|
9 To 5 (Sheena Easton Song)
"9 to 5" (or "Morning Train") is a song by Scottish singer Sheena Easton from her 1981 album ''Take My Time''. It was written by Florrie Palmer and recorded and released as a single in 1980 in music, 1980, becoming Easton's biggest hit. It peaked at number three on the UK Singles Chart in August 1980 and was certified Music recording sales certification, gold. In February 1981, it was released in the United States and Canada under the title "Morning Train (Nine to Five)" to avoid confusion with Dolly Parton's recent hit "9 to 5 (Dolly Parton song), 9 to 5". It reached number one in both countries, becoming Easton's only chart-topper in those nations. Easton had released one single prior to "9 to 5": "Modern Girl (Sheena Easton song), Modern Girl". This had failed to chart highly, but after exposure on the BBC documentary The Big Time (TV series), ''The Big Time: Pop Singer'', both "9 to 5" and "Modern Girl" were propelled into the top ten at the same time, making her the fourth f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sheena Easton
Sheena Shirley Easton (; born 27 April 1959) is a Scottish singer and actress who achieved recognition in an episode of the reality television series ''The Big Time (TV series), The Big Time: Pop Singer'', which recorded her attempts to gain a Recording contract, record deal and her eventual signing with the EMI Record label, label. Her first two Single (music), singles, "Modern Girl (Sheena Easton song), Modern Girl" and "9 to 5 (Sheena Easton song), 9 to 5", both entered the top ten of the UK singles chart simultaneously. She became one of the most successful British female recording artists of the 1980s. Easton became the first and only recording artist in ''Billboard (magazine), Billboard'' history to have a top-five hit on each of ''Billboard''s primary Billboard charts, singles charts: "9 to 5" (Pop and Adult Contemporary (chart), Adult Contemporary), "We've Got Tonite#Kenny Rogers and Sheena Easton version, We've Got Tonight" with Kenny Rogers (Hot Country Songs, Country ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EMI Records
EMI Records (formerly EMI Records Ltd.) is a British multinational record label owned by Universal Music Group. It was originally founded as a British flagship label by the music company EMI in 1972, and launched in January 1973 as the successor to its Columbia Graphophone Company, Columbia and Parlophone record labels. The label was later launched worldwide. It has a branch in India called EMI Records India, run by director Mohit Suri. In 2014, Universal Music Japan revived the label in Japan as the successor to EMI Records Japan. In June 2020, Universal revived the label as the successor to Virgin EMI, with Virgin Records now operating as an imprint of EMI Records. In February 2024, UMG Philippines relaunched EMI as a successor to PolyEast Records, the former EMI Philippines label after 22 years. History An EMI Records Ltd. legal entity was created in 1956 as the record manufacturing and distribution arm of EMI in the UK. It oversaw EMI's various labels, including Gramophon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japan Hot 100 Singles
The ''Billboard Japan'' Hot 100 is a record chart in Japan for songs. It has been compiled by ''Billboard Japan'' and Hanshin Contents Link since February 2008. The chart is updated every Wednesday at Billboard-japan.com ( JST) and every Thursday at Billboard.com (UTC). The first number-one song on the chart was " Stay Gold" by Hikaru Utada on the issue dated January 16, 2008. The first number-one song on the chart by a non-Japanese artist was "Bleeding Love" by Leona Lewis in the issue dated April 30, 2008. The current number-one on the chart as of the issue dated June 11, 2025, is "Boyz" by SixTones. Methodology From the chart's inception in 2008, to December 2010, the chart combined CD single sales data from SoundScan Japan, tracking sales at physical stores across Japan, and radio airplay figures from Japan's then 32 AM and FM radio stations sourced from the Japanese company Plantech. In December 2010, the chart expanded to include sales from online stores, as well as sales ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cashbox (magazine)
''Cashbox'', also known as ''Cash Box'', is an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1942–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were '' Billboard'' and '' Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio & Records
''Radio & Records'' (''R&R'') was a trade publication providing news and airplay information for the radio and music industries. It started as an independent trade from 1973 to 2006 until VNU Media took over in 2006 and became a relaunched sister trade to ''Billboard'', until its final issue in 2009. History The company was founded in 1973 and published its first issue on October 5 of that year. Founders included Bob Wilson and Robert Kardashian. The publication was issued in a weekly print edition, and it also issued a bi-annual Directory. R&R published its print edition from 1973 through August 4, 2006. Its weekly columns and features were intended to inform and educate the radio industry by each format, in addition to format-specific charts based on radio airplay. With the June 25, 1999, issue, the charts became populated by data from Mediabase, a company that monitors and tracks radio airplay in cities across the U.S. From 1987 to 2002 the magazine was owned by Westwood On ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Productores De Música De España
Productores de Música de España (; shortened as Promusicae) is the national organisation responsible for the music charts of Spain. it is a trade association that represents more than 90% of the Spanish recorded music industry. It is the International Federation of the Phonographic Industry (IFPI) group for Spain. Promusicae is based in Madrid, Spain at Calle María de Molina, 39. History Promusicae began in 1958 as a representative of the IFPI in Spain under the name of the Spanish Group of the International Federation of the Phonographic Industry (), although not officially an association, since Spanish law during the Franco regime did not recognize the right of association until 1977. In 1978, it was registered as an association under the name Spanish Phonographic Association () (AFE). In 1982, with the emergence and popularization of the music video, the AFE changed its name to Phonographic and Videographic Association of Spain () (AFYVE). Finally, in 2004, AFYVE partne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Springbok Radio
Springbok Radio (spelled ''Springbokradio'' in Afrikaans, ) was a South African nationwide radio station that operated from 1950 to 1985. History SABC's decision in December 1945 to develop a commercial service was constrained by post-war financial issues. After almost five years of investigation and after consulting John Reith, 1st Baron Reith, Lord Reith of the BBC and the South African government, it decided to introduce commercial radio to supplement the SABC's public service English and Afrikaans networks and help solve the SABC's financial problems. The SABC would build the equipment and facilities and would place them at the disposal of advertisers and their agencies at cost for productions and allow them to make use of SABC's production staff. On 1 May 1950, the first commercial radio station in South Africa, Springbok Radio, took to the air. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Institut Français D'opinion Publique
The Institut français d'opinion publique (IFOP; ) is an international polling and market research firm, whose motto is "Connection creates value". It was founded on 1 December 1938 by Jean Stoetzel, former Sorbonne professor, after he met George Gallup in the United States. Its CEO was Laurence Parisot from 1990 until 2016, who was nicknamed "boss of the bosses", when she was the leader of the Mouvement des Entreprises de France, the French employers' trade union. The IFOP sells polls to firms and political parties. IFOP is also a source of data in France for the SNEP SNEP (, in English National Syndicate of Phonographic Publishing) is the inter-professional organisation that protects the interests of the French record industry. Originally known under the acronym SNICOP, the organisation was established in ... music charts. See also * * References External links Official website 1938 establishments in France Marketing companies established in 1938 C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music historian David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top 40 Singles from 1966, and albums chart from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first releas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LSWR 0415 Class
The LSWR 415 class is a 4-4-2T steam tank locomotive, with the trailing wheels forming the basis of its "Radial Tank" moniker. It was designed by William Adams and introduced in 1882 for service on the London and South Western Railway (LSWR). Originally rostered for suburban traffic, the class was soon displaced to the countryside by Dugald Drummond's M7 class. Most of the class was scrapped around the end of the First World War, and further decreases meant that all of them were due to be withdrawn by 1929. However, the class was noted for its long service on the Lyme Regis branch line, and three members of this long obsolete class were utilised on this duty until 1962, when suitable replacements became available. One has survived and can be found on the Bluebell Railway. Background This class, designed by William Adams, was the result of the work made to replace the stop-gap 46 Class on suburban services around London. In the event, they were also intended to supple ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London And South Western Railway
The London and South Western Railway (LSWR, sometimes written L&SWR) was a railway company in England from 1838 to 1922. Originating as the London and Southampton Railway, its network extended to Dorchester and Weymouth, to Salisbury, Exeter and Plymouth, and to Padstow, Ilfracombe and Bude. It developed a network of routes in Hampshire, Surrey and Berkshire, including Portsmouth and Reading. The LSWR became famous for its express passenger trains to Bournemouth and Weymouth, and to Devon and Cornwall. Nearer London it developed a dense suburban network and was pioneering in the introduction of a widespread suburban electrified passenger network. It was the prime mover of the development of Southampton Docks, which became an important ocean terminal as well as a harbour for cross channel services and for Isle of Wight ferries. Although the LSWR's area of influence was not the home of large-scale heavy industry, the transport of goods and mineral traffic was a major activity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heritage Line
A heritage railway or heritage railroad (U.S. usage) is a railway operated as living history to re-create or preserve railway scenes of the past. Heritage railways are often old railway lines preserved in a state depicting a period (or periods) in the history of rail transport. Definition The British Office of Rail and Road defines heritage railways as follows:...'lines of local interest', museum railways or tourist railways that have retained or assumed the character and appearance and operating practices of railways of former times. Several lines that operate in isolation provide genuine transport facilities, providing community links. Most lines constitute tourist or educational attractions in their own right. Much of the rolling stock and other equipment used on these systems is original and is of historic value in its own right. Many systems aim to replicate both the look and operating practices of historic former railways companies. Infrastructure Heritage railway li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
