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ʿarūḍ
(, ) or () is the study of poetic meters, which identifies the meter of a poem and determines whether the meter is sound or broken in lines of the poem. It is often called the ''Science of Poetry'' (, ). Its laws were laid down by Al-Khalīl ibn Aḥmad al-Farāhīdī (d. 786), an early Arab lexicographer and philologist. In his book (), which is no longer extant, he described 15 types of meter. Later Al-Akhfash al-Akbar described a 16th meter, the . Following al-Khalil, the Arab prosodists scan poetry not in terms of syllables but in terms of vowelled and unvowelled letters, which were combined into larger units known as or "peg" (pl. ) and "cord" (pl. ). These larger units make up feet (, pl. ). Western prosodists, on the other hand, usually analyse the meters in terms of syllables, which can be long (–), short (u) and ''anceps'' (x), that is, a syllable which can be optionally long or short. Certain meters also have ''biceps'' positions where a pair of short syllables ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hazaj Meter
Hazaj meter is a quantitative verse meter frequently found in the epic poetry of the Middle East and western Asia. A musical rhythm of the same name is based on the literary meter. Hazaj in Arabic poetry Like the other meters of the ''al-ʿarūḍ'' system of Arabic poetry, the basic rhyme unit of hazaj meter compositions is a closed couplet—a ''bayt'' "distich" (literally "tent")—of two hemistichs known as ''miṣrāʿ''s ("tent flaps"). Characteristic of the hazaj meter (in relation to the other ''al-ʿarūḍ'' meters) is its leading iamb, that is, the first two syllables of its prosodic feet are short-long. This syllable pair (the ''watid'', "peg") is then repeated at fixed points along the length of a line, and two variable syllables (the ''sabab'', "guy-wire"s) are "tied" to each instance of it. The hazaj measure is thus nominally tetrasyllabic. Its two common variations are: : In classical Arabic the hazaj is generally used in a dimeter version of four feet. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metre (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linguist
Linguistics is the scientific study of language. The areas of linguistic analysis are syntax (rules governing the structure of sentences), semantics (meaning), Morphology (linguistics), morphology (structure of words), phonetics (speech sounds and equivalent gestures in sign languages), phonology (the abstract sound system of a particular language, and analogous systems of sign languages), and pragmatics (how the context of use contributes to meaning). Subdisciplines such as biolinguistics (the study of the biological variables and evolution of language) and psycholinguistics (the study of psychological factors in human language) bridge many of these divisions. Linguistics encompasses Outline of linguistics, many branches and subfields that span both theoretical and practical applications. Theoretical linguistics is concerned with understanding the universal grammar, universal and Philosophy of language#Nature of language, fundamental nature of language and developing a general ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Poetry
Arabic poetry ( ''ash-shi‘r al-‘arabīyy'') is one of the earliest forms of Arabic literature. Pre-Islamic Arabic poetry contains the bulk of the oldest poetic material in Arabic, but Old Arabic inscriptions reveal the art of poetry existed in Arabic writing in material as early as the 1st century BCE, with oral poetry likely being much older still. Arabic poetry is categorized into two main types, rhymed or measured, and prose, with the former greatly preceding the latter. The rhymed poetry falls within fifteen different meters collected and explained by al-Farahidi in ''The Science of ‘ Arud''. Al-Akhfash, a student of al-Farahidi, later added one more meter to make them sixteen. The meters of the rhythmical poetry are known in Arabic as "seas" (''buḥūr''). The measuring unit of seas is known as "''taf‘īlah''," and every sea contains a certain number of taf'ilas which the poet has to observe in every verse ('' bayt'') of the poem. The measuring procedure of a p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prosody (linguistics)
In linguistics, prosody () is the study of elements of speech, including intonation, stress, rhythm and loudness, that occur simultaneously with individual phonetic segments: vowels and consonants. Often, prosody specifically refers to such elements, known as ''suprasegmentals'', when they extend across more than one phonetic segment. Prosody reflects the nuanced emotional features of the speaker or of their utterances: their obvious or underlying emotional state, the form of utterance (statement, question, or command), the presence of irony or sarcasm, certain emphasis on words or morphemes, contrast, focus, and so on. Prosody displays elements of language that are not encoded by grammar, punctuation or choice of vocabulary. Attributes of prosody In the study of prosodic aspects of speech, it is usual to distinguish between auditory measures ( subjective impressions produced in the mind of the listener) and objective measures (physical properties of the sound wave and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Grammar
Arabic grammar () is the grammar of the Arabic language. Arabic is a Semitic languages, Semitic language and its grammar has many similarities with the Semitic languages#Grammar, grammar of other Semitic languages. Classical Arabic and Modern Standard Arabic have largely the same grammar; colloquial spoken varieties of Arabic can vary in different ways. The largest differences between classical and colloquial Arabic are the loss of morpheme, morphological markings of grammatical case; changes in word order, an overall shift towards a more analytic language, analytic morphosyntax, the loss of the previous system of grammatical mood, along with the evolution of a new system; the loss of the inflected passive voice, except in a few relict varieties; restriction in the use of the Dual (grammatical number), dual number and (for most varieties) the loss of the feminine plural. Many Arabic dialects, Maghrebi Arabic in particular, also have significant vowel shifts and unusual consonant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Phonology
While many languages have numerous dialects that differ in phonology, contemporary spoken Arabic is more properly described as a varieties of Arabic, continuum of varieties. This article deals primarily with Modern Standard Arabic (MSA), which is the standard variety shared by educated speakers throughout Arabic-speaking regions. MSA is used in writing in formal print media and orally in newscasts, speeches and formal declarations of numerous types. Modern Standard Arabic has 28 consonant phonemes and 6 vowel phonemes, with four "emphatic consonant, emphatic" (pharyngealized) consonants that contrast with their non-emphatic counterparts. Some of these phonemes have Phonetic merger, coalesced in the various modern dialects, while new phonemes have been introduced through Loanword, borrowing or phonemic splits. A "phonemic quality of length" applies to Gemination, consonants as well as Vowel length, vowels. History Of the 29 Proto-Semitic language, Proto-Semitic consonants, on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ʾIʿrab
(, ) is an Arabic language, Arabic term for the declension system of nominal, adjectival, or verbal suffixes of Classical Arabic to mark grammatical case. These suffixes are written in fully Harakat, vocalized Arabic texts, notably the ''Qur'an, '' or texts written for children or Arabic learners, and they are articulated when a text is formally read aloud, but they do not survive in any spoken varieties of Arabic, dialect of Arabic. Even in Modern Standard Arabic, Literary Arabic, these suffixes are often not pronounced ''in pausa'' ( '); i.e. when the word occurs at the end of the sentence, in accordance with certain rules of Arabic pronunciation. (That is, the nunation suffix ''-n'' is generally dropped at the end of a sentence or line of poetry, with the notable exception of the nuniyya; the vowel suffix may or may not be, depending on the requirements of metre.) Depending on the knowledge of , some Arabic speakers may omit case endings when reading out in Modern Standard Arab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catalectic
A catalectic line is a metrically incomplete line of verse, lacking a syllable at the end or ending with an incomplete foot. One form of catalexis is headlessness, where the unstressed syllable is dropped from the beginning of the line. A line missing two syllables is called brachycatalectic. A line with an ''additional'' syllable is called hypercatalectic. In English Poems can be written entirely in catalectic lines, or entirely in acatalectic (complete) lines, or a mixture, as in the following carol, composed by Cecil Frances Alexander in 1848. The 7-syllable lines are catalectic: :Once in Royal David's city (8 syllables) : Stood a lowly cattle shed, (7 syllables) :Where a mother laid her Baby (8 syllables) : In a manger for His bed: (7 syllables) :Mary was that mother mild, (7 syllables) :Jesus Christ her little Child. (7 syllables) It has been argued that across a number of Indo-European languages, when the two types of line a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trimeter
In poetry Poetry (from the Greek language, Greek word ''poiesis'', "making") is a form of literature, literary art that uses aesthetics, aesthetic and often rhythmic qualities of language to evoke meaning (linguistics), meanings in addition to, or in ..., a trimeter (Greek for "three measure") is a metre of three metrical feet per line. Examples: : When here // the spring // we see, : Fresh green // upon // the tree. See also * Anapaest * Dactyl * Tristich * Triadic-line poetry References Types of verses {{Poetry-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tetrameter
In poetry, a tetrameter is a line of four metrical feet. However, the particular foot can vary, as follows: * '' Anapestic tetrameter:'' ** "And the ''sheen'' of their ''spears'' was like ''stars'' on the ''sea''" (Lord Byron, " The Destruction of Sennacherib") ** "Twas the ''night'' before ''Christ''mas when ''all'' through the ''house''" (" A Visit from St. Nicholas") ** "And since ''birth'' I've been ''cursed'' with this ''curse'' to just ''curse'' / And just ''blurt'' this ber''serk'' and biz''arre'' shit that ''works''" (Eminem, " The Way I Am") * ''Iambic tetrameter:'' ** "Be''cause'' I ''could'' not ''stop'' for ''Death''" ( Emily Dickinson, eponymous lyric) * '' Trochaic tetrameter:'' ** "''Pet''er, ''Pet''er, ''pump''kin-''eat''er" ( English nursery rhyme) * '' Dactylic tetrameter:'' ** ''Pic''ture your ''self'' in a ''boat'' on a ''riv''er with ..(The Beatles, " Lucy in the Sky with Diamonds") * '' Spondaic tetrameter:'' ** ''Long sounds move slow'' * '' Pyrrhic tetra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al-Maʿarri
Abu al-Ala al-Ma'arri, ,(December 973May 1057), also known by his Latin name Abulola Moarrensis; was an Arab philosopher, poet, and writer from Ma'arrat al-Nu'man, Syria. Because of his irreligious worldview, he is known as one of the "foremost atheists" of his time. Born in the city of al-Ma'arra (present-day Ma'arrat al-Nu'man, Syria) during the later Abbasid era, he became blind at a young age from smallpox but nonetheless studied in nearby Aleppo, then in Tripoli and Antioch. Producing popular poems in Baghdad, he refused to sell his texts. In 1010, he returned to Syria after his mother began declining in health, and continued writing which gained him local respect. Described as a " pessimistic freethinker", al-Ma'arri was a controversial rationalist of his time, rejecting superstition and dogmatism. His written works exhibit a fixation on the study of language and its historical development, known as philology.Lloyd Ridgeon (2003), ''Major World Religions: From The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
