The Centre Block (french: Édifice du Centre) is the main building of the Canadian parliamentary
complex on Parliament Hill
, in Ottawa
, containing the original House of Commons
chambers, as well as the offices of a number of members of parliament
, senators, and senior administration for both legislative houses. It is also the location of several ceremonial spaces, such as the Hall of Honour, the Memorial Chamber
, and Confederation Hall.
Built in the Gothic Revival
style, the present Centre Block is the building's second iteration. The first was destroyed by fire in 1916; all that remains of the original building is the Library of Parliament
, at the rear of the Centre Block. Though construction began immediately after the blaze, sculpting work on the interior continued through the 1970s. One of the most recognizable buildings in Canada, the Centre Block is depicted on the Canadian $10 bill
(the Library of Parliament), $20 bill
(the Peace Tower
), and the $50 bill
. On 12 December 2018, the Centre Block was closed for renovations that could last ten years or more.
Designed by Jean Omer Marchand
and John A. Pearson
, the Centre Block is a long by deep, and six storey high, symmetrical
structure built in the modern Gothic Revival style. As such, it displays a multitude of stone carvings
, including gargoyle
s, and frieze
s, keeping with the Victorian High Gothic style
of the rest of the parliamentary complex. The walls are faced with more than 50,000 blocks of over 24 different types of stone, though a rustic finished Nepean sandstone is the predominant kind of masonry
, with dressed stone trim around the 550 windows and other edges. The roof is of reinforced concrete covered with copper
, and dotted with dormer
windows. The interior walls are sheeted with Tyndall stone
, a dolomitic limestone quarried in southeastern Manitoba
and chosen by the architect for the richness of its vibrant colour and rich pattern formed by darker brown spots which are fossilized shallow marine mud burrows. These surfaces are augmented by sculptural decoration done in Indiana limestone.
The Centre Block houses offices and facilities, including the prime minister's office
, that of the leader of Her Majesty's Loyal Opposition
, and the offices of other party leaders, as well as senators, ministers, and commons staff. Further, there are numerous parliamentary committee rooms and the Parliamentary Press Gallery
The Centre Block is arranged symmetrically around Confederation Hall, located immediately inside the main entrance. It is an octagonal chamber, the perimeter of which is divided by limestone clustered columns
into eight bays of two different sizes, themselves subdivided by dark green syenite
pillars. Behind these runs a vaulted ambulatory
that supports the upper gallery. The arcaded
arches are topped by gable
s sculpted to commemorate the confederated
nature of Canada and they support one side of the hall's fan vault
ed ceiling with carved bosses
, while the other side rests on a single column in the centre of the room. This column is borne on a stone carved with an image of Neptune
amongst sea lion
s and fish in a mythical sea. It was placed at noon on 2 July 1917, to mark the 50th anniversary of Confederation,
and above it was carved the words:
Around the central column is an inlaid marble floor with a 16-point windrose
of Verde Antique serpentine
from Roxbury, Vermont
, and a swirl pattern of green serpentine from the Greek
island of Tinos
, embedded in Missisquoi Boulder Grey marble, from Philipsburg, Quebec.
The overall pattern represents the essential element of water, alluding to Canada's motto: ''A Mari Usque Ad Mare'' (From Sea to Sea). The inner and outer circles of the floor are made of a Missisquoi Black marble from Philipsburg, Quebec, and white travertine from Italy, as well as Verde Antique serpentine separated by a band of Missisquoi Boulder Grey marble.
Though a design model of the room was presented as early as January 1918, Confederation Hall was the last part of the Centre Block's interior to be completed; the Missisquoi
black marble base was laid on 11 August 1921 and the Tyndall limestone vault—built from a full scale wood and plaster model—was completed in December of the following year.
Still, the detailed carving, the designs for which had been finalised by Cléophas Soucy
in 1941, remained incomplete until 1953, due to occurrence of the Second World War. Upon completion of this work, the tympanums
were adorned with the coats of arms of Canada and the provinces, each surrounded by relevant flora
l symbols: on the east wall thistle
s for Nova Scotia
, Tudor rose
s for Prince Edward Island
, and grapes and apples for New Brunswick
; on the south wall lilies, maple leaves, and Tudor roses for Newfoundland and Labrador
, pine cones, oak leaves, and acorns for Nunavut
, and maple leaves for British Columbia
; on the west wall grapevines and apples for Saskatchewan
, sunflowers, corn, and wheat for Alberta
, and wheat and pine cones for Manitoba
; and on the west wall sunflowers, wheat, and corn for Ontario
, pine cones, oak leaves, and acorns for Canada
, and Tudor roses for Quebec
. The remaining territorial coats of arms are located in the southeast (Northwest Territories
) and southwest (Yukon
) corners. The gable springers
all display the coats of arms of the provincial and territorial capitals, while the gable ramparts
bear symbols of Canada's fauna
The apex stones
atop each central arch are carved into figures from Canadian life, two Inuit
being found on the east wall, two heads each representing the merchant marine
on the south wall, two of Canada's First Nations
people on the west wall, and a lumberjack
with a wheel of industry on the north wall. There were originally two renditions of the sovereign's Canadian arms
, one each on the north and south walls of Confederation Hall; however, the latter was reworked in 2000 by Maurice Joanisse
into the above-mentioned coat of arms of the newly created territory of Nunavut.
Hall of Honour
Extending from Confederation Hall is the Centre Block's north to south axis, running between the Library of Parliament
and the Peace Tower
, through the Hall of Honour, which serves as the route of the parades for both speakers of parliament, as well as where the lying in state
segment of some state funeral
s takes place. It is a long, rib vaulted space of Tyndall limestone divided into five bays by superimposed double arcades of lancet arches
atop clustered columns on pedestals. These bays are subdivided in half by single-story pointed arches on dark green syenite pillars, above which sit clerestory
windows of cusped
lights segmented by Missisquoi Black marble posts, though only those on the east of the hall are windows, while the others are blind.
Running the length of the hall and resting on corbel
s carved into early English foliage
and other customary symbols, is a ribbed vault ceiling rising to bosses carved with Tudor roses and fleur-de-lis
. The hall is bisected by small, vaulted corridors, the east one leading to a committee room, and the west to the old reading room; the latter is known as the ''Correspondents' Entrance'', as it is lined with bosses and label stops
sculpted by Cléophas Soucy between 1949 and 1950 into the visages of ten notable parliamentary correspondents: Charles Bishop, Henri Bourassa
, John Wesley Dafoe
, Joseph Howe
, Grattan O'Leary
, Frank Oliver
, John Ross Robertson
, Philip Dansken Ross
, Joseph Israël Tarte
, and Robert S. White. The north end of the hall is crossed on both levels by the Centre Block's north corridor, with an overlooking gallery lined by iron railings by Paul Beau
The Hall of Honour was intended to be a gallery where statues of notable Canadians would be arranged in the niches along each side. That plan was later abandoned in favour of a more general purpose of commemorating the 1916 fire, as well as honouring those who participated in the Great War. The sculptures remain incomplete; only the north end, closest to the Library of Parliament, has completed carvings. The largest of these stone sculptures is a low relief
memorial to nursing
in Canada, depicting those care-givers who participated in World War I, while another work, ''Canada Remembers'', pays tribute to those who were involved in the Second World War
. Two other pieces mark the efforts of early nation-building
, such as that donated by Canadians living in the United States
and which celebrates the 60th anniversary of Confederation.
In Centre Block's east wing is the Senate
chamber, in which are the throne
s for the Canadian monarch
and her consort
, or for the federal viceroy
and his or her consort
, and from which the sovereign or the governor general gives the Speech from the Throne
and grants Royal Assent
to bills passed by parliament. The senators in the chamber who belong to the governing party sit to the Speaker of the Senate
's right and the opposition sit to the speaker's left.
The Senate chamber's overall colour is red, seen in the upholstery, carpeting, and draperies, and reflecting the colour scheme of the House of Lords
in the United Kingdom; red was a more royal colour, associated with the Crown and hereditary peer
s. Capping the room is a gilt
ceiling with deep octagonal coffer
s, each filled with heraldic
symbols, including maple leaves, fleurs-de-lis, lions rampant
, Welsh Dragon
s, and lions passant
. This plane rests on six pairs and four single pilaster
s, each of which is capped by a caryatid
, and between which are clerestory
windows. Below the windows is a continuous architrave, broken only by baldachin
s at the base of each of the above pilasters.
On the chamber's east and west walls are eight mural
s depicting scenes from the First World War. Painted in between 1916 and 1920, they were originally part of the more than 1,000 piece Canadian War Memorials Fund, founded by the Lord Beaverbrook
, and were intended to hang in a specific memorial structure. But the project was never completed, and the works were stored at the National Gallery of Canada
until, in 1921, parliament requested some of the collection's oil paintings on loan for display in the Centre Block. The murals have remained in the Senate chamber ever since.
's ''Landing of the First Canadian Division at Saint-Nazaire, 1915'', depicts the first landing of Canadian troops in France, at Saint-Nazaire
, led off the ''Novian'' by the pipe band
of the Black Watch (Royal Highland Regiment) of Canada
, and watched by officers, troops, and townspeople. Algernon Talmage
painted ''A Mobile Veterinary Unit in France'', showing a scene on the Cambrai
front, where a Canadian Mobile Veterinary Unit is taking wounded horses to an evacuating station. ''Railway Construction in France'' was painted by Leonard Richmond
to show the construction of a railway by the Canadian Overseas Railway Construction Corps, in the deepest trench in France. James Kerr-Lawson
was commissioned by the Canadian War Memorials Fund to create both ''Arras, the Dead City''—which depicts the ruins of Arras Cathedral
as they were in 1917—and ''The Cloth Hall, Ypres'', a painting of the destroyed, 600-year-old Cloth Hall
. Claire Atwood
's ''On Leave'' documents (as battlefield scenes were thought inappropriate subject matter for female artists) the home front
activities of the Canadian Expeditionary Force
at a YMCA
canteen in one of London
's train stations as they await their train to the battlefront
. ''The Watch on the Rhine (The Last Phase)'' was painted by Sir William Rothenstein
to symbolically represent the defeat of Germany, with a British howitzer
facing across the Rhine
, and old and new Germany embodied in the ancient hills and factory chimney. And Sir George Clausen
's ''Returning to the Reconquered Land'' was painted to illustrate agricultural land behind the front lines in France and shows people returning to their destroyed homes following the armistice.
To the Senate's immediate south is that room's foyer, a double height space surrounded by a double layered colonnade
, the inside ring of attached shaft columns rising to the ceiling and the outside ring of rose coloured limestone columns supporting a second floor gallery
. Within the stonework are sculpted depictions of important figures in pre-Confederation
Canada, as well as self-portraits of the sculptors who fashioned the stone. A number are dedicated as the ''Sovereigns' Arches'', with corbels sculpted into depictions of Canada's monarchs; the latest addition being that of Queen Elizabeth II
, unveiled on 9 December 2010. The entire ceiling is of a Tudor style
filled with stained glass
depicting royal emblems, such as provincial coats of arms, as well as symbols of First Nations
and the names of all the speakers of the Senate
up until the ceiling's installation in 1920.
Above the exterior entrance into the foyer is a stained glass
window commemorating the Diamond Jubilee of Queen Elizabeth II
. Designed by Christopher Goodman and Angela Zissoff of Kelowna
, British Columbia
, with input from the Speaker of the Senate
, Noël A. Kinsella
, and the Canadian Secretary to the Queen
and Usher of the Black Rod, Kevin MacLeod
, and approved by the Queen,
the window shows Elizabeth and Queen Victoria
with their respective royal cypher
s and renditions of the Centre Block during the reign of each monarch. A gift to the monarch from the Senate, it was constructed over six weeks from 500 pieces of machine made and mouth-blown glass
from France, the United Kingdom, Germany, and the United States.
The Queen unveiled a model at Rideau Hall on 30 June 2011 and, after the finished piece's installation, the window was dedicated by Governor General David Johnston
on 7 February 2012.
The foyer walls bear portraits of Canada's past and present monarchs; those of Queen Elizabeth II
and Queen Victoria are originals; the portrait of Queen Victoria by John Partridge
has notably been rescued four times from fire, while others were added after the new Centre Block was built.
The building's eastern wing contains the House of Commons chamber, along with its antechamber and lobbies for the government and opposition, on the east and west sides of the main commons space. The doors to all are of white oak
trimmed with hand-wrought iron.
The chamber is 21 metres long, 16 metres wide,
and has seats for 320 members of parliament and 580 persons in the upper gallery that runs around the room's second level. The overall colour scheme is in green—visible in the carpet
ing, bench upholstery, draperies, paint within the gilded honeycomb
cork plaster work of the cove
, and the stretched linen
canvas over the ceiling—and is reflective of the colour used in the House of Commons of the United Kingdom
since at least 1663.
That canvas, sitting 14.7 m above the commons floor and designed in 1920 by the New York decorating firm Mack,
Jenney and Tyler, is painted with the heraldic symbols of the Canadian, provincial, and territorial coats of arms, with medallions at the intersections of diagonal stencilled bands in an argyle
pattern. Running below this, and above the cove, is a continuous gold leaf cornice
created in 1919 by Ferdinand Anthony Leonard Cerracchio (1888–1964), which displays a row of gilt figures, broken at the peak of each pointed arch by cherub
s holding a cartouche
, and behind all of which runs a painted grapevine with Tudor roses.
On the floor, the opposing members' benches are spaced 3.96 m apart on either side of the room, a measurement said to be equivalent to two swords' length, harkening back to when English members of parliament carried swords into the chamber. Directly between, directly opposite the main door, on the chamber's axis, is the speaker
's chair, made in 1921 by the English firm of Harry Hems
as an exact replica of that in the British House of Commons. It is topped by a carved wood canopy bearing a rendition of the royal coat of arms of Canada
sculpted in wood from the roof of the Westminster Hall
, which was built in 1397; the whole was a gift from the British branch of what is today the Commonwealth Parliamentary Association
. The chair has since been augmented with a hydraulic
lift, lighting, writing surfaces, and, at the foot of the chair, a television screen and computer screen to aid the speaker in monitoring the process of the house. Behind the chair is a door that gives the speaker access to the speaker's corridor, which links the commons chamber to the speaker's chambers, and which is lined with portraits of past speakers of the House of Commons.
In the commons chamber's east and west walls are 12 windows topped by pointed arches with hood mould
s terminated by pendant drops. The glazing within is stained glass, commissioned as a Centennial Project in 1967 by then Speaker of the House of Commons Lucien Lamoureux
. Each window contains approximately 2,000 pieces of hand-blown glass
—created in Ottawa by Russell C. Goodman
techniques—arranged in a Decorated Gothic
style pattern designed by R. Eleanor Milne
. Divided into four sections by stone mullion
s, the upper parts contain geometrical tracery and provincial and territorial floral emblems amongst ferns; in the tracery
at the head of the windows are symbols extracted from the coats of arms of the provinces and territories.
As with other areas of the Centre Block, the commons walls are enriched with shafts, blind tracery
, friezes, and a sculpture programme. The room was the last space in the building to be carved, with sculptural work only beginning in the late 1950s and continuing intermittently for the following two decades; approximately 225 blocks of varying sizes still remain uncarved.
Amongst the work done are three series of stone works: ''The British North America Act'', a set of 12 high reliefs on the east and west walls of the chamber, carved between 1978 and 1985, and illustrating through symbols and narrative themes associated with the federal and provincial responsibilities laid out in the British North America Act
; ''Evolution of Life'', a series of 14 sculptures within the spandrels of the pier-arches at the north and south ends of the House of Commons, depicting Canada's palaeontological past and the evolution of humanity through philosophy, science, and the imagination; and ''Speakers and Clerks'', comprising four heads carved on the jambs
of the two doors on either side of the Speaker's chair, depicting the speakers and clerks of the House of Commons at the time of the opening of both parliament buildings in 1867 and 1920, respectively.
With the closure of Centre Block for renovations in December 2018, the Commons chamber was relocated to nearby West Block
Directly south of the House of Commons is that room's foyer, a rectangular, two storey arcaded hall surrounded by clustered limestone piers and moulded arches that support an upper cloister lined with black marble posts. The foyer is approached from Confederation Hall by the South Corridor, which is lined with portraits of former prime ministers,
as well as via an entrance hall that opens to the front of the Centre Block and which is separated from the foyer by a Rose Tavernelle marble balustrade. The floor of the commons foyer is of Missisquoi Boulder Grey marble with borders of Verde Antique serpentine.
The walls bear a series of 10 bas-relief panels showing 25,000 years of Canada's history and,
directly above, is a stone tracery ceiling with soft green coloured glass infill manufactured by the N.T. Lyon Glass Company of Toronto. The ceiling's appearance is similar to that found in the Senate foyer, except here the borders are of oak leaves, pine cones, and acorns; the octagonal panels are filled with Tudor roses and fleur-de-lis; the monogram ''HC'' (for House of Commons) is placed in all the small oblong panels; and the oval panels bear symbols of the various government departments amid sprigs of maple leaves: a steam crane
represents Public Works
; a beaver
s represent trade and industry; a lighthouse
and ship represent the naval services
and a military ship at sea represents the overseas military; letters, stamps
, and caduceus
represent the Postmaster General
; fish and an anchor represent the fisheries
; wheat and a sickle
; pounds and dollars represent finance
; a crowned globe represents the Geological Survey
; a moose and crown represents the Ministry of the Interior
; a helmet and weapons represent militia and defence
; crates and 33⅓% represent customs
; a steam locomotive represents the railway
; a scale and sword represents justice
; picks, shovels, and a saw represent mining
and forestry; and a crown, mace, and the granting of Royal Assent represent parliament itself.
Railway Committee Room and Reading Room
The Railway Committee Room is situated to the east of and accessed from the Hall of Honour. It is a double height space done in a Beaux-Arts
style, with a heavily coffer
ed ceiling and, above a one story high, ashlar stone base, pilasters on the walls—all the aforementioned painted in a cream colour—between which are panels of moss green
fabric, except where there are windows on the east wall. In it hangs a reproduction of Robert Harris
' painting ''The Fathers of Confederation'', as well as a rendition of the Canadian Royal Arms
It is used by the official Opposition party for meetings, as well as by various committees. The current room dates from 1916 and replaced the same that existed in the 1866 Centre Block and was named for the 166 member Railway Committee that once met in it. That space also served as home to the Supreme Court of Canada
from 1876 to 1889.
Directly across the Hall of Honour is the Reading Room, where the governing party's caucus meets.
On 7 May 1859, the Department of Public Works for the Province of Canada sent a call for architects to submit proposals for the new parliament buildings to be erected on Barrack Hill. After the 298 submitted entries were narrowed down to three, Governor General Sir Edmund Walker Head was approached to break the stalemate, and the winner was announced on 29 August 1859. The Centre Block, departmental buildings, and a new residence for the governor general were each awarded separately, and the team of Thomas Fuller and Chilion Jones, under the pseudonym of ''Semper Paratus'' (Always Ready), won the prize for the first category with their Victorian High Gothic scheme with a formal, symmetrical front facing a quadrangle, and a more rustic, picturesque back facing the escarpment overlooking the Ottawa River.
The groundbreaking took place on 20 December 1859; however, workers soon hit bedrock, which, combined with a change to the design that saw the foundation moved to 17 feet deeper, meant costly blasting. Still, by 16 April of the following year, the first of the many coloured varieties of stone were laidNepean sandstone, red sandstone from Potsdam, New York, and a grey Ohio freestone. On 1 September 1860, Prince Albert Edward, Prince of Wales (later King Edward VII) arrived in Ottawa as part of his wider royal tour of the province, and laid the cornerstone of the growing Centre Block, with a luncheon on the grounds for the workers and their families. The ''Ottawa Citizen'' said on 6 June of the upcoming event:
By 1866, the United Province of Canada's parliament (Legislative Assembly of the Province of Canada and Legislative Council of the Province of Canada) sat in its first and only session in the new building, by then dominated by the central Victoria Tower on the formal front, and with an articulated rear façade shaped along the curves of the adjacent cliff. The stonework contained carved mouldings, sculpted foliage, real and mythical animals, grotesques, and emblems of France, England, Ireland, and Scotland, spread across and over pointed windows in various groupings, turrets, towers, and finials, while the roof was of grey and green slate, topped with iron cresting painted china blue with gilt tips.
Beautiful as the building was, the final tallies of the costs showed the original budget had been far surpassed, with the total price of the Centre Block being $1,373,633, at 1866 rates, when $1,093,500 had originally been allocated for the construction of the entire parliamentary precinct.
On 1 July 1867, the Dominion of Canada was formed, with Ottawa as the capital, and the houses of parliament the legislature, for a larger territory than for which they had originally been built; within four years, the Dominion stretched from the Atlantic to the Pacific Ocean. From 1906 to 1914, the Centre Block was expanded to suit the additional members of parliament and staff from the newly formed provinces of Alberta and Saskatchewan.
A fire alarm was raised in the Centre Block on 3 February 1916, at 8:37 pm; something had been seen smouldering in a wastepaper basket in the Reading Room, but as that was not terribly unusual, a clerk was called to assist. However, by that point, the fire had progressed beyond control in the wood-panelled and paper-filled room. The House of Commons was in session that evening and was interrupted by the chief doorkeeper of the Commons calling for evacuation.
Some women in the gallery, unaware of the urgency, attempted to reclaim their fur coats from the coat check, and perished. Others, meanwhile, formed a human chain to carry furniture, files, and artwork out of the burning structure; the portrait of Queen Victoria in the commons chamber was rescued from flames for the second time. Half an hour after the fire started came the first of five explosions,
and, shortly after midnight, the large bell in the Victoria Tower crashed to the ground; it had tolled each hour until midnight, when, after ringing eleven times, it ceased to function. When the fire crews thought that the inferno had been quelled, flames emerged in the Senate chamber.
Within twelve hours, the building was completely destroyed, except for the Library of Parliament, spared by the closing of its heavy metal doors. Bowman Brown Law was the only member of parliament who died in the fire. The Cabinet immediately moved to meet at the nearby Château Laurier hotel while parliament itself relocated to the Victoria Memorial Museum Building.
With the fire occurring during the First World War, rumours began to circulate a German arsonist had started the blaze, the ''Toronto Globe'' asserting that while the official cause of the fire was reported as a carelessly left cigar, "unofficial Ottawa, including many Members of Parliament, declare 'the Hun hath done this thing.'"
Reconstruction of the Centre Block began immediately, with a team of architects led by John A. Pearson and Jean-Omer Marchand overseeing a design much like the original, but expanded in size and pared down in ornament, more in keeping with the Beaux-Arts ethos of the time. By 1 September 1916, less than seven months after the fire, the original cornerstone was relaid by the then governor general, Prince Arthur, Duke of Connaught and Strathearn, exactly 56 years after his brother, the future King Edward VII, had done the same. The new building was to be constructed with a steel frame, and an interior predominantly finished in stone, as well as with a more logical layout and clear exiting strategy.
During reconstruction the House of Commons and Senate sat at the Victoria Memorial Museum Building.
On 26 January 1920, the first sitting of parliament in the new Centre Block was opened by Governor General the Duke of Devonshire. However, the ceremony was also exceptional for the fact that it took place in the House of Commons, rather than the Senate, as the latter had not yet been constructed. Similarly, the corridors and main chambers were still devoid of their decorative carvings, which would be completed over the ensuing fifty years, and it was not until Dominion Day of 1927 that the Peace Tower was dedicated by Governor General the Viscount Willingdon.
On 18 May 1966, Paul Joseph Chartier killed himself as he left a Centre Block washroom by accidentally detonating the bomb he had been preparing to throw onto the floor of the House of Commons from the public galleries to, as he put it in his notes, "exterminate as many members as possible." The building's security was heightened; however, tests of this by journalism students that November proved the precautions had been little improved. Later, in 1989, Charles Yacoub hijacked a Greyhound Lines bus and drove it up onto Parliament Hill.
By the 1990s, it was deemed necessary for an upgrade to be made to the Centre Block's mechanical and electrical systems, which would necessitate a new plant for these amenities. To avoid disturbing the building's heritage façades and spaces, as well as erecting new structures within the parliamentary precinct, the two storey, square plant and new loading docks, called Centre Block Underground Services (CBUS), were constructed underground, seeing, in 1997, the removal of of rock from under and near the Centre Block.
Future upgrades will require extensive internal renovations, including both parliamentary chambers and associated areas. The West Block is scheduled to re-open in 2017. As this will cause a multi-year disruption, plans were made to enclose the East and West blocks' courtyards for use as temporary legislative chambers while the Centre Block is out of commission. These plans were later changed, and will now see the Senate chamber housed in the former Union Station, currently the Government Conference Centre, after renovations are completed to that building in 2018, with the Commons occupying the West Block as previously arranged.
Several shooting incidents occurred on 22 October 2014 around Parliament Hill and in the Centre Block, primarily in the Hall of Honour. Michael Zehaf-Bibeau, after fatally shooting Corporal Nathan Cirillo, a soldier mounting the guard of honour at the National War Memorial, made his way to Parliament Hill and to the Centre Block. There, he engaged in a firefight with Sergeant-at-Arms of the House of Commons Kevin Vickers and members of the Royal Canadian Mounted Police, which ended when he was killed by RCMP Constable Curtis Barrett.
About 355,000 visitors tour the Centre Block each year.
Guided, free daily tours are conducted year-round by the Library of Parliament and include an opportunity to visit the Peace Tower. Visitors are able to "discover the history, functions and art of Canada’s Parliament", and curriculum-based tours are available to school groups. The federal Crown is constructing an underground welcome centre, expected to open in June 2017. [ As of December 2017, all excavation is complete, and exterior construction started in May 2017. Finishing the face and interior work will signal the end of the project. The completion date has been set to the Fall of 2018 or earlier.]
* Legislative buildings of Canada
* List of portraits in the Centre Block
* Festival of Empire – the 1911 event at The Crystal Palace featured a plaster and wood reduced scale replica of the original Centre Block
* Peace Tower, the 98 metre/322 ft tall clock tower of Centre Block
Physical Setting of the Parliament Buildings
Category:Parliament of Canada buildings
Category:Former buildings and structures in Canada
Category:Buildings and structures completed in 1916
Category:Rebuilt buildings and structures in Canada
Category:Sandstone buildings in Canada
Category:Burned buildings and structures in Canada
Category:Thomas Fuller buildings
Category:Fires at legislative buildings