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96 Tears
"96 Tears" is a song recorded by the American garage rock band ? and the Mysterians in 1966 (''see'' 1966 in music). In October of that year, it was #1 on the ''Billboard'' Hot 100 in the U.S. and on the ''RPM'' 100 in Canada. ''Billboard'' ranked the record as the #5 song for 1966. It was ranked #213 on the ''Rolling Stone'' list of the 500 Greatest Songs of All Time in 2010. On November 11, 1966, the single was certified as gold by the RIAA. Background The song was written by Question Mark (Rudy Martinez) in 1962 in his manager's living room, and was recorded in Bay City, Michigan. Initially, Question Mark had to insist that "96 Tears" be the A-side over "Midnight Hour". Once the issue was settled, the band recorded the single for the small Pa-Go-Go label, owned by Lilly Gonzalez. She backed the band financially, and allowed access to her personal studio in her basement. When it began doing well locally, the band took a recording to Bob Dell, the radio director in Flint, Mic ...
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? And The Mysterians
? and the Mysterians (or Question Mark and the Mysterians) are an American garage rock band from Bay City and Saginaw in Michigan, initially active between 1962 and 1969. Much of the band's music consisted of electric organ-driven garage rock and an enigmatic image inspired by the 1957 Japanese science fiction film ''The Mysterians''. In addition, the band's sound was also marked by the raw, resonating lead vocals of "?" (Question Mark, the stage name of Rudy Martínez), making Question Mark and the Mysterians one of the earliest groups whose musical style is described as punk rock. Their music and imagery were highly influential on later bands. The band signed to Pa-Go-Go Records (based in San Antonio, Texas and run by Rudy "Tee" Gonzales) in 1966 and released its first and most acclaimed single, "96 Tears", in the early part of that year. "96 Tears" became a number one hit on the ''Billboard'' Hot 100 and propelled the group to a 15-month period of national prominence. Thei ...
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Recording Industry Association Of America
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 2 ...
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Media Control
The GfK Entertainment charts are the official charts for music, home video, and video games in Germany and are gathered and published by GfK Entertainment (formerly Media Control and Media Control GfK International), a subsidiary of GfK, on behalf of . GfK Entertainment is the provider of weekly Top 100 single and album charts, as well as various other chart formats for genres like compilations, jazz, classical music, schlager, hip hop, dance, comedy, and music videos. Following a lawsuit in March 2014 by Media Control AG, Media Control GfK International had to change its name. Dissemination of the charts is conducted by various media outlets, some of which include MTV music channel, and the Swiss charts website. Other entities that present the charts are MusicLoad and Mix 1, both of which are online associations that post almost all the charts published by GfK Entertainment on a weekly basis. Furthermore, GfK Entertainment also runs a dedicated website providing chart-related ...
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Record World
''Record World'' magazine was one of three major weekly music industry trade magazines in the United States, with ''Billboard'' and '' Cashbox''. It was founded in 1946 as ''Music Vendor''. In 1964, it was changed to ''Record World'' under the ownership of Sid Parnes and Bob Austin. It ceased publication on April 10, 1982. History Growth ''Music Vendor'' published its first music chart for the week ending October 4, 1954. ''Record World'' was housed in New York City at 1700 Broadway, at 53rd Street, across the street from the Ed Sullivan Theater. Its West Coast editorial offices were located in Los Angeles on Sunset and Vine. Peak ''Record World'' showed musical diversity by printing a "Non-Rock" survey, comparable to ''Billboard's'' "Easy Listening" / "Adult Contemporary" chart. This chart began in the February 4, 1967, issue, and ended on April 1, 1972, having morphed to the name "The MOR Chart" by 1971. Several titles of interest appeared on this 40-position list without ...
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Cash Box (magazine)
''Cashbox'', also known as ''Cash Box'', is an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1942–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were ''Billboard'' and ''Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 1952, ...
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Institut Français D'opinion Publique
The Institut français d'opinion publique (IFOP; ) is an international polling and market research firm, whose motto is "Connection creates value". It was founded on 1 December 1938 by Jean Stoetzel, former Sorbonne professor, after he met George Gallup in the United States. Its CEO was Laurence Parisot from 1990 until 2016, who was nicknamed "boss of the bosses", when she was the leader of the Mouvement des Entreprises de France, the French employers' trade union. The IFOP sells polls to firms and political parties. IFOP is also a source of data in France for the SNEP SNEP (, in English National Syndicate of Phonographic Publishing) is the inter-professional organisation that protects the interests of the French record industry. Originally known under the acronym SNICOP, the organisation was established in ... music charts. See also * * References External links Official website 1938 establishments in France Marketing companies established in 1938 C ...
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O Globo
''O Globo'' (, ''The Globe'') is a Brazilian newspaper based in Rio de Janeiro. ''O Globo'' is the leading daily newspaper in the country and the most prominent print publication in the Grupo Globo media conglomerate. Founded by journalist Irineu Marinho, owner of '' A Noite'', it was originally intended as a morning daily to extend the newspaper interests of the company. In time, it became the flagship paper of the group. When Irineu died weeks after the founding of the newspaper in 1925, it was inherited by his son Roberto. At age 21, he started working as a trainee reporter for the paper and later became managing editor. Roberto Marinho developed Grupo Globo (the conglomerate of media companies consisting of ''O Globo,'' TV Globo, Rádio Globo, Editora Globo and other subsidiaries) as Brazil's largest media group, entering radio in the 1940s and TV in the 1960s, and picking up other interests. An active supporter of the military dictatorship that lasted from 1964 to 198 ...
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Legs McNeil
Roderick Edward "Legs" McNeil (born January 27, 1956) is an American music journalism, music journalist. He is one of the three original founders of the seminal ''Punk (magazine), Punk'' magazine; as well as being a former editor at ''Spin (magazine), Spin'' and editor-in-chief of ''Nerve Magazine''. ''Punk'' Magazine At the age of 19, McNeil gathered with two high school friends, John Holmstrom and Ged Dunn, and decided to create "some sort of media thing" for a living. Holmstrom had an idea of combining comics with rock n roll. Later work In 1985, McNeil became a Spin (magazine), ''SPIN'' magazine staff writer. In December 1991, Legs McNeil wrote about the Los Angeles rave culture/scene in "A Woodstock of Their Own", published by ''Details (magazine), Details''. In 1993, Legs was the editor-in-chief of the magazine, Nerve. McNeil is the co-author (with Gillian McCain) of ''Please Kill Me: The Uncensored Oral History of Punk'', which has been published in 12 languages and he ...
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Vice Media
Vice Media Group LLC is a Canadian-American digital media and broadcasting company. Vice Media encompasses four main business areas: Vice Studios Group (film and TV production); Vice TV (a joint venture with A&E Networks, also known as Viceland); Virtue (an agency offering creative services); and Vice (magazine)#Website, Vice Digital (digital content). It was cited as the largest independent youth media company in the world, with 35 offices. The original ''Vice (magazine), Vice'' magazine was founded and based in Montreal and co-founded by Suroosh Alvi, Shane Smith (journalist), Shane Smith, and Gavin McInnes. Developed from the magazine, Vice Media expanded primarily into youth and young adult-focused digital media. This included online content Vertical marketing, verticals and related web series, a news division, a film production studio, and a record label, among other properties. Vice re-located to New York City in 2001. Vice News was known for broadcasting news programs o ...
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Punk Rock
Punk rock (also known as simply punk) is a rock music genre that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock, punk bands rejected the corporate nature of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles with stripped-down instrumentation. Punk rock lyrics often explore anti-establishment and Anti-authoritarianism, anti-authoritarian themes. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent record label, independent labels. The term "punk rock" was previously used by American Music criticism, rock critics in the early 1970s to describe the mid-1960s garage bands. Certain late 1960s and early 1970s Detroit acts, such as MC5 and Iggy and the Stooges, and other bands from elsewhere created out-of-the-mainstream music that became highly influential on what was to come. Glam rock in the UK and the New York Dolls from New York ha ...
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Garage Band
Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock music that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional. In the US and Canada, surf rock—and later the Beatles and other beat groups of the British Invasion—motivated thousands of young people to form bands between 1963 and 1968. Hundreds of grass-roots acts produced regional hits, some of which gained national popularity, usually played on AM radio stations. With the advent of psychedelia, numerous garage bands incorporated ...
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