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Symbolist Poetry
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's ''Les Fleurs du mal''. The works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s. In the 1880s, the aesthetic was articulated by a series of manifestos and attracted a generation of writers. The term "symbolist" was first applied by the critic Jean Moréas, who invented the term to distinguish the Symbolists from the related Decadents of literature and of art. Etymology The term ''symbolism'' is derived from the word "symbol" which derives f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Death Of The Grave Digger
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun '' thee'') when followed by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imagination
Imagination is the production or simulation of novel objects, sensations, and ideas in the mind without any immediate input of the senses. Stefan Szczelkun characterises it as the forming of experiences in one's mind, which can be re-creations of past experiences, such as vivid memories with imagined changes, or completely invented and possibly fantastic scenes. Imagination helps make knowledge applicable in solving problems and is fundamental to integrating experience and the learning process.Norman 2000 pp. 1-2 Brian Sutton-Smith 1988, p. 22 Kieran Egan 1992, pp. 50 As an approach to build theory, it is called "disciplined imagination". A basic training for imagination is listening to storytelling (narrative), in which the exactness of the chosen words is the fundamental factor to "evoke worlds". One view of imagination links it with cognition, seeing imagination as a cognitive process used in mental functioning. It is increasingly used - in the form of visual imagery - by c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Rimbaud
Jean Nicolas Arthur Rimbaud (, ; 20 October 1854 – 10 November 1891) was a French poet known for his transgressive and surreal themes and for his influence on modern literature and arts, prefiguring surrealism. Born in Charleville, he started writing at a very young age and excelled as a student, but abandoned his formal education in his teenage years to run away to Paris amidst the Franco-Prussian War. During his late adolescence and early adulthood, he produced the bulk of his literary output. Rimbaud completely stopped writing literature at age 20 after assembling his last major work, '' Illuminations''. Rimbaud was a libertine and a restless soul, having engaged in a hectic, sometimes violent romantic relationship with fellow poet Paul Verlaine, which lasted nearly two years. After his retirement as a writer, he traveled extensively on three continents as a merchant and explorer until his death from cancer just after his thirty-seventh birthday. As a poet, Rimbaud is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Parnasse Contemporain
Le Parnasse contemporain ("The Contemporary Parnassus", e.g., the contemporary poetry scene) is composed of three volumes of poetry collections, published in 1866, 1871 and 1876 by the editor Alphonse Lemerre, which included a hundred French poets, such as Leconte de Lisle, Théodore de Banville, Heredia, Gautier, Catulle Mendès, Baudelaire, Sully Prudhomme, Mallarmé, François Coppée, Charles Cros, Nina de Callias, Léon Dierx, Louis Ménard, Verlaine, Villiers de L'Isle-Adam and Anatole France. The mid/late 19th century French literary movement Parnassianism took its name from the poetry collection. The first volume contained ''les Épaves'' and ''Nouvelles Fleurs du mal'' by Baudelaire, and early Mallarmé and Verlaine, avant-garde poets of the time. No poem by Arthur Rimbaud Jean Nicolas Arthur Rimbaud (, ; 20 October 1854 – 10 November 1891) was a French poet known for his transgressive and surreal themes and for his influence on modern literature and art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art For Art's Sake
Art for art's sake—the usual English rendering of ''l'art pour l'art'' (), a French slogan from the latter part of the 19th century—is a phrase that expresses the philosophy that the intrinsic value of art, and the only 'true' art, is divorced from any didactic, moral, political, or utilitarian function.Art for art's sake (revised ed.). ''''. 9992015. Such works are sometimes described as '' autotelic'' (from Greek: ''autoteles'', 'complete in itself'), a concept that has been expanded to embrace "inner-directe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théophile Gautier
Pierre Jules Théophile Gautier ( , ; 30 August 1811 – 23 October 1872) was a French poet, dramatist, novelist, journalist, and art and literary critic. While an ardent defender of Romanticism, Gautier's work is difficult to classify and remains a point of reference for many subsequent literary traditions such as Parnassianism, Symbolism, Decadence and Modernism. He was widely esteemed by writers as disparate as Balzac, Baudelaire, the Goncourt brothers, Flaubert, Pound, Eliot, James, Proust and Wilde. Life and times Gautier was born on 30 August 1811 in Tarbes, capital of Hautes-Pyrénées département (southwestern France). His father was Jean-Pierre Gautier,See "Cimetières de France et d'ailleurs – La descendance de Théophile Gautier", landrucimetieres.fr/ref> a fairly cultured minor government official, and his mother was Antoinette-Adelaïde Cocard. The family moved to Paris in 1814, taking up residence in the ancient Marais district. Gautier's education co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Word Play
Word play or wordplay (also: play-on-words) is a literary technique and a form of wit in which words used become the main subject of the work, primarily for the purpose of intended effect or amusement. Examples of word play include puns, phonetic mix-ups such as spoonerisms, obscure words and meanings, clever rhetorical excursions, oddly formed sentences, double entendres, and telling character names (such as in the play '' The Importance of Being Earnest'', ''Ernest'' being a given name that sounds exactly like the adjective ''earnest''). Word play is quite common in oral cultures as a method of reinforcing meaning. Examples of text-based ( orthographic) word play are found in languages with or without alphabet-based scripts, such as homophonic puns in Mandarin Chinese. Techniques Some techniques often used in word play include interpreting idioms literally and creating contradictions and redundancies, as in Tom Swifties: :"Hurry up and get to the back of the ship," To ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Verse
Free verse is an open form of poetry, which in its modern form arose through the French '' vers libre'' form. It does not use consistent meter patterns, rhyme, or any musical pattern. It thus tends to follow the rhythm of natural speech. Definition Free verse does not "proceed by a strict set of rules … is not a literary type, and does not conform to a formal structure." It is not considered to be completely free. In 1948, Charles Allen wrote, "The only freedom cadenced verse obtains is a limited freedom from the tight demands of the metered line." Free verse contains some elements of form, including the poetic line, which may vary freely; rhythm; strophes or strophic rhythms; stanzaic patterns and rhythmic units or cadences. It is said that verse is free "when it is not primarily obtained by the metered line." Donald Hall goes as far as to say that "the ''form'' of free verse is as binding and as liberating as the ''form'' of a rondeau," and T. S. Eliot wrote, "No verse i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermeticism
Hermeticism, or Hermetism, is a philosophical system that is primarily based on the purported teachings of Hermes Trismegistus (a legendary Hellenistic combination of the Greek god Hermes and the Egyptian god Thoth). These teachings are contained in the various writings attributed to Hermes (the ''Hermetica''), which were produced over a period spanning many centuries (), and may be very different in content and scope. One of the most common uses of the label is to refer to the religio-philosophical system propounded by a specific subgroup of Hermetic writings known as the 'philosophical' ''Hermetica'', the most famous of which is the ''Corpus Hermeticum'' (a collection of seventeen Greek Hermetic treatises written between c. 100 and c. 300 CE). This specific, historical form of Hermetic philosophy is sometimes more restrictively called Hermetism, to distinguish it from the philosophies inspired by the many Hermetic writings of a completely different period and nature. A more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parnassianism
Parnassianism (or Parnassism) was a French literary style that began during the positivist period of the 19th century, occurring after romanticism and prior to symbolism. The style was influenced by the author Théophile Gautier as well as by the philosophical ideas of Arthur Schopenhauer. Origins and name The name is derived from the original Parnassian poets' journal, '' Le Parnasse contemporain'', itself named after Mount Parnassus, home of the Muses of Greek mythology. The anthology was first issued in 1866 and again in 1869 and 1876, including poems by Charles Leconte de Lisle, Théodore de Banville, Sully Prudhomme, Stéphane Mallarmé, Paul Verlaine, François Coppée, Nina de Callias, and José María de Heredia. The Parnassians were influenced by Théophile Gautier and his doctrine of " art for art's sake". As a reaction to the less-disciplined types of romantic poetry and what they considered the excessive sentimentality and undue social and political activ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fin De Siècle
() is a French term meaning "end of century,” a phrase which typically encompasses both the meaning of the similar English idiom "turn of the century" and also makes reference to the closing of one era and onset of another. Without context, the term is typically used to refer to the end of the 19th century. This period was widely thought to be a period of social degeneracy, but at the same time a period of hope for a new beginning. The "spirit" of often refers to the cultural hallmarks that were recognized as prominent in the 1880s and 1890s, including ennui, cynicism, pessimism, and "a widespread belief that civilization leads to decadence.” The term is commonly applied to French art and artists, as the traits of the culture first appeared there, but the movement affected many European countries. The term becomes applicable to the sentiments and traits associated with the culture, as opposed to focusing solely on the movement's initial recognition in France. The ide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanticism
Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism, clandestine literature, paganism, idealization of nature, suspicion of science and industrialization, and glorification of the past with a strong preference for the medieval rather than the classical. It was partly a reaction to the Industrial Revolution, the social and political norms of the Age of Enlightenment, and the scientific rationalization of nature. It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education, chess, social sciences, and the natural sciences. It had a significant and complex effect on politics, with romantic thinkers influencing conservatism, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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