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Exploitation Film
An exploitation film is a film that tries to succeed financially by exploiting current trends, niche genres, or lurid content. Exploitation films are generally low-quality "B movies", though some set trends, attract critical attention, become historically important, and even gain a cult following. History Exploitation films may feature suggestive or explicit sex, sensational violence, drug use, nudity, gore, destruction, rebellion, mayhem, and the bizarre. Such films were first seen in their modern form in the early 1920s, but they were popularized in the 60s and 70s with the general relaxing of censorship and cinematic taboos in the U.S. and Europe. An early example, the 1933 film Ecstasy, included nude scenes featuring the Austrian actress Hedy Lamarr. The film proved popular at the box office but caused concern for the American cinema trade association, the MPPDA. Hildegard Esper and Dwain Esper are husband and wife film directors and producers who made some of the most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Road To Ruin 1928 Poster
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paracinema
Paracinema is an academic term to refer to a wide variety of film genres out of the mainstream, bearing the same relationship to 'legitimate' film as paraliterature like comic books and pulp fiction bears to literature. Definition In terms of taste and attitude in cinema practice, paracinema is similar to camp, and both are conceptually linked to trash and kitsch in the world of cult cinema. The term was first defined by cultural historian Jeffrey Sconce, who described paracinema as 'an extremely elastic textual category'. In addition to art film, horror, and science fiction films, "paracinema" catalogues "include entries from such seemingly disparate genres" as badfilm, splatterpunk, mondo films, sword-and-sandal epics, Elvis flicks, government hygiene films, Japanese monster movies, beach party musicals, and "just about every other historical manifestation of exploitation cinema from juvenile delinquency documentaries to ... pornography. Paracinema denotes an oppositio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Child Bride
''Child Bride'', also known as ''Child Brides'', ''Child Bride of the Ozarks'' and ''Dust to Dust'' (USA reissue titles), is a 1938"Child Bride (1938) '''' . The film is widely listed as dating from 1938 (, , |
Major Film Studio
Major film studios are production and distribution companies that release a substantial number of films annually and consistently command a significant share of box office revenue in a given market. In the American and international markets, the major film studios, often known simply as the majors or the Big Five studios, are commonly regarded as the five diversified media conglomerates whose various film production and distribution subsidiaries collectively command approximately 80 to 85% of U.S. box office revenue. The term may also be applied more specifically to the primary motion picture business subsidiary of each respective conglomerate. Since the dawn of filmmaking, the U.S. major film studios have dominated both American cinema and the global film industry. U.S. studios have benefited from a strong first-mover advantage in that they were the first to industrialize filmmaking and master the art of mass-producing and distributing high-quality films with broad cross-cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eyes Without A Face (film)
''Eyes Without a Face'' (french: Les yeux sans visage) is a 1960 French-language horror film co-written and directed by Georges Franju. A French-Italian co-production, the film stars Pierre Brasseur and Alida Valli. Based on the novel of the same name by Jean Redon, it revolves around a plastic surgeon who is determined to perform a face transplant on his daughter, who was disfigured in a car accident. During the film's production, consideration was given to the standards of European censors by setting the right tone, minimizing gore and eliminating the mad scientist character. Although ''Eyes Without a Face'' was cleared by censors, its release in Europe caused controversy nevertheless. Critical reaction ranged from praise to disgust. In the United States, an edited and dubbed version of the film, titled ''The Horror Chamber of Dr. Faustus'', was released in 1962 as a double feature with '' The Manster''. The film's initial critical reception was not overtly positive, but subseq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnival Of Souls
''Carnival of Souls'' is a 1962 American independent horror film produced and directed by Herk Harvey and written by John Clifford from a story by Clifford and Harvey, and starring Candace Hilligoss. Its plot follows Mary Henry, a young woman whose life is disturbed after a car accident. She relocates to a new city, where she finds herself unable to assimilate with the locals, and becomes drawn to the pavilion of an abandoned carnival. Director Harvey also appears in the film as a ghoulish stranger who stalks her throughout. The film is set to an organ score by Gene Moore. Filmed in Lawrence, Kansas, and Salt Lake City, ''Carnival of Souls'' was shot on a budget of $33,000, and Harvey employed various guerrilla filmmaking techniques to finish the production. It was Harvey's only feature film, and did not gain widespread attention when originally released as a double feature with the now mostly forgotten ''The Devil's Messenger'' in 1962. Since the 1980s, the film has been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Un Chien Andalou
''Un Chien Andalou'' (, ''An Andalusian Dog'') is a 1929 French silent short film directed by Luis Buñuel, and written by Buñuel and Salvador Dalí. Buñuel's first film, it was initially released in a limited capacity at Studio des Ursulines in Paris, but became popular and ran for eight months. ''Un Chien Andalou'' has no plot in the conventional sense of the word. With disjointed chronology, jumping from the initial "once upon a time" to "eight years later" without events or characters changing, it uses dream logic in narrative flow that can be described in terms of the then-popular Freudian free association, presenting a series of tenuously related scenes. ''Un Chien Andalou'' is a seminal work in the genre of surrealist cinema. Synopsis The film opens with a title card reading "Once upon a time". A man (Luis Buñuel) sharpens his razor at his balcony door and tests the razor on his thumb. He then opens the door, and idly fingers the razor while gazing at the moon, ab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Repulsion (film)
''Repulsion'' is a 1965 British psychological horror film directed by Roman Polanski, and starring Catherine Deneuve. Based on a story written by Polanski and Gérard Brach, the plot follows Carol, a withdrawn, disturbed young woman who, when left alone in the apartment she shares with her sister, is subject to a number of nightmarish experiences. The film focuses on the point of view of Carol and her vivid hallucinations and nightmares as she comes into contact with men and their desires for her. Ian Hendry, John Fraser, Patrick Wymark, and Yvonne Furneaux appear in supporting roles. Shot in London, it is Polanski's first English-language film and second feature-length production, following ''Knife in the Water'' (1962). The film debuted at the 1965 Cannes Film Festival before receiving theatrical releases internationally. Upon its release, ''Repulsion'' received considerable critical acclaim and currently is considered one of Polanski's greatest works. The film was nominated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Polanski
Raymond Roman Thierry Polański , group=lower-alpha, name=note_a ( né Liebling; 18 August 1933) is a French-Polish film director, producer, screenwriter, and actor. He is the recipient of numerous accolades, including an Academy Award, two British Academy Film Awards, nine César Awards, two Golden Globe Awards, as well as the Golden Bear and a Palme d'Or. His Polish–Jewish parents moved the family from his birthplace in Paris back to Kraków in 1937.Paul Werner, ''Polański. Biografia'', Poznań: Rebis, 2013, p. 13. Two years later, the invasion of Poland by Nazi Germany started World War II, and the family found themselves trapped in the Kraków Ghetto. After his mother and father were taken in raids, Polanski spent his formative years in foster homes, surviving the Holocaust by adopting a false identity and concealing his Jewish heritage. Polanski's first feature-length film, '' Knife in the Water'' (1962), was made in Poland and was nominated for the United States ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freaks (1932 Film)
''Freaks'' (also re-released as ''The Monster Story'', ''Forbidden Love'', and ''Nature's Mistakes'') is a 1932 American pre-Code horror film produced and directed by Tod Browning, starring Wallace Ford, Leila Hyams, Olga Baclanova, and Roscoe Ates. ''Freaks'', originally intended as a vehicle for Lon Chaney, is set amongst the backdrop of a travelling French circus and follows a conniving trapeze artist who joins a group of carnival sideshow performers with a plan to seduce and murder a dwarf in the troupe to gain his inheritance. However, her plot proves to have dangerous consequences. The film is based on elements from the short story " Spurs" by Tod Robbins, first published in ''Munsey's Magazine'' in February 1923, with the rights being purchased by the studio, responsible by MGM art department chief Cedric Gibbons. Filmed in Los Angeles in the fall of 1931, some employees at MGM were discomfited by the presence of the actors portraying the "freaks" on set, and, other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Clockwork Orange (film)
''A Clockwork Orange'' is a 1971 dystopian crime film adapted, produced, and directed by Stanley Kubrick, based on Anthony Burgess's 1962 novel of the same name. It employs disturbing, violent images to comment on psychiatry, juvenile delinquency, youth gangs, and other social, political, and economic subjects in a dystopian near-future Britain. Alex ( Malcolm McDowell), the central character, is a charismatic, antisocial delinquent whose interests include classical music (especially Beethoven), committing rape, theft, and ultra-violence. He leads a small gang of thugs, Pete ( Michael Tarn), Georgie ( James Marcus), and Dim ( Warren Clarke), whom he calls his ''droogs'' (from the Russian word друг, which is "friend", "buddy"). The film chronicles the horrific crime spree of his gang, his capture, and attempted rehabilitation via an experimental psychological conditioning technique (the "Ludovico Technique") promoted by the Minister of the Interior (Anthony Sharp). Alex n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Luc Godard
Jean-Luc Godard ( , ; ; 3 December 193013 September 2022) was a French-Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer, and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity, sound, and camerawork. His most acclaimed films include '' Breathless'' (1960), '' Vivre sa vie'' (1962), '' Contempt'' (1963), ''Band of Outsiders'' (1964), '' Alphaville'' (1965), '' Pierrot le Fou'' (1965), ''Masculin Féminin'' (1966), '' Weekend'' (1967), and ''Goodbye to Language'' (2014). During his early career as a film critic for the influential magazine '' Cahiers du Cinéma'', Godard criticised mainstream French cinema's "Tradition of Quality", which de-emphasis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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