Étienne Loulié
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Étienne Loulié
Étienne Loulié (; 165416 July 1702) was a musician, pedagogue, and musical theorist. Life Born into a family of Parisian sword-finishers, Loulié learned both musical practice and musical theory as a choir boy at the Sainte-Chapelle of Paris, under the learned ''maître de musique'' René Ouvrard. In 1673 Loulié left the Chapel and entered the service of Marie de Lorraine, duchesse de Guise, as an instrumentalist (harpsichord, and organ, viol, recorder and perhaps transverse flute as well), performing chiefly in her household ensemble. From 1673 to late 1687, he therefore performed many of the compositions of Marc-Antoine Charpentier, the Guises' household composer. During the late 1680s, Loulié became involved in musical pedagogy and wrote a series of coordinated method books for music teachers. He is credited with introducing the six-fold system of meter classification still taught today. During these same years, he formed a lifelong friendship with Sébastien de Brossard ...
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Pedagogue
Pedagogy (), most commonly understood as the approach to teaching, is the theory and practice of learning, and how this process influences, and is influenced by, the social, political, and psychological development of learners. Pedagogy, taken as an academic discipline, is the study of how knowledge and skills are imparted in an educational context, and it considers the interactions that take place during learning. Both the theory and practice of pedagogy vary greatly as they reflect different social, political, and cultural contexts. Pedagogy is often described as the act of teaching. The pedagogy adopted by teachers shapes their actions, judgments, and teaching strategies by taking into consideration theories of learning, understandings of students and their needs, and the backgrounds and interests of individual students. Its aims may range from furthering liberal education (the general development of human potential) to the narrower specifics of vocational education (the im ...
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Chronomètre Of Loulié
The ''chronomètre'' is a precursor of the metronome. It was invented circa 1694 by Étienne Loulié to record the preferred tempo of pieces of music. The Device Musician Étienne Loulié collaborated with mathematician Joseph Sauveur on the education of Philippe II, Duke of Orléans, Philippe, Duke of Chartres, who subsequently asked the pair to work together on a scientific study of acoustics sponsored by the Academy of Sciences, Royal Academy of Science circa 1694. To measure scientifically the number of beats per second caused by different dissonances, they used the "seconds pendulum" invented by Galileo earlier in the century. It doubtlessly was these experiments, on top of his lessons to Chartres, that gave Loulié the idea for his chronomètre, a precursor of the metronome. In his ''Éléments'' (Paris: Ballard, 1696) — which resumes the lessons Loulié had given to Chartres and is dedicated to the prince — Loulié described this invention, complete with an engraving o ...
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