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5 Album Studio Set
''5 Album Studio Set'' is a box set collection by the Clash released in September 2013. The box contains newly re-mastered by Mick Jones of the band's first five albums on eight discs minus their final album, ''Cut the Crap''. The albums came in vinyl replica packaging and the box was designed exclusively by the band. The set was released simultaneously with an expanded eleven disc box set titled '' Sound System'' and a greatest hits package titled '' The Clash Hits Back''. They are expected to be the final releases to involve Mick Jones, who said: "I'm not even thinking about any more Clash releases. This is it for me, and I say that with an exclamation mark." Remastering Jones said "The concept of the whole thing is best box set ever. Re-mastering's a really amazing thing. That was the musical point of it all, because there's so much there that you wouldn't have heard before. It was like discovering stuff, because the advances in mastering are so immense since the last time h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Clash
The Clash were an English rock music, rock band formed in London in 1976 who were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they also contributed to the and new wave music, new wave movements that emerged in the wake of punk and employed elements of a variety of genres including reggae, Dub music, dub, funk, ska, and rockabilly. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones (The Clash guitarist), Mick Jones, bassist Paul Simonon, and drummer Topper Headon, Nicky "Topper" Headon. Headon left the group in 1982 due to internal friction surrounding his increasing heroin addiction. Further internal friction led to Jones' departure the following year. The group continued with new members, but finally disbanded in early 1986. The Clash achieved critical and commercial success in the United Kingdom with the release of their self-ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Give 'Em Enough Rope
''Give 'Em Enough Rope'' is the second studio album by the English punk rock band the Clash. It was released on 10 November 1978 through CBS Records. It was their first album released in the United States, preceding the U.S. version of the self-titled album. The album was well received by critics and fans, peaking at number two in the United Kingdom Albums Chart, and number 128 in the ''Billboard'' 200. The album is tied with ''Combat Rock'' for being the highest charting album for the Clash in their native United Kingdom. The album marked the first album appearance of drummer Topper Headon, who joined the band shortly after the recording of their first album. Most of the tracks, as with the prior album, were written by guitarists Joe Strummer and Mick Jones, with the exception of "English Civil War" (a reworking of the traditional American folk song "When Johnny Comes Marching Home") and "Guns on the Roof", which is credited to all four band members, being Headon, Jones, S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Civil War (song)
"English Civil War" (often subtitled "Johnny Comes Marching Home") is a song by English punk rock band the Clash, featured on their second album ''Give 'Em Enough Rope'', and released as a single on 23 February 1979. It reached number 25 in the UK Singles Chart and number 29 in the Irish Singles Chart. Background The song is derived from an American Civil War song, "When Johnny Comes Marching Home", written by Irish-born Massachusetts Unionist Patrick Sarsfield Gilmore. It was popular among both sides of the conflict. Having learnt the song at school, Joe Strummer suggested that the band should update it. Those on the left wing saw the rise during the mid-1970s of far right groups such as the National Front as alarming and dangerous omens for Britain's future. The song is about this state of politics in the country and warns against all things uniformed and sinister. Shortly after the song had its first live performance at a Rock Against Racism concert, Strummer said, echoing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garageland (song)
"Garageland" is a song by English punk rock band The Clash featured as the final track for their 1977 debut album ''The Clash''. The song was written by Joe Strummer as a response to music journalist Charles Shaar Murray, who, after a gig in 1976, wrote a review saying that they were "the kind of garage band who should be returned to the garage immediately". It also served as a declaration to their fans – and their new record company, with which they had signed a contract for £100,000 on 25 January 1977, – that they would still remain the same as they were before the signing. Writing and recording Upon The Clash's early appearance at the Sex Pistols Screen on the Green concert, Charles Shaar Murray, an ''NME'' critic, produced a damning review of the band: :The Clash are the kind of garage band who should be returned to the garage immediately, preferably with the engine running, which would undoubtedly be more of a loss to their friends and families than to either ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Junior Murvin
Junior Murvin (born Murvin Junior Smith, circa 1946 – 2 December 2013) was a Jamaican reggae musician. He is best known for the single " Police and Thieves", produced by Lee "Scratch" Perry in 1976. Early life He was born in Saint James Parish, Jamaica, probably in 1946 though some sources state 1949, and moved to Port Antonio after his father's death.Junior Murvin biography at Reggae-vibes.com . Retrieved 2 December 2013 He began singing as a child, influenced particularly by , and began performing in public after his family moved to |
Police And Thieves
"Police and Thieves" ( "Police and Thief") is a reggae song first recorded by the falsetto singer Junior Murvin in 1976. It was covered by the punk band The Clash and included on their self-titled debut album released in 1977. Junior Murvin version The song was originally written by Junior Murvin.Katz, David (2006) ''People Funny Boy: The Genius of Lee "Scratch" Perry'', Omnibus Press, , p. 246-9, 272, 493 Murvin approached Lee "Scratch" Perry in May 1976 and auditioned the song at Perry's Black Ark studio; Perry decided to record the song the same afternoon, and decided to alter the lyric slightly. Players on the track included Boris Gardiner (bass), Ernest Ranglin (guitar), Sly Dunbar (drums), Keith Sterling (keyboards), and Joe Cooper (organ), with backing vocals provided by Barry Llewellyn and Earl Morgan of The Heptones. The next day dub versions were mixed and versions with different lyrics recorded. The song, about gang war and police brutality, was out on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Career Opportunities (song)
"Career Opportunities" is a song by The Clash, recorded for their debut studio album, '' The Clash'' in 1977. Background The song attacks the political and economic situation in England at the time, citing the lack of jobs available, particularly to youth, and the dreariness and lack of appeal of those that were available. They specifically mention service in the police forces in addition to jobs that are often perceived as being 'menial' such as a bus driver or ticket inspector, as well as "making tea at the BBC". The song also mentioned service in the military with "I don't wanna go fighting in the tropical heat." Later, the band would change the lyrics during concerts, replacing "tropical heat" with " Falklands Street." This version of lyrics can be heard on Live at Shea Stadium. The line "I won't open letter bombs for you" is a reference to a former job of Clash guitarist Mick Jones, opening letters for a British government department to make sure they weren't rigged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London's Burning (The Clash Song)
"London's Burning" is a song by The Clash from their eponymous debut album. It is the eighth track in the U.K. version of this album, and the seventh track in the U.S. version, from 1979. It is sung by Joe Strummer (and Mick Jones, with Paul Simonon in the chorus), who starts the song shouting "London's Burning!" two times. The song continues talking about London's automobile traffic, where young people try to get their kicks driving around in their cars through the night, feeling bored and far from happy. This message is clearly seen in the next verse: "I'm up and down the Westway, in an' out the lights What a great traffic system – it's so bright I can't think of a better way to spend the night Than speeding around underneath the yellow lights" The song alludes to the boredom of TV and may also reflect the racial theme often treated by the band, notably in the first verse with the line: "Black or white turn it on, face the new religion". The song's name came from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keith Levene
Julian Keith Levene (18 July 1957 – 11 November 2022) was an English musician who was a founding member of both the Clash and Public Image Ltd (PiL). While Levene was in PiL, their 1978 debut album '' Public Image: First Issue'' reached No 22 in the UK album charts, and its lead track " Public Image" broke the top 10 UK singles chart. Levene was born and raised in London, and although initially influenced by progressive rock, his musical taste changed after meeting fellow Clash founder Mick Jones. His punk and post punk guitar sounds have been described as "both melodic and discordant, sonorous and violent". Early years and success Levene was born in Muswell Hill, London on 18 July 1957. His father was Jewish. He was an early fan of ska, The Beatles and progressive rock; at fifteen he worked as a roadie for Yes on their ''Close to the Edge'' tour, "cleaning Alan White's cymbals" amongst other mundane duties.Corcoran, Nina.Keith Levene, the Clash and Public Image Ltd Gu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White Riot
"White Riot" is a song by English punk rock band the Clash, released as the band's first single in March 1977 and also included on their self-titled debut album. Versions There are two versions of the song: the single version (also appearing on the US version of the album released in 1979), was one of the first songs they recorded at CBS Studio 3 on Whitfield Street in Central London, after signing with CBS Records. However, when they were recording the debut album, they decided to use a demo version of the song that they had recorded earlier in 1976 at Beaconsfield Studios in Buckinghamshire with Julien Temple. The rest of the demo tracks would eventually be released on the '' Sound System'' compilation album. The album version has a running time of 1:58 and starts with Mick Jones counting off "1-2-3-4". The single version begins with the sound of a police siren and has a running time of 1:55. Composition Lyrically, the song is about class economics and race and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm So Bored With The USA
"I'm So Bored with the U.S.A." is a song by British punk rock band the Clash, featured on their critically acclaimed 1977 debut album, which was released in the United States in July 1979 as their second album after ''Give 'Em Enough Rope''. It was the album's third track in the original version and second in the US version. Song information The song was originally titled "I'm So Bored With You",Related news articles: * a song written by Mick Jones. According to Keith Topping's book ''The Complete Clash'', the song was about Jones's girlfriend at the time, the same woman who was the topic of "Deny". According to the story often told by the song's authors Joe Strummer and Jones, including on the documentary ''Westway to the World'', the change came about by Strummer mishearing the song's title when Jones played it to him during their first meeting at their Davies Road squat. The band's early recordings, including the popular live bootleg ''5 Go Mad At The Roundhouse'', include ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remote Control (The Clash Song)
"Remote Control" is a song by The Clash, featured on their debut album, and is written against oppression and conformity. Background The song was written by Mick Jones after the disastrous Anarchy Tour and contains pointed observations about the civic hall bureaucrats who had cancelled concerts, the police, big business and especially record companies. The song mentions a 'meeting in Mayfair' which is thought to refer to the EMI shareholders' meeting held on 7 December 1976, which effectively withdrew all support for the Anarchy Tour. Also alluded to in the song are the 'old-boy' peerage networks and hapless politicians. Writing for ''the A.V. Club'', Jason Heller said that the song "imagines a deliberately, dramatically exaggerated England circa 1977, one where urban claustrophobia, totalitarian authority, and a robotic kind of daily routine". Single release The band virtually disowned the song, following their record label CBS's decision to release the song as a single wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
