral works of Hans Pfitzner (and a substantial amount of his chamber works as well) *The symphonies and string quartets of Benjamin Frankel *The symphonies and orchestral works of Théodore Gouvy *The symp ...
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Boston Early Music Festival
The Boston Early Music Festival (BEMF) is a non-profit organization founded in 1980 in Boston, Massachusetts, to promote historical music performance. It arranges an annual Boston and New York City concert series, produces opera recordings, and organizes a biennial week-long Festival and Exhibition in Boston. History One of BEMF's goals is to bring attention to lesser-known Baroque operas, which are performed with period singing, orchestral performance, costuming, dance and staging. The centerpiece of the biennial festivals is a fully staged Baroque opera production. BEMF operas are led by Artistic Directors Paul O'Dette and Stephen Stubbs, Orchestra Director Robert Mealy, and Opera Director Gilbert Blin. During each Festival, concerts are presented daily from morning until late at night. They are performed by an array of musicians, ranging from the established to the emerging, and allow for unique collaborations and programs by performers assembled for the Festival week ...
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Stephen Stubbs
Stephen Stubbs (born 1951) is a lutenist and music director and has been a leading figure in the American early music scene for nearly thirty years. Born in Seattle, he studied harpsichord and composition at the University of Washington where, at the same time, he began playing the harpsichord and the lute. After graduation he moved to in England and Holland to study, and gave his debut concert in London's Wigmore Hall in 1976. From 1981 to 2013, Stubbs taught at the University of the Arts Bremen in Germany. In 2013, he became an artist in residence at the University of Washington in Seattle. He has performed extensively with his ensembles Tragicomedia and Teatro Lirico,Allan Kozinn, Kozinn, Allan (2000)The Rare Crossover With Many Rewards, ''The New York Times'', June 18, 2000, retrieved 2011-07-13 and conducted baroque operas worldwide. He has recorded numerous albums with other famous ensembles like the Hilliard Ensemble and with Andrew Lawrence-King. He moved back to Seattle in ...
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Paul O'Dette
Paul Raymond O'Dette (born February 2, 1954) is an American lutenist, conductor, and musicologist specializing in early music. Biography O'Dette, who was born in Pittsburgh, began playing the electric guitar in a rock band in Columbus, Ohio, where he grew up. Eventually, this led him into playing guitar transcriptions of lute music, and not long after that he opted for the lute (as well as the related archlute, theorbo, and Baroque guitar) as his primary instruments, and now he specializes in the performance of Renaissance and Baroque music. He has made more than 120 recordings, earning five Grammy nominations and numerous other awards. In addition to his activities as a performer, Paul O'Dette is an avid researcher, having worked extensively on the performance and sources of seventeenth-century Italian and English solo song, continuo practices and lute technique. Since 1976, he has served as Professor of Lute and Director of Early Music at the Eastman School of Music. He is ...
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Harmonia Mundi
Harmonia Mundi is a record label that specializes in classical music, jazz, and world music (on the World Village label). It was founded in France in 1958 and is now a subsidiary of PIAS Entertainment Group, which is itself owned by Universal Music Group as of October 2024. Its Latin name ''harmonia mundi'' translates as "harmony of the world". History In the 1950s, two music entrepreneurs, Frenchman Bernard Coutaz and German Rudolf Ruby, met by chance on a train journey and started a friendship based on their musical interests. They formed a business relationship and set up two classical music record labels, both named ''Harmonia Mundi''. Coutaz's Harmonia Mundi (France) was founded in Saint-Michel-de-Provence, France, in 1958, and around the same time, Rudolf Ruby set up Deutsche Harmonia Mundi. The two labels shared similar aims and specialised in recordings of Early and Baroque music, with an emphasis on scholarly, historically informed performance and high-quality sou ...
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