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'Ataba
The ataaba (, meaning "plaint" or "dirge", also transliterated 'ataba) is a traditional Arabic musical form sung at weddings, festivals, and other occasions. Popular in the Middle East, it was originally a Bedouin genre, improvised by a solo poet-singer accompanying themselves on the rababa. As part of Arab tradition, ataabas are generally performed by a vocal soloist, without instrumental accompaniment, who improvises the melody using folk poetry for the verse.Kaschl, 2003, p. 249. Sung unmetered in stanzas comprising four lines, the last word of the first three lines are homonyms, each with a different meaning, creating a pun. In urban settings, the ataaba is often paired with a metric choral refrain called a '' mījanā''. The ataaba is also used to express grief or reproach.Armitage et al., 2002, p. 324. The most common theme of an ataaba is love, though eulogies are also common. Less common themes include moral instruction, and descriptions of nature.Cohen and Katz, 2006, p. 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wadih Safi
Wadih El Safi (, born Wadih Francis; November 1, 1921 – October 11, 2013) was a Lebanese singer and composer. Born in Niha, Lebanon, Wadih El Safi started his artistic journey at the age of sixteen when he took part in a singing contest held by Lebanese Radio and was chosen the winner of all categories among 40 other competitors. Style and career Wadih El Safi being a classically trained tenor is not a verified fact since none of his known works provide proof of classical singing techniques. He has been known for singing in the belting school class, and his phonation is a testimonial of this practice. This is further confirmed in what arguably is his most famous song "Lebnan Ya Ote'et Sama" ("لبنان يا قطعة سما" in Arabic, specifically Lebanese dialect) in which his voice shifts to the so-called Falsetto or more widely recognized today as the "Voce Piena Testa" or the full head register on the second transition "Secondo passagio" around "EB4" note above middle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dirge
A dirge () is a somber song or lament expressing mourning or grief, such as may be appropriate for performance at a funeral. Often taking the form of a brief hymn, dirges are typically shorter and less meditative than elegy, elegies. Dirges are often slow and bear the character of funeral marches. Poetic dirges may be dedicated to a specific individual or otherwise Death and culture, thematically refer to death. The English word ''dirge'' is etymology, derived from the Latin ''Dirige, Domine, Deus meus, in conspectu tuo viam meam'' ("Direct my way in your sight, O Lord my God"), the first words of the first antiphon (a short chant in Christian liturgy) in the Matins of the Office of the Dead, Office for the Dead, based on Psalm 5. The original meaning of ''dirge'' in English referred to this office, particularly as it appeared within breviary, breviaries and primer (prayer book), primer prayer books. History In the late Medieval period, it was common for Western Christian laity� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hemistich
A hemistich (; via Latin from Greek , from "half" and "verse") is a half-line of verse, followed and preceded by a caesura, that makes up a single overall prosodic or verse unit. In Latin and Greek poetry, the hemistich is generally confined to drama. In Greek tragedy, characters exchanging clipped dialogue to suggest rapidity and drama would speak in hemistichs (in ''hemistichomythia''). The Roman poet Virgil employed hemistichs in the ''Aeneid'' to indicate great duress in his characters, where they were incapable of forming complete lines due to emotional or physical pain. In neo-classicism, the hemistich was frowned upon (e.g. by John Dryden), but Germanic alliterative verse employed the hemistich as a basic component of verse. In Old English and Old Norse poetry, each line of alliterative verse was divided into an "a-verse" and "b-verse" hemistich with a strong caesura between. In ''Beowulf,'' there are only five basic types of hemistich, with some used only as init ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Music
Arabic music () is the music of the Arab world with all its diverse List of music styles, music styles and genres. Arabic countries have many rich and varied styles of music and also many linguistic Varieties of Arabic, dialects, with each country and region having their own Folk music, traditional music. Arabic music has a long history of interaction with many other regional Music genre, musical styles and genres. It represents the music of all the Member states of the Arab League, peoples that make up the Arab world today. History Pre-Islamic period Pre-Islamic Arabia was the cradle of many intellectual achievements, including music, Music theory, musical theory and the development of musical instruments. In Yemen, the main center of pre-Islamic Arab sciences, literature and arts, musicians benefited from the patronage of the Kings of Sabaeans, Sabaʾ who encouraged the development of music. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anasheed
A ''nasheed'' (, ) is a work of vocal music, partially coincident with hymns, that is either sung ''a cappella'' or with instruments, according to a particular style or tradition within Sunni Islam. Nasheeds are popular throughout the Islamic world. The material and lyrics of a nasheed usually reference Islamic beliefs, history, religion, and current events. A ''nashīd'' performer is called a nashidist in English and ''munshid'' in Arabic (, , ). Scholars on instruments The founders of all four of the major madhabs – Islamic schools of thought – and many other prominent scholars, have debated the legitimacy and use of musical instruments. For instance, according to the Hanafi school of thought, associated with the scholar Abu Hanifa, if a person is known to play musical instruments to divert people from God, their testimony is not to be accepted. According to the widely acknowledged book of authentic hadiths Sahih al-Bukhari of Sunni scholarship, Muhammad taught ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaza Strip
The Gaza Strip, also known simply as Gaza, is a small territory located on the eastern coast of the Mediterranean Sea; it is the smaller of the two Palestinian territories, the other being the West Bank, that make up the State of Palestine. Inhabited by mostly Palestinian refugees and their descendants, Gaza is one of the List of countries and dependencies by population density, most densely populated territories in the world. An end of 2024 estimate puts the population of the Strip at 2.1 million, which was a 6% decline from the previous year due to the Gaza war. Gaza is bordered by Egypt on the southwest and Israel on the east and north. Its capital and largest city is Gaza City. The territorial boundaries were established while Gaza Administration of the Gaza Strip by Egypt, was controlled by the Kingdom of Egypt at the conclusion of the 1948 Arab–Israeli war. During that period the All-Palestine Protectorate, also known as All-Palestine, was established with limited reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West Bank
The West Bank is located on the western bank of the Jordan River and is the larger of the two Palestinian territories (the other being the Gaza Strip) that make up the State of Palestine. A landlocked territory near the coast of the Mediterranean Sea in the Levant region of West Asia, it is bordered by Jordan and the Dead Sea to the east and by Israel (via the Green Line (Israel), Green Line) to the south, west, and north. Since 1967, the territory has been under Israeli occupation of the West Bank, Israeli occupation, which has been Legality of the Israeli occupation of Palestine, regarded illegal under the law of the international community. The territory first emerged in the wake of the 1948 Arab–Israeli War as a region occupied and subsequently Jordanian annexation of the West Bank, annexed by Jordan. Jordan ruled the territory until the 1967 Six-Day War, when it was occupied by Israel. Since then, Israeli Civil Administration, Israel has administered the West Bank (ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palestinian Music
The music of Palestine () is one of many regional subgenres of Arabic music. While it shares much in common with Arabic music, both structurally and instrumentally, there are musical forms and subject matter that are distinctively Palestinian. Pre-1948 In the areas now controlled by both Israel and Palestine, multiple ethnic groups and religions have long held on to a diversity of cultures. Mandatory Palestine population with Arabs (including urban and rural Muslim classes, Arab Christians, Druze and Muslim Bedouin) constituted the largest group, followed by Jews (including Sephardim, Mizrahim and Ashkenazim), Samaritans, Circassians, Armenians, Dom and others. Wasif Jawhariyyeh was one oud player, famous for his post-1904 diary. Folk music Early in the 20th century, Palestinian Arabs lived in cities and in rural areas, either as farmers or as nomads. The fellahin (farmers) sang a variety of work songs, used for tasks like fishing, shepherding, harvesting and making olive o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melismatic
Melisma (, , ; from , plural: ''melismata''), informally known as a vocal run and sometimes interchanged with the term roulade, is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is referred to as ''melismatic'', as opposed to ''syllabic'', in which each syllable of text is matched to a single note. History General The term ''melisma'' may be used to describe music of any genre, including baroque singing, opera, and later gospel. Within the tradition of religious Jewish music, melisma is still commonly used in the chanting of Torah, readings from the Prophets, and in the body of a service. Melisma is prevalent in many forms of Gregorian chant (see e.g. Jubilus) as well as late-medieval sacred polyphony, notably in works by Guillaume de Machaut, John Dunstaple, and many early Tudor composers represented in the Eton, Caius, and Lambeth choirbooks. Today, melisma is commonly used in Middle Eastern, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonic (music)
In music, the tonic is the first scale degree () of the diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music, and traditional music. In the movable do solfège system, the tonic note is sung as ''do''. More generally, the tonic is the note upon which all other notes of a piece are hierarchically referenced. Scales are named after their tonics: for instance, the tonic of the C major scale is the note C. The triad formed on the tonic note, the tonic chord, is thus the most significant chord in these styles of music. In Roman numeral analysis, the tonic chord is typically symbolized by the Roman numeral "" if it is major and by "" if it is minor. These chords may also appear as seventh chords: in major, as M7, or in minor as 7 or rarely M7: The tonic is distinguished from the root, which is the reference note of a chord, rathe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Supertonic
In music, the supertonic is the second degree () of a diatonic scale, one whole step above the tonic. In the movable do solfège system, the supertonic note is sung as ''re''. The triad built on the supertonic note is called the supertonic chord. In Roman numeral analysis, the supertonic chord is typically symbolized by the Roman numeral "ii" in a major key, indicating that the chord is a minor chord (in C: D–F–A). In a minor key, it is indicated by "ii," indicating that the chord is a diminished chord (in C: D–F–A). Because it is a diminished chord, it usually appears in first inversion (iio6) so that no note dissonates with the bass note. These chords may also appear as seventh chords: in major, as ii7 (in C: D–F–A–C), while in minor as ii7 (in C: D–F–A–C) or rarely ii7. They are the second-most common form of nondominant seventh chords. The supertonic chord normally functions as a predominant chord, a chord that resolves to a chord wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadence (music)
In Classical music, Western musical theory, a cadence () is the end of a Phrase (music), phrase in which the melody or harmony creates a sense of full or partial resolution (music), resolution, especially in music of the 16th century onwards.Don Michael Randel (1999). ''The Harvard Concise Dictionary of Music and Musicians'', pp. 105-106. . A harmonic cadence is a chord progression, progression of two or more chord (music), chords that conclusion (music), concludes a phrase, section (music), section, or composition (music), piece of music. A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives. While cadences are usually classified by specific chord or melodic progressions, the use of such progressions does not necessarily constitute a cadence—there must be a sense of closure, as at the end of a phrase. Harmonic rhythm plays an important part in de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
