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Ça Va
''Ça Va'' (; French for "okay", literally "that goes") is a studio album by German/British avant-pop trio Slapp Happy, featuring Anthony Moore, Peter Blegvad and Dagmar Krause. It was recorded in London in 1997 and released by V2 Records in April 1998. The Japanese release of the album included a bonus track, "Hello Dagi". It was Slapp Happy's first album in 23 years. Background Blegvad said Geoff Travis of Rough Trade Records had been trying to pursued Slapp Happy to reform. He asked Blegvad what it would cost to make another album, and Blegvad gave him a figure of £20,000. When Travis produced the money, work on the album began. Unlike the trio's previous albums, which were recorded with backing groups Faust and Henry Cow, on ''Ça Va'' they played all the instruments themselves, and used a digital studio to produce a layered sound on many of the tracks. Blegvad remarked that making ''Ça Va'' "was a great experience". He said that unlike their previous albums, here "we empha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slapp Happy
Slapp Happy was a German/English avant-pop group, formed in Germany in 1972. Their lineup consisted of Anthony Moore (keyboards), Peter Blegvad (guitar) and Dagmar Krause (vocals). The band members moved to England in 1974 where they merged with Henry Cow, but the merger ended soon afterwards and Slapp Happy split up. Slapp Happy's sound was characterised by Dagmar Krause's unique vocal style. From 1982 there have been brief reunions to create an opera called ''Camera'', record the album '' Ça Va'' in 1998, and perform shows around the world. History Germany Slapp Happy was formed in 1972 in Hamburg, Germany by British experimental composer Anthony Moore. Moore had recorded two avant-garde/experimental solo LPs at Faust's studio in Wümme, Bremen, Germany for Polydor Records. When he presented them with a third album, they rejected it, stating that they wanted something more commercial. Moore obliged and asked his American friend, Peter Blegvad to come to Hamburg and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Cow
Henry Cow were an English experimental rock group, founded at the University of Cambridge in 1968 by multi-instrumentalists Fred Frith and Tim Hodgkinson. Henry Cow's personnel fluctuated over their decade together, but drummer Chris Cutler, bassist John Greaves, and bassoonist/oboist Lindsay Cooper were important long-term members alongside Frith and Hodgkinson. An inherent anti-commercial attitude kept them at arm's length from the mainstream music business, enabling them to experiment at will. Critic Myles Boisen writes, "heir soundwas so mercurial and daring that they had few imitators, even though they inspired many on both sides of the Atlantic with a blend of spontaneity, intricate structures, philosophy, and humor that has endured and transcended the ' progressive' tag." While it was generally thought that Henry Cow took their name from 20th-century American composer Henry Cowell, this has been repeatedly denied by band members. According to Hodgkinson, the name "He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
V2 Records Albums
V, or v, is the twenty-second letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''vee'' (pronounced ), plural ''vees''. Name * (); in dialects that lack contrast between and , the letter is called , "low B/V". * * * * or * Japanese: is called a variety of names originating in English, most commonly or , but less nativized variants, violating to an extent the phonotactics of Japanese, of ー , or , and are also used. The phoneme in Japanese is used properly only in loanwords, where the preference for either or depends on many factors; in general, words that are perceived to be in common use tend toward . * * * is recommended, but is traditional. If is referred to as the latter, it would have the same pronunciation as the letter in Spanish (i.e. after pause or nasal sound, otherwise ); thus further terms are needed to distinguish from . I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slapp Happy Albums
Strategic lawsuits against public participation (also known as SLAPP suits or intimidation lawsuits), or strategic litigation against public participation, are lawsuits intended to censor, intimidate, and silence critics by burdening them with the cost of a legal defense until they abandon their criticism or opposition. In a typical SLAPP, the plaintiff does not normally expect to win the lawsuit. The plaintiff's goals are accomplished if the defendant succumbs to fear, intimidation, mounting legal costs, or simple exhaustion and abandons the criticism. In some cases, particularly in the context of investigative journalism, repeated frivolous litigation against a defendant may raise the cost of directors and officers and other liability insurance for that party, interfering with an organization's ability to operate. A SLAPP may also intimidate others from participating in the debate. A SLAPP is often preceded by a legal threat. SLAPPs bring about freedom of speech concerns due t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
