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Achille Stocchi
Achille Stocchi (dates uncertain, died after 1870) was an Italian sculptor who worked in Rome in the mid-nineteenth century. His father was Amadeo Stocchi, a sculptor in the studio of Antonio Canova, who began well by winning a prize from the Accademia di San Luca but vanished in obscurity. In Giuseppe Valadier's systemization of Piazza del Popolo, Stocchi provided the ''Autumn'' in the set of seasons the crown the exedras that delimit the piazza east and west. (TCI). He was among the team of sculptors working in the Torlonia Chapel in San Giovanni in Laterano under the architect Quintiliano Raimondi (TCI) He provided the dolphins added to the fountain in Piazza Colonna. In 1863 Achille Stocchi suggested a monument, for which he provided the plaster ''bozzetto'' (1867), commemorating the ''disfide di Barletta'', 1503, when thirteen Italian champions turned back French forces in the city of Barletta Barletta () is a city, ''comune'' of Apulia, in south eastern Italy. Barletta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Canova
Antonio Canova (; 1 November 1757 – 13 October 1822) was an Italian Neoclassical sculptor, famous for his marble sculptures. Often regarded as the greatest of the Neoclassical artists,. his sculpture was inspired by the Baroque and the classical revival, and has been characterised as having avoided the melodramatics of the former, and the cold artificiality of the latter.Jean Martineau & Andrew Robinson, ''The Glory of Venice: Art in the Eighteenth Century.'' Yale University Press, 1994. Print. Life Possagno In 1757, Antonio Canova was born in the Venetian Republic city of Possagno to Pietro Canova, a stonecutter, and Maria Angela Zardo Fantolini.. In 1761, his father died. A year later, his mother remarried. As such, in 1762, he was put into the care of his paternal grandfather Pasino Canova, who was a stonemason, owner of a quarry, and was a "sculptor who specialized in altars with statues and low reliefs in late Baroque style". He led Antonio into the art of scul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Di San Luca
The Accademia di San Luca (the "Academy of Saint Luke") is an Italian academy of artists in Rome. The establishment of the Accademia de i Pittori e Scultori di Roma was approved by papal brief in 1577, and in 1593 Federico Zuccari became its first ''principe'' or director; the statutes were ratified in 1607. Other founders included Girolamo Muziano and Pietro Olivieri. The Academy was named for Luke the Evangelist, the patron saint of painters. From the late sixteenth century until it moved to its present location at the Palazzo Carpegna, it was based in an urban block by the Roman Forum and although these buildings no longer survive, the Academy church of Santi Luca e Martina, does. Designed by the Baroque architect, Pietro da Cortona, its main façade overlooks the Forum. History The Academy's predecessor was the ''Compagnia di San Luca'', a guild of painters and miniaturists, which had its statutes and privileges renewed at the much earlier date of 17 December 1478 b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Valadier
Giuseppe Valadier (April 14, 1762 – February 1, 1839) was an Italian architect and designer, urban planner and archaeologist and a chief exponent of Neoclassicism in Italy. Biography The son of a goldsmith, Luigi (1726–1785), Valadier was born in Rome in 1762. He also occasionally provided designs for silver, such as the "York Chalice" for Henry Cardinal York (1800–01), the grand silver table service for Monsignor Antonio Odescalchi (1795–97) and the similar Rospigliosi-Pallavicini service, begun in 180which he partly produced in the silver workshop he directly oversaw and partly sub-contracted to other Roman silversmiths. Valadier also designed some furniture and other decorative arts, such as the rock crystal and silver reliquary for relics of the Holy Crib in Santa Maria Maggiore, for Pope Pius IX. Valadier worked in Rome and elsewhere in the Papal States, but many of his projects remained on paper. He was named official ''architetto camerale'' of the Papal States by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piazza Del Popolo
Piazza del Popolo is a large urban square in Rome. The name in modern Italian literally means "People's Square", but historically it derives from the poplars (''populus'' in Latin, ''pioppo'' in Italian) after which the church of Santa Maria del Popolo, in the northeast corner of the piazza, takes its name. The piazza lies inside the northern gate in the Aurelian Walls, once the Porta Flaminia of ancient Rome, and now called the Porta del Popolo. This was the starting point of the Via Flaminia, the road to ''Ariminum'' (modern-day Rimini) and the most important route to the north. At the same time, before the age of railroads, it was the traveller's first view of Rome upon arrival. For centuries, the Piazza del Popolo was a place for public executions, the last of which took place in 1826. Valadier's design The layout of the piazza today was designed in neoclassical style between 1811 and 1822 by the architect Giuseppe Valadier, He removed a modest fountain by Giacomo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exedra
An exedra (plural: exedras or exedrae) is a semicircular architectural recess or platform, sometimes crowned by a semi-dome, and either set into a building's façade or free-standing. The original Greek sense (''ἐξέδρα'', a seat out of doors) was applied to a room that opened onto a stoa, ringed with curved high-backed stone benches, a suitable place for conversation. An exedra may also be expressed by a curved break in a colonnade, perhaps with a semicircular seat. The exedra would typically have an apsidal podium that supported the stone bench. The free-standing (open air) exedra, often supporting bronze portrait sculpture, is a familiar Hellenistic structure, characteristically sited along sacred ways or in open places in sanctuaries, such as at Delos or Epidaurus. Some Hellenistic exedras were built in relation to a city's agora, as in Priene. Monument architects have also used this free-standing style in modern times. Rise The exedra achieved particular popula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Giovanni In Laterano
The Archbasilica Cathedral of the Most Holy Savior and of Saints John the Baptist and John the Evangelist in the Lateran ( it, Arcibasilica del Santissimo Salvatore e dei Santi Giovanni Battista ed Evangelista in Laterano), also known as the Papal Archbasilica of Saint John nLateran, Saint John Lateran, or the Lateran Basilica, is a Catholic cathedral church of the Diocese of Rome in the city of Rome, and serves as the seat of the bishop of Rome, the pope. The archbasilica lies outside of Vatican City proper, which is located approximately to the northwest. Nevertheless, as properties of the Holy See, the archbasilica and its adjoining edifices enjoy an extraterritorial status from Italy, pursuant to the terms of the Lateran Treaty of 1929. The church is the oldest and highest ranking of the four major papal basilicas as well as one of the Seven Pilgrim Churches of Rome, holding the unique title of "archbasilica". Founded in 324, it is the oldest public church in the city of Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piazza Colonna
Piazza Colonna is a piazza at the center of the Rione of Colonna in the historic heart of Rome, Italy. It is named for the marble Column of Marcus Aurelius, which has stood there since AD 193. The bronze statue of Saint Paul that crowns the column was placed in 1589, by order of Pope Sixtus V. The Roman Via Lata (now the Via del Corso) runs through the piazza's eastern end, from south to north. Overview The piazza is rectangular. Its north side is taken up by Palazzo Chigi, formerly the Austria-Hungary's embassy, but is now a seat of the Italian government. The east side is taken up by the 19th century public shopping arcade Galleria Colonna (since 2003 Galleria Alberto Sordi), the south side is taken up by the flank of Palazzo Ferrajoli, formerly the Papal post office, and the little Church of Santi Bartolomeo ed Alessandro dei Bergamaschi (1731-35). The west side is taken up by Palazzo Wedekind (1838) with a colonnade of Roman columns taken from Veii. The piazza has been a m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bozzetto
A ''maquette'' (French word for scale model, sometimes referred to by the Italian names ''plastico'' or ''modello'') is a scale model or rough draft of an unfinished sculpture. An equivalent term is ''bozzetto'', from the Italian word for "sketch". Sculpture A maquette is used to visualize and test forms and ideas without incurring the expense and effort of producing a full-scale piece. It is the analogue of the painter's cartoon, ''modello'', oil sketch, or drawn sketch. For commissioned works, especially monumental public sculptures, a maquette may be used to show the client how the finished work will relate to its proposed site. The term may also refer to a prototype for a video game, film, or other media. ''Modello'', unlike the other terms, is also used for sketches for two-dimensional works such as paintings. Like oil sketches, these models by highly regarded artists can become as desirable as their completed works, as they show the process of developing an idea. For ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Challenge Of Barletta
The Challenge of Barletta ( Italian: ''Disfida di Barletta'') was a duel fought in the countryside of Trani, near Barletta, southern Italy, on 13 February 1503, during the Third Italian War, on the plains between Corato and Andria. Overview The tournament was provoked by a French knight Charles de la Motte who, after drinking too much of the local wine, made disparaging remarks about the Italians.The Italian Trade Commission 'Rosso Barletta"'' ItalianMade.Com Accessed: December 29th, 2010 It consisted in a mounted tourney between 13 Italians (the most famous being Ettore Fieramosca), who were part of the Spanish army based in Barletta, and 13 French knights who were based in Canosa di Puglia. The Italian knights won the battle, and the French had to pay ransom. Barletta has since acquired the appellation ''Città della Disfida'' (City of the Challenge) as a result. The event inspired a historical novel by the Italian writer Massimo D'Azeglio, '' Ettore Fieramosca'', or '' La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barletta
Barletta () is a city, ''comune'' of Apulia, in south eastern Italy. Barletta is the capoluogo, together with Andria and Trani, of the Province of Barletta-Andria-Trani. It has a population of around 94,700 citizens. The city's territory belongs to the Valle dell'Ofanto. The Ofanto river crosses the countryside and forms the border between the territory of Barletta and that of Margherita di Savoia. The mouth of the river is in the territory of Barletta. The area of Barletta also includes part of the battlefield of Cannae. This is a very important archeological site, remembered for the major battle in 216 BCE between the Romans and the Carthaginians, won by Hannibal. The site has been recognised as Città d'Arte (''city of art'') of Apulia in the 2005 for the beautiful architecture. Cannae flourished in the Roman period and then after a series of debilitating Saracen attacks, was finally destroyed by the Normans and then abandoned in the early Middle Ages. Barletta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century Italian Sculptors
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Male Sculptors
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) The Italian may refer to: * ''The Italian'' (1915 film), a silent film by Reginald Barker * ''The Italian'' (2005 film), a Russian film by A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
