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A Man Smoking And A Woman Drinking In A Courtyard
''A Man Smoking and a Woman Drinking in a Courtyard'' (1658–1660) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is part of the collection of the Mauritshuis, in The Hague, Netherlands. Description The painting was documented by Hofstede de Groot in 1910, who wrote:297. COURTYARD WITH A MAN SMOKING AND A WOMAN DRINKING. Sm. 30; de G. 56. This picture corresponds precisely to the Rothschild picture (295), except that the figure of the second man is here absent. It is an excellent work. Canvas, 30 1/2 inches by 25 1/2 inches. Mentioned by Waagen (Supplement, p. 131). Exhibited at the Royal Academy Winter Exhibition, London, 1871 and 1888, No. 35; at the London Guildhall, 1892; and at the Burlington Fine Arts Club, 1900. * Sold by Smith in 1822 (for 300). * In the collection of W. Wells of Redleaf in 1833 (Sm.). * Sale.– W. Wells, London, May 12, 1848 (.540: 155., Farrer). * In Lord Overstone's collecti ...
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Pieter De Hooch
Pieter Hendricksz. de Hooch (; also spelled ''Hoogh'' or ''Hooghe''; 20 December 1629  – after 1683), was a Dutch Golden Age painter famous for his genre works of quiet domestic scenes with an open doorway. He was a contemporary, in the Delft Guild of St. Luke, of Jan Vermeer with whom his work shares themes and style. De Hooch was first recorded in Delft on 5 August 1652, when he and another painter, Hendrick van der Burgh witnessed the signing of a will. He was active in 1683, but his date of death is unknown (his son Pieter died in 1684, a date often wrongly given for the father). Biography De Hooch was born in Rotterdam to Hendrick Hendricksz de Hooch, a bricklayer, and Annetge Pieters, a midwife, baptised at the Reformed Church in Rotterdam in 1629. He was the eldest of five children and outlived all of his siblings, evidently raised in a working class home. Though, his father was described as a "master bricklayer", hence a skilled artisan required to be a member ...
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A Dutch Courtyard
''A Dutch Courtyard'' (1658–1660) is an oil-on-canvas painting by the Dutch Golden Age painter Pieter de Hooch. The original resides in the collection of the National Gallery of Art in Washington, D.C. A later, altered replica also exists, part of the collection of the Mauritshuis Museum in The Hague. Painting In a walled courtyard beside a brick house, a pair of soldiers enjoy banter with a serving woman. As one of the soldiers takes a puff from a clay pipe, across the table, a bearded man wears a cuirass over a brown shirt, watching the serving woman drink beer from a pass-glass, a glass used in a traditional drinking game. A young girl appears from the right, delivering glowing embers for the soldiers' pipes. Through the brick wall, an open door reveals a path, leading past a wooded yard to a distant house, which is also visible above the wall. Over the wooden palisade to the far left, the tower of Niewue Kerk in Delft is visible, making clear that this painting originate ...
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Paintings By Pieter De Hooch
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual art, bringing in elements such as drawing, composition, gesture, narration, and abstraction. Paintings can ...
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1650s Paintings
Year 165 ( CLXV) was a common year starting on Monday of the Julian calendar. At the time, it was known as the Year of the Consulship of Orfitus and Pudens (or, less frequently, year 918 ''Ab urbe condita''). The denomination 165 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * A Roman military expedition under Avidius Cassius is successful against Parthia, capturing Artaxata, Seleucia on the Tigris, and Ctesiphon. The Parthians sue for peace. * Antonine Plague: A pandemic breaks out in Rome, after the Roman army returns from Parthia. The plague significantly depopulates the Roman Empire and China. * Legio II ''Italica'' is levied by Emperor Marcus Aurelius. * Dura-Europos is taken by the Romans. * The Romans establish a garrison at Doura Europos on the Euphrates, a control point for the commercial route to the Persian Gulf. * Avidius Cas ...
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List Of Paintings By Pieter De Hooch
A list is a set of discrete items of information collected and set forth in some format for utility, entertainment, or other purposes. A list may be memorialized in any number of ways, including existing only in the mind of the list-maker, but lists are frequently written down on paper, or maintained electronically. Lists are "most frequently a tool", and "one does not ''read'' but only ''uses'' a list: one looks up the relevant information in it, but usually does not need to deal with it as a whole".Lucie Doležalová,The Potential and Limitations of Studying Lists, in Lucie Doležalová, ed., ''The Charm of a List: From the Sumerians to Computerised Data Processing'' (2009). Purpose It has been observed that, with a few exceptions, "the scholarship on lists remains fragmented". David Wallechinsky, a co-author of ''The Book of Lists'', described the attraction of lists as being "because we live in an era of overstimulation, especially in terms of information, and lists help us ...
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Harriet Sarah Jones-Loyd, Lady Wantage
Harriet Sarah Loyd-Lindsay (née Jones-Loyd), Baroness Wantage (30 June 1837 – 9 August 1920), was a British art collector and benefactor. She was the sole heiress to the fortune of her parents Harriet Wright and Samuel Jones-Loyd, 1st Baron Overstone, who gave her Lockinge House near Wantage as a wedding present when she married Robert Loyd-Lindsay in 1858. The couple lived at 2 Carlton Gardens, London, Lockinge House, Berks, and Overstone Hall and Ardington House. She was a benefactor to many causes, most notably nursing, for which she founded the National Aid Society (later the British Red Cross Society). For this she was awarded the Royal Red Cross (RRC) by Queen Victoria in 1883. Two years later her husband was made peer of the realm and she wrote a biography of him which was published after his death. She is known for founding Wantage Hall and Abington Park. Her large art collection at Lockinge House, which included Turner's ''High Street, Oxford'', Claude Lorrain ...
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Samuel Jones-Loyd, 1st Baron Overstone
Samuel Jones-Loyd, 1st Baron Overstone (25 September 1796 – 17 November 1883) was a British banker and politician. Background and education Loyd was the only son of the Rev. Lewis Loyd and Sarah, daughter of John Jones, a Manchester banker. He was educated at Eton and Trinity College, Cambridge. Banking Loyd's father had given up the ministry to take a partnership in his father-in-law's bank and became the founder of the London branch of Jones, Loyd & Co. Loyd joined his father's bank, and took control of the bank after his father retired in 1844. On his father's death in 1858 Loyd inherited an estate worth £ 2 million. In 1864 the bank became incorporated with the London and Westminster Bank. Political career Loyd sat in parliament as Whig member for Hythe from 1819 to 1826, and unsuccessfully contested Manchester in 1832. As early as 1832 he was recognized as one of the foremost authorities on banking, and he enjoyed much influence with successive ministries and chanc ...
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William Wells (1818–1889)
William Wells (15 March 1818 – 1 May 1889) was an English Liberal Party (UK), Liberal Party politician who sat in the House of Commons of the United Kingdom, House of Commons from 1852 to 1857 and from 1868 to 1874. Wells was the son of Captain William Wells, R.N. and his wife Lady Elizabeth Proby, daughter of John Proby, 1st Earl of Carysfort, and grandson of Vice-Admiral Thomas Wells, of Holme, whose father, William, had inherited the estate from his wife's uncle, Thomas Truman, in 1768. He was educated at Harrow School and at Balliol College, Oxford, and served in the 1st Life Guards from 1839 until 1843. In 1826 he inherited Holme, Cambridgeshire, Holmewood Hall in Huntingdonshire from his father. He also inherited the Redleaf estate in Kent from his great-uncle William. He was a Justice of the Peace, J.P. and a deputy lieutenant for Kent and Huntingdonshire. At the 1852 United Kingdom general election, 1852 general election Wells was elected as a member of parliament (MP) ...
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Gustav Friedrich Waagen
Gustav Friedrich Waagen (11 February 1794 – 15 July 1868) was a German art historian. His opinions were greatly respected in England, where he was invited to give evidence before the royal commission inquiring into the condition and future of the National Gallery, for which he was a leading candidate to become director. He died on a visit to Copenhagen in 1868. Biography Waagen was born in Hamburg, the son of a painter and a nephew and lover of the poet Ludwig Tieck. Having passed through the college of Hirschberg, Silesia (modern Jelenia Góra), he volunteered for service in the Napoleonic campaign of 1813–14, and on his return attended the lectures at Breslau University. He devoted himself to the study of art, which he pursued in the great European galleries, first in Germany, then in the Netherlands and Italy. A pamphlet on the brothers Van Eyck led in 1832 to his appointment to the directorship of the newly founded Berlin Museum (now vastly expanded as the Berl ...
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Oud Holland
''Oud Holland – Journal for Art of the Low Countries'' is a quarterly peer-reviewed academic journal covering art from the (Northern) Netherlands and Southern Netherlands (Belgium) from c. 1400–1920. Oud Holland is the oldest surviving art-historical journal in the world. It was founded by Adriaan de Vries and Nicolaas de Roever in 1883, since then 132 volumes have appeared. From 1972 the journal has been published by the RKD – Netherlands Institute for Art History; since 2008 in collaboration with Brill Publishers Brill Academic Publishers () is a Dutch international academic publisher of books, academic journals, and Bibliographic database, databases founded in 1683, making it one of the oldest publishing houses in the Netherlands. Founded in the South .... The editorial board consists of Elmer Kolfin (editor-in-chief), Menno Jonker (managing editor), John Bezold (online review editor), Jan Dirk Baetens, Yvonne Bleyerveld, Edwin Buijsen, Nils Büttner, Volker Manuth, T ...
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The Hague
The Hague ( ) is the capital city of the South Holland province of the Netherlands. With a population of over half a million, it is the third-largest city in the Netherlands. Situated on the west coast facing the North Sea, The Hague is the country's administrative centre and its seat of government, and has been described as the country's ''de facto'' capital since the time of the Dutch Republic, while Amsterdam is the official capital of the Netherlands. The Hague is the core municipality of the COROP, Greater The Hague urban area containing over 800,000 residents, and is also part of the Rotterdam–The Hague metropolitan area, which, with a population of approximately 2.6 million, is the largest metropolitan area of the Netherlands. The city is also part of the Randstad region, one of the largest conurbations in Europe. The Hague is the seat of the Cabinet of the Netherlands, Cabinet, the States General of the Netherlands, States General, the Supreme Court of the Neth ...
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Catalogue Raisonné
A (or critical catalogue) is an annotated listing of the works of an artist or group of artists and can contain all works or a selection of works categorised by different parameters such as medium or period. A ''catalogue raisonné'' is normally produced by the artist or by a committee of family members, experts or academics, collectively known as "producers". The catalogue ordinarily contains a list of characteristics of an artwork such as the title, year of production, dimensions, medium and a description of the work, alongside an image of the work. Some catalogues also include scholarly commentary about each work or, sometimes, commentary about a piece from the artist. This information is relied upon by others to identify works and plays an important role in authentication. While historically ''catalogues raisonnés'' have been produced as physical books, there is a shift towards catalogues existing only in digital form, such as those of the artists Isamu Noguchi, Paul Césa ...
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