Ștefan Tita
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Ștefan Tita
Ștefan Tita (born Teodor Solomon; 14 August 1905 – 1 September 1977) was a Romanian left-wing activist and writer in multiple genres. He had his poetic debut as a teenager in 1919, after which he became noted first for his pacifist prose, and later for his contributions to social realism. Before World War II, he had also specialized in satire, and, reflecting his own History of the Jews in Romania, Jewish roots, had taken up work in the revue genre at State Jewish Theater (Romania), The Barașeum. After becoming a disciple of Ion Pas, Tita was attracted into the socialist and anti-fascist movement, joining the Romanian Social Democratic Party (1927–1948), Social Democratic Party and working as editor of its press organs. The party was banned in 1938, but he himself continued to write for some two years, being integrated with Mihai Ralea's ''Muncă și Voe Bună'' organization. Jewish writers were banned altogether during the pro-Nazi Germany, Nazi regime established by Ion Ant ...
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Bucharest
Bucharest ( , ; ) is the capital and largest city of Romania. The metropolis stands on the River Dâmbovița (river), Dâmbovița in south-eastern Romania. Its population is officially estimated at 1.76 million residents within a greater Bucharest metropolitan area, metropolitan area of 2.3 million residents, which makes Bucharest the List of cities in the European Union by population within city limits, 8th most-populous city in the European Union. The city area measures and comprises 6 districts (''Sectors of Bucharest, Sectoare''), while the metropolitan area covers . Bucharest is a major cultural, political and economic hub, the country's seat of government, and the capital of the Muntenia region. Bucharest was first mentioned in documents in 1459. The city became the capital in 1862 and is the centre of Romanian media, culture, and art. Its architecture is a mix of historical (mostly History of architecture#Revivalism and Eclecticism, Eclectic, but also Neoclassical arc ...
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Satire
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of exposing or shaming the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. Satire may also poke fun at popular themes in art and film. A prominent feature of satire is strong irony or sarcasm—"in satire, irony is militant", according to literary critic Northrop Frye— but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) th ...
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Social Realism
Social realism is work produced by painters, printmakers, photographers, writers, filmmakers and some musicians that aims to draw attention to the real socio-political conditions of the working class as a means to critique the power structures behind these conditions. While the movement's characteristics vary from nation to nation, it almost always uses a form of descriptive or critical realism. The term is sometimes more narrowly used for an art movement that flourished in the interwar period as a reaction to the hardships and problems suffered by common people after the Great Crash. In order to make their art more accessible to a wider audience, artists turned to realist portrayals of anonymous workers as well as celebrities as heroic symbols of strength in the face of adversity. The goal of the artists in doing so was political as they wished to expose the deteriorating conditions of the poor and working classes and hold the existing governmental and social systems accountab ...
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Radioplay
Radio drama (or audio drama, audio play, radio play, radio theatre, or audio theatre) is a dramatised, purely acoustic performance. With no visual component, radio drama depends on dialogue, music and sound effects to help the listener imagine the characters and story: "It is auditory in the physical dimension but equally powerful as a visual force in the psychological dimension." Radio drama includes plays specifically written for radio, docudrama, dramatised works of fiction, as well as plays originally written for the theatre, including musical theatre, and opera. Radio drama achieved widespread popularity within a decade of its initial development in the 1920s. By the 1940s, it was a leading international popular entertainment. With the advent of television in the 1950s, radio drama began losing its audience. However, it remains popular in much of the world. Recordings of OTR (old-time radio) survive today in the audio archives of collectors, libraries and museums, as well ...
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Teleplay
A teleplay is a screenplay or script used in the production of a scripted television program or series. In general usage, the term is most commonly seen in reference to a standalone production, such as a television film, a television play, or an episode of an anthology series. In internal industry usage, however, all television scripts (including episodes of ongoing drama or comedy series) are teleplays, although a "teleplay by" credit may be classified into a "written by" credit depending on the circumstances of its creation.''Television Credits Manual''
(PDF). Writers Guild of America.
The term first surfaced during the 1950s, as television was gaining cultural significance, to dis ...
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Libretto
A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. The Italian language, Italian word (, ) is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language cognates, equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15- to 40-page books which were on sale to 19th century ballet audiences in Paris and contained ...
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Children's Theater
Theatre for Young Audiences (TYA), also youth theatre, theatre for children, and children's theatre is a branch of theatre arts that encompasses all forms of theatre that are attended by or created for younger audiences. It blankets many different forms of theatre methods and expressions, including plays, dance, music, puppetry, circus, physical theatre, and many others. It is globally practiced, takes many forms, both traditional and non-traditional, and explores a wide variety of themes ranging from fairy tales to parental abuse. Originating in the 20th century, TYA takes on many functions in different settings and places around the world. In the US, for instance, it is often entertainment-centered, although its roots lie in education. Many writers and production companies have started catering specifically to TYA audiences, causing a continuous increase in theatrical material for children. In the present day, TYA production companies or groups can be found in most regions of t ...
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Closet Drama
A closet drama is a play (theatre), play that is not intended to be performed onstage, but read by a solitary reader. The earliest use of the term recorded by the Oxford English Dictionary is in 1813. The literary historian Henry Augustin Beers, Henry A. Beers in 1907 considered closet drama "a quite legitimate product of literary art." Definition A closet drama (or closet play) is defined as a play (theatre), play created primarily for reading, rather than production. Closet dramas can be defined in narrower terms as belonging to a genre of dramatic writing unconcerned with stage technique. However, stageability is only one aspect of such works: historically, playwrights might choose the genre of 'closet' dramatic writing to avoid censorship of their works, where they had political implications. Closet drama has also been used as a mode of dramatic writing for those without access to the commercial playhouse, and in this context has become closely associated with early modern wo ...
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Dramatic Poem
Verse drama is any drama written significantly in verse (that is: with line endings) to be performed by an actor before an audience. Although verse drama does not need to be ''primarily'' in verse to be considered verse drama, significant portions of the play should be in verse to qualify. For a very long period, verse drama was the dominant form of drama in Europe (and was also important in non-European cultures). Greek tragedy and Racine's plays are written in verse, as is almost all of William Shakespeare's, Ben Jonson's and John Fletcher's drama, and other works like Goethe's ''Faust'' and Henrik Ibsen's early plays. In most of Europe, verse drama has remained a prominent art form, while at least popularly, it has been tied almost exclusively to Shakespeare in the English tradition. In the English language, verse has continued. In the new millennium, there has been a resurgence in interest in the form of verse drama. Some of them came in blank verse or iambic pentamete ...
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Melodrama
A melodrama is a Drama, dramatic work in which plot, typically sensationalized for a strong emotional appeal, takes precedence over detailed characterization. Melodrama is "an exaggerated version of drama". Melodramas typically concentrate on dialogue that is often bombastic or extremely sentimentality, sentimental, rather than on action. Characters are often Character (arts)#Round vs. flat, flat and written to fulfill established character archetypes. Melodramas are typically set in the private sphere of the home, focusing on morality, family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, film, or television is usually accompanied by dramatic and suggestive music that offers further cues to the audience of the dramatic beats being presented. In scholarly and historical musical contexts, melodramas are Victorian era, Victorian dramas in which orchestral music or son ...
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Historical Drama
A historical drama (also period drama, period piece or just period) is a dramatic work set in the past, usually used in the context of film and television, which presents history, historical events and characters with varying degrees of fiction such as artistic license, creative dialogue or scenes which compress separate events. The biographical film is a type of historical drama which generally focuses on a single individual or well-defined group. Historical dramas can include romance film, romances, adventure films, and swashbucklers. Historical drama can be differentiated from historical fiction, which generally present fictional characters and events against a backdrop of historical events. A period piece may be set in a vague or general era such as the Middle Ages, or a specific period such as the Roaring Twenties, or the recent past. Scholarship In different eras different subgenres have risen to popularity, such as the westerns and sword and sandal films that dominated Nor ...
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Political Drama
A political drama can describe a Theatre, play, film or TV program that has a politics, political component, whether reflecting the author's political opinion, or describing a politician or series of political events. Dramatists who have written political dramas include Aaron Sorkin, Robert Penn Warren, Sergei Eisenstein, Bertolt Brecht, Jean-Paul Sartre, Howard Brenton, Caryl Churchill, and Federico García Lorca. Theatre In the history of theatre, there is long tradition of performances addressing issues of current events, especially those central to society itself. The political satire performed by the comic poets at the Ancient Greek theatre, theatres had considerable influence on public opinion in the Athenian democracy. Those earlier Western dramas, arising out of the polis, or democratic city-state of Greek society, were performed in amphitheaters, central arenas used for theatrical performances, religious ceremonies and political gatherings; these dramas had a ritualistic a ...
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