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Ōita City Art Museum
opened in Ōita, Ōita Prefecture, Japan, in 1999. The collection includes Nihonga, Yōga, Bungo Nanga, crafts, modern art, and the Important Cultural Property ''Materials relating to Tanomura Chikuden''. See also * List of Cultural Properties of Japan - paintings (Ōita) * Ōita Prefectural Art Museum The , also known informally as OpAm, is an art museum and community exhibition venue in Ōita Prefecture, Japan. The museum is located in the center of the prefectural capital Ōita-shi, a 15-minute walk north-west of Ōita Station. Current fa ... References External links *Ōita City Art Museum Art museums and galleries in Ōita Prefecture Art museums and galleries established in 1999 1999 establishments in Japan Ōita (city) {{Japan-museum-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ōita Prefecture
is a prefecture of Japan located on the island of Kyūshū. Ōita Prefecture has a population of 1,081,646 (1 February 2025) and has a geographic area of 6,340 km2 (2,448 sq mi). Ōita Prefecture borders Fukuoka Prefecture to the northwest, Kumamoto Prefecture to the southwest, and Miyazaki Prefecture to the south. Ōita is the capital and largest city of Ōita Prefecture, with other major cities including Beppu, Nakatsu, and Saiki. Ōita Prefecture is located in the northeast of Kyūshū on the Bungo Channel, connecting the Pacific Ocean and Seto Inland Sea, across from Ehime Prefecture on the island of Shikoku. Ōita Prefecture is famous for its hot springs and is a popular tourist destination in Japan for its ''onsen'' and '' ryokan'', particularly in and around the city of Beppu. It has more ''onsen'' than any other Japanese prefecture. History Around the 6th century, Kyushu consisted of four regions: Tsukushi Province, Hi Province, Kumaso Province and Toyo P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japan
Japan is an island country in East Asia. Located in the Pacific Ocean off the northeast coast of the Asia, Asian mainland, it is bordered on the west by the Sea of Japan and extends from the Sea of Okhotsk in the north to the East China Sea in the south. The Japanese archipelago consists of four major islands—Hokkaido, Honshu, Shikoku, and Kyushu—and List of islands of Japan, thousands of smaller islands, covering . Japan has a population of over 123 million as of 2025, making it the List of countries and dependencies by population, eleventh-most populous country. The capital of Japan and List of cities in Japan, its largest city is Tokyo; the Greater Tokyo Area is the List of largest cities, largest metropolitan area in the world, with more than 37 million inhabitants as of 2024. Japan is divided into 47 Prefectures of Japan, administrative prefectures and List of regions of Japan, eight traditional regions. About three-quarters of Geography of Japan, the countr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nihonga
''Nihonga'' () is a Japanese style of painting that typically uses mineral pigments, and occasionally ink, together with other organic pigments on silk or paper. The term was coined during the Meiji period (1868–1912) to differentiate it from its counterpart, known as '' Yōga'' (洋画) or Western-style painting. The term translates to "pictures in a Japanese style." In the narrow sense, it refers to paintings that were developed during the 77 years from the Meiji Restoration to the end of World War II based on traditional Japanese techniques and styles, such as calligraphy and hand-painted painting , rather than oil painting. In contrast, oil paintings were called '' Yōga''. In a broader sense, the term can be extended to include works made before the Meiji Restoration and after World War II. In such cases, the term is often used with some ambiguity as to whether it refers to works that have Japanese characteristics in terms of subject matter or style despite being of Chine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yōga
is a style of artistic painting in Japan, typically of Japanese subjects, themes, or landscapes, but using Western (European) artistic conventions, techniques, and materials. The term was coined in the Meiji period (1868–1912) to distinguish Western-influenced artwork from indigenous, or more traditional Japanese paintings, or . History Early works European painting was introduced to Japan during the late Muromachi period along with Christian missionaries from Portugal in 1543. Early religious works by Japanese artists in imitation of works brought by the missionaries can be considered some of the earliest forms of ''Yōga''. However, the sakoku, policy of national seclusion introduced by the Tokugawa bakufu in the Edo period effectively ended the influence of western art on Japanese painting, with the exception of the use of perspective (graphical), perspective, which was discovered by Japanese artists in sketches found in European medical and scientific texts importe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bungo Province
was a province of Japan in the area of eastern Kyūshū, corresponding to most of modern Ōita Prefecture, except what is now the cities of Nakatsu and Usa. Bungo bordered on Hyūga to the south, Higo and Chikugo to the west, and Chikuzen and Buzen to the north. Its abbreviated form was , although it was also called . In terms of the Gokishichidō system, Bungo was one of the provinces of the Saikaidō circuit. Under the '' Engishiki'' classification system, Bungo was ranked as one of the "superior countries" (上国) in terms of importance, and one of the "far countries" (遠国) in terms of distance from the capital. History Early history During the Kofun period, the area of Bungo had three main power centers: the Kunisaki Peninsula, the area around what is now Ōita District and the area around Hita District, each of which was ruled by a ''kuni no miyatsuko''. By the Asuka period, the area had been consolidated into a single province called Toyo Province, also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nanga (Japanese Painting)
, also known as , was a school of Japanese painting which flourished in the late Edo period among artists who considered themselves literati, or intellectuals. While each of these artists was, almost by definition, unique and independent, they all shared an admiration for traditional Chinese culture. Their paintings, usually in monochrome black ink, sometimes with light color, and nearly always depicting Chinese landscapes or similar subjects, were patterned after Chinese literati painting, called ''wenrenhua'' () in Chinese. Etymology The name ''nanga'' is an abbreviation of ''nanshūga'', referring to the Southern School () of Chinese painting, which is also called " literati painting" (). History Chinese literati painting focused on expressing the rhythm of nature, rather than the technical realistic depiction of it. At the same time, however, the artist was encouraged to display a cold lack of affection for the painting, as if he, as an intellectual, was above caring ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Crafts
Traditional in Japan have a long tradition and history. Included in the category of traditional crafts are handicrafts produced by an individual or a group, as well as work produced by independent studio artists working with traditional craft materials and/or processes. History Japanese craft dates back to when humans settled on its islands. Handicrafting has its roots in the rural crafts – the material-goods necessities – of ancient times. Handicrafters used naturally- and indigenously occurring materials. Traditionally, objects were created to be used and not just to be displayed and thus, the border between craft and art was not always very clear. Crafts were needed by all strata of society and became increasingly sophisticated in their design and execution. Craft had close ties to folk art, but developed into fine art, with a number of aesthetic schools of thought, such as , arising. Craftsmen and women therefore became artisans with increasing sophistication. However, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Important Cultural Properties Of Japan
An The term is often shortened into just is an item officially classified as Tangible Cultural Property (Japan), Tangible Cultural Property by the Government of Japan, Japanese government's Agency for Cultural Affairs (Ministry of Education, Culture, Sports, Science and Technology) and judged to be of particular importance to the history, arts, and culture of the Japanese people. Classification of Cultural Properties To protect the cultural heritage of Japan, the Law for the Protection of Cultural Properties was created as a under which important items are appropriated as Cultural Properties,In this article, capitals indicate an official designation as opposed to a simple, unofficial definition, e.g "Cultural Properties" as opposed to "cultural properties". thus imposing restrictions to their alteration, repair and export. Besides the "designation system", there exists a , which guarantees a lower level of protection and support to Cultural Properties of Japan, Registered Cultur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tanomura Chikuden
was an artist and Confucian scholar of Edo period Japan. Biography Tanomura Chikuden was the second son of Nomura Sekian, a Confucian doctor of Oka Domain, and was born in Taketa Village, Naoniri District, Bungo Province. As his status was very low among the samurai of the domain, he was entitled to receive only a small stipend of 12 ''koku'', but actually received about 60% of this stipend due to the poverty of the domain. He started reading at the age of six and entered the domain academy "Yugakukan" at the age of 11. His grades were extremely good and his poetic talent was soon recognized, but he was forced to quit school due to health issues. In 1794, at the age of 18, his mother and older brother died, and the following year he became the heir of the Tanomura family and was received by the daimyo of the domain in audience. From around the age of 20, he studied painting with a local painter, and took what is would now be called a correspondence course with the noted bun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agency For Cultural Affairs (Japan)
The is a special body of the Japanese Ministry of Education, Culture, Sports, Science and Technology (MEXT). It was set up in 1968 to promote Japanese arts and culture. The agency's budget for FY 2018 rose to ¥107.7 billion. Overview The agency's Cultural Affairs Division disseminates information about the arts within Japan and internationally, and the Cultural Properties Protection Division protects the nation's cultural heritage. The Cultural Affairs Division is concerned with such areas as art and culture promotion, art copyrights, and improvements in the national language. It also supports both national and local arts and cultural festivals, and it funds traveling cultural events in music, theater, dance, art exhibitions, and film-making. Special prizes are offered to encourage young artists and established practitioners, and some grants are given each year to enable them to train abroad. The agency funds national museums of modern art in Kyoto and Tokyo and The National M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Cultural Properties Of Japan - Paintings (Ōita)
A list is a Set (mathematics), set of discrete items of information collected and set forth in some format for utility, entertainment, or other purposes. A list may be memorialized in any number of ways, including existing only in the mind of the list-maker, but lists are frequently written down on paper, or maintained electronically. Lists are "most frequently a tool", and "one does not ''read'' but only ''uses'' a list: one looks up the relevant information in it, but usually does not need to deal with it as a whole".Lucie Doležalová,The Potential and Limitations of Studying Lists, in Lucie Doležalová, ed., ''The Charm of a List: From the Sumerians to Computerised Data Processing'' (2009). Purpose It has been observed that, with a few exceptions, "the scholarship on lists remains fragmented". David Wallechinsky, a co-author of ''The Book of Lists'', described the attraction of lists as being "because we live in an era of overstimulation, especially in terms of information, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
