Trinci Palace
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Trinci Palace
The Trinci Palace is a patrician residence in the center of Foligno, central Italy. It houses an archaeological museum, the city's picture gallery, a multimedia museum of Tournaments and Jousts and the Civic Museum. History Palazzo Trinci was the residence of the Trinci family who ruled over the city from 1305 to 1439. The palace was built (attested by archival documents) over a medieval building by Ugolino III Trinci between 1389 and 1407. An adapted Roman burial stele states the date 1407, which may be the actual year the construction started. It was completed in 1411. After the defeat and death of Corrado III Trinci (June 1441), the palace became the seat of the ''Priori del Popolo'' and the papal government of Foligno. From that moment on, the building began to decline slowly. Already in 1458 Pope Pius II had to provide 200 guilders for its restoration. A similar episode occurred in 1475 with pope Sixtus IV and in 1546 with pope Paul III Farnese. The south-west part o ...
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Amulius
In Roman mythology, Amulius () was king of Alba Longa who ordered the death of his infant, twin grandnephews Romulus, the eventual founder and king of Rome, and Remus. He was deposed and killed by them after they survived and grew to adulthood. He is the brother and usurper of Numitor and son of Procas. He was said to have reigned 42 years before his death (794-752 BC).Dionysius of Halicarnassus ''Roman Antiquities'' 1.71 His brother had been king, but Amulius overthrew him, killed his son, and took the throne. He forced Rhea Silvia, Numitor's daughter, to become a Vestal Virgin, a priestess of Vesta, so that she would never bear any sons that might overthrow him. However, she was raped or seduced by the god Mars, resulting in the birth of the twins. Rhea was thrown into prison and her sons ordered to be thrown into the river Tiber. The twins washed up onto dry land and were found by a she-wolf who suckled them. Later their mother was saved by the river god Tiberinus who ...
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Alba Longa
Alba Longa (occasionally written Albalonga in Italian sources) was an ancient Latin city in Central Italy, 12 miles (19 km) southeast of Rome, in the vicinity of Lake Albano in the Alban Hills. Founder and head of the Latin League, it was destroyed by the Roman Kingdom around the middle of the 7th century BC, and its inhabitants were forced to settle in Rome. In legend, Romulus and Remus, founders of Rome, had come from the royal dynasty of Alba Longa, which in Virgil's ''Aeneid'' had been the bloodline of Aeneas, a son of Venus. Livy, ''Ab urbe condita'', 1:28–30 According to Livy, Roman patrician families such as the Julii, Servilii, Quinctii, Geganii, Curiatii and Cloelii originated in Alba Longa. Archaeology Livy said of Alba Longa that it was founded by Ascanius to relieve crowding at Lavinium. He placed it at the foot of the Alban Mount and said that it took its name from being extended along a ridge. Dionysius of Halicarnassus repeated the story, but ...
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Romulus
Romulus () was the legendary founder and first king of Rome. Various traditions attribute the establishment of many of Rome's oldest legal, political, religious, and social institutions to Romulus and his contemporaries. Although many of these traditions incorporate elements of folklore, and it is not clear to what extent a historical figure underlies the mythical Romulus, the events and institutions ascribed to him were central to the myths surrounding Rome's origins and cultural traditions. Traditional account The myths concerning Romulus involve several distinct episodes and figures, including the miraculous birth and youth of Romulus and his twin brother, Remus; Remus' murder and the founding of Rome; the Rape of the Sabine Women, and the subsequent war with the Sabines; a period of joint rule with Titus Tatius; the establishment of various Roman institutions; the death or apotheosis of Romulus, and the succession of Numa Pompilius. Romulus and Remus According to Roman ...
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Mars (mythology)
In ancient Roman religion and myth, Mars ( la, Mārs, ) was the god of war and also an agricultural guardian, a combination characteristic of early Rome. He was the son of Jupiter and Juno, and was pre-eminent among the Roman army's military gods. Most of his festivals were held in March, the month named for him ( Latin ''Martius''), and in October, which began the season for military campaigning and ended the season for farming. Under the influence of Greek culture, Mars was identified with the Greek god Ares,''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. whose myths were reinterpreted in Roman literature and art under the name of Mars. The character and dignity of Mars differed in fundamental ways from that of his Greek counterpart, who is often treated with contempt and revulsion in Greek literature. Mars's altar in the Campus Martius, the area of Rome that took its name from him, was supposed to have been dedicated by Numa, the p ...
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Rhea Silvia
Rhea (or Rea) Silvia (), also known as Ilia (as well as other names) was the mythical mother of the twins Romulus and Remus, who founded the city of Rome. Her story is told in the first book of ''Ab Urbe Condita Libri'' of Livy and in Cassius Dio's ''Roman History''. The Legend of Rhea Silvia recounts how she was raped by Mars while she was a Vestal Virgin and as a result became the mother of Romulus and Remus, the founders of Rome.Livy I.4.2 This event was portrayed numerous times in Roman art and mentioned in the ''Aeneid'' and the works of Ovid. Modern academics consider both how Rhea Silvia is relevant for the treatment of rape victims in Roman mythology as well as the different ways she is portrayed in Roman art. Legend According to Livy's account of the legend, she was the daughter of Numitor, king of Alba Longa, and descended from Aeneas. Numitor's younger brother Amulius seized the throne and killed Numitor's son, then forced Rhea Silvia to become a Vestal Virgin, a ...
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Loggia
In architecture, a loggia ( , usually , ) is a covered exterior gallery or corridor, usually on an upper level, but sometimes on the ground level of a building. The outer wall is open to the elements, usually supported by a series of columns or arches. They can be on principal fronts and/or sides of a building and are not meant for entrance but as an outdoor sitting room."Definition of Loggia"
Lexic.us. Retrieved on 2014-10-24.
An overhanging loggia may be supported by a . From the early , nearly every Italian

Giovanni Di Corraduccio
Giovanni di Corraduccio, also called Giovanni Mazaforte, (active circa 1404-1437) was an Italian painter of the Gothic style, active mainly in Umbria and Marche. He was born in Foligno. Based on documents, he is thought to have worked in Assisi and Spoleto, but only a few deteriorated frescoes (1415–16) in the Chapel of Santa Croce in San Venanzio, the Duomo of Fabriano remain as his documented work. Among the works attributed to him are frescoes in the Palazzo Trinci of Foligno depicting secular subjects are also attributed to Corraduccio. Also frescoes in Santa Maria di Pietrarossa of Trevi have been attributed to him. He is said to have been influenced by Ottaviano Nelli and Lorenzo Salimbeni Lorenzo Salimbeni (San Severino Marche 1374-c1418) and Jacopo Salimbeni (c.1370/80-after 1426) were Italian painters. They were brothers whose work spanned both a relatively narrow geographical area and time period, from the triptych painting o ..., who were also active in Palazzo ...
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Jacopo Bellini
Jacopo Bellini (c. 1400 – c. 1470) was one of the founders of the Renaissance style of painting in Venice and northern Italy. His sons Gentile and Giovanni Bellini, and his son-in-law Andrea Mantegna, were also famous painters. Few of Bellini's paintings still exist, but his surviving sketch-books (one in the British Museum and one in the Louvre) show an interest in landscape and elaborate architectural design and are his most important legacy. His surviving works show how he accommodated linear perspective to the decorative patterns and rich colors of Venetian painting. Biography Born in Venice, Jacopo had probably been a pupil of Gentile da Fabriano, who was then in Venice. In 1411–1412 he was in Foligno, where with Gentile he worked at the Palazzo Trinci frescoes. In 1423 Bellini was in Florence, where he knew the new works by Brunelleschi, Donatello, Masolino da Panicale and Masaccio. In 1424 he opened a workshop in Venice, which he ran right up until his death, and ...
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