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Pleat
A pleat (plait in older English) is a type of fold formed by doubling fabric back upon itself and securing it in place. It is commonly used in clothing and upholstery to gather a wide piece of fabric to a narrower circumference. Pleats are categorized as ''pressed'', that is, ironed or otherwise heat-set into a sharp crease, or ''unpressed'', falling in soft rounded folds. Pleats sewn into place are called tucks. Types Accordion Accordion pleats or knife pleats are a form of tight pleating which allows the garment to expand its shape when moving. Accordion pleating is also used for some dress sleeves, such as pleating the end of the elbow, with the fullness of the pleat gathered closely at the cuff. This form of pleating inspired the "skirt dancing" of Loie Fuller. Accordion pleats may also be used in hand fans. Box Box pleats are knife pleats back-to-back, and have a tendency to spring out from the waistline.Picken, Mary Brooks, ''The Fashion Dictionary'', p. 257 They h ...
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Kilt
A kilt ( gd, fèileadh ; Irish: ''féileadh'') is a garment resembling a wrap-around knee-length skirt, made of twill woven worsted wool with heavy pleats at the sides and back and traditionally a tartan pattern. Originating in the Scottish Highland dress for men, it is first recorded in 16th century as the great kilt, a full-length garment whose upper half could be worn as a cloak. The small kilt or ''modern kilt'' emerged in the 18th century, and is essentially the bottom half of the great kilt. Since the 19th century, it has become associated with the wider culture of Scotland, and more broadly with Gaelic or Celtic heritage. Although the kilt is most often worn by men on formal occasions and at Highland games and other sports events, it has also been adapted as an item of informal male clothing, returning to its roots as an everyday garment. Kilts are now made for casual wear in a variety of materials. Alternative fastenings may be used and pockets inserted to avoid t ...
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1840s In Fashion
1840s fashion in European and European-influenced clothing is characterized by a narrow, natural shoulder line following the exaggerated puffed sleeves of the later 1820s and 1830s. The narrower shoulder was accompanied by a lower waistline for both men and women. Women's fashion Gowns Shoulders were narrow and sloping, waists became low and pointed, and sleeve detail migrated from the elbow to the wrists. Where pleated fabric panels had wrapped the bust and shoulders in the previous decade, they now formed a triangle from the shoulder to the waist of day dresses. Skirts evolved from a conical shape to a bell shape, aided by a new method of attaching the skirts to the bodice using organ or cartridge pleats which cause the skirt to spring out from the waist. Full skirts were achieved mainly through layers of petticoats. The increasing weight and inconvenience of the layers of starched petticoats would lead to the development of the crinoline of the second half of the 1850s. ...
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Smocking
Smocking is an embroidery technique used to gather fabric so that it can stretch. Before elastic, smocking was commonly used in cuffs, bodices, and necklines in garments where buttons were undesirable. Smocking developed in England and has been practised since the Middle Ages and is unusual among embroidery methods in that it was often worn by labourers. Other major embroidery styles are purely decorative and represented status symbols. Smocking was practical for garments to be both form fitting and flexible, hence its name derives from '' smock'' — an agricultural labourer's work shirt. Smocking was used most extensively in the eighteenth and nineteenth centuries.Good Housekeeping, p. 146. Materials Smocking requires lightweight fabric with a stable weave that gathers well. Cotton and silk are typical fiber choices, often in lawn or voile. Smocking is worked on a crewel embroidery needle in cotton or silk thread and normally requires three times the width of initial materi ...
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Sack-back Gown
__NOTOC__ The sack-back gown or ''robe à la française'' was a women's fashion of 18th century Europe. At the beginning of the century, the sack-back gown was a very informal style of dress. At its most informal, it was unfitted both front and back and called a sacque, contouche, or ''robe battante''. By the 1770s the sack-back gown was second only to court dress in its formality. This style of gown had fabric at the back arranged in box pleats which fell loose from the shoulder to the floor with a slight train. In front, the gown was open, showing off a decorative stomacher and petticoat. It would have been worn with a wide square hoop or panniers under the petticoat. Scalloped ruffles often trimmed elbow-length sleeves, which were worn with separate frills called engageantes. The casaquin (popularly known from the 1740s onwards as a pet-en-l'air) was an abbreviated version of the robe à la française worn as a jacket for informal wear with a matching or contrasting pettico ...
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Mariano Fortuny (designer)
Mariano Fortuny y Madrazo ( ca, Marià Fortuny i de Madrazo, italic=no, ; 11 May 1871 – 3 May 1949) was a Spanish fashion designer who opened his couture house in 1906 and continued until 1946. He was the son of the painter Mariano Fortuny y Marsal. Life Fortuny was born on 11 May 1871, to an artistic family in Granada, Spain. His father, a genre painter, died when Fortuny was three years old and his mother, Cecilia, moved the family to Paris, France. It was apparent at a young age that Fortuny was a gifted artist, showing a talent for painting as well as a passion for textiles. During his childhood he was introduced to many different textiles and fabrics, which greatly imprinted upon his creativity. His parents were passionate for materials and had their own collections of textiles from various shops they had visited in Europe. His father also collected metalwork and armour from previous ages as a hobby. As a young child he was fascinated with all of these textile ...
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Tuck (sewing)
In sewing, a tuck is a fold or pleat in fabric that is sewn or fastened in place. Small tucks, especially multiple parallel tucks, may be used to decorate clothing or household linens. When the tucks are very narrow, they are called pintucks or ''Pin-tucking''. Tucks are also used to shorten a finished garment, especially a child's garment, so that it may be lengthened ("let down") as the child grows by removing the stitching holding the tuck in place. In Louisa May Alcott's ''Little Women'', Amy says: Tucks, made easy with the invention of the sewing machine, were very popular as ornamentation in the latter half of the 19th century, especially in fine linen or cotton fabric for chemisettes, engageantes, blouses, lingerie, summer dresses, and children's garments. Tucks were also used to decorate heavier fabrics: a travelling suit of "rough cheviot" (sturdy wool) is described as having its skirt "tucked, each tuck two inches wide and two inches apart, eight tucks in all ...
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1890s In Fashion
Fashion in the 1890s in European and European-influenced countries is characterized by long elegant lines, tall collars, and the rise of sportswear. It was an era of great dress reforms led by the invention of the drop-frame safety bicycle, which allowed women the opportunity to ride bicycles more comfortably, and therefore, created the need for appropriate clothing. Another great influence on women's fashions of this era, particularly among those considered part of the Aesthetic Movement in America, was the political and cultural climate. Because women were taking a more active role in their communities, in the political world, and in society as a whole, their dress reflected this change. The more freedom to experience life outside the home that women of the Gilded Age acquired, the more freedom of movement was experienced in fashions as well. As the emphasis on athleticism influenced a change in garments which allowed for freedom of movement, the emphasis on less rigid gen ...
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Rochet Plissage
A rochet () is a white vestment generally worn by a Roman Catholic or Anglican bishop in choir dress. It is unknown in the Eastern churches. The rochet in its Roman form is similar to a surplice, except that the sleeves are narrower. In its Anglican form it is a descendant of the traditional albs worn by deacons and priests. In the Roman Catholic tradition, the rochet comes below the knee and its sleeves and hem are sometimes made of lace; in the Anglican tradition, the rochet comes down almost to the hem of the cassock and its sleeves are gathered at the wrist. The word stems from the Latin ''rochettum'' (from the late Latin ''roccus'', connected with the Old High German ''roch'', ''roc'' and the A.S. ''rocc''; Dutch ''koorhemd, rochet'', French ''rochet'', German ''Rochett, Chorkleid'', Italian ''rocchetto'', Spanish ''roquete''), means an ecclesiastical vestment. Catholic use In the Catholic Church, Cardinal (Catholicism), cardinals, bishops and certain other dignitaries us ...
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Clothing
Clothing (also known as clothes, apparel, and attire) are items worn on the body. Typically, clothing is made of fabrics or textiles, but over time it has included garments made from animal skin and other thin sheets of materials and natural products found in the environment, put together. The wearing of clothing is mostly restricted to human beings and is a feature of all human societies. The amount and type of clothing worn depends on gender, body type, social factors, and geographic considerations. Garments cover the body, footwear covers the feet, gloves cover the hands, while hats and headgear cover the head. Eyewear and jewelry are not generally considered items of clothing, but play an important role in fashion and clothing as costume. Clothing serves many purposes: it can serve as protection from the elements, rough surfaces, sharp stones, rash-causing plants, insect bites, by providing a barrier between the skin and the environment. Clothing can insulate agai ...
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Antoine Watteau
Jean-Antoine Watteau (, , ; baptised October 10, 1684died July 18, 1721) Alsavailablevia Oxford Art Online (subscription needed). was a French painter and draughtsman whose brief career spurred the revival of interest in colour and movement, as seen in the tradition of Correggio and Rubens. He revitalized the waning Baroque style, shifting it to the less severe, more naturalistic, less formally classical, Rococo. Watteau is credited with inventing the genre of '' fêtes galantes'', scenes of bucolic and idyllic charm, suffused with a theatrical air. Some of his best known subjects were drawn from the world of Italian comedy and ballet. Early life and training Jean-Antoine Watteau was born in October 1684 in Valenciennes, once an important town in the County of Hainaut which became sequently part of the Burgundian and Habsburg Netherlands until its secession to France following the Franco-Dutch War. He was the second of four sons born to Jean-Philippe Watteau (1660–1720) ...
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Linen
Linen () is a textile made from the fibers of the flax plant. Linen is very strong, absorbent, and dries faster than cotton. Because of these properties, linen is comfortable to wear in hot weather and is valued for use in garments. It also has other distinctive characteristics, notably its tendency to wrinkle. Linen textiles appear to be some of the oldest in the world; their history goes back many thousands of years. Dyed flax fibers found in a cave in Southeastern Europe (present-day Georgia) suggest the use of woven linen fabrics from wild flax may date back over 30,000 years. Linen was used in ancient civilizations including Mesopotamia and ancient Egypt, and linen is mentioned in the Bible. In the 18th century and beyond, the linen industry was important in the economies of several countries in Europe as well as the American colonies. Textiles in a linen weave texture, even when made of cotton, hemp, or other non-flax fibers, are also loosely referred to as "linen". ...
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Chemise
A chemise or shift is a classic smock, or a modern type of women's undergarment or dress. Historically, a chemise was a simple garment worn next to the skin to protect clothing from sweat and body oils, the precursor to the modern shirts commonly worn in Western nations. Etymology The English word ''chemise'' is a loanword from the French word for shirt and is related to the Italian ''camicia'' or Latin ''camisia'', which, according to Elizabeth Wayland Barber, is likely derived from Celtic. History The chemise seems to have developed from the Roman '' tunica'' and first became popular in Europe in the Middle Ages. Women wore a shift or chemise under their gown or robe; while men wore a chemise with their trousers or ''braies'', and covered the chemises with garments such as doublets, robes, etc. Until the late 18th century, a chemise referred to an undergarment. It was the only underwear worn until the end of the Regency era in the 1820s, and was usually the only pie ...
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