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Jean-Luc Godard
Jean-Luc Godard ( , ; ; 3 December 193013 September 2022) was a French-Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer, and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity, sound, and camerawork. His most acclaimed films include '' Breathless'' (1960), '' Vivre sa vie'' (1962), '' Contempt'' (1963), ''Band of Outsiders'' (1964), '' Alphaville'' (1965), '' Pierrot le Fou'' (1965), ''Masculin Féminin'' (1966), '' Weekend'' (1967), and ''Goodbye to Language'' (2014). During his early career as a film critic for the influential magazine '' Cahiers du Cinéma'', Godard criticised mainstream French cinema's "Tradition of Quality", which de-emphasis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rolle
Rolle () is a municipality in the Canton of Vaud in Switzerland. It was the seat of the district of Rolle until 2006, when it became part of the district of Nyon. It is located on the northwestern shore of Lake Geneva (''Lac Léman'') between Nyon and Lausanne. Rolle is approximately northeast of Geneva (Genève) in the La Côte wine-growing region, and has views of the high Alps. Rolle is also the birthplace of Frédéric-César de la Harpe (1754–1838), who was the tutor of Alexander I of Russia and was largely responsible for the independence of the Canton of Vaud from the Bernese. History Rolle is first mentioned in 1294 as ''Rotuli''. In 1295 it was known as Ruello and Ruelloz the city in 1330 after it passed into the hands of Jean De Grailly the 1st an Knight entrusted to care for the future King Edward the 2nd. Prehistoric settlements A late Bronze Age lake side settlement was discovered and partially destroyed in 1835 during construction of the artificial island of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Histoire(s) Du Cinéma
''Histoire(s) du cinéma'' () is an 8-part video project begun by Jean-Luc Godard in the late 1980s and completed in 1998. The longest, at 266 minutes, and one of the most complex of Godard's films, ''Histoire(s) du cinéma'' is an examination of the history of the concept of cinema and how it relates to the 20th century; in this sense, it can also be considered a critique of the 20th century and how it perceives itself. The project is widely considered Godard's magnum opus. ''Histoire(s) du cinéma'' is always referred to by its French title, because of the untranslatable word play it implies: '' histoire'' means both "history" and "story," and the ''s'' in parentheses gives the possibility of a plural. Therefore, the phrase ''Histoire(s) du cinéma'' simultaneously means ''The History of Cinema'', ''Histories of Cinema'', ''The Story of Cinema'' and ''Stories of Cinema''. Similar double or triple meanings, as well as puns, are a recurring motif throughout ''Histoire(s)'' and mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masculin Féminin
''Masculin Féminin'' (french: Masculin féminin: 15 faits précis, , "Masculine Feminine: 15 Specific Events") is a 1966 French New Wave romantic drama film directed by Jean-Luc Godard. An international co-production between France and Sweden, the film stars Jean-Pierre Léaud, Chantal Goya, Marlène Jobert, Catherine-Isabelle Duport, and Michel Debord. Léaud plays Paul, a romantic young idealist who chases budding pop star Madeleine (played by Goya, a real-life yé-yé girl). Despite markedly different musical tastes and political leanings, the two soon become romantically involved and begin a ''ménage à quatre'' with Madeleine's two roommates, Catherine (Duport) and Elisabeth (Jobert). The camera probes the young actors in a series of vérité-style interviews about love, lovemaking, and politics. At times the main story is interrupted by various sequences and sub-plots, including a scene paraphrased from LeRoi Jones' play '' Dutchman''. ''Masculin Féminin'' is cons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alphaville (film)
''Alphaville: une étrange aventure de Lemmy Caution'' (''Alphaville: A Strange Adventure of Lemmy Caution'') is a 1965 French New Wave science fiction neo-noir film directed by Jean-Luc Godard. It stars Eddie Constantine, Anna Karina, Howard Vernon and Akim Tamiroff. The film won the Golden Bear award of the 15th Berlin International Film Festival in 1965. ''Alphaville'' combines the genres of dystopian science fiction and film noir. There are no special props or futuristic sets; instead, the film was shot in real locations in Paris, the night-time streets of the capital becoming the streets of Alphaville, while modernist glass and concrete buildings (that in 1965 were new and strange architectural designs) represent the city's interiors. The film is set in the future but the characters also refer to twentieth-century events; for example, the hero describes himself as a Guadalcanal veteran. Expatriate American actor Eddie Constantine plays Lemmy Caution, a trenchcoat-w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bande à Part (film)
''Bande à part'' () is a 1964 French New Wave film directed by Jean-Luc Godard. It was released as ''Band of Outsiders'' in North America; its French title derives from the phrase ''faire bande à part'', which means "to do something apart from the group". The film is about three people who commit a robbery. It received positive critical reviews, and its dance scene has been referenced several times in popular culture. Plot A young woman named Odile (Anna Karina) meets a man named Franz ( Sami Frey) in an English language class. She has told him of a large pile of money stashed in the villa where she lives with her aunt Victoria and Mr. Stolz in Joinville, a Parisian suburb. Franz tells his friend Arthur ( Claude Brasseur) of the money, and the two make a plan to steal it. Franz and Arthur go to the English class, where Arthur flirts with Odile and asks her about the money. Odile goes home and finds the money in Stolz's room. She then meets Franz and Arthur, and they go to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vivre Sa Vie
''Vivre sa vie'' (french: Vivre sa vie: film en douze tableaux, lit=To Live Her Life: A Film in Twelve Scenes) is a 1962 French New Wave drama film written and directed by Jean-Luc Godard. The film was released in the United States as ''My Life to Live'' and in the United Kingdom as ''It's My Life''. Plot Nana Kleinfrankenheim, a beautiful 22-year-old Parisian, leaves her husband Paul and her infant son, hoping to become an actress. The couple meet in a café and play pinball one last time before deciding to end their marriage. Now working in a record store, Nana struggles to earn enough money on her own. She tries to borrow 2,000 francs from several co-workers, but they all refuse. To make matters worse, Nana's landlady kicks her out of her apartment until she can pay rent. The next day, Nana meets with Paul, who gives her pictures of her son to keep for herself. Paul invites her to dinner, but Nana declines and explains she is seeing a film with another man. They watch ''The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinematography
Cinematography (from ancient Greek κίνημα, ''kìnema'' "movement" and γράφειν, ''gràphein'' "to write") is the art of motion picture (and more recently, electronic video camera) photography. Cinematographers use a lens to focus reflected light from objects into a real image that is transferred to some image sensor or light-sensitive material inside a movie camera. These exposures are created sequentially and preserved for later processing and viewing as a motion picture. Capturing images with an electronic image sensor produces an electrical charge for each pixel in the image, which is electronically processed and stored in a video file for subsequent processing or display. Images captured with photographic emulsion result in a series of invisible latent images on the film stock, which are chemically " developed" into a visible image. The images on the film stock are projected for viewing the same motion picture. Cinematography finds uses in many fields o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Sound
Sound-on-film is a class of sound film processes where the sound accompanying a picture is recorded on photographic film, usually, but not always, the same strip of film carrying the picture. Sound-on-film processes can either record an analog sound track or digital sound track, and may record the signal either optically or magnetically. Earlier technologies were sound-on-disc, meaning the film's soundtrack would be on a separate phonograph record. History Sound on film can be dated back to the early 1880s, when Charles E. Fritts filed a patent claiming the idea. In 1923 a patent was filed by E. E. Ries, for a variable density soundtrack recording, which was submitted to the SMPE (now SMPTE), which used the mercury vapor lamp as a modulating device to create a variable-density soundtrack. Later, Case Laboratories and Lee De Forest attempted to commercialize this process, when they developed an Aeolite glow lamp, which was deployed at Movietone Newsreel at the Roxy Theat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Continuity Editing
Continuity editing is the process, in film and video creation, of combining more-or-less related shots, or different components cut from a single shot, into a sequence to direct the viewer's attention to a pre-existing consistency of story across both time and physical location. Often used in feature films, continuity editing, or "cutting to continuity", can be contrasted with approaches such as montage, with which the editor aims to generate, in the mind of the viewer, new associations among the various shots that can then be of entirely different subjects, or at least of subjects less closely related than would be required for the continuity approach. When discussed in reference to classical Hollywood cinema, it may also be referred to as classical continuity. Common techniques of continuity editing Continuity editing can be divided into two categories: temporal continuity and spatial continuity. Within each category, specific techniques will work against a sense of continuity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMovie
AllMovie (previously All Movie Guide) is an online database with information about films, television programs, and screen actors. , AllMovie.com and the AllMovie consumer brand are owned by RhythmOne. History AllMovie was founded by popular-culture archivist Michael Erlewine, who also founded AllMusic and AllGame. The AllMovie database was licensed to tens of thousands of distributors and retailers for point-of-sale systems, websites and kiosks. The AllMovie database is comprehensive, including basic product information, cast and production credits, plot synopsis, professional reviews, biographies, relational links and more. AllMovie data was accessed on the web at the AllMovie website. It was also available via the AMG LASSO media recognition service, which can automatically recognize DVDs. In late 2007, TiVo Corporation acquired AMG for a reported $72 million. The AMG consumer facing web properties AllMusic.com, AllMovie.com and AllGame.com were sold by Rovi in August ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-war Era
In Western usage, the phrase post-war era (or postwar era) usually refers to the time since the end of World War II. More broadly, a post-war period (or postwar period) is the interval immediately following the end of a war. A post-war period can become an interwar period or interbellum, when a war between the same parties resumes at a later date (such as the period between World War I and World War II). By contrast, a post-war period marks the cessation of armed conflict entirely. Post–World War II Chronology of the post–World War II era The term "post-war" can have different meanings in different countries and refer to a period determined by local considerations based on the effect of the war there. Some examples of post-war events are (in chronological order) ;The Cold War (1947–1991) The Cold War was a geopolitical conflict between the capitalist and liberal democratic United States of America, the authoritarian and Communist Marxist–Leninist Union of Sovie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Demy
Jacques Demy (; 5 June 1931 – 27 October 1990) was a French director, lyricist, and screenwriter. He appeared at the height of the French New Wave alongside contemporaries like Jean-Luc Godard and François Truffaut. Demy's films are celebrated for their visual style, which drew upon diverse sources such as classic Hollywood musicals, the plein-air realism of his French New Wave colleagues, fairy tales, jazz, Japanese manga, and the opera. His films contain overlapping continuity (i.e., characters cross over from film to film), lush musical scores (typically composed by Michel Legrand) and motifs like teenage love, labor rights, chance encounters, incest, and the intersection between dreams and reality. He was married to Agnès Varda, another prominent director of the French New Wave. Demy is best known for the two musicals he directed in the mid-1960s: ''The Umbrellas of Cherbourg'' (1964) and '' The Young Girls of Rochefort'' (1967). Career After working with the ani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
