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50th Birthday Concert
''50th Birthday Concert'' is a double CD live album by British saxophonist and improviser Evan Parker recorded at Dingwalls in 1993 and released on the English Leo label.Evan Parker discography
accessed January 4, 2017


Reception

AllMusic awarded the album 4½ stars with reviewer Steve Loewy stating: '' The Penguin Guide to Jazz'' awarded the album a "Crown" signifying a recording that the authors "feel a special admiration or affection for".
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Evan Parker
Evan Shaw Parker (born 5 April 1944) is a British tenor and soprano saxophone player who plays free improvisation. Recording and performing prolifically with many collaborators, Parker was a pivotal figure in the development of European free jazz and free improvisation. He has pioneered or substantially expanded an array of extended techniques. Critic Ron Wynn describes Parker as "among Europe's most innovative and intriguing saxophonists...his solo sax work isn't for the squeamish." Early influences Parker's original inspiration was Paul Desmond, and in recent years the influence of cool jazz saxophone players has again become apparent in his music — there are tributes to Warne Marsh and Lee Konitz on '' Time Will Tell'' (ECM, 1993) and ''Chicago Solo'' (Okka Disk, 1997). He soon discovered the music of John Coltrane, who would be the primary influence throughout his career. Other important early influences were Cecil Taylor, Albert Ayler and Jimmy Guiffre. Ea ...
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Alexander Von Schlippenbach
Alexander von Schlippenbach (born 7 April 1938) is a German jazz pianist and composer. He came to prominence in the 1960s playing free jazz in a trio with saxophonist Evan Parker and drummer Paul Lovens, and as a member of the Globe Unity Orchestra. Since the 1980s, Von Schlippenbach has explored the work of more traditional jazz composers such as Jelly Roll Morton or Thelonious Monk. Biography Schlippenbach started to play piano from the age of eight and went on to study composition at Cologne under Bernd Alois Zimmermann. While studying he started to play with Manfred Schoof. At the age of 28 he founded the Globe Unity Orchestra. In 1988, he founded the Berlin Contemporary Jazz Orchestra, a big band that has over the years comprised, among others, Willem Breuker, Paul Lovens, Misha Mengelberg, Evan Parker, Schlippenbach's wife Aki Takase and Kenny Wheeler. In 1994, he was awarded the Albert Mangelsdorff prize. Schlippenbach has produced various recordings and worked for Germ ...
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Leo Records Live Albums
Leo or Léo may refer to: Acronyms * Law enforcement officer * Law enforcement organisation * '' Louisville Eccentric Observer'', a free weekly newspaper in Louisville, Kentucky * Michigan Department of Labor and Economic Opportunity Arts and entertainment Music * Leo (band), a Missouri-based rock band that was founded in Cleveland, Ohio * L.E.O. (band), a band by musician Bleu and collaborators Film * ''Leo'' (2000 film), a Spanish film by José Luis Borau * ''Leo'' (2002 film), a British-American drama film * ''Leo'', a 2007 Swedish film by Josef Fares * ''Leo'' (2012 film), a Kenyan film * Leo the Lion (MGM), mascot of the Metro-Goldwyn-Mayer movie studio Television * Leo Awards, a British Columbian television award * "Leo", an episode of ''Being Erica'' * Léo, fictional lion in the animation ''Animal Crackers'' * ''Léo'', 2018 Quebec television series created by Fabien Cloutier Companies * Leo Namibia, former name for the TN Mobile phone network in Namibia * Le ...
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Percussion
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.'' The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, ...
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Paul Lytton
Paul Lytton (born 8 March 1947, London) is an English free jazz and free improvising percussionist. Lytton began on drums at age 16. He played jazz in London in the late 1960s while taking lessons on the tabla from P.R. Desai. In 1969 he began experimenting with free improvisational music, working in a duo with saxophonist Evan Parker. After adding bassist Barry Guy, the ensemble became the Evan Parker Trio. He and Parker continued to work together into the 2000s; more recent releases include trio releases with Marilyn Crispell in 1996 (''Natives and Aliens'') and 1999 (''After Appleby''). A founding member of the London Musicians Collective, Lytton worked extensively on the London free improvisation scene in the 1970s, and aided Paul Lovens in the foundation of the Aachen Musicians' Cooperative in 1976. Lytton has toured North America and Japan both solo and with improvisational ensembles. In 1999, he toured with Ken Vandermark and Kent Kessler, and recorded with Vandermark o ...
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Paul Lovens
Paul Lovens (born 6 June 1949) is a German musician. He plays drums, percussion, singing saw, and cymbals. He has performed with the Aardvark Jazz Orchestra and Berlin Contemporary Jazz Orchestra. He was born in Aachen, Germany. In the early 1970s, he was part of a trio with pianist Alexander von Schlippenbach. Since then he has worked with Cecil Taylor, Harri Sjöström, Günther Christmann, Eugene Chadbourne, Peter Brötzmann, Teppo Hauta-Aho, Mats Gustafsson, Thomas Lehn, Phil Wachsmann, Rajesh Mehta and Joëlle Léandre. He also played with Florian Schneider and Ebehard Kranemann in an early incarnation of Kraftwerk. Since 1967, Lovens has run the record label Po Torch with Paul Lytton. Discography As leader * ''Voerkel/Frey/Lovens'' (FMP, 1976) * ''Carpathes'' with Michel Pilz, Peter Kowald (FMP, 1976) * ''Was It Me'' with Paul Lytton (Po Torch, 1977) * ''Paul Rutherford/Paul Lovens'' (Po Torch, 1978) * ''Moinho Da Asneira'' with Paul Lytton (Po Torch, 198 ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Barry Guy
Barry John Guy (born 22 April 1947, in London) is an English composer and double bass player. His range of interests encompasses early music, contemporary composition, jazz and improvisation, and he has worked with a wide variety of orchestras in the UK and Europe. He studied at the Guildhall School of Music under Buxton Orr, and later taught there. Guy came to the fore as an improvising bassist as a member of a trio with pianist Howard Riley and drummer Tony Oxley (Witherden, 1969). He also became an occasional member of John Stevens' ensembles in the 1960s and 1970s, including the Spontaneous Music Ensemble. In the early 1970s, he was a member of the influential free improvisation group Iskra 1903 with Derek Bailey and trombonist Paul Rutherford (a project revived in the late 1970s, with violinist Philipp Wachsmann replacing Bailey). He also formed a long-standing partnership with saxophonist Evan Parker, which led to a trio with drummer Paul Lytton which became one ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a musical keyboard, keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognize ...
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Dingwalls
Dingwalls was a live music and comedy venue adjacent to Camden Lock, Camden, London, England. The building itself is one of many industrial Victorian buildings that were put to new use in the 20th century. The original owner of the building, T.E. Dingwall, had his name painted on to the outside wall of the building, which was a common practice by businesses in Camden Town during the late Victorian era. The paint is still visible to this day, hence the venue's name. The 500-capacity venue was bought by promoter Vince Power in June 2020 and continues to host gigs of contemporary music. It was renamed and reopened as The PowerHaus after a copyright issue blocked the use of its original name. History First launched as the newly developed Camden Lock's flagship venue in the summer of 1973. The Natural Acoustic Band performed five times between July and November 1973. Dingwalls Dancehall was open to all - "reasonably priced at half a bar for entry", providing the longest bar in ...
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Soprano Saxophone
The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest and thus highest-pitched saxophone in common use. The instrument A transposing instrument pitched in the key of B, modern soprano saxophones with a high F key have a range from concert A3 to E6 (written low B to high F) and are therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the exception of the low A on some baritones and altos). Soprano saxophones were originally keyed from low B to high E, but a low B mechanism was patented in 188 ...
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