Þrymr
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Þrymr
In Norse mythology, Þrymr (''Thrymr'', ''Thrym''; "noise"Rudolf Simek, trans. Angela Hall, ''Dictionary of Northern Mythology'', Cambridge: D. S. Brewer, 1993, repr. 2000, p. 330.John McKinnell, "Myth as Therapy: The Usefulness of ''Þrymskviða''", ''Medium Ævum'' 69.1 (2000) 1–20, p. 19, note 62.) was a jötunn. He is the namesake of the Eddic poem ''Þrymskviða'', in which he stole Thor's hammer Mjǫlnir, and the same tale is told in '' Þrymlur''. Another mention of Þrymr is in the '' þulur'' appended to the ''Prose Edda'', probably deriving from ''Þrymskviða''. Three figures named Þrymr, including a king and a jötunn, are mentioned in '' Hversu Noregr byggðist''. ''Þrymskviða'' Through Loki, Þrymr conveys his demand for the goddess Freyja's hand in marriage as the price for returning Mjǫlnir, which he has buried eight leagues under the ground. When Loki flies to Jǫtunheimar using Freyja's feather cloak, he finds Þrymr sitting on a mound, twisting gold ...
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Loki
Loki is a Æsir, god in Norse mythology. He is the son of Fárbauti (a jötunn) and Laufey (mythology), Laufey (a goddess), and the brother of Helblindi and Býleistr. Loki is married to the goddess Sigyn and they have two sons, Narfi (son of Loki), Narfi or Nari and Váli (son of Loki), Váli. By the jötunn Angrboða, Loki is the father of Hel (being), Hel, the wolf Fenrir and the world serpent Jörmungandr. In the form of a mare, Loki was impregnated by the stallion Svaðilfari and gave birth to the eight-legged horse Sleipnir. Like other gods, Loki is a Shapeshifting, shape shifter and in separate sources appears in the form of a salmon, a mare, a Fly (animal), fly, and possibly an elderly woman named Þökk (Old Norse 'thanks'). While sometimes friendly with the gods, Loki engineers the death of the beloved god Baldr. For this, Odin's specially engendered son Váli binds Loki with the entrails of one of his sons, where he writhes in pain. In the ''Prose Edda'', this son, Nar ...
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Þrymskviða
''Þrymskviða'' (Þrym's Poem; the name can be Old Norse orthography, anglicised as ''Thrymskviða'', ''Thrymskvitha'', ''Thrymskvidha'' or ''Thrymskvida'') is one of the best known poems from the ''Poetic Edda''. The Norse mythology, Norse myth had enduring popularity in Scandinavia and continued to be told and sung in several forms until the 19th century. Synopsis In the poem ''Þrymskviða'', Thor wakes and finds that his powerful hammer, Mjöllnir, is missing. Thor turns to Loki first, and tells him that nobody knows that the hammer has been stolen. The two then go to the court of the goddess Freyja, and Thor asks her if he may borrow her Feather cloak#Germanic, feather cloak so that he may attempt to find Mjöllnir. Freyja agrees, saying she would lend it even if it were made of silver and gold, and Loki flies off, the feather cloak whistling. In Jötunheimr, the ''jötunn'' lord Þrymr sits on a Tumulus, burial mound, plaiting golden collars for his female dogs, and tri ...
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Thor
Thor (from ) is a prominent list of thunder gods, god in Germanic paganism. In Norse mythology, he is a hammer-wielding æsir, god associated with lightning, thunder, storms, sacred trees and groves in Germanic paganism and mythology, sacred groves and trees, Physical strength, strength, the protection of humankind, hallowing, and fertility. Besides Old Norse , the deity occurs in Old English as , in Old Frisian as ', in Old Saxon as ', and in Old High German as , all ultimately stemming from the Proto-Germanic theonym , meaning 'Thunder'. Thor is a prominently mentioned god throughout the recorded history of the Germanic peoples, from the Roman Empire, Roman occupation of regions of , to the Germanic expansions of the Migration Period, to his high popularity during the Viking Age, when, in the face of the process of the Christianization of Scandinavia, emblems of his hammer, , were worn and Norse paganism, Norse pagan personal names containing the name of the god bear witness ...
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Mjölnir
Mjölnir ( , ; from Old Norse ''Mjǫllnir'' ) is the hammer of the thunder god Thor in Norse mythology, used both as a devastating weapon and as a divine instrument to provide blessings. The hammer is attested in numerous sources, including the 11th century runic Kvinneby amulet, the ''Poetic Edda'', a collection of eddic poetry compiled in the 13th century, and the ''Prose Edda'', a collection of prose and poetry compiled in the 13th century. The hammer was commonly worn as a pendant during the Viking Age in the Scandinavian cultural sphere, and Thor and his hammer occur depicted on a variety of objects from the archaeological record. Today the symbol appears in a wide variety of media and is again worn as a pendant by various groups, including adherents of modern Heathenry (new religious movement), Heathenry. Etymology The etymology of the hammer's name, ''Mjǫllnir'', is disputed among historical linguistics, historical linguists. Old Norse ''Mjǫllnir'' developed from Prot ...
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Freyja
In Norse mythology, Freyja (Old Norse "(the) Lady") is a goddess associated with love, beauty, fertility, sex, war, gold, and seiðr (magic for seeing and influencing the future). Freyja is the owner of the necklace Brísingamen, rides a chariot pulled by two cats, is accompanied by the boar Hildisvíni, and possesses a cloak of falcon feathers. By her husband Óðr, she is the mother of two daughters, Hnoss and Gersemi. Along with her twin brother Freyr, her father Njörðr, and her mother ( Njörðr's sister, unnamed in sources), she is a member of the Vanir. Stemming from Old Norse ''Freyja'', modern forms of the name include Freya, Freyia, and Freja. Freyja rules over her heavenly field, Fólkvangr, where she receives half of those who die in battle. The other half go to the god Odin's hall, Valhalla. Within Fólkvangr lies her hall, Sessrúmnir. Freyja assists other deities by allowing them to use her feathered cloak, is invoked in matters of fertility and love, ...
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Jötunheimr
The terms Jötunheimr (in Old Norse orthography: Jǫtunheimr ; often Old Norse orthography#Anglicized spelling, anglicised as Jotunheim) or Jötunheimar refer to either a land or multiple lands respectively in Nordic mythology inhabited by the jötnar (relatives of the gods, in English sometimes inaccurately called "giants"). are typically, but not exclusively, presented in Eddic sources as prosperous lands located to the north and are commonly separated from the lands inhabited by gods and humans by barriers that cannot be traversed by usual means. Etymology is a compound word formed from and , meaning a 'home' or 'world'. When attested in Eddic sources, the word is typically found in its plural form, ('-lands'). Attestations Poetic Edda are mentioned in three poems of the Poetic Edda. In the beginning of Völuspá, the coming of three women out of marks the end of the Golden Age#Germanic, Age of Gold for the gods. Towards the end of the poem, in the section describing ...
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Gard Agdi
Gard Agdi (''Old Norse'' Garðr agði) appears in the legendary genealogies of '' Hversu Noregr byggdist'' as one of the three sons of Nór, the legendary first king of Norway, and as ruler and ancestor of rulers over southwestern Norway. The nickname Agdi may refer to a member of the ''Egðir'', a tribe inhabiting the southernmost region of Norway known as Agder, represented today by the counties of Aust-Agder and Vest-Agder. Descendants of Gard Sons of Gard Gard was father of seven sons: Hörd (''Hǫrðr''), Rúgálf (''Rúgálfr''), Thrym (''Þrymr''), Végard (''Végarðr''), Freygard (''Freygarðr''), Thorgard (''Þorgarðr''), and Grjótgard (''Grójtgarðr''), Descendants of Hörd and Rúgálf According to the ''Hversu'', Hörd son of Gard, the eponym of Hördaland (the former county of Hordaland) was father of Jöfur (''Jǫfurr'') or Jösur (''Jǫsurr''). The ''Hversu'' goes on to say that Rúgálf son of Gard, the eponym of Rogaland, was father of Rögnvald (''Rögnvaldr ...
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Raum The Old
Raum the Old (Old Norse: ''Raumr inn gamli'') is a legendary king in Norway in the '' Hversu Noregr byggdist'' and in Thorsteins saga Víkingssonar. The saga of ''Hversu Noregr byggðist'' tells of two kings known as Raum. It is not simple to tell them apart; although the author of the saga appears to have put in some clues. In ''Hversu Noregr byggdist'' The first King Raum is son of the eponymous first king of Norway, King Nór and Queen Hedda (''Höððu)''. The second Raum is the first King Raum's and Queen Bergdis' grandson through their son Jötunbjörn the Old. The second Raum is by all probability King Raum the Old. In ''Hversu Noregr byggðist'', as well as other sagas, such as Örvar Odd's saga, the cognomen ''inn gamli'' - the Old - refers to the person's longevity, not as in the elder or younger of two. Quite specifically the cognomen ''inn gamli'' refers to a certain capability of death-defiance acquired by certain sacrifices (''bloþ),'' typically lasting for three ...
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Death In Norse Paganism
Death in Norse paganism was associated with diverse customs and beliefs that varied with time, location and social group, and did not form a structured, uniform system. After the funeral, the individual could go to a range of afterlives including Valhalla (a hall ruled by Odin for the warrior elite who die in battle), Fólkvangr (ruled over by Freyja), Hel (a realm for those who die of natural causes), and living on physically in the landscape. These afterlives show blurred boundaries and exist alongside a number of minor afterlives that may have been significant in Nordic paganism. The dead were also seen as being able to bestow land fertility, often in return for votive offerings, and knowledge, either willingly or after coercion. Many of these beliefs and practices continued in altered forms after the Christianisation of the Germanic peoples in folk belief. The self The concept of the self in pre-Christian Nordic religion was diverse and is not presented as rigid or consistent ...
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Þrymlur
''Þrymlur'' is an Icelandic mythological ''rímur'' cycle dated to the 15th century. Þrymlur narrates Thor's reclaiming of his hammer Mjöllnir from the giant Þrymr, a myth also preserved in the Eddic poem ''Þrymskviða''. The version in ''Þrymlur'' is believed to be based on that of ''Þrymskviða'', but is in some respects more detailed and has some independent elements. The cycle consists of three ''rímur'', each in a different verse form. The first is in '' ferskeytt'', the second in '' braghent'' and the third in '' stafhent''. The ''rímur'' are only preserved in one medieval manuscript, '' Staðarhólsbók''. The beginning of the first ''ríma'' is lost. Sophus Bugge argued that the Scandinavian ballad '' Torsvisen'' was originally based on ''Þrymlur'', pointing out some parallels. Finnur Jónsson Finnur Jónsson (May 29, 1858 – March 30, 1934) was an Icelandic philologist and Professor of Nordic Philology at the University of Copenhagen. He made extensive co ...
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John Lindow
John Frederick Lindow (born July 23, 1946) is an American philologist who is Professor Emeritus of Old Norse and Folklore at University of California, Berkeley. He is a well known authority on Old Norse religion and literature. Biography John Lindow was born in Washington, D.C., on July 23, 1946, the son of Wesley Lindow and Eleanor Niemetta. His father was a banker and his mother was a teacher. John Lindow received his undergraduate degree at Harvard University, where he gained an A.B., ''magna cum laude'', in 1968, and a PhD in 1972, both in Germanic Languages and Literatures. After gaining his Ph.D, Lindow joined the faculty at University of California, Berkeley, serving as Acting Assistant Professor (1972–1974), Assistant Professor (1974–1977), Associate Professor (1977–1983), and Professor of Scandinavian (1983-?). He was since retired as Professor Emeritus of Old Norse and Folklore. In 1977, Lindow was elected as a corresponding member of the Royal Gustavus Ado ...
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Gunnars þáttr Þiðrandabana
''Gunnars þáttr Þiðrandabana'' (''The Short Saga of Gunnar, Thidrandi's Killer'') is a short saga (or þáttr) written in Old Norse in medieval Iceland. The events of the story take place in the Viking Age and concern Gunnar, a Norwegian merchant, who avenges his host's death in Iceland's Eastern Region, and must elude his enemies until he can safely escape the country. Classification ''The Short Saga of Gunnar, Thidrandi's Killer'' has traditionally been classified as a þáttr (a ''short saga'' in English, but often translated as a ''tale'') based on the short length of the text. The story, however, identifies itself as a saga with the concluding line "Here ends ''The Saga of Gunnar, Thidrandi's Killer''. For this reason, some scholars prefer to group it with the Sagas of Icelanders The sagas of Icelanders (, ), also known as family sagas, are a subgenre, or text group, of Icelandic Saga, sagas. They are prose narratives primarily based on historical events that mostly ...
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