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𓈉
The ancient Egyptian Hill-country or "Foreign land" hieroglyph (𓈉) is a member of the sky, earth, and water hieroglyphs. A form of the hieroglyph in color, has a ''green line''-(banding) at the base of the hieroglyph. The hieroglyph refers to the hills, and mountains, on both sides of the Nile River, and thus the green references the verdant black farming land adjacent to the river proper. It is coded N25 in Gardiner's sign list, and U+13209 in Unicode. It is a determinative hieroglyph, simply conveying a meaning, and has no phonetic value. Various colors, and patterning, may adorn the rest of the hieroglyph when the bottom is green. Three major uses The ancient language hilly land hieroglyph has three major uses: :1 – hill country, or hills :2 – a reference to arid, ''desert land'' :3 – Determinative, for foreign lands The language meaning of the hieroglyph is as an ideogram or a determinative in the word ''khast'' (khaset), and is often translated as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindush
Hindush ( ) was an administrative division of the Achaemenid Empire in modern-day Pakistan. According to the Greek historian Herodotus, it was the "easternmost province" governed by the Achaemenid dynasty. Established through the Persian conquest of the Indus Valley in the 6th century BCE, it is believed to have continued as a province for approximately two centuries, ending when it fell to the Macedonian Empire during the Indian campaign of Alexander the Great. Etymology Hindush was written in Persian inscriptions as (Old Persian cuneiform: , ). It is also transliterated as since the nasal "n" before consonants was omitted in the Old Persian script, and simplified as .Some sounds are omitted in the writing of Old Persian, and are shown with a raised letteOld Persian p.164https://archive.org/stream/OldPersian#page/n23/mode/2up/ Old Persian p.13]. In particular Old Persian nasals such as "n" were omitted in writing before consonantOld Persian p.17https://archive.org/stream/O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parthia
Parthia ( ''Parθava''; ''Parθaw''; ''Pahlaw'') is a historical region located in northeastern Greater Iran. It was conquered and subjugated by the empire of the Medes during the 7th century BC, was incorporated into the subsequent Achaemenid Empire under Cyrus the Great in the 6th century BC, and formed part of the Hellenistic Seleucid Empire after the Wars of Alexander the Great, 4th-century BC conquests of Alexander the Great. The region later served as the political and cultural base of the Eastern Iranian languages, Eastern Iranian Parni people and Arsacid dynasty, rulers of the Parthian Empire (247 BC – 224 AD). The Sasanian Empire, the last state of History of Iran, pre-Islamic Iran, also held the region and maintained the Seven Great Houses of Iran, seven Parthian clans as part of their feudal aristocracy. Name The name "Parthia" is a continuation from Latin language, Latin ', from Old Persian ', which was the Parthian language self-designator signifying "of the Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kingdom Of Kush
The Kingdom of Kush (; Egyptian language, Egyptian: 𓎡𓄿𓈙𓈉 ''kꜣš'', Akkadian language, Assyrian: ''Kûsi'', in LXX Χους or Αἰθιοπία; ''Ecōš''; ''Kūš''), also known as the Kushite Empire, or simply Kush, was an ancient kingdom in Nubia, centered along the Nile Valley in what is now northern Sudan and southern Egypt. The region of Nubia was an early cradle of civilization, producing several complex societies that engaged in trade and industry. The city-state of Kerma emerged as the dominant political force between 2450 and 1450 BC, controlling the Nile Valley between the first and fourth Cataracts of the Nile, cataracts, an area as large as Egypt. The Egyptians were the first to identify Kerma as "Kush" probably from the indigenous ethnonym "Kasu", over the next several centuries the two civilizations engaged in intermittent warfare, trade, and cultural exchange. Much of Nubia came under Egyptian rule during the New Kingdom of Egypt, New Kingdom pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divine Adoratrice Of Amun
The Divine Adoratrice of Amun (Egyptian: '' dwꜣt nṯr n jmn'') was a second title – after God's Wife of Amun – created for the chief priestess of the ancient Egyptian deity Amun. During the first millennium BCE, when the holder of this office exercised her largest measure of influence, her position was an important appointment facilitating the transfer of power from one pharaoh to the next, when his daughter was adopted to fill it by the incumbent office holder. The Divine Adoratrice ruled over the extensive temple duties and domains, controlling a significant part of the ancient Egyptian economy. History God's Wife of Amun, a title for a similar office of the high priestess, originated as a title held by a daughter of the High Priest of Amun during the reign of Hatshepsut and continued as an important office while the capital of Egypt remained in Thebes. Later, the added title Divine Adoratrice of Amun can be seen to accompany a resurgence of the title God's Wife of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ankhnesneferibre
Ankhnesneferibre was an ancient Egyptian princess and priestess during the 26th Dynasty, daughter of pharaoh Psamtik II and his queen Takhuit. She held the positions of Divine Adoratrice of Amun and later God's Wife of Amun between 595 and 525 BC, during the reigns of Psamtik II, Apries, Amasis II and Psamtik III, until the Achaemenid conquest of Egypt., pp. 245-46 Biography In 595 BC, Ankhnesneferibre was dispatched to Thebes to be adopted by the God's Wife of Amun Nitocris I, as a stela from Karnak records. Ankhnesneferibre held the position of Divine Adoratrice until Nitocris' death in pharaoh Apries' regnal Year 4 (586 BC), after which she became the new God's Wife. She governed at Thebes for several decades until 525 BC, when the Persian emperor Cambyses II defeated Psamtik III and conquered Egypt, putting an end to the 26th Dynasty and the positions of Divine Adoratrice of Amun and God's Wife of Amun. After this date, Ankhnesneferibre disappeared from history as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarcophagus
A sarcophagus (: sarcophagi or sarcophaguses) is a coffin, most commonly carved in stone, and usually displayed above ground, though it may also be buried. The word ''sarcophagus'' comes from the Greek language, Greek wikt:σάρξ, σάρξ ' meaning "flesh", and wikt:φαγεῖν, φαγεῖν ' meaning "to eat"; hence ''sarcophagus'' means "flesh-eating", from the phrase ''lithos sarkophagos'' (wikt:λίθος, λίθος wikt:σαρκοφάγος, σαρκοφάγος), "flesh-eating stone". The word also came to refer to a particular kind of limestone that was thought to rapidly facilitate the corpse decomposition, decomposition of the flesh of corpses contained within it due to the chemical properties of the limestone itself. History of the sarcophagus Sarcophagi were most often designed to remain above ground. The earliest stone sarcophagi were used by Pharaoh, Egyptian pharaohs of the 3rd dynasty, which reigned from about 2686 to 2613 BC. The Hagia Triada sarcoph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Man-prisoner (hieroglyph)
The ancient Egyptian Man-prisoner is one of the oldest hieroglyphs from Ancient Egypt. An iconography, iconographic portrayal from predynastic Egypt eventually led to its incorporation into the writing system of the Egyptian language. Not only rebels from towns or districts, but foreigners from battle were being portrayed. The nine bows concept of internal ancient Egyptian rebels, as well as 'foreign' rebels, began with actual bows, for example under Pharaoh Djoser's feet on his seated statue, Third Dynasty of Egypt, 3rd Dynasty; (his feet rest upon 9 bows). The more prolonged use of the 'prisoner' hieroglyph in language and iconography continued into New Kingdom of Egypt, New Kingdom, and Ptolemaic Dynasty, Ptolemaic times with the prisoner hieroglyph, as a ''"foreign rebel people"'' presented and named inside of a "cartouche". The 'cartouche' was often identified on its perimeter ring with the ''fortifying blocks'' of a city fortification, representing either the people, or t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cartouche
upalt=A stone face carved with coloured hieroglyphics. Two cartouches - ovoid shapes with hieroglyphics inside - are visible at the bottom., Birth and throne cartouches of Pharaoh KV17.html" ;"title="Seti I, from KV17">Seti I, from KV17 at the Valley of the Kings, Egypt. Neues Museum, Berlin In Egyptian hieroglyphs, a cartouche ( ) is an oval with a line at one end tangent to it, indicating that the text enclosed is a pharaoh, royal name. The first examples of the cartouche are associated with pharaohs at the end of the Third Dynasty, but the feature did not come into common use until the beginning of the Fourth Dynasty under Pharaoh Sneferu. While the cartouche is usually vertical with a horizontal line, if it makes the name fit better it can be horizontal, with a vertical line at the end (in the direction of reading). The ancient Egyptian word for cartouche was (compare with Coptic ''šne'' yielding eventual sound changes), and the cartouche was essentially an expanded s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Heinrich Sethe
Kurt Heinrich Sethe (30 September 1869 – 6 July 1934) was a German Egyptologist and philologist from Berlin. He was a student of Adolf Erman. Sethe collected numerous texts from Egypt during his visits there and edited the '' Urkunden des ægyptischen Altertums'' which is a standard catalogue of Ancient Egyptian literature and text. Career Among Sethe's many contributions to Egyptology, two are singled out by Gardiner (p. 433): "...the pronunciation of Middle Egyptian... The chief authorities to be consulted are Sethe's great work on the Egyptian verb, and a much later brilliant article entitled ''Die Vokalisation des Ägyptischen'' in ''Zeitschrift der deutschen morgenländischen Gesellschaft''"" (1923). Actually, Sethe was the first one to put forth a systematic theory of the Egyptian verb; it was no easy accomplishment, since the inflection of the Egyptian verb was done mainly by changing the vowels, and the Egyptians only wrote consonants. Among Sethe's stud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nine Bows
The Nine Bows is a visual representation in Art of ancient Egypt, Ancient Egyptian art of foreigners or others. Besides the nine bows, there were no other generic representations of foreigners. Due to its ability to stand in for any nine enemies to Ancient Egypt, the peoples covered by this term changed over time as enemies changed, and there is no true list of the nine bows. Alternatively, the nine bows may have had a separate or complementary meaning. In Egyptian hieroglyphs, the word 'Nine Bows' is spelled out as a bow and three sets of three vertical lines. The bow, holding the phonic value "pḏ," means "stretch, (be) wide," and the three sets of lines makes the word plural. The number nine was used metaphorically to express totality. Using this more literal translation of the hieroglyphs, the nine bows could also refer to endless, innumerable foreign lands or the totality of foreign lands. Ancient Egyptians believed in dualism or that two cosmic forces, order and chaos, go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
