Antoine Watteau
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Antoine Watteau
Jean-Antoine Watteau (, , ; baptised 10 October 1684died 18 July 1721) Alsavailablevia Oxford Art Online (subscription needed). was a French Painting, painter and Drawing, draughtsman whose brief career spurred the revival of interest in colour and movement, as seen in the tradition of Antonio da Correggio, Correggio and Peter Paul Rubens, Rubens. He revitalized the waning Baroque style, shifting it to the less severe, more naturalistic, less formally classical, Rococo. Watteau is credited with inventing the genre of ''fête galante, fêtes galantes'', scenes of bucolic and idyllic charm, suffused with a theatrical air. Some of his best known subjects were drawn from the world of commedia dell'arte, Italian comedy and ballet. Early life and training Jean-Antoine Watteau was born in October 1684 in Valenciennes, once an important town in the County of Hainaut which became sequently part of the Burgundian Netherlands, Burgundian and Habsburg Netherlands until its secession to Fran ...
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Rosalba Carriera
Rosalba Carriera (12 January 1673 – 15 April 1757) was an Italians, Italian Rococo painter. In her younger years, she specialized in portrait miniatures. Carriera would later become known for her pastel portraits, helping popularize the medium in eighteenth-century Europe. She is remembered as one of the most successful women artists of any era. Biography Carriera was born in Venice to Andrea Carriera, a lawyer, and Alba Foresti, an embroiderer and lacemaker. With her mother and sisters, Rosalba engaged in lace-making and other crafts. Her reasons for establishing her own studio as an artist remain unknown. An early biographer, Pierre-Jean Mariette, suggested that when the lace industry began to falter, Carriera had to find a new means of providing for herself and her family. The popularity of snuff (tobacco), snuff-taking gave her an opportunity. Carriera began painting Miniature (illuminated manuscript), miniatures for the lids of Decorative boxes, snuff-boxes and as indepen ...
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Drawing
Drawing is a Visual arts, visual art that uses an instrument to mark paper or another two-dimensional surface, or a digital representation of such. Traditionally, the instruments used to make a drawing include pencils, crayons, and ink pens, sometimes in combination. More modern tools include Stylus (computing), computer styluses with graphics tablets and gamepads in Virtual reality, VR drawing software. A drawing instrument releases a small amount of material onto a surface, leaving a visible mark. The most common support for drawing is paper, although other materials, such as Paperboard, cardboard, vellum, wood, plastic, leather, canvas, and Lumber, board, have been used. Temporary drawings may be made on a blackboard or whiteboard. Drawing has been a popular and fundamental means of public expression throughout human history. It is one of the simplest and most efficient means of communicating ideas. The wide availability of drawing instruments makes drawing one of the most comm ...
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Walloons
Walloons ( ; ; ) are a Gallo-Romance languages, Gallo-Romance ethnic group native to Wallonia and the immediate adjacent regions of Flanders, France, Germany, Luxembourg and the Netherlands. Walloons primarily speak ''langues d'oïl'' such as Belgian French, Picard language, Picard and Walloon language, Walloon. Walloons are primarily Catholic Church, Roman Catholic, with a historical minority of Protestantism which dates back to the Reformation era. In modern Belgium, Walloons are, by law, termed a "distinctive linguistic and ethnic community" within the country, as are the neighbouring Flemish people, Flemish, a Germanic peoples, Dutch (Germanic) speaking community. When understood as a regional identification, the ethnonym is also extended to refer to the inhabitants of the Walloon region in general, regardless of ethnicity or ancestry. Etymology The term ''Walloon'' is derived from ''*walha'', a Proto-Germanic term used to refer to Celtic languages, Celtic and Latin speake ...
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Franco-Dutch War
The Franco-Dutch War, 1672 to 1678, was primarily fought by Kingdom of France, France and the Dutch Republic, with both sides backed at different times by a variety of allies. Related conflicts include the 1672 to 1674 Third Anglo-Dutch War and 1675 to 1679 Scanian War. In May 1672, France nearly overran the Netherlands, an event remembered in Dutch history as the ''Rampjaar'', or "Disaster Year". However, by late July the position had stabilised, while concern over French gains brought the Dutch support from Leopold I, Holy Roman Emperor, Emperor Leopold I, Habsburg Spain, Spain and Brandenburg-Prussia. Previously an ally of France, Kingdom of England, England Treaty of Westminster (1674), exited the war in February 1674. Now facing a war of attrition on several fronts, Louis XIV of France instead focused on strengthening French borders with the Spanish Netherlands and Rhineland, while a coalition led by William III of England, William of Orange sought to minimise any losses. ...
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Habsburg Netherlands
Habsburg Netherlands were the parts of the Low Countries that were ruled by sovereigns of the Holy Roman Empire's House of Habsburg. This rule began in 1482 and ended for the Northern Netherlands in 1581 and for the Southern Netherlands in 1797. The rule began with the death in 1482 of Mary of Burgundy of the House of Valois-Burgundy who was the ruler of the Low Countries and the wife of Holy Roman Emperor Maximilian I of Austria. Their grandson, Emperor Charles V, was born in the Habsburg Netherlands and made Brussels one of his capitals. Becoming known as the Seventeen Provinces in 1549, they were held by the Spanish branch of the Habsburgs from 1556, known as the Spanish Netherlands from that time on. In 1581, in the midst of the Dutch Revolt, the Seven United Provinces seceded from the rest of this territory to form the Dutch Republic. The remaining Spanish Southern Netherlands became the Austrian Netherlands in 1714, after Austrian acquisition under the Treaty of Rastatt. ...
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Burgundian Netherlands
The Burgundian Netherlands were those parts of the Low Countries ruled by the Dukes of Burgundy during the Burgundian Age between 1384 and 1482. Within their Burgundian State, which itself belonged partly to the Holy Roman Empire and partly to the Kingdom of France, the dukes united these lowlands into a political union that went beyond a personal union as it gained central institutions for the first time (such as the States General). The period began with Duke Philip the Bold taking office as count of Flanders and Artois in 1384 and lasted until the death of Duchess Mary of Burgundy in 1482 after which the Burgundian State was dissolved, and the Low Countries came under the rule of the Habsburg monarchy by inheritance. In the 15th century, it was customary to refer to the Low Countries where the Duke of Burgundy ruled and usually resided as ''les pays de par-deçà'' meaning "the lands over here" as opposed to Burgundy proper (in Central France) which was designated ''les ...
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County Of Hainaut
The County of Hainaut ( ; ; ; ), sometimes spelled Hainault, was a territorial lordship within the medieval Holy Roman Empire that straddled the present-day border of Belgium and France. Its most important towns included Mons, Belgium, Mons (), now in Belgium, and Valenciennes, now in France. The core of the county, named after the river Haine, stretched southeast to include the ''Avesnois'' region and southwest to the Selle (Scheldt tributary). In the Middle Ages, its Counts also gained control of part of the original Pagus of Brabant, ''pagus'' of Brabant to its north and the ''pagus'' of Oosterbant to the east, but they did not form part of the old ''pagus'' of Hainaut. In modern terms, the original core of Hainaut consisted of the central part of the Belgian province of Hainaut (province) , Hainaut, and the eastern part of the French ''département'' of Nord (département) , Nord (the Arrondissements of France, arrondissements of Arrondissement of Avesnes-sur-Helpe, Avesnes ...
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Voiced Labio-velar Approximant
Voice or voicing is a term used in phonetics and phonology to characterize speech sounds (usually consonants). Speech sounds can be described as either voiceless (otherwise known as ''unvoiced'') or voiced. The term, however, is used to refer to two separate concepts: *Voicing can refer to the ''articulatory process'' in which the vocal folds vibrate, its primary use in phonetics to describe phones, which are particular speech sounds. *It can also refer to a classification of speech sounds that tend to be associated with vocal cord vibration but may not actually be voiced at the articulatory level. That is the term's primary use in phonology: to describe phonemes; while in phonetics its primary use is to describe phones. For example, voicing accounts for the difference between the pair of sounds associated with the English letters ⟨s⟩ and ⟨z⟩. The two sounds are transcribed as and to distinguish them from the English letters, which have several possible pronunciat ...
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Voiced Labiodental Fricative
The voiced labiodental fricative is a type of consonantal sound used in some spoken languages. The symbol in the International Phonetic Alphabet that represents this sound is , and the equivalent X-SAMPA symbol is v. The sound is similar to voiced alveolar fricative /z/ in that it is familiar to most European speakers but is a fairly uncommon sound cross-linguistically, occurring in approximately 21.1% of languages. Moreover, most languages that have /z/ also have /v/ and similarly to /z/, the overwhelming majority of languages with are languages of Europe, Africa, or Western Asia, although the similar labiodental approximant /ʋ/ is also common in India. The presence of and absence of , is a very distinctive areal feature of European languages and those of adjacent areas of Siberia and Central Asia. Speakers of East Asian languages that lack this sound may pronounce it as ( Korean and Japanese), or / (Cantonese and Mandarin), and thus be unable to distinguish between a n ...
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Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with Glossary of ballet, its own vocabulary. Ballet has been influential globally and has defined the foundational ballet technique, techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work of art, work comprises the choreography (dance), choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery ...
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Commedia Dell'arte
Commedia dell'arte was an early form of professional theatre, originating from Theatre of Italy, Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as , , and . Characterized by Theatre mask, masked "types", was responsible for the rise of actresses such as Isabella Andreini and Improvisational theatre, improvised performances based on Sketch comedy, sketches or scenarios. A , such as ''The Tooth Puller'', contains both scripted and improvised portions; key plot points and characters' entrances and exits are scripted, but the actors may otherwise be expected to improvise new gags on stage. A special characteristic of is the , a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine. Another characteristic of is Mime artist, pantomime, which is mostly used by the character Harlequin, Arlecchino, now better known as H ...
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Fête Galante
''Fête galante'' () (courtship party) is a category of painting specially created by the French Academy in 1717 to describe Antoine Watteau's (1684–1721) variations on the theme of the fête champêtre, which featured figures in ball dress or masquerade costumes disporting themselves amorously in parkland settings. When Watteau applied to join the French academy in 1717, there was no suitable category for his works, so the academy simply created one rather than reject his application. His reception piece was the '' Embarkation for Cythera'', now in the Louvre.Clarke, M. & D. (2010) "fête galante" in ''The Concise Oxford Dictionary of Art Terms''. oxfordreference.com, Oxford University Press. Retrieved 8 November 2013.Fête Galante
''Glossary'',