101 Dalmatians (franchise)
''101 Dalmatians'' is an American media franchise owned by The Walt Disney Company and based on Dodie Smith's 1956 novel ''The Hundred and One Dalmatians''. It began in 1961 with the release of the traditionally animated feature film, ''One Hundred and One Dalmatians''. Various adaptations produced from Disney have been released over the years. Origin The source for the first film is the 1956 novel ''The Hundred and One Dalmatians'', written by Dodie Smith. From this The Walt Disney Company developed and expanded the franchise into other media. Smith wrote a 1967 sequel, '' The Starlight Barking'', but this has not been used as source material for any of Disney's work. Films Animation ''One Hundred and One Dalmatians'' (1961) A 1961 American animated adventure comedy film produced by Walt Disney based on the novel by Dodie Smith, it was originally released to theaters on January 25, 1961 by Buena Vista Distribution. ''101 Dalmatians II: Patch's London Adventure'' (2003) ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Walt Disney
Walter Elias Disney ( ; December 5, 1901December 15, 1966) was an American animator, film producer, voice actor, and entrepreneur. A pioneer of the Golden age of American animation, American animation industry, he introduced several developments in the production of cartoons. As a film producer, he holds the record for most Academy Awards earned (22) and nominations (59) by an individual. He was presented with two Golden Globe Special Achievement Awards and an Emmy Award, among other honors. Several of his films are included in the National Film Registry by the Library of Congress and have also been named as some of the greatest films ever by the American Film Institute. Born in Chicago in 1901, Disney developed an early interest in drawing. He took art classes as a boy and took a job as a commercial illustrator at the age of 18. He moved to California in the early 1920s and set up the Disney Brothers Studio (now the Walt Disney Company) with his brother Roy O. Disney, Roy. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cruella (soundtrack)
''Cruella: Original Motion Picture Soundtrack'' is the soundtrack album to the film of the same name. It was released on May 21, 2021, by Walt Disney Records. A separate film score album, titled ''Cruella: Original Score'' and composed by Nicholas Britell, was released on the same day, under the same label. Background On March 31, 2021, it was announced that Nicholas Britell was hired to compose the score for ''Cruella''. "Call Me Cruella", an original song performed by Florence and the Machine, is featured in the film's end credits. The score album and a separate soundtrack album for the film were released on May 21, 2021 by Walt Disney Records. Albums ''Cruella: Original Motion Picture Soundtrack'' Track listing Songs featured in the film but not featured on the film's soundtrack album The following songs appear in the film but are excluded from the soundtrack:Gibson, Kelsie. (28 May 2021).The Cruella Soundtrack is a Wild Blast From the Past with Over 30 Songs. ''Popsugar'' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sequel
A sequel is a work of literature, film, theatre, television, music, or video game that continues the story of, or expands upon, some earlier work. In the common context of a narrative work of fiction, a sequel portrays events set in the same fictional universe as an earlier work, usually chronologically following the events of that work. In many cases, the sequel continues elements of the original story, often with the same characters and settings. A sequel can lead to a series, in which key elements appear repeatedly. The difference between more than one sequel and a series is somewhat arbitrary. Sequels are attractive to creators and publishers because there is less risk involved in returning to a story with known popularity rather than developing new and untested characters and settings. Audiences are sometimes eager for more stories about popular characters or settings, making the production of sequels financially appealing. In film, sequels are very common. There are ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Disney Television Animation
Disney Television Animation (DTVA; also shortened to Disney TVA), formerly known as Walt Disney Pictures Television Animation Group and Walt Disney Television Animation, is an American animation production company that serves as the television animation production arm of Disney Branded Television, a division of Disney General Entertainment Content, which is a division of Disney Entertainment, which is one of the three main divisions of The Walt Disney Company. The studio was originally established in 1984, by Gary Krisel during the reorganization and subsequent re-incorporation of Disney following the arrival of then CEO Michael Eisner that year. The division is responsible for developing and producing animated television series, films, specials and short films for broadcast on the Disney branded networks; Disney Channel, Disney XD and Disney Jr., as well as Disney+. History Background The Walt Disney Company first ventured into the television industry as early as 1950, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Comedy Drama
Comedy drama (also known by the portmanteau dramedy) is a hybrid genre of works that combine elements of comedy and Drama (film and television), drama. In film, as well as scripted television series, serious dramatic subjects (such as death, illness, betrayal, grief, etc.) are handled with realism and subtlety, while preserving a humorous tenor. The term "dramedy" began to be used in the television industry in the 1980s. Modern television comedy dramas tend to have more humour integrated into the story than the comic relief common in drama series, but usually contain a lower joke rate than sitcom, sitcoms. History In Theatre of ancient Greece, Greek theatre, plays were considered comedies or tragedies (i.e. drama): the former being light stories with a happy ending, and the latter serious stories with a sad ending. This concept even influenced Theatre of ancient Rome, Roman theatre and theatre of the Hellenistic period. Theatre of that era is thought to have long-lasting infl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Direct-to-video
Direct-to-video or straight-to-video refers to the release of a film, television series, short or special to the public immediately on home video formats rather than an initial theatrical release or television premiere. This distribution strategy was prevalent before streaming platforms came to dominate the TV and movie distribution markets. Because sequels or prequels of larger-budget films may be released direct-to-video, review references to direct-to-video releases are often pejorative. Direct-to-video release has also become profitable for independent filmmakers and smaller companies. Some direct-to-video genre films (with a high-profile star) can generate well in excess of $50 million revenue worldwide. Reasons for releasing direct to video A production studio may decide not to generally release a TV show or film for several possible reasons: a low budget, a lack of support from a TV network, negative reviews, its controversial nature, that it may appeal to a small ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Comedy Film
The comedy film is a film genre that emphasizes humor. These films are designed to amuse audiences and make them laugh. Films in this genre typically have a happy ending, with dark comedy being an exception to this rule. Comedy is one of the oldest genres in film, and it is derived from classical comedy in theatre. Some of the earliest silent films were slapstick comedies, which often relied on visual depictions, such as sight gags and pratfalls, so they could be enjoyed without requiring sound. To provide drama and excitement to silent movies, live music was played in sync with the action on the screen, on pianos, organs, and other instruments. When sound films became more prevalent during the 1920s, comedy films grew in popularity, as laughter could result from both burlesque situations but also from humorous dialogue. Comedy, compared with other film genres, places more focus on individual star actors, with many former stand-up comics transitioning to the film industry ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Adventure Film
The adventure film is a broad genre of film. Some early genre studies found it no different than the Western film or argued that adventure could encompass all Hollywood genres. Commonality was found among historians Brian Taves and Ian Cameron in that the genre required a setting that was both remote in time and space to the film audience and that it contained a positive hero who tries to make right in their world. Some critics such as Taves limit the genre to naturalistic settings, while Yvonne Tasker found that would limit films such as '' Raiders of the Lost Ark'' (1981) from the genre. Tasker found that most films in the genre featured narratives located within a fantasy world of exoticized setting, which are often driven by quests for characters seeking mythical objects or treasure hunting. The genre is closely associated with the action film, and is sometimes used interchangeably or in tandem with that genre. The setting and visuals are key elements of adventure films. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jim Kammerud
Jim Kammerud (born July 23, 1960) is an American director, writer, producer and animator, best known for his work with the Walt Disney Company. Kammerud attended the Ohio State University in the mid-1980s. There he developed his cartooning style by working as an editorial cartoonist, as well as creating the comic strip "It's Working", for '' The Lantern'', the University's student newspaper. Also on staff at ''The Lantern'' at the time was Jeff Smith, later known for the comic book ''Bone''. After college, while still living in Columbus, Ohio, Kammerud and Smith formed the Character Builders animation studio. There, Kammerud began working on '' Rover Dangerfield'' and worked as an animator and storyboard artist for ''Bebe's Kids'' as well as '' Space Jam''. He became involved with Disney as sequence director for the additional animation in '' Pocahontas II: Journey to a New World'' and later joined to direct and design the new characters in '' The Little Mermaid II: Return to ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bill Peet
William Bartlett Peet (''né'' Peed; January 29, 1915 – May 11, 2002) was an American children's book illustrator and a story writer and animator for Walt Disney Animation Studios. Peet joined Disney in 1937 and worked first on ''Snow White and the Seven Dwarfs'' (1937) near the end of its production. Progressively, his involvement in the Disney studio's animated feature films and shorts increased, and he remained there until early in the development of ''The Jungle Book'' (1967). A row with Walt Disney over the direction of the project led to him resigning in 1964. Peet's subsequent career was as a writer and illustrator of numerous children's books, including ''Capyboppy'' (1966), '' The Wump World'' (1970), ''The Whingdingdilly'' (1970), '' The Ant and the Elephant'' (1972), and ''Cyrus the Unsinkable Serpent'' (1975). Early life Bill Peet was born in Grandview, Indiana, on January 29, 1915. He developed a love of drawing at an early age and filled tablets with sketc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Clyde Geronimi
Clito "Clyde" Geronimi (June 12, 1901 – April 24, 1989), known as Gerry, was an American animation director. He is best known for his work at Walt Disney Productions. Biography Geronimi was born in Chiavenna, Kingdom of Italy, Italy, immigrating to the United States as a young child. Geronimi's earliest work in the animation field was for the Bray Productions, J.R. Bray Studios, where he worked with Walter Lantz. Upon the dissolution of the Bray Studio in 1928, Geronimi followed Lantz to his own studio, Walter Lantz Productions, producing cartoons for Universal Pictures. Geronimi left Lantz in 1931 to join Walt Disney Productions, where he remained until 1959. Geronimi started off in the shorts department as an animator, eventually becoming a director. His 1941 short, ''Lend a Paw'', won the Academy Award for Academy Award for Best Animated Short Film, Best Animated Short Film. During World War II, he directed several propaganda films, like ''Education for Death'' (1943) and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hamilton Luske
Hamilton Somers Luske (October 16, 1903 – February 19, 1968) was an Americans, American animator and film director. Career Luske joined the Walt Disney Animation Studios, Walt Disney Productions animation studio in 1931 and he was soon trusted enough by Walt Disney to be made supervising animator of the first Disney Princess character, Snow White (Disney character), Snow White in ''Snow White and the Seven Dwarfs (1937 film), Snow White and the Seven Dwarfs''. He was also an animator on the 1938 short film ''Ferdinand the Bull (film), Ferdinand the Bull''. He directed many Disney films and animated shorts from 1936 until his death in 1968. In 1965, he won the Academy Award for Best Visual Effects for directing the animated sequence in the Julie Andrews musical ''Mary Poppins (film), Mary Poppins'' (1964). He was born in Chicago, Illinois, on October 16, 1903, and died in Bel Air, California, on February 19, 1968, at age 64. Luske was the father of director and actor Tommy Lu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |