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1954 In Art
Events from the year 1954 in art. Events *November 18 – Publication of ''Yves Peintures'' (in Madrid), the first public showing of Yves Klein's work. * December – Pablo Picasso begins painting his ''Les Femmes d'Alger'' ("The Women of Algiers") series in homage to Delacroix's 1834 painting of the same name and to the memory of Matisse. Awards * Archibald Prize: Ivor Hele – '' Rt Hon R G Menzies, PC, CH, QC, MP'' * New Year Honours – Knight Commander of the Order of the British Empire: Jacob Epstein Exhibitions * Augustus John at the Royal Academy Works * Francis Bacon ** '' Figure with Meat'' (Art Institute of Chicago) ** ''Two Figures in the Grass'' * Thomas Hart Benton – ''The Kentuckian'' * John Brack – '' The Bar'' (National Gallery of Victoria) * Terence Cuneo ** The Coronation of Her Majesty Queen Elizabeth II, Westminster Abbey, 2nd June 1953' ** The Coronation Luncheon for Her Majesty Queen Elizabeth in Guildhall, 12th June 1953'' * Salvador Dalí ** ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augustus John
Augustus Edwin John (4 January 1878 – 31 October 1961) was a Welsh painter, draughtsman, and etcher. For a time he was considered the most important artist at work in Britain: Virginia Woolf remarked that by 1908 the era of John Singer Sargent and Charles Wellington Furse "... was over. The age of Augustus John was dawning." In the second volume of BLAST, Percy Wyndham Lewis wrote, referring to John, that the ten years up to 1914 had been "the Augustan decade." He was the younger brother of the painter Gwen John. Early life Born in Tenby, at 11, 12 or 13 The Esplanade, now known as The Belgrave Hotel, Pembrokeshire, John was the younger son and third of four children. His father was Edwin William John, a Welsh solicitor; his mother, Augusta Smith (1848–1884), from a long line of Sussex master plumbers, died when he was six, but not before inculcating a love of drawing in both Augustus and his older sister Gwen. At the age of seventeen he briefly attended the Tenby ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crucifixion (Corpus Hypercubus)
''Crucifixion (Corpus Hypercubus)'' is a 1954 oil-on-canvas painting by Salvador Dalí. A nontraditional, surrealism, surrealist Crucifixion in art, portrayal of the Crucifixion, it depicts Christ on a polyhedron net of a tesseract (hypercube). It is one of his best-known paintings from the later period of his career. Background During the 1940s and 1950s Dalí's interest in traditional surrealism diminished and he became fascinated with nuclear science, feeling that "thenceforth, the atom was [his] favorite food for thought". The Atomic bombings of Hiroshima and Nagasaki, atomic bombing at the end of World War II left a lasting impression; his 1951 essay "Mystical Manifesto" introduced an art theory he called "nuclear mysticism" that combined his interests in Catholicism, mathematics, science, and Catalonia, Catalan culture in an effort to reestablish classical values and techniques, which he extensively utilized in ''Corpus Hypercubus''. That same year, to promote nuclear myst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Colossus Of Rhodes (Dalí)
''The Colossus of Rhodes'' is a 1954 oil painting by the Spanish surrealism, surrealist Salvador Dalí. It is one of a series of seven paintings he created for the 1956 film ''Seven Wonders of the World (film), Seven Wonders of the World'', each depicting one of the Seven Wonders of the Ancient World, wonders. The work shows the Colossus of Rhodes, the ancient statue of the Greek titan (mythology), titan-god of the sun, Helios. The painting was not used for the film and was donated to the Kunstmuseum Bern in 1981, where it remains. Painted two decades after Dalí's heyday with the surrealist movement, the painting epitomises his shift from the avant-garde to the mainstream. Pressured by financial concerns after his move to the United States in 1940, and influenced by his fascination with Cinema of the United States, Hollywood, Dalí shifted focus away from his earlier exploration of the subconscious and perception, and towards historical and scientific themes. Dalí's renderin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salvador Dalí
Salvador Domingo Felipe Jacinto Dalí i Domènech, Marquess of Dalí of Púbol (11 May 190423 January 1989), known as Salvador Dalí ( ; ; ), was a Spanish Surrealism, surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and bizarre images in his work. Born in Figueres in Catalonia, Dalí received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance art, Renaissance masters from a young age, he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents. His best-known work, ''The Persistence of Memory'', was completed in August 1931. Dalí lived in France throughout the Spanish Civil War (1936 to 1939) before leaving for the United States in 1940 where he achieved commercial success. He returned to Spain in 1948 where he announced his return to the Catholic fai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terence Cuneo
Terence Tenison Cuneo RGI FGRA (1 November 1907 – 3 January 1996) was a prolific English painter noted for his scenes of railways, horses and military actions. He was also the official artist for the Coronation of Queen Elizabeth II in 1953. Life and work Terence Cuneo was born in London, the son of Cyrus Cincinato Cuneo (1879–1916) and Nell Marion Tenison (1881–1964), artists who met while studying with Whistler in Paris. Cyrus Cuneo's elder brother Rinaldo Cuneo was also an acclaimed painter in San Francisco, as was his youngest brother Egisto Cuneo. Terence Cuneo studied at Sutton Valence School in Kent, Chelsea Polytechnic and the Slade School of Art, before working as an illustrator for magazines, books and periodicals. In 1936 he started working in oils, continuing with his illustration work. During World War II he served as a sapper in the Royal Engineers but also completed a small number of commissions for the War Artists' Advisory Committee, providing il ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Gallery Of Victoria
The National Gallery of Victoria, popularly known as the NGV, is an art museum in Melbourne, Victoria (state), Victoria, Australia. Founded in 1861, it is Australia's oldest and list of most visited art museums in the world, most visited art museum. The NGV houses its collection across two sites: NGV International, located on St Kilda Road in the Melbourne Arts Precinct of Southbank, Victoria, Southbank, and the Ian Potter Centre: NGV Australia, located nearby at Federation Square. The NGV International building, designed by Sir Roy Grounds, opened in 1968, and was redeveloped by Mario Bellini before reopening in 2003. It houses the gallery's international art collection and is on the Victorian Heritage Register. The Ian Potter Centre: NGV Australia, designed by Lab Architecture Studio, opened in 2002 and houses the gallery's Australian art collection. A third site, The Fox: NGV Contemporary, is planned to open in the Melbourne Arts Precinct in 2028, and will be Australia's lar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bar (painting)
''The Bar'' is a 1954 painting by Australian artist John Brack. The subject of the painting directly references Édouard Manet's 1882 work ''A Bar at the Folies-Bergère''. It depicts a barmaid working in an Australian pub at the time of the "six o'clock swill". As in Manet's work, the patrons of the bar are shown in a reflection behind the barmaid. The work is considered a companion piece to Brack's 1955 work ''Collins St., 5 pm''. A Melbourne art collector acquired ''The Bar'' for 90 guineas in 1954. In 2006, the painting sold for $3.12m, a then record price for an Australian artwork at auction. The anonymous buyer was later revealed to be David Walsh, owner of the Museum of Old and New Art in Hobart. He sold the painting to the National Gallery of Victoria (NGV) for the same price in 2009. ''The Bar'', along with Brack's ''Collins St., 5 pm'', is considered a highlight of the NGV's Australian art collection, and is on permanent display at the Ian Potter Centre in Melbourne's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Brack
John Brack (10 May 1920 – 11 February 1999) was an Australian painter, and a member of the Antipodeans group. According to one critic, Brack's early works captured the idiosyncrasies of their time "more powerfully and succinctly than any Australian artist before or since. Brack forged the iconography of a decade on canvas as sharply as Barry Humphries did on stage." Life During World War 2 (1940–1946) VX107527 Lieutenant John Brack served with the Field Artillery. Brack was Art Master at Melbourne Grammar School (1952–1962). His art first achieved prominence in the 1950s. He also joined the Antipodeans Group in the 1950s which protested against abstract expressionism. He was appointed Head of National Gallery of Victoria Art School (1962–1968), where he was an influence on many artists and the creation of the expanded school attached to the new gallery building. Style Brack's early conventional style evolved into one of simplified, almost stark, shapes and areas of deli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Kentuckian (painting)
''The Kentuckian'' is a 1954 painting by American artist Thomas Hart Benton. It is based on a scene from the film ''The Kentuckian'', where the backwoodsman Big Eli Wakefield (played by Burt Lancaster) and his son Little Eli (played by Donald MacDonald) encounter a frontier village. The painting belongs to the Los Angeles County Museum of Art. Creation The painting was commissioned by the film studio Norma Productions to help promote the film ''The Kentuckian'', directed by and starring Burt Lancaster. Both Lancaster and the producer Harold Hecht were admirers of Benton and took the initiative for the commission. Among Benton's sketches for the painting is one version where the characters are drawn as cube-figures. Provenance The painting was exhibited at the film's premiere in Washington, DC. It was later used on the label of a brand of whiskey. The painting belonged to Lancaster and was not exhibited in public again until he gave it to the Los Angeles County Museum of Art in 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Hart Benton (painter)
Thomas Hart Benton (April 15, 1889 – January 19, 1975) was an American painter, muralist, and Printmaking, printmaker. Along with Grant Wood and John Steuart Curry, he was at the forefront of the American scene painting, Regionalist art movement. The fluid, sculpted figures in his paintings showed everyday people in scenes of life in the United States. His work is strongly associated with the Midwestern United States, the region in which he was born and which he called home for most of his life. He also studied in Paris, lived in New York City for more than 20 years and painted scores of works there, summered for 50 years on Martha's Vineyard off the New England coast, and also painted scenes of the American South and American West, West. Early life and education Benton was born in Neosho, Missouri, into an influential family of politicians. He had two younger sisters, Mary and Mildred, and a younger brother, Nathaniel. His mother was Elizabeth Wise Benton and his father, Col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Institute Of Chicago
The Art Institute of Chicago, founded in 1879, is one of the oldest and largest art museums in the United States. The museum is based in the Art Institute of Chicago Building in Chicago's Grant Park (Chicago), Grant Park. Its collection, stewarded by 11 curatorial departments, includes works such as Georges Seurat's A Sunday Afternoon on the Island of La Grande Jatte, ''A Sunday on La Grande Jatte'', Pablo Picasso's ''The Old Guitarist'', Edward Hopper's ''Nighthawks (Hopper), Nighthawks'', and Grant Wood's ''American Gothic''. Its permanent collection of nearly 300,000 works of art is augmented by more than 30 special exhibitions mounted yearly that illuminate aspects of the collection and present curatorial and scientific research. As a research institution, the Art Institute also has a conservation and conservation science department, five conservation laboratories, and Ryerson & Burnham Libraries, Ryerson and Burnham Libraries, one of the nation's largest art history and ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
