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A Movie
''A Movie'' (styled as ''A MOVIE'') is a 1958 experimental collage film by American artist Bruce Conner. It combines pieces of found footage taken from various sources such as newsreels, soft-core pornography, and B movies, all set to a score featuring Ottorino Respighi's ''Pines of Rome''. The film is recognized as a landmark work in American experimental cinema, particularly as an early example of found footage. ''A Movie'' was inducted into the National Film Registry in 1994. Content ''A Movie'' opens with its longest shot, an extended production credit with Bruce Conner's name. After the opening credits, the countdown leader is interrupted by a shot of an undressed woman removing her stockings. Once the countdown completes, an intertitle falsely announces "The End" of the film. The film moves into a montage of cavalry, tanks, race cars, and a charging elephant. Another false ending precedes footage of zeppelins and tightrope walkers. In one well-known sequence, a man in a ...
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Bruce Conner
Bruce Conner (November 18, 1933 – July 7, 2008) was an American artist who worked with assemblage, film, drawing, sculpture, painting, collage, and photography. Biography Bruce Conner was born November 18, 1933 in McPherson, Kansas.His well-to-do middle-class family moved to Wichita, when Conner was four. He attended high school in Wichita, Kansas. Conner studied at Wichita University (now Wichita State University) and later at University of Nebraska, where he graduated in 1956 with a bachelor of fine arts degree. During this time as a student he visited New York City. Conner worked in a variety of media from an early age. Early career (mid 1950s / early 1960s) In 1955, Conner studied for six months at Brooklyn Museum Art School on a scholarship. His first solo gallery show in New York City took place in 1956 and featured paintings. His first solo shows in San Francisco, in 1958 and 1959, featured paintings, drawings, prints, collages, assemblages, and sculpture. The D ...
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Journal Of Film And Video
The ''Journal of Film and Video'' is the official academic journal of the University Film and Video Association. It features articles on film and video production, history, theory, criticism, and aesthetics. The journal is published by the University of Illinois Press for the association and the current editor is Michael Clark, of California State University, Los Angeles. See also * List of film periodicals References External links ''Journal of Film and Video'' Film studies journals Media studies journals Television studies journals University of Illinois Press academic journals {{media-journal-stub ...
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Alan Berliner
Alan Berliner (born 1956) is an American independent filmmaker. ''The New York Times'' has described Berliner's work as "powerful, compelling and bittersweet... full of juicy conflict and contradiction, innovative in their cinematic technique, unpredictable in their structures... Alan Berliner illustrates the power of fine art to transform life." Biography Berliner was born in Brooklyn, and raised in Queens. Berliner earned in 1977 a BA with highest honors, from Binghamton University, cinema, and in 1979 MFA (with highest honors) from the University of Oklahoma, School of Art. He is currently a faculty member at the New School for Social Research in New York City, where he teaches a course entitled, "Experiments in Time, Light and Motion." Berliner's experimental documentary films, First Cousin Once Removed (2013), Wide Awake, The Sweetest Sound (2001), Nobody's Business (1996), Intimate Stranger (1991), and The Family Album (1986), have been broadcast all over the world, and ...
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Christian Marclay
Christian Marclay (born January 11, 1955) is a visual artist and composer. He holds both American and Swiss nationality. Marclay's work explores connections between sound, noise, photography, video, and film. A pioneer of using gramophone records and turntables as musical instruments to create sound collages, Marclay is, in the words of critic Thom Jurek, perhaps the "unwitting inventor of turntablism." His own use of turntables and records, beginning in the late 1970s, was developed independently of but roughly parallel to hip hop's use of the instrument.European Graduate School Biography
. Retrieved 25 June 2011.


Early life and education

Christian Marclay was born on January 11, 1955, in

Peter Hutton (filmmaker)
Peter Barrington Hutton (August 24, 1944 – June 25, 2016) was an American experimental filmmaker, known primarily for his silent cinematic portraits of cities and landscapes around the world. He also worked as a professional cinematographer, most notably for his former student Ken Burns, as well as cinematography for Lizzie Borden's "Born in Flames," Sheila McLaughlin and Lynne Tillman's "Committed," assorted films by artist Red Grooms and Albert Maysles' ''The Gates''. Early life and education Born in Detroit, Michigan, Hutton studied painting, sculpture, and film at the San Francisco Art Institute. Career In 1987, Hutton was awarded Best Cinematography for his work on Phil Hartman's feature film "No Picnic" at the Sundance Film Festival. In 2011, the National Film Registry of the Library of Congress selected "Study of a River" as one of 25 films annually chosen. He taught filmmaking at CalArts, Hampshire College, Harvard University, SUNY Purchase, and Bard College, where h ...
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Library Of Congress
The Library of Congress (LOC) is the research library that officially serves the United States Congress and is the ''de facto'' national library of the United States. It is the oldest federal cultural institution in the country. The library is housed in three buildings on Capitol Hill in Washington, D.C.; it also maintains a conservation center in Culpeper, Virginia. The library's functions are overseen by the Librarian of Congress, and its buildings are maintained by the Architect of the Capitol. The Library of Congress is one of the largest libraries in the world. Its "collections are universal, not limited by subject, format, or national boundary, and include research materials from all parts of the world and in more than 470 languages." Congress moved to Washington, D.C., in 1800 after holding sessions for eleven years in the temporary national capitals in New York City and Philadelphia. In both cities, members of the U.S. Congress had access to the sizable colle ...
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Film Quarterly
''Film Quarterly'', a journal devoted to the study of film, television, and visual media, is published by University of California Press. It publishes scholarly analyses of international and Hollywood cinema as well as independent film, including documentary and animation. The journal also revisits film classics; examines television and digital and online media; reports from international film festivals; reviews recent academic publications; and on occasion addresses installations, video games and emergent technologies. It welcomes established scholars as well as emergent voices that bring new perspectives to bear on visual representation as rooted in issues of diversity, race, lived experience, gender, sexuality, and transnational histories. ''Film Quarterly'' brings timely critical and intersectional approaches to criticism and analyses of visual culture. Since 2013, it has been edited by B. Ruby Rich. Working with her are associate editor Rebecca Prime, assistant editor Marc F ...
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Michael McClure
Michael McClure (October 20, 1932 – May 4, 2020) was an American poet, playwright, songwriter, and novelist. After moving to San Francisco as a young man, he found fame as one of the five poets (including Allen Ginsberg) who read at the famous San Francisco Six Gallery reading in 1955, which was rendered in barely fictionalized terms in Jack Kerouac's ''The Dharma Bums''. He soon became a key member of the Beat Generation and was immortalized as Pat McLear in Kerouac's ''Big Sur''. Career overview Educated at the Municipal University of Wichita (1951–1953), the University of Arizona (1953-1954) and San Francisco State College ( B.A., 1955) McClure's first book of poetry, ''Passage'', was published in 1956 by small press publisher Jonathan Williams. Stan Brakhage, a friend of McClure, stated in the ''Chicago Review'' that: McClure always, and more and more as he grows older, gives his reader access to the verbal impulses of his whole body's thought (as distinct from simply a ...
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Canyon Cinema
Canyon Cinema is an American nonprofit organization for distributing independent, avant-garde, and artist-made films. After starting in the 1960s as an exhibition program, it grew to include a nationwide newsletter and a distribution cooperative. Its exhibition activities were split off to form the San Francisco Cinematheque. History Canyon Cinema informally began in 1960 as an exhibition outlet in Canyon, California. Filmmaker Bruce Baillie got a projector and army surplus screen to put on shows in his backyard. Chick Strand and Ernest Callenbach became involved, and they began holding screenings around the Bay Area. Early programming included popular cinema, particularly from Castle Films, and avant-garde cinema but over time came to focus exclusively on the latter. Callenbach, an editor for '' Film Quarterly'', had the idea to publish a regular newsletter. The first issue of the ''News'' came in December 1962, and the publication later became the ''Cinemanews'' and the ' ...
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Cinema 16
Cinema 16 was a New York City–based film society founded by Amos Vogel. From 1947-63, he and his wife, Marcia, ran the most successful and influential membership film society in North American history, at its height boasting 7000 members. History Vogel was inspired by Maya Deren's independent exhibitions. Deren exhibited and presented lectures on her films across the United States, Cuba and Canada. In 1946, she booked the Provincetown Playhouse in Greenwich Village for a public exhibition titled ''Three Abandoned Films'', which consisted of showings of '' Meshes of the Afternoon'', '' At Land'', and ''A Study in Choreography for the Camera''. Deren took the word "abandoned" to refer to Paul Valéry's observation that a work of art is never completed, just abandoned. While the title was ironic, the exhibition was successful. Cinema 16 closed in 1963, after 17 years in operation. In that year Amos went on to programme the New York Film Festival. Grove Press acquired Cinema 16 i ...
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Fireworks (1947 Film)
''Fireworks'' (1947) is a homoerotic experimental film by Kenneth Anger. Filmed in his parents' home in Beverly Hills, California, over a long weekend while they were away, the film stars Anger and explicitly explores themes of homosexuality and sadomasochism. It is the earliest of his works to survive. ''Fireworks'' is known for being the first gay narrative film in the United States. Anger synopsizes the film thus: "A dissatisfied dreamer awakes, goes out in the night seeking a 'light' and is drawn through the needle's eye. A dream of a dream, he returns to bed less empty than before." Adding later, "This flick is all I have to say about being seventeen, the United States Navy, American Christmas, and the Fourth of July." Plot The film opens with the image of a sailor holding a lifeless body. A sleeping man wakes up in bed and gets dressed. The dreamer walks through a door labeled "Gents", to find himself in a bar. He admires the body of a muscular sailor and offers his c ...
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Kenneth Anger
Kenneth Anger (born Kenneth Wilbur Anglemyer, February 3, 1927) is an American Underground film, underground experimental filmmaker, actor, and author. Working exclusively in short films, he has produced almost 40 works since 1937, nine of which have been grouped together as the "Magick Lantern Cycle". His films variously merge surrealism with homoeroticism and the occult, and have been described as containing "elements of erotica, documentary, psychodrama, and spectacle".Kinsey Institute for Research in Sex, Gender, and Reproduction, The Kinsey Institute''Spotlight on the Collections: Filmmaker Kenneth Anger'' 2004. Retrieved June 1, 2010. Anger has been called "one of America's first openly gay filmmakers, and certainly the first whose work addressed homosexuality in an undisguised, self-implicating manner", and his "role in rendering gay culture visible within American cinema, commercial or otherwise [...] impossible to overestimate", with several films released before the LGBT ...
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