|
1-2-3 (Len Barry Song)
"1-2-3" is a 1965 song recorded by American blue-eyed soul singer Len Barry, who co-wrote it with John Madara and David White (musician), David White. The latter two produced the recording. The chorus and accompaniment were arranged by Jimmy Wisner. The single was released in 1965 on the American Decca Records, Decca label. At the time, the writers were sued by Motown, which claimed that the song was a reworking of the Holland–Dozier–Holland composition "Ask Any Girl (song), Ask Any Girl", released by the Supremes the year before as the A-side and B-side, B-side of their single "Baby Love". The writers of "1-2-3" denied the claim but, after two years of litigation, they agreed to give the Motown writers 15% of the song's writing and publishing royalties, and Holland–Dozier–Holland are listed as co-authors by Broadcast Music, Inc., BMI. The personnel on the original recording included Vinnie Bell, Bobby Eli, and Sal DiTroia on guitars; Joe Macho on bass; Artie Butler on p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Len Barry
Leonard Warren Borisoff (June 12, 1942 – November 5, 2020), known professionally by the stage name Len Barry, was an American singer, songwriter, lyricist, record producer, author, and poet. Life and career Born on June 12, 1942, and raised in Philadelphia, Barry had little thought of a show business career while still in school. Instead, he aspired to become a professional basketball player upon his graduation. It was not until he entered military service and had occasion to sing with the US Coast Guard band at Cape May, New Jersey, and was so encouraged by the response of his military audiences, that he decided to make music a career. Upon his discharge from military service, Barry returned home to Philadelphia and formed the Dovells. Barry was the lead singer, appearing on all of the group's best-selling Gramophone record, records, such as "Bristol Stomp", "Hully Gully (song), Hully Gully Baby", and "You Can't Sit Down", among others. "Bristol Stomp" sold over one millio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobby Eli
Bobby Eli (born Eli Tatarsky; March 2, 1946 – August 17, 2023) was an American musician, arranger, composer and record producer from Philadelphia. He was a founding member and lead guitarist of Philadelphia studio band MFSB. Overview Bobby Eli was born in Philadelphia, Pennsylvania on March 2, 1946. A multi-instrumentalist, producer, songwriter and arranger, Eli's contributions can be heard on recordings by many artists, including Teddy Pendergrass, The Jacksons, Chris Brown, David Bowie, Jay-Z, Hall and Oates, Patti LaBelle, Elton John, Phyllis Hyman, B.B. King, Billy Paul, Wilson Pickett, George Clinton, The Spinners, The Temptations, The Stylistics, The Trammps, Curtis Mayfield, The Sapphires and Shaggy. He was a regular session player for Gamble & Huff's Philadelphia International label in the 1970s. His credits as a songwriter include million-selling singles, " Love Won't Let Me Wait", by Major Harris (#1 R&B, #5 pop, 1975), which he also produced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of NME Number-one Singles Of The 1960s
The ''NME'' (or ''New Musical Express'') was a British weekly popular music newspaper. Record charts in the United Kingdom began on 14 November 1952 when ''NME'' imitated an idea started in American ''Billboard'' magazine compiled their own hit parade. Until 15 February 1969, when the British Market Research Bureau (BMRB) chart was established, many periodicals compiled their own charts. During this time the BBC used aggregated results of the prominent ''NME'', ''Melody Maker'', ''Disc'', ''Record Mirror'' and, later, ''Record Retailer'' charts to compile their ''Pick of the Pops'' chart. Prior to 1969 there was no universally accepted source or "official" singles chart; however, the Official Charts Company and Guinness' British Hit Singles & Albums regard the canonical sources for this period as ''NME'' before 10 March 1960 and ''Record Retailer'' from then until the BMRB took over in 1969. Although ''Record Retailer'' is now the most predominantly used source for charting mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Springbok Radio
Springbok Radio (spelled ''Springbokradio'' in Afrikaans, ) was a South African nationwide radio station that operated from 1950 to 1985. History SABC's decision in December 1945 to develop a commercial service was constrained by post-war financial issues. After almost five years of investigation and after consulting John Reith, 1st Baron Reith, Lord Reith of the BBC and the South African government, it decided to introduce commercial radio to supplement the SABC's public service English and Afrikaans networks and help solve the SABC's financial problems. The SABC would build the equipment and facilities and would place them at the disposal of advertisers and their agencies at cost for productions and allow them to make use of SABC's production staff. On 1 May 1950, the first commercial radio station in South Africa, Springbok Radio, took to the air. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Institut Français D'opinion Publique
The Institut français d'opinion publique (IFOP; ) is an international polling and market research firm, whose motto is "Connection creates value". It was founded on 1 December 1938 by Jean Stoetzel, former Sorbonne professor, after he met George Gallup in the United States. Its CEO was Laurence Parisot from 1990 until 2016, who was nicknamed "boss of the bosses", when she was the leader of the Mouvement des Entreprises de France, the French employers' trade union. The IFOP sells polls to firms and political parties. IFOP is also a source of data in France for the SNEP SNEP (, in English National Syndicate of Phonographic Publishing) is the inter-professional organisation that protects the interests of the French record industry. Originally known under the acronym SNICOP, the organisation was established in ... music charts. See also * * References External links Official website 1938 establishments in France Marketing companies established in 1938 C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Recording Sales Certification
Music recording certification is a system of certifying that a music recording has shipped, sold, or streamed a certain number of units. The threshold quantity varies by type (such as album, single, music video) and by nation or territory (see List of music recording certifications). Almost all countries follow variations of the RIAA certification categories, which are named after precious materials (gold Gold is a chemical element; it has chemical symbol Au (from Latin ) and atomic number 79. In its pure form, it is a brightness, bright, slightly orange-yellow, dense, soft, malleable, and ductile metal. Chemically, gold is a transition metal ..., platinum and diamond). The threshold required for these awards depends upon the population of the territory where the recording is released. Typically, they are awarded only to international releases and are awarded individually for each country where the album is sold. Different sales levels, some perhaps 10 times greater t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irish Recorded Music Association
The Irish Recorded Music Association (IRMA) is a non-profit association set up in 1999 to promote certain interests of the music industry in Ireland. It is particularly active in addressing copyright issues, and it compiles the official music charts for Ireland. Membership Only Irish companies can become members of the IRMA. All members pay a yearly fee based on company size. Currently, the IRMA has 51 member companies. Board member companies The recording companies and other music-related companies that are on the IRMA board are: * Warner Music Ireland * Universal Music Ireland * Sony Music Ireland (formerly Sony BMG Ireland) *IML Irish Music Licensing Ltd *Faction Records * Rubyworks Goals and activities IRMA operates to promote and protect the welfare and interests of the Irish record industry. Specifically, IRMA is involved in lobbying to protect and enhance the interest of member companies and lobby to prevent illegal downloading of music content from local and internat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African-American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling African-American music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Hear A Symphony
"I Hear a Symphony" is a 1965 song recorded by the Supremes for the Motown label. Written and produced by Motown's main production team, Holland–Dozier–Holland, the song became their sixth number-one pop hit on the ''Billboard'' Hot 100 pop singles chart in the United States for two weeks from November 14, 1965, through November 27, 1965. On the UK singles chart, the single peaked at number thirty-nine. History Overview The Supremes enjoyed a run of hits through 1964 and 1965 under the guidance of writer/producers Holland–Dozier–Holland. In mid-1965, the producers came to realize they had fallen into a rut when the Supremes' " Nothing but Heartaches" failed to make it to the Top Ten, missing it by just one position and breaking the string of number-one Supremes hits initiated with " Where Did Our Love Go." Motown chief Berry Gordy was displeased with the performance of "Nothing but Heartaches," and circulated a memo around the Motown offices that read as follows: Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard (magazine)
''Billboard'' (stylized in letter case, lowercase since 2013) is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events and styles related to the music industry. Its Billboard charts, music charts include the Billboard Hot 100, Hot 100, the Billboard 200, 200, and the Billboard Global 200, Global 200, tracking the most popular albums and songs in various music genres. It also hosts events, owns a publishing firm and operates several television shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobby Gregg
Robert J. Gregg (born Robert Grego; April 30, 1936 – May 3, 2014) was an American musician who performed as a drummer and record producer. As a drum soloist and band leader he recorded one album and several singles, including one Top 40 single in the United States. But he is better known for his work as a drummer on several seminal 1960s songs, including Bob Dylan's "Like a Rolling Stone" and Simon and Garfunkel's "The Sound of Silence". He was also temporarily a member of the Hawks, which later became known as the Band. Early career Gregg first attracted attention by 1955 as the only white member of the otherwise all-black group Steve Gibson and the Red Caps. By 1962, he fronted Bobby Gregg and His Friends for an instrumental single, " The Jam - Part 1", which reached #14 on the Billboard R&B chart and #29 on the ''Billboard'' Hot 100 chart. The B-side of the single was "The Jam – Part 2". That same year, Gregg put out another instrumental single titled " Potato Peeler", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
