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Frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parthenon Frieze
The Parthenon frieze is the high-relief Pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 437 BC, most likely under the direction of Pheidias. Of the 160 meters (524 ft) of the original frieze, 128 meters (420 ft) survives—some 80 percent. The rest is known only from the drawings attributed to French artist Jacques Carrey in 1674, thirteen years before the Venetian bombardment that ruined the temple. At present, the majority of the frieze is at the British Museum in London (forming the major part of the Elgin Marbles); the largest proportion of the rest is at the Acropolis Museum in Athens, and the remainder of fragments shared between six other institutions. Casts of the frieze may be found in the Beazley archive at the Ashmolean Museum at Oxford, at the Spurlock Museum in Urbana, in the Skulpturhalle at Basel and elsewhere. Construction Plutarch’s ''Life of Pericles'', 13.4–9, inform ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frieze Pattern
In mathematics, a frieze or frieze pattern is a two-dimensional design that repeats in one direction. Such patterns occur frequently in architecture and decorative art. Frieze patterns can be classified into seven types according to their symmetries. The set of symmetry, symmetries of a frieze pattern is called a frieze group. Frieze groups are two-dimensional line groups, having repetition in only one direction. They are related to the more complex wallpaper groups, which classify patterns that are repetitive in two directions, and crystallographic groups, which classify patterns that are repetitive in three directions. General Formally, a frieze group is a class of infinite discrete symmetry groups of patterns on a strip (infinitely wide rectangle), hence a class of groups of isometries of the plane, or of a strip. A symmetry group of a frieze group necessarily contains translations and may contain glide reflections, reflections along the long axis of the strip, reflectio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erechtheum
The Erechtheion (latinized as Erechtheum /ɪˈrɛkθiəm, ˌɛrɪkˈθiːəm/; Ancient Greek: Ἐρέχθειον, Greek: Ερέχθειο) or Temple of Athena Polias is an ancient Greek Ionic temple-telesterion on the north side of the Acropolis, Athens, which was primarily dedicated to the goddess Athena. The building, made to house the statue of Athena Polias, has in modern scholarship been called the Erechtheion (the sanctuary of Erechtheus or Poseidon) in the belief that Pausanias' description of the Erechtheion applies to this building. However, whether the Erechtheion referred to by Pausanias is indeed the Ionic temple or an entirely different building has become a point of contention in recent decades. In the official decrees the building is referred to as “... το͂ νεὸ το͂ ἐμ πόλει ἐν ο͂ι τὸ ἀρχαῖον ἄγαλμα” (the temple on the Acropolis within which is the ancient statue). In other instances it is referred to as the Temple ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ionic Order
The Ionic order is one of the three canonic orders of classical architecture, the other two being the Doric and the Corinthian. There are two lesser orders: the Tuscan (a plainer Doric), and the rich variant of Corinthian called the composite order. Of the three classical canonic orders, the Corinthian order has the narrowest columns, followed by the Ionic order, with the Doric order having the widest columns. The Ionic capital is characterized by the use of volutes. The Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform while the cap is usually enriched with egg-and-dart. The ancient architect and architectural historian Vitruvius associates the Ionic with feminine proportions (the Doric representing the masculine). Description Capital The major features of the Ionic order are the volutes of its capital, which have been the subject of much theoretical and practical discourse, based on a brief and obscure pas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doric Order
The Doric order was one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted or smooth-surfaced, and had no base, dropping straight into the stylobate or platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Above a plain architrave, the complexity comes in the frieze, where the two features originally unique to the Doric, the triglyph and gutta, are skeuomorphic memories of the beams and retaining pegs of the wooden constructions that preceded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entablature
An entablature (; nativization of Italian , from "in" and "table") is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the frieze (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the pediment). The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification. Overview The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bas-relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term '' relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood ( relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patera (architecture)
In architecture, patera (pl. ''paterae'') is an ornamental circular or oval bas-relief disc. The patera is usually used to decorate friezes and walls, and to interrupt moldings. Patera is also used in furniture-making. It can be carved, incised, inlaid, or even painted. Overview The patera is found in the ancient Roman architecture and in almost all later western styles of architecture. The patera is used both within the civil and church architecture is usually made of marble or Istrian stone. It has a variable diameter between 20 and 80 cm, while the thickness is around 10 cm. The subject represented in the bas-relief is generally of floral or animal type, but there are also figures symbolizing trades or people. Being mainly a decorative element, the patera may also perform an apotropaic function to keep away evil spirits. Gallery Patera Corte seconda del Milion e porticato del teatro Venezia.jpg, Patera in the ''Corte seconda del Milion'' court and the romanesque archway ''Sot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persepolis
, native_name_lang = , alternate_name = , image = Gate of All Nations, Persepolis.jpg , image_size = , alt = , caption = Ruins of the Gate of All Nations, Persepolis. , map = , map_type = Iran#West Asia , map_alt = , map_caption = , map_size = , altitude_m = , altitude_ref = , relief = yes , coordinates = , map_dot_label = , location = Marvdasht, Fars Province, Iran , region = , type = Settlement , part_of = , length = , width = , area = , volume = , diameter = , circumference = , height = , builder = , and , material = Limestone, mud-brick, cedar wood , built = 6th century BC , abandoned = , epochs = Achaemenid Empire , cultures = Persian , dependency_of = , occupants = , event = *Battle of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornice (architecture)
In architecture, a cornice (from the Italian ''cornice'' meaning "ledge") is generally any horizontal decorative moulding that crowns a building or furniture element—for example, the cornice over a door or window, around the top edge of a pedestal, or along the top of an interior wall. A simple cornice may be formed just with a crown, as in crown moulding atop an interior wall or above kitchen cabinets or a bookcase. A projecting cornice on a building has the function of throwing rainwater free of its walls. In residential building practice, this function is handled by projecting gable ends, roof eaves and gutters. However, house eaves may also be called "cornices" if they are finished with decorative moulding. In this sense, while most cornices are also eaves (overhanging the sides of the building), not all eaves are usually considered cornices. Eaves are primarily functional and not necessarily decorative, while cornices have a decorative aspect. A building's projectin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tower Of The Winds
The Tower of the Winds or the Horologion of Andronikos Kyrrhestes is an octagonal Pentelic marble clocktower in the Roman Agora in Athens that functioned as a ''horologion'' or "timepiece". It is considered the world's first meteorological station. Unofficially, the monument is also called Aerides ( el, Αέρηδες), which means ''Winds''. The structure features a combination of sundials, a water clock, and a wind vane. It was designed by Andronicus of Cyrrhus around 50 BC, but according to other sources, might have been constructed in the 2nd century BC before the rest of the forum. The Athens Ephorate of Antiquities performed restoration work, cleaning and conserving the structure, between 2014 and 2016. Site The Tower of the Winds is tall and has a diameter of about . In antiquity it was topped by a weather vane-like Triton that indicated the wind direction. Below the frieze depicting the eight wind deities— Boreas (N), Kaikias (NE), Apeliotes (E), Eurus (SE), N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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