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Achilles On Skyros
Achilles on Skyros is an episode in the myth of Achilles, a Greek hero of the Trojan War. Not existing in Homer's epic poem ''Iliad'', the episode is written down in detail in some later versions of the story, particularly the ''Achilleid'' by the Roman poet Statius. The story of how Achilles disguised himself as a girl at the court of the king of Skyros, fell in love with one of the princesses, and married her before leaving for Troy, became a popular topic in arts and literature from Classical antiquity, Classical times until the middle of the 20th century. The carnivalesque disguises and gender transpositions at the heart of the story were particularly popular in opera, with over 30 different operas on the theme between 1641 and 1857. Story Rather than allow her son Achilles to die at Troy as prophesied, the nymph Thetis sent him to live at the court of Lycomedes, king of Skyros, disguised as another daughter of the king or as a lady-in-waiting, under the name Pyrrha "the red- ...
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Fresco Depicting The Discovery Of Achilles On Skyros
Fresco ( or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' () is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in apparently ''buon fresco'' technology, t ...
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Odysseus
In Greek mythology, Greek and Roman mythology, Odysseus ( ; , ), also known by the Latin variant Ulysses ( , ; ), is a legendary Greeks, Greek king of Homeric Ithaca, Ithaca and the hero of Homer's Epic poetry, epic poem, the ''Odyssey''. Odysseus also plays a key role in Homer's ''Iliad'' and other works in that same epic cycle. As the son of Laertes (father of Odysseus), Laërtes and Anticlea, husband of Penelope, and father of Telemachus, Acusilaus, and Telegonus (son of Odysseus), Telegonus, Odysseus is renowned for his intellectual brilliance, guile, and versatility (''polytropos''), and he is thus known by the epithet Odysseus the Cunning (). He is most famous for his ''nostos'', or "homecoming", which took him ten eventful years after the decade-long Trojan War. Name, etymology, and epithets The form ''Odys(s)eus'' is used starting in the epic period and through the classical period, but various other forms are also found. In vase inscriptions, there are the varian ...
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La Finta Pazza
''La finta pazza'' (''The feigned madwoman'') is an opera composed by Francesco Sacrati to a libretto by Giulio Strozzi. Its premiere in Venice during the Carnival season of 1641 inaugurated the Teatro Novissimo. It became one of the most popular operas of the seventeenth century. History Venice, 1641 On 30 May 1640, the decision was made to create a new opera house in Venice, to compete with the existing three opera houses, the Teatro San Cassiano, the Teatro Santi Giovanni e Paolo, and the Teatro San Moisè. The Teatro Novissimo marked the first time that a building was created specifically for opera. Early in 1641, before the opera had been performed for the first time, the libretto was already printed. This was highly unusual and a first for Venice, but would become standard practice at the Teatro Novissimo. Giulio Strozzi was already a well-established libretto writer at the time, and had in 1627 collaborated with Claudio Monteverdi on '' La finta pazzi Licori'', an aborte ...
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Metastasio
Pietro Antonio Domenico Trapassi (3 January 1698 – 12 April 1782), better known by his pseudonym of Pietro Metastasio (), was an Italian poet and librettist, considered the most important writer of ''opera seria'' libretti. Early life Metastasio was born in Rome, where his father, Felice Trapassi, a native of Assisi, had taken service in the Corsican regiment of the papal forces. Felice married a Bolognese woman, Francesca Galasti, and became a grocer in the ''Via dei Cappellari''. The couple had two sons and two daughters; Pietro was the younger son. Pietro, while still a child, is said to have attracted crowds by reciting impromptu verses on a given subject. On one such occasion in 1709, two men of distinction stopped to listen: Giovanni Vincenzo Gravina, famous for legal and literary erudition as well as his directorship of the Arcadian Academy, and Lorenzini, a critic of some note. Gravina was attracted by the boy's poetic talent and personal charm, and made Pietro h ...
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Jan De Bray, Achilles Wśród Córek Likomedesa (Owidiusz, Metamorfozy)
Jan, JaN or JAN may refer to: Acronyms * Jackson, Mississippi (Amtrak station), US, Amtrak station code JAN * Jackson-Evers International Airport, Mississippi, US, IATA code * Jabhat al-Nusra (JaN), a Syrian militant group * Japanese Article Number, a barcode standard compatible with EAN * Japanese Accepted Name, a Japanese nonproprietary drug name * Job Accommodation Network, US, for people with disabilities * ''Joint Army-Navy'', US standards for electronic color codes, etc. * ''Journal of Advanced Nursing'' Personal name * Jan (name), male variant of ''John'', female shortened form of ''Janet'' and ''Janice'' * Jan (Persian name), Persian word meaning 'life', 'soul', 'dear'; also used as a name * Ran (surname), romanized from Mandarin as Jan in Wade–Giles * Ján, Slovak name Other uses * January, as an abbreviation for the first month of the year in the Gregorian calendar * Jan (cards), a term in some card games when a player loses without taking any tricks or scoring a ...
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Tirso De Molina
Gabriel Téllez, O. de M. (24 March 158320 February 1648), also known as Tirso de Molina, was a Spanish Baroque dramatist and poet, as well as a Mercedarian friar, and Catholic priest. He is primarily known for writing '' The Trickster of Seville and the Stone Guest'', the play from which the character Don Juan originates. His work also includes female protagonists and the exploration of sexual issues. Life and career Gabriel Téllez was born in Madrid to Andrés López and Juana Téllez, servants of the Count of Molina. As a youth, he studied at the University of Alcalá. He joined the mendicant Order of Our Lady of Mercy on 4 November 1600, by whom he was sent to the Monastery of San Antolín at Guadalajara to begin his period of novitiate on 21 January 1601. He had been ordained as a priest by 1610. Téllez had been writing plays for ten years when he was sent by his superiors on a mission to the West Indies in 1615; as a result, he resided in the Spanish colony of Sant ...
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Renaissance
The Renaissance ( , ) is a Periodization, period of history and a European cultural movement covering the 15th and 16th centuries. It marked the transition from the Middle Ages to modernity and was characterized by an effort to revive and surpass the ideas and achievements of classical antiquity. Associated with great social change in most fields and disciplines, including Renaissance art, art, Renaissance architecture, architecture, politics, Renaissance literature, literature, Renaissance exploration, exploration and Science in the Renaissance, science, the Renaissance was first centered in the Republic of Florence, then spread to the Italian Renaissance, rest of Italy and later throughout Europe. The term ''rinascita'' ("rebirth") first appeared in ''Lives of the Artists'' () by Giorgio Vasari, while the corresponding French word was adopted into English as the term for this period during the 1830s. The Renaissance's intellectual basis was founded in its version of Renaiss ...
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Euripides
Euripides () was a Greek tragedy, tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the ''Suda'' says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete (''Rhesus (play), Rhesus'' is suspect). There are many fragments (some substantial) of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declinedMoses Hadas, ''Ten Plays by Euripides'', Bantam Classic (2006), Introduction, p. ixhe became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes, and Menander.L.P.E.Parker, ''Euripides: Alcestis'', Oxford University Press (2007), Introduction p. lx Euripides is identified with theatrical innovations that have profoundly influ ...
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Athenion Of Maroneia
Athenion of Maroneia (Ancient Greek: Ἀθηνίων Μαρωνίτης) was an ancient Greek painter, born at Maroneia in Thrace who flourished during the late 4th and early 3rd centuries BC. He was a pupil of Glaucion of Corinth, and a contemporary probably of Nicias, whom he resembled and excelled, though his style was harsher. He gave promise of the highest excellence in his art, but died young. Works *''Αχιλλεύς ως κόρη'' (Achilles, disguised as a Girl, discovered by Odysseus) *''Συγγενικόν'' (An Assembly of Relatives) *''Νεανίας Iπποκόμος'' (Α Groom with a Horse) *''Φύλαρχος''Phylarch References *Natural History (Pliny) xxxv.134Art Encyclopedia
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Polygnotus
Polygnotus (; ''Polygnotos'') was an ancient Greek painter from the middle of the 5th century BC. Life He was the son and pupil of Aglaophon. He was a native of Thasos but was adopted by the Athenians and admitted to their citizenship. During the time of Cimon, Polygnotus painted for the Athenians a picture of the taking of Troy on the walls of the Stoa poikile, Stoa Poikile and another of the marriage of the daughters of Leucippus in the Anacaeum. Plutarch mentions historians and the poet Melanthius attest that Polygnotus did not paint for money but rather out of a charitable feeling towards the Athenian people. In the hall at the entrance to the Acropolis, Athens, Acropolis, other works of his were preserved. The most important of his paintings were his frescoes in the Lesche of the Knidians, a building erected at Delphi by the people of Cnidus. The subjects of these were the visit to Hades by Odysseus and the taking of Troy. The traveller Pausanias (geographer), Pausania ...
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Poussin - 1656 - Achilles On Skyros
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was a French painter who was a leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his earli ...
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Dionysus
In ancient Greek religion and Greek mythology, myth, Dionysus (; ) is the god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre. He was also known as Bacchus ( or ; ) by the Greeks (a name later adopted by the Ancient Rome, Romans) for a frenzy he is said to induce called ''baccheia''. His wine, music, and ecstatic dance were considered to free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his Cult of Dionysus, cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thrace, Thracian, others as Greek. In O ...
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