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ASCAP Pop Music Awards
The American Society of Composers, Authors, and Publishers (ASCAP) () is an American not-for-profit performance-rights organization (PRO) that collectively licenses the public performance rights of its members' musical works to venues, broadcasters, and digital streaming services (music stores). ASCAP collects licensing fees from users of music created by ASCAP members, then distributes them back to its members as royalties. In effect, the arrangement is the product of a compromise: when a song is played, the user does not have to pay the copyright holder directly, nor does the music creator have to bill a radio station for use of a song. In 2021, ASCAP collected over US$1.335 billion in revenue and distributed $1.254 billion in royalties to its members. ASCAP membership included over 850,000 songwriters, composers and music publishers, with over 16 million registered works. History ASCAP was founded by Victor Herbert, together with composers George Botsford, Silvio Hein, Ir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Native Plants Society (Australia)
The Australian Native Plants Society (Australia) (ANPSA) is a federation of seven state-based member organisations for people interested in Australia's native flora, both in aspects of conservation and in cultivation. A national conference is held biennially for members of the state-based societies. The combined membership is around 9000 people. History The Society for Growing Australian Plants (SGAP) was established in 1957 by a group of people who "pledged to promote the establishment and breeding of Australian native plants for garden, park and farm". By 1958 active regional Societies had been established in six States and the ACT with the Federal Association (ASGAP) being formed in 1962 Initially the focus was on growing and learning about Australian Flora more for home and amenities plantings – members included botanists and horticulturists as well as enthusiastic laypeople. As time has gone on, there has been an increasing focus on conservation, and advocacy for conser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royalties
A royalty payment is a payment made by one party to another that owns a particular asset, for the right to ongoing use of that asset. Royalties are typically agreed upon as a percentage of gross or net revenues derived from the use of an asset or a fixed price per unit sold of an item of such, but there are also other modes and metrics of compensation.Guidelines for Evaluation of Transfer of Technology Agreements, United Nations, New York, 1979 A royalty interest is the right to collect a stream of future royalty payments. A license agreement defines the terms under which a resource or property are licensed by one party to another, either without restriction or subject to a limitation on term, business or geographic territory, type of product, etc. License agreements can be regulated, particularly where a government is the resource owner, or they can be private contracts that follow a general structure. However, certain types of franchising, franchise agreements have comparable p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Weldon Johnson
James Weldon Johnson (June 17, 1871June 26, 1938) was an American writer and civil rights activist. He was married to civil rights activist Grace Nail Johnson. Johnson was a leader of the National Association for the Advancement of Colored People (NAACP), where he started working in 1917. In 1920, he was the first African American to be chosen as executive secretary of the organization, effectively the operating officer. He served in that position from 1920 to 1930. Johnson established his reputation as a writer, and was known during the Harlem Renaissance for his poems, novel, and anthologies collecting both poems and spirituals of black culture. He wrote the lyrics for "Lift Every Voice and Sing", which later became known as the Negro National Anthem, the music being written by his younger brother, composer J. Rosamond Johnson. Johnson was appointed under President Theodore Roosevelt as U.S. consul in Venezuela and Nicaragua for most of the period from 1906 to 1913. In 1934, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Baldwin Sloane
Alfred Baldwin Sloane (28 August 1872, Baltimore – 21 February 1925, Red Bank, New Jersey) was an American composer, considered the most prolific songwriter for Broadway musical comedies at the beginning of the 20th century. His scores were first heard in amateur productions in Baltimore, where he grew up. When Sloane first moved to New York in 1890, he began interpolating melodies into others' scores and soon was invited to create his own. His biggest hit was "Heaven Will Protect the Working Girl," which Marie Dressler introduced in ''Tillie's Nightmare'' (1910), but none of his songs found enduring popularity. He composed only rarely after 1912, but he did provide much of the music for the 1919 and 1920 Greenwich Village Follies. He wrote one of his musicals, ''Lady Teazle,'' for Lillian Russell when she was at the height of her national popularity. His last score, for the 1925 Broadway production ''China Rose'', was in production at his death. ''China Rose'' had been produc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Philip Sousa
John Philip Sousa ( ; November 6, 1854 – March 6, 1932) was an American composer and conductor of the late Romantic era known primarily for American military marches. He is known as "The March King" or the "American March King", to distinguish him from his British counterpart Kenneth J. Alford. Among his best-known marches are " The Stars and Stripes Forever" (National March of the United States of America), " Semper Fidelis" (official march of the United States Marine Corps), " The Liberty Bell", " The Thunderer", and "The Washington Post". Sousa began his career playing violin and studying music theory and composition under John Esputa and George Felix Benkert. His father enlisted him in the United States Marine Band as an apprentice in 1868. He left the band in 1875, and over the next five years, he performed as a violinist and learned to conduct. In 1880 he rejoined the Marine Band, and he served there for 12 years as director, after which he was hired to conduct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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