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短歌
is a genre of classical Japanese poetry and one of the major genres of Japanese literature. Etymology Originally, in the time of the influential poetry anthology (latter half of the eighth century AD), the term ''tanka'' was used to distinguish "short poems" from the longer . In the ninth and tenth centuries, however, notably with the compilation of the '' Kokinshū'', the short poem became the dominant form of poetry in Japan, and the originally general word became the standard name for this form. Japanese poet and critic Masaoka Shiki revived the term ''tanka'' in the early twentieth century for his statement that ''waka should be renewed and modernized''. ''Haiku'' is also a term of his invention, used for his revision of standalone Hokku, with the same idea. Form Tanka consist of five units (often treated as separate lines when romanized or translated) usually with the following pattern of '' on'' (often treated as, roughly, the number of syllables per unit or line): ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waka (poetry)
is a type of poetry in classical Japanese literature. Although ''waka'' in modern Japanese is written as , in the past it was also written as (see Wa (Japan), Wa, an old name for Japan), and a variant name is . Etymology The word ''waka'' has two different but related meanings: the original meaning was "poetry in Japanese" and encompassed several genres such as ''chōka'' and ''sedōka'' (discussed below); the later, more common definition refers to poetry in a tanka, 5-7-5-7-7 metre. Up to and during the compilation of the in the eighth century, the word ''waka'' was a general term for poetry composed in Japanese, and included several genres such as , , and . However, by the time of the ''Kokinshūs compilation at the beginning of the tenth century, all of these forms except for the ''tanka'' and ''chōka'' had effectively gone extinct, and ''chōka'' had significantly diminished in prominence. As a result, the word ''waka'' became effectively synonymous with ''tanka'', and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyakuninisshu 001
is a classical Japanese anthology of one hundred Japanese ''waka'' by one hundred poets. ''Hyakunin isshu'' can be translated to "one hundred people, one poem ach; it can also refer to the card game of ''uta-garuta'', which uses a deck composed of cards based on the ''Hyakunin Isshu''. The most famous and standard version was compiled by Fujiwara no Teika (1162–1241) while he lived in the Ogura district of Kyoto. It is therefore also known as . Compilation One of Teika's diaries, the ''Meigetsuki'', says that his son Tameie asked him to arrange one hundred poems for Tameie's father-in-law, Utsunomiya Yoritsuna, who was furnishing a residence near Mount Ogura; hence the full name of ''Ogura Hyakunin Isshu''. In order to decorate screens of the residence, Fujiwara no Teika produced the calligraphy poem sheets. Hishikawa Moronobu (1618–1694) provided woodblock portraits for each of the poets included in the anthology. Katsukawa Shunshō (1726–1793) designed prints fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yosano Tekkan
Yosano Hiroshi (与謝野 寛; 26 February 1873 – 26 March 1935), known by his pen name was a Japanese author and poet active in late Meiji, Taishō, and early Shōwa era. His wife was fellow author Yosano Akiko. His grandson was politician Kaoru Yosano. Early life Yosano was born in Kyoto as the son of Buddhist priest, and was a graduate of Keio University. After graduation, he taught Japanese language for four years at Tokuyama Girls' School, in what is now Shunan city, Yamaguchi prefecture. He was forced to quit over alleged improprieties with one of his students. At the age of 20, he moved to Tokyo. He supported himself as a staff writer for Tokyo newspapers. On 11 May 1894, he published a strongly worded article encouraging the reform of traditional Japanese poetry, or '' waka'', to give it more originality and thus make it more popular. Literary career Yosano was a disciple of Ochiai Naobumi, and a prominent founding member of the latter's Asaka Society. In 1900, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ceremony Of The Utakai Hajime Around 1950
A ceremony (, ) is a unified ritualistic event with a purpose, usually consisting of a number of artistic components, performed on a special occasion. The word may be of Etruscan language, Etruscan origin, via the Latin . Religious and civil (secular) ceremonies According to Dally Messenger III, Dally Messenger and Alain de Botton, in most Western countries the values and ideals articulated in both church and Civil ceremony, civil ceremonies are generally similar. The difference is in what Messenger calls the "supernatural infrastructure" or de Botton the "implausible supernatural element".Messenger, Dally; ''Murphy's Law and the Pursuit of Happiness: a History of the Civil Celebrant Movement'', Spectrum Publications, Melbourne (Australia), 2012 Most religions claim some extra advantage conferred by the deity, e.g., Roman Catholics believe that through the words of consecration in the Mass in the Catholic Church, mass ceremony, God himself becomes Real presence of Christ in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fujiwara No Teika
was a Japanese anthologist, calligrapher, literary critic,"The high quality of poetic theory (''karon'') in this age depends chiefly upon the poetic writings of Fujiwara Shunzei and his son Teika. The other theorists of ''tanka'' writing, stimulated by father and son either to agreement or disagreement, contributed also toward the high level of poetic theory, but we may say that Shunzei and Teika were most representative of the age." This quote is sourced to Odagiri Hideo in pg 10 of his "Nihon ni okeru bungei hyōron no seiritsu" (''The Rise of Art Criticism in Japan''), pub. by ''Geijutsuron-shū'' ("Collection of Discussions of Art"), Tokyo 1962; see Shun'ichi H. Takayanagi's review of ''Japanese Court Poetry'' by Robert H. Brower and Earl Miner in ''Monumenta Nipponica'', Vol. 18, No. 1/4. (1963), pp. 352–364/ref> novelist,It is generally believed that Teika wrote the '' Tale of Matsura'' poet, and scribe"During his last years Teika seems to have composed little poetry, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamakura Shogunate
The was the feudal military government of Japan during the Kamakura period from 1185 to 1333. Nussbaum, Louis-Frédéric. (2005)"''Kamakura-jidai''"in ''Japan Encyclopedia'', p. 459. The Kamakura shogunate was established by Minamoto no Yoritomo after victory in the Genpei War and appointing himself as ''shōgun''. Yoritomo governed Japan as military dictator from the eastern city of Kamakura with the emperor of Japan and his Imperial Court in the official capital city of Heian-kyō (Kyoto) as figureheads. The Kamakura ''shōguns'' were members of the Minamoto clan until 1226, the Fujiwara clan until 1252, and the last six were minor princes of the imperial family.Nussbaum"Minamoto"at pp. 632–633. The Hōjō clan were the '' de facto'' rulers of Japan as '' shikken'' (regent) of the ''shōgun'' from 1203.Nussbaum"Fujiwara"at pp. 200–201. The Kamakura shogunate saw the Jōkyū War in 1221 and the Mongol invasions of Japan under Kublai Khan in 1274 and 1281. The Kamaku ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shōgun
, officially , was the title of the military rulers of Japan during most of the period spanning from 1185 to 1868. Nominally appointed by the Emperor, shoguns were usually the de facto rulers of the country, except during parts of the Kamakura period and Sengoku period when the shoguns themselves were figureheads, with real power in the hands of the of the Hōjō clan and of the Hosokawa clan. In addition, Taira no Kiyomori and Toyotomi Hideyoshi were leaders of the warrior class who did not hold the position of shogun, the highest office of the warrior class, yet gained the positions of and , the highest offices of the aristocratic class. As such, they ran their governments as its de facto rulers. The office of shogun was in practice hereditary, although over the course of the history of Japan several different clans held the position. The title was originally held by military commanders during the Heian period in the eighth and ninth centuries. When Minamoto no Y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minamoto No Sanetomo
was the third ''shōgun'' of the Kamakura shogunate. He was the second son of the Kamakura shogunate founder, Minamoto no Yoritomo. His mother was Hōjō Masako and his older brother was the second Kamakura shogun Minamoto no Yoriie. His childhood name was . He was the last head of the Minamoto clan of Japan. His Dharma name was . He was an accomplished '' waka'' poet. Early life After the death of Yoritomo in 1199, Sanetomo's maternal grandfather Hōjō Tokimasa usurped the political and military power of the Shogunate, relegating the position and title of '' Sei-i Taishōgun'', or ''shōgun'', to a figurehead. Through hereditary succession, Sanetomo's older brother Yoriie became ''Sei-i Taishōgun'' in 1202, only to be stripped of the title a year later and put under house arrest for plotting against the Hōjō clan. This was presumably to keep the ''shōgun'' a child and thus needing a regent (''shikken'') to make decisions in his place. Shortly thereafter, in 1203, S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kokin Wakashū
The , commonly abbreviated as , is an early anthology of the '' waka'' form of Japanese poetry, dating from the Heian period. An imperial anthology, it was conceived by Emperor Uda () and published by order of his son Emperor Daigo () in about 905. Its finished form dates to 920, though according to several historical accounts the last poem was added to the collection in 914. The compilers of the anthology were four court poets, led by Ki no Tsurayuki and also including Ki no Tomonori (who died before its completion), Ōshikōchi no Mitsune, and Mibu no Tadamine. Significance The ''Kokinshū'' is the first of the , the 21 collections of Japanese poetry compiled at Imperial request. It was the most influential realization of the ideas of poetry at the time, dictating the form and format of Japanese poetry until the late nineteenth century; it was the first anthology to divide itself into seasonal and love poems. The primacy of poems about the seasons pioneered by the ''Kok ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meiji Period
The was an era of Japanese history that extended from October 23, 1868, to July 30, 1912. The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign relations. The period corresponded to the reign of Emperor Meiji. It was preceded by the Keiō era and was succeeded by the Taishō era, upon the accession of Emperor Taishō. The rapid modernization during the Meiji era was not without its opponents, as the rapid changes to society caused many disaffected traditionalists from the former samu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
