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8-bit (music)
Chiptune, also called 8-bit music (although not all chiptune is 8-bit music), is a style of electronic music made using the programmable sound generator (PSG) sound chips or synthesizers in vintage arcade machines, computers and video game consoles. The term is commonly used to refer to tracker format music using extremely basic and small samples that an old computer or console could produce (this is the original meaning of the term), as well as music that combines PSG sounds with modern musical styles. It has been described as "an interpretation of many genres". Any existing song can be arranged in a chiptune style. It can be defined by choice of instrument, by timbre more than specific style elements. Technology A waveform generator is a fundamental module in a sound synthesis system. A waveform generator usually produces a basic geometrical waveform with a fixed or variable timbre and variable pitch. Common waveform generator configurations usually included two or three ...
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Electronic Music
Electronic music broadly is a group of music genres that employ electronic musical instruments, circuitry-based music technology and software, or general-purpose electronics (such as personal computers) in its creation. It includes both music made using electronic and electromechanical means (electroacoustic music). Pure electronic instruments depend entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer: no acoustic waves need to be previously generated by mechanical means and then converted into electrical signals. On the other hand, electromechanical instruments have mechanical parts such as strings or hammers that generate the sound waves, together with electric elements including pickup (music technology), magnetic pickups, power amplifiers and loudspeakers that convert the acoustic waves into electrical signals, process them and convert them back into sound waves. Such electromechanical devices in ...
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Bleep Techno
Bleep techno (or simply bleep) is a regional subgenre of techno which developed in the late 1980s in Northern England, particularly Yorkshire. Named after its minimalistic synthesizer sounds, bleep techno combined influences from American techno and house, with electro elements and heavy sub-bass inspired by reggae sound system culture. The style was commercially successful between 1989 and 1991, and became associated with artists on the Sheffield label Warp Records. It has been characterized as the first unique British style of electronic dance music. Style Bleep techno is a sparse, cold subgenre of techno primarily defined by minimalistic electro-style synthesizer tones (the eponymous "bleeps") and heavy sub-bass inspired by dub and reggae sound systems. The genre's short, melodic synthesizer tones have resemblance to futuristic science fiction noises or pocket calculator sounds. In addition to aspects of Detroit techno and Chicago house, the style also commo ...
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Bandcamp Daily
Bandcamp is an American online music distribution platform founded in 2008 by Oddpost co-founder Ethan Diamond and programmers Shawn Grunberger, Joe Holt and Neal Tucker, with an office and record store in Oakland, California. Acquired by Epic Games in March 2022, the company was sold to Songtradr in 2023. History Bandcamp was founded in 2008 by Ethan Diamond (CEO) and programmers Shawn Grunberger (CFO), Joe Holt and Neal Tucker. In 2019, Bandcamp opened its first office and record store in Oakland, California. In 2010, the site enabled embedding in other websites and shared links on social media sites. , half of Bandcamp's revenue was from sales for physical products. In November 2020, Bandcamp launched Bandcamp Live, a ticketed live-streaming service for artists. The service is an integrated feature of the Bandcamp website. Fees on tickets were waived until March 31, 2021, and became 10% from then. Bandcamp provides vinyl pressing services for artists. After a 50-a ...
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Music Of Japan
In Japan, music includes a wide array of distinct genres, both traditional and modern.ref> The word for "music" in Japanese is 音楽 (''ongaku''), combining the kanji 音 ''on'' (sound) with the kanji 楽 ''gaku'' (music, comfort). Japan is the world's largest market for music on physical media and the second-largest overall music market, with a retail value of US$2.7 billion in 2017. Traditional and folk music Gagaku, hougaku The oldest forms of traditional Japanese music are: * , or Buddhist chanting * , or orchestral court music both of which date to the Nara (710–794) and Heian (794–1185) periods. Gagaku classical music has been performed at the Imperial court since the Heian period. Kagura-uta (神楽歌), Azuma-asobi (東遊) and Yamato-uta (大和歌) are indigenous repertories. Tōgaku (唐楽) allegedly resembles a Chinese Tang dynasty (618–907) style; komagaku may have come from the Korean Peninsula. In addition, gagaku subdivides into kangen (管弦) ...
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Demoscene
The demoscene () is an international computer art subculture focused on producing demos: self-contained, sometimes extremely small, computer programs that produce audiovisual presentations. The purpose of a demo is to show off computer programming, programming, visual art, and musical skills. Demos and other demoscene productions (graphics, music, videos, games) are shared, voted on and released online at festivals known as Demoscene#Parties, demoparties. The scene started with the home computer revolution of the early 1980s, and the subsequent advent of software cracking. Crackers altered the code of computer games to remove copy protection, claiming credit by adding introduction screens of their own ("crack intro, cracktros"). They soon started competing for the best visual presentation of these additions. Through the making of intros and stand-alone demos, a new community eventually evolved, independent of the gaming and Warez scene, software sharing scenes. Demos are informa ...
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Skweee
Skweee is a musical style, with origin in Sweden and Finland. Skweee combines simple synth/chiptune leads and basslines with funk, R&B or soul-like rhythms, overall rendering a stripped-down funky sound. The tracks are predominantly instrumental. Origins The name "skweee" was coined by Daniel Savio, one of the originators of the emerging sound. The name refers to the use of analog synthesizers in the production process, where the aim is to "squeeze out" the most interesting sounds possible. Producers can vary from high-profile to new talent from the Scandinavian electronica environment. Recognition The major outlets of skweee music are the Swedish record label Flogsta Danshall and Finnish record label Harmönia. Norwegian Dødpop, Canadian Ancient Robot, US Losonofono, US Titched, US Poisonous Gases, Spanish Lo Fi Funk, Finnish Mässy, and French Mazout have since been added to this family. The preferred media format of skweee enthusiasts is the 7" vinyl record. Early releas ...
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Plugg Music
Plugg music is a sub-genre of trap music that emerged in the mid-2010s via online distribution on the SoundCloud platform. It was popularized by melodic Southern hip hop artists, and is characterized by deep 808 basslines, sparkly melodies, and melodic vocals. Unlike mainstream trap, which is defined by bombastic production and rattling hi-hat drum patterns, plugg is said to be dreamy, laidback, atmospheric, spacey, airy, and minimal. The genre is also described as having an overall lush and jazzy atmosphere; ethereal, luscious multi-instrumental harmonies and melodies; sparse, disjointed, and relaxed drum programming with few hi-hats; and thick basslines. Instead of the hi-hats in mainstream trap, plugg beats mainly employ beat skips, crash cymbals, and punctuated accent snares on half-beats. As described by a critic, plugg is best intended to be heard alone, "experience .. nthe way it's intended: as a day-long trance in your isolated abode". Vocally, plugg ranges from ...
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Nintendocore
Nintendocore is a broadly defined style of music that most commonly fuses chiptune and video game music with hardcore punk and/or heavy metal. The genre is sometimes considered a direct subgenre of post-hardcore and a fusion genre between metalcore and chiptune. Characteristics Referred to as the "bastard child of chiptune and metal," Nintendocore frequently features the use of electric guitars, drum kits, and typical rock instrumentation alongside synthesizers, chiptune, 8-bit sounds, and electronically produced beats. It originated primarily from hardcore punk and heavy metal, and subgenres of those styles such as post-hardcore, metalcore, and screamo. Artists in the genre have also incorporated elements of electro, noise, noise rock, and post-rock. Nintendocore groups vary stylistically and come from a wide array of influences. Horse the Band combines metalcore, heavy metal, thrash metal, and post-hardcore with post-rock passages. "The Black Hole" from Horse the Ban ...
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Australian Broadcasting Corporation
The Australian Broadcasting Corporation (ABC) is Australia’s principal public service broadcaster. It is funded primarily by grants from the federal government and is administered by a government-appointed board of directors. The ABC is a publicly-owned statutory organisation that is politically independent and accountable; for example, through its production of annual reports, and is bound by provisions contained within the Public Interest Disclosure Act 2013 and the Public Governance, Performance and Accountability Act 2013, with its charter enshrined in legislation, the ''Australian Broadcasting Corporation Act 1983''. ABC Commercial, a profit-making division of the corporation, also helps generate funding for content provision. The ABC was established as the Australian Broadcasting Commission on 1 July 1932 by an Act of Federal Parliament. It effectively replaced the Australian Broadcasting Company, a private company established in 1924 to provide programming for A ...
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House Music
House is a genre of electronic dance music characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 115–130 beats per minute. It was created by DJs and music producers from Chicago's underground Clubbing (subculture), club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat. By early 1988, house became mainstream and supplanted the typical 80s music beat. House was created and pioneered by DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Joe Smooth, Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music initially expanded to New York City, then internationally to cities such as London, and ultimately became a worldwide phenomenon. House has a large influence on pop music, especially dance music. It was incorporated into works by major international artists including Whitney Hou ...
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Grime Music
Grime is a genre of electronic dance music (EDM) that emerged in London in the early 2000s. It developed out of the earlier UK dance style UK garage, and draws influences from jungle, dancehall, and hip hop. The style is typified by rapid, syncopated breakbeats, generally around 140 beats per minute, and often features an aggressive or jagged electronic sound. Emceeing is a significant element of the style, and lyrics often revolve around gritty depictions of urban life. The style initially spread among pirate radio stations and underground scenes before achieving some mainstream recognition in the UK during the mid-2000s through artists such as Dizzee Rascal, Kano, Lethal Bizzle, and Wiley. Grime's rise in the early 2000s benefited from a time before smartphones and social media dominated the music landscape, allowing the genre to develop at a slower, organic pace. Many of grime's foundational MCs, such as Ghetts, Kano, and Skepta, spent years refining their craft, ...
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Glitch (music)
Glitch is a genre of experimental electronic music that emerged in the 1990s, which is distinguished by the deliberate use of glitches in audio media and other sonic artifacts. The sounds featured in glitch tracks usually come from audio recording device or digital electronics malfunctions, such as CD skipping, electric hum, digital or analog distortion, circuit bending, bit-rate reduction, hardware noise, software bugs, computer crashes, vinyl record hiss or scratches, and system errors, as well as abstract sound design produced from the intended use of these technologies. Devices that were already broken are often used, while other times devices are broken expressly for this purpose. In '' Computer Music Journal'', composer and writer Kim Cascone classified glitch as a subgenre of electronica and used the term ''post-digital'' to describe the glitch aesthetic."The glitch genre arrived on the back of the electronica movement, an umbrella term for alternative, largely dance ...
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