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1917 In Music
This is a list of notable events in music that took place in the year 1917. Specific locations *1917 in British music *1917 in Norwegian music Specific genres *1917 in country music *1917 in jazz Events *March 7 – "Livery Stable Blues", recorded with "Dixie Jazz Band One Step" on February 26 by the Original Dixieland Jass Band (a white 5-piece group from New Orleans led by cornetist Nick LaRocca) for the Victor Talking Machine Company in the United States, becomes the first jazz recording commercially released (described as a "foxtrot"). On August 17 the band records "Tiger Rag" *May 12 – Béla Bartók's ballet ''The Wooden Prince'' is premiered in Budapest * First African American jazz recordings made by Wilbur Sweatman's Band * Eddie Cantor makes his first recordings * Songs of the First World War become popular in the U.S. Bands formed *''See :Musical groups established in 1917'' Published popular music * "All The World Will Be Jealous Of Me" w. Al Dubin m. Ernest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wooden Prince
''The Wooden Prince'' (), Op. 13, Sz. 60, is a one-act pantomime ballet composed by Béla Bartók in 1914–1916 (orchestrated 1916–1917) to a scenario by Béla Balázs. It was first performed at the Budapest Opera on 12 May 1917 under the conductor Egisto Tango. The work ''The Wooden Prince'' has never achieved the fame of Bartók's other ballet, ''The Miraculous Mandarin'' (1926) but it was enough of a success at its premiere to prompt the Opera House to stage Bartók's opera, '' Bluebeard's Castle'' (which had not been performed since 1911) in the following year. Like ''Bluebeard'', ''The Wooden Prince'' uses a huge orchestra (it even includes saxophones), though the critic Paul Griffiths believes it sounds like an earlier work in style (Griffiths p. 71). The music shows the influence of Debussy and Richard Strauss, as well as Wagner (the introduction echoes the prelude of ''Das Rheingold''). Bartók used a scenario by the poet Béla Balázs, which had appeared in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
At The Jazz Band Ball
"At the Jazz Band Ball" is a 1917 jazz instrumental recorded by the Original Dixieland Jazz Band. The instrumental is one of the earliest and most recorded jazz compositions. It is a jazz classic and a standard of the genre. The instrumental was recorded by Larry Shields, Tony Sbarbaro, Henry Ragas, Nick LaRocca, and Eddie Edwards (musician), Eddie Edwards, the members of the Original Dixieland Jazz Band. It was composed by Nick LaRocca and Larry Shields, and first recorded as "At the Jass Band Ball" by the Original Dixieland Jazz Band on September 3, 1917, in New York and released as an Aeolian Vocalion single, A1205. The instrumental was rerecorded on March 19, 1918, and was released as a Victor 78 single, Victor 18457, Matrix #B-21583/1, with "Ostrich Walk" as the flip side. A third version was recorded on April 16, 1919, in London, England and released as a 78 single as Columbia 735 with "Barnyard Blues" as the flip side. Lyricist Johnny Mercer added lyrics to the original 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anatole Friedland
Anatole Friedland, also spelled as Anatol Friedland and Anato Friedland, (March 21, 1881 – July 24, 1938) was a composer, songwriter, vaudeville performer, and Broadway producer during the 1900s. He is most-known for composing songs with lyricist L. Wolfe Gilbert. Their most popular songs include, "My Sweet Adair" (1915), "Are You From Heaven?" (1917), and "My Own Iona" (1916). Personal life Friedland was born on March 21, in St. Petersburg, Russia. Some sources claim his year of birth is 1881, while others list it as 1888. He used March 21, 1884 on his June 21, 1922 passport application. Friedland's early education came from private schools in St. Petersburg. He then studied music at the Moscow Conservatory before emigrating to the United States sometime after 1900. He attended the Columbia Graduate School of Architecture, Planning and Preservation at Columbia University in New York City, where he studied architecture. While a student at Columbia, Friedland composed music fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chu Chin Chow
''Chu Chin Chow'' is a musical comedy written, produced and directed by Oscar Asche, with music by Frederic Norton, based (with minor embellishments) on the story of '' Ali Baba and the 40 Thieves''. Gänzl, Kurt"''Chu Chin Chow'' Musical Tale of the East In 3 Acts, Music by Frederic Norton" Operetta Research Center, 9 July 2016 The piece premièred at His Majesty's Theatre in London on 3 August 1916 and ran for five years and a total of 2,238 performances (more than twice as many as any previous musical), a record that stood for nearly forty years until '' Salad Days''. The show's first American production in New York, with additional lyrics by Arthur Anderson, played for 208 performances in 1917–1918, starring Tyrone Power."Chu Chin Chow (1934): A Robust Oper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Theater
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the light opera works of Jacques Offenbach in France, Gilbert and Sullivan in Britain and the works of Harrigan and Hart in America. These were followed by Edwardian musica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederic Norton
George Frederic Norton (11 October 186915 December 1946) was a British composer, most associated with the record breaking ''Chu Chin Chow'', which opened in 1916. Biography Norton was born in Broughton, Salford, England. He studied with Sir Paolo Tosti and appeared on stage in variety theatre. Some of these acts included the delivery of monologues. These led Norton to compose songs, many of them humorous. His published songs included 1908's "Rosemary" with words by Graham Robertson, and "Maid of the Morning", "When a Pullet is Plump" and "The Elephant and the Portmanteau". In turn, these songs resulted in Norton composing music for stage shows, starting with ''The Water Maidens'' in 1901. In 1911, Norton provided additional music for a production of ''Orpheus in the Underworld'' at His Majesty's Theatre, which was based on the Offenbach opera of the same name. In 1916, he wrote the music to Oscar Asche's ''Chu Chin Chow'', which achieved a then world-record theatrical run ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Asche
John Stange(r) Heiss Oscar Asche (24 January 1871 – 23 March 1936) was an Australian actor, director, and writer, best known for having written, directed, and acted in the record-breaking musical '' Chu Chin Chow'', both on stage and film, and for acting in, directing, or producing many Shakespeare plays and successful musicals."Oscar Asche (1871-1936)" National Library of Australia, accessed 5 April 2015 After studying acting in Norway and London, Asche made his London stage debut in 1893 and soon joined the F R Benson Company, where he remained for eight years, playing more than a hundred roles including important Shakespearean parts. He married the actress [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest Ball
Ernest Roland Ball (July 22, 1878 – May 3, 1927) was an American singer and songwriter, most famous for composing the music for the song " When Irish Eyes Are Smiling" in 1912. Ball was not Irish and neither were the lyricists. Early life and education Born in Cleveland, Ohio, Ball received formal music training at the Cleveland Conservatory. Career His growing career was much buoyed by James J. Walker, then a state senator of New York, who asked Ball to write music for some lyrics he wrote. Ball did, and the song "Will You Love Me In December as You Do In May?" became a hit. Walker later became known as "Beau James," mayor of New York City from 1926 to 1932; their collaboration was a fortunate event for Ball's career. Ball accompanied singers, sang in vaudeville and wrote sentimental ballads, mostly with Irish themes. He collaborated with Chauncey Olcott on many songs including "When Irish Eyes are Smiling", for which Olcott wrote the lyrics. Ball wrote other Irish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Dubin
Alexander Dubin (June 10, 1891 – February 11, 1945) was an American lyricist. He is best known for his collaborations with the composer Harry Warren. Life Al Dubin came from a Russian Jewish family that immigrated to the United States from Switzerland when he was two years old. Born in Zürich, Switzerland, he grew up in Philadelphia. Between ages of thirteen and sixteen, Dubin played hookey from school in order to travel into New York City to see Broadway musical shows. At age 14 he began writing special material for a vaudeville entertainer on 28th Street between 5th and Broadway in New York City, otherwise known as Tin Pan Alley. Dubin was accepted and enrolled at Perkiomen Seminary in September 1909, but was expelled in 1911, after writing their Alma Mater. After leaving Perkiomen, Dubin got himself a job as a singing waiter at a Philadelphia restaurant. He continued to write lyrics and tried selling them to area publishing firms. During this time, Dubin met composer J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songs Of The First World War
The music of World War I is the music which was composed during the war or which is associated with the war. Music hall In 1914, music hall was by far the most popular form of popular song. It was listened to and sung along to in theatres which were getting ever larger (three thousand seaters were not uncommon) and in which the musical acts were gradually overshadowing all other acts (animal imitators, acrobats, human freaks, conjurors, etc.) The industry was more and more dominated by chains of theatres like Moss, and by music publishers, since selling sheet music was very profitable. Indeed, a real hit could sell over a million copies. The seats at the music hall could be very cheap and attracted a largely working class audience, for whom a gramophone would generally be too expensive. Although many ordinary people had heard gramophones in seaside resorts or in park concerts organized by local councils, many more would discover the gramophone while in the army, since gramop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
