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4-to-the-floor
Four-on-the-floor (or four-to-the-floor) is a rhythm used primarily in dance genres such as disco and electronic dance music. It is a steady, uniformly accented beat in time in which the bass drum is hit on every beat (1, 2, 3, 4)."The Dance Music Manual: Tools, Toys and Techniques," Rick Snoman (2004) This was popularized in the disco music of the 1970s and the term ''four-on-the-floor'' was widely used in that era, since the beat was played with the pedal-operated, drum-kit bass drum. Four on the floor was common in jazz drumming until bebop styles expanded rhythmic roles beyond the basics in the 1940s. Garage rock bands of the 1960s such as the Troggs and the Seeds used four-on-the-floor on some of their hits. Many styles of electronic dance music use this beat as an important part of the rhythmic structure. Sometimes the term is used to refer to a 4/4 uniform drumming pattern for any drum. A form of four-on-the-floor is also used in jazz drumming. Instead of hitting the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four To The Floor Bass Dru
4 (four) is a number, numeral and digit. It is the natural number following 3 and preceding 5. It is a square number, the smallest semiprime and composite number, and is considered unlucky in many East Asian cultures. Evolution of the Hindu-Arabic digit Brahmic numerals represented 1, 2, and 3 with as many lines. 4 was simplified by joining its four lines into a cross that looks like the modern plus sign. The Shunga would add a horizontal line on top of the digit, and the Kshatrapa and Pallava evolved the digit to a point where the speed of writing was a secondary concern. The Arabs' 4 still had the early concept of the cross, but for the sake of efficiency, was made in one stroke by connecting the "western" end to the "northern" end; the "eastern" end was finished off with a curve. The Europeans dropped the finishing curve and gradually made the digit less cursive, ending up with a digit very close to the original Brahmin cross. While the shape of the character fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Drumming
Jazz drumming is the art of playing percussion (predominantly the drum kit, which includes a variety of drums and cymbals) in jazz styles ranging from 1910s-style Dixieland jazz to 1970s-era jazz fusion and 1980s-era Latin jazz. The techniques and instrumentation of this type of performance have evolved over several periods, influenced by jazz at large and the individual drummers within it. Stylistically, this aspect of performance was shaped by its starting place, New Orleans, Gioia, T. (1997). ''The History of Jazz''. Oxford University Press: New York. as well as numerous other regions of the world, including other parts of the United States, the Caribbean, and Africa.Brown, T, D. (1976). ''A History and Analysis of Jazz Drumming to 1942''. University Microfilms: Ann Arbor, Michigan. Jazz required a method of playing percussion different from traditional European styles, one that was easily adaptable to the different rhythms of the new genre, fostering the creation of jazz drum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dancehall
Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of reggae than the roots reggae, roots style, which had dominated much of the 1970s.Barrow, Steve & Dalton, Peter (2004) "The Rough Guide to Reggae, 3rd edn.", Rough Guides, This music genre wasn't officially named until the 1980s, when the two words ''Dance'' and ''Hall'' (referring to the common venue) were joined to form ''Dancehall'', which was then promoted internationally for the first time. At that time digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall (or "ragga") becoming increasingly characterized by faster rhythms. Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican English, Jamaican standard English and a focus on the track instrumentals (or "riddims"). Dancehall saw initial mainstream success in Jamaica in the 1980s; by the 1990s, it became i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exodus (Bob Marley And The Wailers Song)
"Exodus" is a song written by reggae musician Bob Marley and recorded by Bob Marley and the Wailers, for the '' Exodus'' (1977) album. Released as a single, it reached number 14 on the UK Singles Chart. "Exodus" was Marley's first single to receive widespread airplay on black radio stations in the US, expanding the artist's predominantly white college age and Caribbean expats fanbase in the country. Overview The song ties together the Biblical story of Moses leading the Israelites out of Egypt to the hope of Rastafarians to be led to freedom. After an assassination attempt in Jamaica in 1976, Marley fled to London where he recorded the song and album of the same name. He had conceived "Exodus" as the album title before even writing the song. The song has a revolutionary theme punctuated by its chorus of "Exodus, movement of Jah people." Udiscovermusic wrote that the song was "a rippling, surging, seven-minute call to arms for a nation of displaced souls on the march to a new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Is This Love (Bob Marley And The Wailers Song)
"Is This Love" is a song by Bob Marley and the Wailers, released on their 1978 album '' Kaya''. The song became one of Marley's best-known songs and was part of the ''Legend'' compilation. It peaked at number 9 in the UK charts upon its release in 1978. A live rendition of the song can be found on the '' Babylon by Bus'' live album from Paris in 1978. Music video A music video was also produced, shot at the Keskidee Arts Centre in London; in the video, future supermodel Naomi Campbell, then seven years old, made her first appearance in the public eye. Lvndscape and Bolier remix In June 2016, the song was remixed by Dutch electronic music collaborators Lvndscape and Bolier, and the remix version reached #16 single in the UK. The music video was released via Spinnin' Records YouTube channel on 17 June 2016. Notable covers The following artists have covered the song: *The Pat Travers Band, on their 1980 album '' Crash and Burn''. *Carly Simon, on her 1983 album '' Hello Big ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Marley And The Wailers
Bob Marley and the Wailers (previously known as the Wailers and prior to that the Wailing Rudeboys, the Wailing Wailers and the Teenagers) were a Jamaican ska, rocksteady and reggae band. The founding members, in 1963, were Bob Marley (Robert Nesta Marley), Peter Tosh (Winston Hubert McIntosh), and Bunny Wailer (Neville Livingston). During 1970 and 1971, Wailer, Marley and Tosh worked with renowned reggae producers Leslie Kong and Lee "Scratch" Perry. Before signing to Island Records in 1972, the band released four albums. Two additional albums were produced before Tosh and Wailer departed from the band in 1974, citing dissatisfaction with their treatment by the label and ideological disagreements. Marley continued with a new lineup, which included the I-Threes, and went on to release seven more albums. Marley died from cancer in 1981, at which point the group disbanded. The Wailers were a groundbreaking ska and reggae group, noted for songs such as "Simmer Down", "Trenchtow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlton Barrett
Carlton Barrett (17 December 1950 – 17 April 1987) was a Jamaican musician best known for being the long-time drummer for Bob Marley & The Wailers. Recognized for his innovative style, which featured a highly syncopated, broken triplet pattern on the hi-hat, and for his dazzling drum introductions, Barrett's prolific recordings with Marley have been internationally celebrated. He is credited with popularising the One Drop rhythm. Carlton Barrett was born in Kingston, Jamaica, in 1950, the second son of Wilfred and Violet Barrett. As a teenager, he built his first set of drums out of empty paint cans he found on the street. Along with his contemporaries, drummers Sly Dunbar, Leroy "Horsemouth" Wallace, Style Scott and Carlton "Santa" Davis, Barrett was heavily influenced by Lloyd Knibb of The Skatalites. In the 1960s, Barrett began performing with his brother Aston "Family Man" Barrett, under the names The Soul Mates, The Rhythm Force and eventually The Hippy Boys, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sly And Robbie
Sly and Robbie were a prolific Jamaican rhythm section and production duo, associated primarily with the reggae and dub genres. Drummer Sly Dunbar and bassist Robbie Shakespeare teamed up in the mid-1970s after establishing themselves separately in Jamaica as professional musicians. They recorded several albums under the Sly and Robbie name, and made hundreds of appearances on records by other performers. Shakespeare died in December 2021 following kidney surgery. Career 1970s: Beginnings in reggae Sly Dunbar, then drumming for Skin Flesh and Bones, and Robbie Shakespeare, playing bass and guitar with the Aggrovators, discovered they had the same ideas about music in general (both are fans of Motown, Stax Records, the Philly Sound, and country music, in addition to Jamaican record labels Studio One and Treasure Isle), and reggae production in particular. Speaking on his influences, Sly explains “My mentor was the drummer for The Skatalites, Lloyd Knibb. And I used to l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sly Dunbar
Lowell Fillmore "Sly" Dunbar (born 10 May 1952, Kingston, Jamaica) is a Jamaican drummer, best known as one half of the prolific Jamaican rhythm section and reggae production duo Sly and Robbie. Biography Dunbar began playing at 15 in a band called The Yardbrooms. His first appearance on a recording was on the Dave and Ansell Collins album ''Double Barrel''. Dunbar joined a band Ansell Collins called Skin, Flesh and Bones. Speaking on his influences, Sly explains “My mentor was the drummer for the Skatalites, Lloyd Knibb. And I used to listen a lot to the drummer for Booker T. & the M.G.'s, Al Jackson Jr., and a lot of Philadelphia. And there are other drummers in Jamaica, like Santa and Carly from the Wailers Band, Winston Bennett, Paul Douglas, Mikey Boo. I respect all these drummers and have learnt a lot from them. From them, I listened and created my own style. They played some things I copied, other things I recreated." In 1972, Dunbar met and became friends ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggae
Reggae () is a music genre that originated in Jamaica during the late 1960s. The term also denotes the modern popular music of Jamaica and its Jamaican diaspora, diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay", was the first popular song to use the word ''reggae'', effectively naming the genre and introducing it to a global audience. Reggae is rooted in traditional Jamaican Kumina, Pukkumina, Revival Zion, Nyabinghi, and burru drumming. Jamaican reggae music evolved out of the earlier genres mento, ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Stylistically, reggae incorporates some of the musical elements of rhythm and blues, jazz, mento (a celebratory, rural folk form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of music bounded by vertical lines, known as bar lines (or barlines), usually indicating one or more recurring beats. The length of the bar, measured by the number of note values it contains, is normally indicated by the time signature. Types of bar lines Regular bar lines consist of a thin vertical line extending from the top line to the bottom line of the staff, sometimes also extending between staves in the case of a grand staff or a family of instruments in an orchestral score. A ''double bar line'' (or ''double bar'') consists of two single bar lines drawn close together, separating two sections within a piece, or a bar line followed by a thicker bar line, indicating the end of a piece or movement. Note that ''double bar'' refers not to a type of ''bar'' (i.e., measure), but to a type of ''bar line''. Typically, a double bar is used when followed by a new key signature, whether or not it marks the beginning of a ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banjo
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and in modern forms is usually made of plastic, where early membranes were made of animal skin. Early forms of the instrument were fashioned by African Americans and had African antecedents. In the 19th century, interest in the instrument was spread across the United States and United Kingdom by traveling shows of the 19th-century minstrel show fad, followed by mass production and mail-order sales, including instructional books. The inexpensive or home-made banjo remained part of rural folk culture, but five-string and four-string banjos also became popular for home parlor music entertainment, college music clubs, and early 20th century jazz bands. By the early 20th century, the banjo was most frequently associated with folk, cowboy music, and country music. By mid-century it had come to be strongly associated with bluegrass. Eventu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
