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1626 In Literature
This article contains information about the literary events and publications of 1626. Events *February – The King's Men premiere Ben Jonson's satire on the new newsgathering enterprise ''The Staple of News'', his first new play in almost a decade, at the Blackfriars Theatre in London. *November – The deaths of Lancelot Andrewes and Nicholas Felton, Bishop of Ely, prompt John Milton, then a student at Cambridge, to write elegies in Latin for both. *December 27 – Izaak Walton marries Rachel Floud (died 1640). New books Prose *Francis Bacon – ''The New Atlantis'' * Nicholas Breton – '' Fantastickes'' * Alonso de Castillo Solórzano – ''Jornadas alegres'' * Robert Fludd – ''Philosophia Sacra'' * Marie de Gournay – ''Les Femmes et Grief des Dames'' (The Ladies' Grievance) *Francisco de Quevedo – '' El Buscón'' (first published edition – unauthorized) Drama * Pieter Corneliszoon Hooft – ''Baeto, oft oorsprong der Holanderen'' * John Fletcher and collaborat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco De Quevedo
Francisco Gómez de Quevedo y Santibáñez Villegas, Order of Santiago, Knight of the Order of Santiago (; 14 September 1580 – 8 September 1645) was a Spanish nobleman, politician and writer of the Baroque era. Along with his lifelong rival, Luis de Góngora, Quevedo was one of the most prominent Spanish poets of the age. His style is characterized by what was called ''conceptismo''. This style existed in stark contrast to Góngora's ''culteranismo''. Biography Quevedo was born on 14 September 1580 in Madrid into a family of ''Hidalgo (Spanish nobility), hidalgos'' from the village of Santiurde de Toranzo, Vejorís, located in the northern mountainous region of Cantabria. His family was descended from the Kingdom of Castile, Castilian nobility. Quevedo's father, Francisco Gómez de Quevedo, was secretary to Maria of Spain, daughter of emperor Charles V, Holy Roman Emperor, Charles V and wife of Maximilian II, Holy Roman Emperor, and his mother, Madrid-born María de Santi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Shirley
James Shirley (or Sherley) (September 1596 – October 1666) was an English dramatist. He belonged to the great period of English dramatic literature, but, in Charles Lamb (writer), Charles Lamb's words, he "claims a place among the worthies of this period, not so much for any transcendent genius in himself, as that he was the last of a great race, all of whom spoke nearly the same language and had a set of moral feelings and notions in common." His career of play writing extended from 1625 to the suppression of stage plays by Parliament of England, Parliament in 1642. Biography Early life Shirley was born in London and was descended from the Shirleys of Warwick, the oldest knighted family in Warwickshire. He was educated at Merchant Taylors' School, Northwood, Merchant Taylors' School, London, St John's College, Oxford, and St Catharine's College, Cambridge, where he took his BA degree in or before 1618. His first poem, ''Echo, or the Unfortunate Lovers'' was published i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tirso De Molina
Gabriel Téllez, O. de M. (24 March 158320 February 1648), also known as Tirso de Molina, was a Spanish Baroque dramatist and poet, as well as a Mercedarian friar, and Catholic priest. He is primarily known for writing '' The Trickster of Seville and the Stone Guest'', the play from which the character Don Juan originates. His work also includes female protagonists and the exploration of sexual issues. Life and career Gabriel Téllez was born in Madrid to Andrés López and Juana Téllez, servants of the Count of Molina. As a youth, he studied at the University of Alcalá. He joined the mendicant Order of Our Lady of Mercy on 4 November 1600, by whom he was sent to the Monastery of San Antolín at Guadalajara to begin his period of novitiate on 21 January 1601. He had been ordained as a priest by 1610. Téllez had been writing plays for ten years when he was sent by his superiors on a mission to the West Indies in 1615; as a result, he resided in the Spanish colony of Sant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Middleton
Thomas Middleton (baptised 18 April 1580 – July 1627; also spelt ''Midleton'') was an English Jacobean playwright and poet. He, with John Fletcher and Ben Jonson, was among the most successful and prolific of playwrights at work in the Jacobean period, and among the few to gain equal success in comedy and tragedy. He was also a prolific writer of masques and pageants. Life Middleton was born in London and baptised on 18 April 1580. He was the son of a bricklayer, who had raised himself to the status of a gentleman and owned property adjoining the Curtain Theatre in Shoreditch. Middleton was five when his father died and his mother's subsequent remarriage dissolved into a 15-year battle over the inheritance of Thomas and his younger sister – an experience that informed him about the legal system and may have incited his repeated satire against the legal profession. Middleton attended The Queen's College, Oxford, matriculating in 1598, but he did not graduate. Before h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas May
Thomas May (1594/95 – 13 November 1650) was an English poet, dramatist and historian of the Renaissance era. Early life and career until 1630 May was born in Mayfield, Sussex, the son of Sir Thomas May, a minor courtier. He matriculated at Sidney Sussex, Cambridge, graduating B.A. in 1613. He wrote his first published poem while at Cambridge, an untitled three-stanza contribution to the University's memorial collection of poems on the death of Henry Prince of Wales in 1612.''Epicedium Cantabrigiense in obitum immaturum & semper deflendum, Henrici ...'' (Cambridge: 1612), p.103 Although the majority of this volume's poems are in Latin, May's (along with a few others) is in English. It uses the trope of Pythagorean transmigration, which he re-employs in later works. Acquaintance with Carew, Massinger and Jonson In 1615 May registered as a lawyer at Gray's Inn in London. There is no record of what he did for the next five years. During the 1620s May was associated with drama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A New Way To Pay Old Debts
''A New Way to Pay Old Debts'' (c. 1625, printed 1633) is an English Renaissance drama, the most popular play by Philip Massinger. Its central character, Sir Giles Over-reach, became one of the more popular villains on English and American stages through the 19th century. Performance Massinger probably wrote the play in 1625, though its debut on stage was delayed a year as the theatres were closed due to bubonic plague. In its own era it was staged by Queen Henrietta's Men at the Cockpit Theatre in Drury Lane. It was continuously in the repertory there and at the Red Bull Theatre, under the managements of Christopher Beeston, William Beeston, and Sir William Davenant, down to the closing of the theatres at the start of the English Civil War in 1642. Though Massinger's play shows obvious debts to Thomas Middleton's '' A Trick to Catch the Old One'' (c. 1605), it transcends mere imitation to achieve a powerful dramatic effectiveness – verified by the fact that, apart from t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Massinger
Philip Massinger (1583 – 17 March 1640) was an English dramatist. His plays, including '' A New Way to Pay Old Debts'', '' The City Madam'', and '' The Roman Actor'', are noted for their satire and realism, and their political and social themes. Early life The son of Arthur Massinger or Messanger, he was baptised at St. Thomas's Salisbury on 24 November 1583. He apparently belonged to an old Salisbury family, for the name occurs in the city records as early as 1415. He is described in his matriculation entry at St. Alban Hall, Oxford (1602), as the son of a gentleman. His father, who had also been educated at St. Alban Hall, was a member of parliament, and was attached to the household of Henry Herbert, 2nd Earl of Pembroke. Herbert recommended Arthur in 1587 for the office of examiner in the Court of the Marches. William Herbert, 3rd Earl of Pembroke, who would come to oversee the London Stage and the royal company as King James's Lord Chamberlain, succeeded to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Mairet
Jean (de) Mairet (10 May 160431 January 1686) was a classical french dramatist who wrote both tragedies and comedies. Life He was born at Besançon, and went to Paris to study at the Collège des Grassins about 1625. In that year he produced his first piece ''Chryséide et Arimand''. In 1634 he produced his masterpiece, ''Sophonisbe'', which marks, in its observance of the rules, the first to be staged of the classical French tragedies. He also introduced to French drama the three classical unities of time, action and place, after a misreading of Aristotle's ''Poetics''. Mairet was one of the bitterest assailants of Corneille in the controversy over the violation of the classical unities in Corneille's play '' Le Cid''. He produced several pamphlets against Corneille, who responded more than once, most famously with his ''Advertissement au Besançonnois Mairet'' (1637). The personal intervention of Cardinal Richelieu was eventually required to calm the furore in the theatre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Jews' Tragedy
''The Jews' Tragedy'' is an early Caroline era stage play by William Heminges. Written in 1626 but apparently never acted in its own era, the drama was the most intensive and detailed attempt to portray Jews onstage in English Renaissance theatre. Earlier plays — '' The Three Ladies of London'', ''The Jew of Malta'', ''The Merchant of Venice'' and others — had depicted Jews with varying degrees of antipathy or sympathy, though they featured a single Jewish character, or a few at most. No dramatist before Heminges attempted to present a full cast of Jewish characters or to depict Jewish society. The prevailing anti-Semitism in England at the time makes it unsurprising that the work was not staged — and somewhat surprising that it was ever written. Though never produced before an audience, Heminges's drama was published in 1662, under the title ''The Jewes Tragedy, or their fatal and final overthrow by Vespasian and Titus his son, agreeable to the authentick and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Heminges
William Heminges (1602 – c. 1653?), also Hemminges, Heminge, and other variants, was an English playwright and theatrical figure of the Caroline period. He was the ninth child and third son of John Heminges, the actor and colleague of William Shakespeare, and his wife Rebecca. William Heminges was christened on 3 October 1602 in the parish of St. Mary's, Aldermanbury, in London. He was educated at Winchester School and then at Christ Church, Oxford, where he attained his M.A. degree in 1628. Only two of his plays have survived, ''The Jews' Tragedy'' (1626; published 1662) and '' The Fatal Contract'' (c. 1639; published 1653). In these two tragedies, the dramatist was strongly influenced by the works of Shakespeare. A third play is lost: titled ''The Coursing of the Hare, or the Madcap'', it was staged at the Fortune Theatre in March 1633. Little is known of Heminges's life. The parish records of St. Giles in the Fields record the birth of a daughter in 1639, and the burials o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Fair Maid Of The Inn
''The Fair Maid of the Inn'' is an early 17th-century stage play. A comedy in the canon of John Fletcher and his collaborators, it was originally published in the first Beaumont and Fletcher folio of 1647. Uncertainties of the play's date, authorship, and sources make it one of the most widely disputed works in English Renaissance drama. Date ''The Fair Maid of the Inn'' was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 22 January 1626 (new style). In his records, Herbert specifically attributes the play to Fletcher, who had died in August 1625. The play is thought to have been acted by the King's Men, the company Fletcher served as house playwright—though firm data on its performance history are lacking. It was first printed in 1647. Authorship Inconsistencies in the play's internal evidence, notably the lack of Fletcher's highly distinctive pattern of textual preferences (''ye'' for ''you,'' em'' for ''them,'' etc.) through much of the pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
