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成田山
Narita-san (成田山 "Narita mountain") Shinshō-ji ( 新勝寺 "New victory temple") is a Shingon Buddhist temple located in central Narita, Chiba, Japan. It was founded in 940 by Kanchō Daisōjō, a disciple of Kōbō Daishi. It is a lead temple in the Chisan branch (Chisan-ha 智山派) of New Shingon (Shingi Shingon 新義真言宗), includes a large complex of buildings and grounds, and is one of the best-known temples in the Kantō region. It is dedicated to Ācala (Japanese: Fudō myōō ("Unmovable Wisdom King")) who is usually depicted holding a sword and rope and surrounded by flames. Often called a fire god, he is associated with fire rituals. Founding The temple was established in 940 to commemorate the victory of the forces dispatched from the Heian capital to suppress a revolt by the powerful Kantō region samurai, Taira no Masakado. The Shingon priest Kanchō accompanied the force, bringing with him an image of Acala from the Gomadō (Fire Offering Hall) of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acala
or Achala (, "The Immovable", ), also known as (, "Immovable Lord") or (, "Noble Immovable Lord"), is a Fierce deities, wrathful deity and ''dharmapala'' (protector of the Dharma) prominent in Vajrayana, Vajrayana Buddhism and East Asian Buddhism., Jp. rel. dict., pp. 242–246 Originally a minor deity described as a messenger or acolyte of the Buddhahood, buddha Vairocana, Acala later rose to prominence as an object of veneration in his own right as a remover of obstacles and destroyer of evil, eventually becoming seen as the wrathful manifestation of either Vairocana, the buddha Akshobhya, Akṣobhya, or the bodhisattva Manjushri, Mañjuśrī. In later texts, he is also called (, "Violent Wrathful One", ) or (, "Violent One of Great Wrath", ), the names by which he is more commonly known in countries like Nepal and Tibet. In East Asian Buddhism, East Asian Chinese Esoteric Buddhism, esoteric Buddhism, Acala is classed among the Wisdom Kings () and is preeminent among the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Main Hall (Japanese Buddhism)
Main hall or Main Temple is the building within a Japanese Buddhist monastery compound ('' garan'') which enshrines the main object of veneration.Kōjien Japanese dictionary Because the various denominations deliberately use different terms, this single English term translates several Japanese words, among them ''butsuden'', ''butsu-dō'', ''kondō'', ''konpon-chūdō'', and ''hondō''. ''Hondō'' is its exact Japanese equivalent, while the others are more specialized words used by particular sects or for edifices having a particular structure. Kondō (Asuka and Nara periods) The term started to be used during the Asuka and Nara periods. A ''kondō'' is the centerpiece of an ancient Buddhist temple's ''garan'' in Japan. The origin of the name is uncertain, but it may derive from the perceived preciousness of its content, or from the fact that the interior was lined with gold. This is the name used by the oldest temples in the country.Iwanami Nihonshi Jiten A ''kondō'', for exa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyoto
Kyoto ( or ; Japanese language, Japanese: , ''Kyōto'' ), officially , is the capital city of Kyoto Prefecture in the Kansai region of Japan's largest and most populous island of Honshu. , the city had a population of 1.46 million, making it the List of cities in Japan, ninth-most populous city in Japan. More than half (56.8%) of Kyoto Prefecture's population resides in the city. The city is the cultural anchor of the substantially larger Greater Kyoto, a metropolitan statistical area (MSA) home to a census-estimated 3.8 million people. It is also part of the even larger Keihanshin, Keihanshin metropolitan area, along with Osaka and Kobe. Kyoto is one of the oldest municipalities in Japan, having been chosen in 794 as the new seat of Japan's imperial court by Emperor Kanmu. The original city, named Heian-kyō, was arranged in accordance with traditional Chinese feng shui following the model of the ancient Chinese capitals of Chang'an and Luoyang. The emperors of Japan ruled fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ichikawa Danjūrō II
was a Japanese kabuki performer in the lineage of a celebrated family of actors from the Edo region.Nussbaum, Louis Frédéric ''et al.'' (2005). "Ichikawa Danjūrō" in Ichikawa Danjūrō is a stage name. Career The earnestly prayed-for son of Ichikawa Danjūrō I, Danjūrō II acted under the name Ichikawa Kuzō I from 1697 to 1704, the year his father was killed in a backstage quarrel with another actor. Danjūrō II assumed his father's stage name five months after this incident and held it until 1735, when he took the name Ichikawa Ebizō II. Thereafter, the name was handed down in a direct line through the generations, e.g., Danjūrō III and Danjuro IV were the adopted sons of Danjūrō II; Danjūrō VI was the adopted son of Danjūrō V, and Danjūrō VII was the adopted son of Danjūrō VI. In the conservative Kabuki world, stage names are conveyed in formal system which converts the kabuki stage name into a mark of accomplishment. In 1840, Danjūrō IV created ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aragoto
, or 'rough style', is a style of kabuki acting that uses exaggerated, dynamic (forms or movements) and speech. roles are characterised by the bold red or blue makeup () worn by actors, as well as their enlarged and padded costumes. The term is an abbreviation of the term , which literally means "wild-warrior style". The style was created and pioneered by Ichikawa Danjūrō I, a kabuki actor in the Edo period (1603-1867), and has come to be epitomized by his successors in the Ichikawa Danjūrō line of kabuki actors. Roles such as the leads in and are particularly representative of the style. is often contrasted with the ("soft" or "gentle") style, which emerged around the same time but focuses on more naturalistic drama. It is also contrasted with or "female-like style". Notable Aragotoshi * The Bandō Mitsugorō line ** Bandō Mitsugorō VIII ** Bandō Mitsugorō X Bandō Mitsugorō X () (January 23, 1956 – February 2, 2015) was a Japanese television presente ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Theatre of Japan, Japanese theatre, mixing dramatic performance with Japanese traditional dance, traditional dance. Kabuki theatre is known for its heavily stylised performances, its glamorous, highly decorated costumes, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the early Edo period, when the art's founder, Izumo no Okuni, formed a female dance troupe that performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ichikawa Danjūrō I
was an early kabuki actor in Japan. He remains today one of the most famous of all kabuki actors and is considered one of the most influential. His many influences include the pioneering of the ''aragoto'' style of acting which came to be largely associated with Edo kabuki and with Danjūrō and his successors in the Ichikawa Danjūrō line. Like many actors, Danjūrō also dabbled in playwriting, which he did under the '' haimyō'' (poetry name) Mimasuya Hyōgo. "Mimasu" (三升) is the name for the '' mon'' of the Ichikawa family; many actors in the Danjūrō line have since used "Mimasu" or "Sansho", an alternate reading of the same characters, as their ''haimyō''. Lineage As the originator of the most celebrated and prestigious stage name in kabuki, there have been a great many descendants of Danjūrō I in the kabuki world, some of them quite famous and accomplished themselves. Danjūrō's father, Horikoshi Juzō, was not involved in the theatre, but was an '' otokodat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Calligraphy
, also called , is a form of calligraphy, or artistic writing, of the Japanese language. Japanese writing system, Written Japanese was originally based on Man'yōgana, Chinese characters only, but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles. Styles The term shodō (書道, "way of writing") is of Chinese origin and is widely used to describe the art of Chinese calligraphy during the medieval Tang dynasty. Early Japanese calligraphy was originated from Chinese calligraphy. Many of its principles and techniques are very similar, and it recognizes the same basic writing styles: * seal script (篆書 ''tensho'') (pinyin: ''zhuànshū''). The seal script (tensho) was commonly used throughout the Zhou dynasty (1046–256 BC) and the following Qin dynasty (221–206 BC) of China. After this time period, tensho style fell out of popularity in favor of reisho. However, tensho was still used for titles of published ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kūkai
, born posthumously called , was a Japanese Buddhist monk, calligrapher, and poet who founded the Vajrayana, esoteric Shingon Buddhism, Shingon school of Buddhism. He travelled to China, where he studied Tangmi (Chinese Vajrayana Buddhism) under the monk Huiguo. Upon returning to Japan, he founded Shingon—the Japanese branch of Vajrayana Buddhism. With the blessing of several Emperors of Japan, Emperors, Kūkai was able to preach Shingon teachings and found Shingon temples. Like other influential monks, Kūkai oversaw public works and constructions. Mount Kōya was chosen by him as a holy site, and he spent his later years there until his death in 835 C.E. Because of his importance in Japanese Buddhism, Kūkai is associated with many stories and legends. One such legend attribute the invention of the ''kana'' syllabary to Kūkai, with which the Japanese language is written to this day (in combination with ''kanji''), as well as the ''Iroha'' poem, which helped to standardise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokugawa Ietsuna
was the fourth ''shōgun'' of the Tokugawa dynasty of Japan who was in office from 1651 to 1680. He is considered the eldest son of Tokugawa Iemitsu, which makes him the grandson of Tokugawa Hidetada and the great-grandson of Tokugawa Ieyasu. Early life (1641–1651) Tokugawa Ietsuna was born in 1641, allegedly the eldest son of Tokugawa Iemitsu with his concubine, Oraku no Kata later Houjuin. Later Ietsuna was raised with his sister, Chiyohime (born by Ofuri) by Iemitsu's concubine, Oman no kata (later Eikoin) and Iemitsu's wife, Takatsukasa Takako later Honriin. After Eikoin retired, Senhime (also called Tenjuin) raised him with Honriin.Nussbaum, Louis-Frédéric. (2005). "''Tokugawa, Ietsuna''" in ; n.b., Louis-Frédéric is a pseudonym of Louis-Frédéric Nussbaum, ''see'Deutsche Nationalbibliothek Authority File. At that time his father was shogun in his own right and had enacted several anti-Christian measures after the bloody Shimabara Rebellion of 1637. Though the sup ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enryaku-ji
is a Tendai monastery located on Mount Hiei in Ōtsu, overlooking Kyoto. It was first founded in 788 during the early Heian period (794–1185) by Saichō (767–822), also known as Dengyō Daishi, who introduced the Tendai sect of Mahayana Buddhism to Japan from China. The temple complex has undergone several reconstruction efforts since then, with the most significant (that of the main hall) taking place in 1642 under Tokugawa Iemitsu. Enryaku-ji is the headquarters of the Tendai sect and one of the most significant monasteries in Japanese history. As such, it is part of the UNESCO World Heritage Site " Historic Monuments of Ancient Kyoto (Kyoto, Uji and Otsu Cities)". The founders of Jōdo-shū, , Sōtō Zen, and Nichiren Buddhism all spent time at the monastery. Enryaku-ji is also the center for the practice of kaihōgyō (aka the "marathon monks"). History With the support of Emperor Kanmu, the Buddhist monk Saichō ordained a hundred disciples in 807. Maintaining a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tendai
, also known as the Tendai Dharma Flower School (天台法華宗, ''Tendai hokke shū,'' sometimes just ''Hokkeshū''), is a Mahāyāna Buddhist tradition with significant esoteric elements that was officially established in Japan in 806 by the Japanese monk Saichō. The Tendai school, which has been based on Mount Hiei since its inception, rose to prominence during the Heian period (794–1185). It gradually eclipsed the powerful Hossō school and competed with the rival Shingon school to become the most influential sect at the Imperial court. By the Kamakura period (1185–1333), Tendai had become one of the dominant forms of Japanese Buddhism, with numerous temples and vast landholdings. During the Kamakura period, various monks left Tendai to found new Buddhist schools such as Jōdo-shū, Jōdo Shinshū, Nichiren-shū and Sōtō Zen. The destruction of the head temple of Enryaku-ji by Oda Nobunaga in 1571, as well as the geographic shift of the capital away from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
