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A Dialogue At Waterloo
''A Dialogue at Waterloo'' is an 1850 history painting by the British artist Edwin Landseer. It depicts the elderly Duke of Wellington visiting the battlefield of Waterloo in Belgium many decades after he led Allied forces to victory there in 1815. He is shown on horseback in the company of his daughter-in-law Marchioness of Douro. A young woman settling souvenirs of the battle attempts to attract his interest. The artist David Roberts was the model for the Belgian farmer in the background. It was a visit drawn from the artist's own imagination Landseer visited Belgium during his preparation for the painting. It was displayed at the Royal Academy's Summer Exhibition of 1850 at the National Gallery where it was one of the most popular works on display. Before it was completed the painting had been bought by Robert Vernon as a gift to the nation. Today it is in the collection of the Tate Britain Tate Britain, known from 1897 to 1932 as the National Gallery of British Art and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edwin Landseer
Sir Edwin Henry Landseer (7 March 1802 – 1 October 1873) was an English painter and sculptor, well known for his paintings of animals – particularly horses, dogs, and stags. His best-known work is the lion sculptures at the base of Nelson's Column in Trafalgar Square. Life Landseer was born in London, the son of the engraver John Landseer A.R.A. and Jane Potts. He was something of a prodigy whose artistic talents were recognised early on. He studied under several artists, including his father, and the history painter Benjamin Robert Haydon, who encouraged the young Landseer to perform dissections in order to fully understand animal musculature and skeletal structure. Landseer's life was entwined with the Royal Academy. At the age of just 13, in 1815, he exhibited works there as an “Honorary Exhibitor”. He was elected an Associate at the minimum age of 24, and an Academician five years later in 1831. He was an acquaintance of Charles Robert Leslie, who described h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Summer Exhibition
The Summer Exhibition is an open art exhibition held annually by the Royal Academy in Burlington House, Piccadilly in central London, England, during the months of June, July, and August. The exhibition includes paintings, prints, drawings, sculpture, architectural designs and models, and is the largest and most popular open exhibition in the United Kingdom. It is also "the longest continuously staged exhibition of contemporary art in the world". When the Royal Academy was founded in 1768 one of its key objectives was to establish an annual exhibition, open to all artists of merit, which could be visited by the public. The first Summer Exhibition took place in 1769; it has been held every year since without exception. History In 1768, a group of artists visited King George III and sought his permission to establish a society for Arts and Design. They proposed the idea of an annual exhibition and a school design. King George III approved of the idea and the first exhibition, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Of Dogs
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Depictions Of Arthur Wellesley, 1st Duke Of Wellington
Arthur Wellesley, 1st Duke of Wellington, was an Anglo-Irish soldier and Tory statesman who was one of the leading military and political figures of 19th-century Britain, commanding the British Army during the Napoleonic Wars and serving twice as prime minister. He has frequently been depicted in various cultural media. Art *''Equestrian Portrait of the 1st Duke of Wellington'' by Francisco Goya (1812). *''Portrait of the Duke of Wellington'' by Francisco Goya (1812-1814). *'' The Battle of Waterloo'' by William Sadler II (1815). * ''Portrait of the Duke of Wellington'' by Thomas Lawrence (c.1815) *'' Allegory of Waterloo'' by James Ward (1821). *''Arthur Wellesley, 1st Duke of Wellington'' by Thomas Lawrence (1829). * '' The Duke of Wellington Describing the Field of Waterloo to George IV'' by Benjamin Robert Haydon (1840). * '' A Dialogue at Waterloo'' by Edwin Landseer (1850). *''The Meeting of Wellington and Blücher after the Battle of Waterloo'' by Daniel Maclise (1861 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Paintings
History painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often (but not exclusively) Greek and Roman mythology and Bible stories, opposed to a specific and static subject, as in portrait, still life, and landscape painting. The term is derived from the wider senses of the word ''historia'' in Latin and ''histoire'' in French, meaning "story" or "narrative", and essentially means "story painting". Most history paintings are not of scenes from history, especially paintings from before about 1850. In modern English, "historical painting" is sometimes used to describe the painting of scenes from history in its narrower sense, especially for 19th-century art, excluding religious, mythological, and allegorical subjects, which are included in the broader term "history painting", and before the 19th century were the most common subjects for history paintings. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil On Canvas Paintings
An oil is any nonpolar chemical substance that is composed primarily of hydrocarbons and is hydrophobic (does not mix with water) and lipophilic (mixes with other oils). Oils are usually flammable and surface active. Most oils are unsaturated lipids that are liquid at room temperature. The general definition of oil includes classes of chemical compounds that may be otherwise unrelated in structure, properties, and uses. Oils may be animal, vegetable, or petrochemical in origin, and may be volatile or non-volatile. They are used for food (e.g., olive oil), fuel (e.g., heating oil), medical purposes (e.g., mineral oil), lubrication (e.g. motor oil), and the manufacture of many types of paints, plastics, and other materials. Specially prepared oils are used in some religious ceremonies and rituals as purifying agents. Etymology First attested in English 1176, the word ''oil'' comes from Old French ''oile'', from -4; we might wonder whether there's a point at which it's a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In The Tate Galleries
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1850 Paintings
Year 185 (Roman numerals, CLXXXV) was a common year starting on Friday of the Julian calendar. At the time, it was known as the Year of the Consulship of Lascivius and Atilius (or, less frequently, year 938 ''Ab urbe condita''). The denomination 185 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Nobles of Britain demand that Emperor Commodus rescind all power given to Tigidius Perennis, who is eventually executed. * Pertinax, Publius Helvius Pertinax is made governor of Britain and quells a mutiny of the Roman Britain, British Roman legions who wanted him to become emperor. The disgruntled usurpers go on to attempt to assassinate the governor. * Tigidius Perennis, his family and many others are executed for conspiring against Commodus. * Commodus drains Ancient Rome, Rome's treasury to put on gladiatorial spectacles and confiscates pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Vernon (art Patron)
Robert Vernon (1774–1849) was an English contractor and businessman, known as a patron of art. Life Vernon was a self-made man, a jobmaster, posting contractor, and dealer in horses in London in a large way. He amassed a fortune as contractor for the supply of horses to the British armies during the Napoleonic wars. Between 1820 and 1847 Vernon collected about 200 pictures by living British artists, with a few by other European painters. On 22 December 1847 he presented a selection of 166 pictures from his collection to the nation through a gift to the National Gallery. His collection of mainly modern British art included paintings by Joshua Reynolds, Thomas Gainsborough, John Constable and J.M.W Turner. There were also sculptures by E.H. Baily and John Gibson This collection was housed at first in Marlborough House; it was moved to the South Kensington Museum, and in 1876 to the National Gallery in Trafalgar Square. It was, with the opening in 1897 of the Tate (the Nationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Gallery
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of more than 2,300 paintings dating from the mid-13th century to 1900. The current director of the National Gallery is Gabriele Finaldi. The National Gallery is an exempt charity, and a non-departmental public body of the Department for Culture, Media and Sport. Its collection belongs to the government on behalf of the British public, and entry to the main collection is free of charge. Unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein in 1824. After that initial purchase, the gallery was shaped mainly by its early directors, especially Charles Lock Eastlake, and by private donations, which now account for two-third ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Academy Of Arts
The Royal Academy of Arts (RA) is an art institution based in Burlington House in Piccadilly London, England. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the fine arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Before this, several artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy of Arts over a decade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
