Alexander Balus
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Alexander Balus
''Alexander Balus'' ( HWV 65) is an oratorio by George Frideric Handel, named after its title character, the Seleucid king Alexander Balas. The work has three acts and was written in English. The period of the story is from 150 B.C to 145 B.C. The libretto is by Thomas Morell after the biblical book of 1 Maccabees. Fourth in a series of English military oratorios, following ''Joshua'' and the success of '' Judas Maccabaeus'', celebrating the victories of the Hanoverian monarchy over the Jacobite uprisings, the work moves from celebrations of military success in the first act to personal tragedies in the last. ''Alexander Balus'' was composed in the summer of 1747 and premiered on 23 March 1748 at Covent Garden Theatre, London, with Caterina Galli singing the title role, Thomas Lowe as Jonathan, and Thomas Reinhold as Ptolemee. In 1754 Handel made a revision to his work and changed the leading role, the king Alexander, to a soprano instead of an alto. Dramatis personae Syno ...
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George Frideric Handel By Balthasar Denner
George may refer to: People * George (given name) * George (surname) * George (singer), American-Canadian singer George Nozuka, known by the mononym George * George Washington, First President of the United States * George W. Bush, 43rd President of the United States * George H. W. Bush, 41st President of the United States * George V, King of Great Britain, Ireland, the British Dominions and Emperor of India from 1910-1936 * George VI, King of Great Britain, Ireland, the British Dominions and Emperor of India from 1936-1952 * Prince George of Wales * George Papagheorghe also known as Jorge / GEØRGE * George, stage name of Giorgio Moroder * George Harrison, an English musician and singer-songwriter Places South Africa * George, Western Cape ** George Airport United States * George, Iowa * George, Missouri * George, Washington * George County, Mississippi * George Air Force Base, a former U.S. Air Force base located in California Characters * George (Peppa Pig), a 2-yea ...
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Alto
The musical term alto, meaning "high" in Italian ( Latin: ''altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In 4-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called contralto and male alto or countertenor. Such confusion of "high" and "low" persists in instrumental terminology. Alto flute and alto trombone are respectively lower and higher than the standard instruments of the family (the standard instrument of the trombone family being the tenor trombone), though both play in ranges within the alto clef. Alto recorder, however, is an octave higher, and is defined by its relationship to tenor and soprano recorders; alto clarinet is a fifth lower than B-flat clarinet, already an 'alto' instrument. There is even a contra-alto clarinet, (an octave lower than the alto clarinet), with a range B♭0 – D4. Etym ...
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Bassoon
The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity. It is a non-transposing instrument and typically its music is written in the bass and tenor clefs, and sometimes in the treble. There are two forms of modern bassoon: the Buffet (or French) and Heckel (or German) systems. It is typically played while sitting using a seat strap, but can be played while standing if the player has a harness to hold the instrument. Sound is produced by rolling both lips over the reed and blowing direct air pressure to cause the reed to vibrate. Its fingering system can be quite complex when compared to those of other instruments. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band, and chamber music literature, and is occasionally heard in pop, roc ...
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Pizzicato
Pizzicato (, ; translated as "pinched", and sometimes roughly as "plucked") is a playing technique that involves plucking the strings of a string instrument. The exact technique varies somewhat depending on the type of instrument : * On bowed string instruments it is a method of playing by plucking the strings with the fingers, rather than using the bow. This produces a very different sound from bowing, short and percussive rather than sustained. * On keyboard string instruments, such as the piano, pizzicato may be employed (although rarely seen in traditional repertoire, this technique has been normalized in contemporary music, with ample examples by George Crumb, Toru Takemitsu, Helmut Lachenmann, and others) as one of the variety of techniques involving direct manipulation of the strings known collectively as " string piano". * On the guitar, it is a muted form of plucking, which bears an audible resemblance to pizzicato on a bowed string instrument with its relatively s ...
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Contrapuntal
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been us ...
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Covert Garden Theatre Edited
Secrecy is the practice of hiding information from certain individuals or groups who do not have the "need to know", perhaps while sharing it with other individuals. That which is kept hidden is known as the secret. Secrecy is often controversial, depending on the content or nature of the secret, the group or people keeping the secret, and the motivation for secrecy. Secrecy by government entities is often decried as excessive or in promotion of poor operation; excessive revelation of information on individuals can conflict with virtues of privacy and confidentiality. It is often contrasted with social transparency. Secrecy can exist in a number of different ways: encoding or encryption (where mathematical and technical strategies are used to hide messages), true secrecy (where restrictions are put upon those who take part of the message, such as through government security classification) and obfuscation, where secrets are hidden in plain sight behind complex idiosyncrati ...
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Giulio Cesare
''Giulio Cesare in Egitto'' (; , HWV 17), commonly known as ''Giulio Cesare'', is a dramma per musica (''opera seria'') in three acts composed by George Frideric Handel for the Royal Academy of Music in 1724. The libretto was written by Nicola Francesco Haym who used an earlier libretto by Giacomo Francesco Bussani, which had been set to music by Antonio Sartorio (1676). The opera was a success at its first performances, was frequently revived by Handel in his subsequent opera seasons and is now one of the most often performed Baroque operas. The opera's plot is loosely based on historic events during the Roman Civil War of 49–45 BC. Composition history ''Giulio Cesare in Egitto'' was first performed at the King's Theatre in the Haymarket, London on 20 February 1724. The opera was an immediate success. A contemporary wrote in a letter on 10 March 1724: ...the opera is in full swing also, since Hendell's new one, called Jules César – in which Cenesino and Cozzun ...
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Demetrius I Soter
Demetrius I (Greek: ''Δημήτριος Α`'', 185 – June 150 BC), surnamed Soter (Greek: ''Σωτήρ'' - "Savior"), reigned as king ( basileus) of the Hellenistic Seleucid Empire from November 162 – June 150 BC. Demetrius grew up in Rome as a hostage, but returned to Greek Syria and overthrew his young cousin Antiochus V Eupator and regent Lysias. Demetrius took control during a turbulent time of the Empire, and spent much of his time fighting off revolts and challenges to his power from threats such as Timarchus and Alexander Balas. Biography Early confinement and escape Demetrius was born around 185 BC. He was sent to Rome as a hostage at a young age during the reign of his father Seleucus IV Philopator and his mother Laodice IV.Appian, ''Roman History: Syrian Wars'' 8.46 Rome taking prominent Seleucid family members hostage was one of the terms of the Treaty of Apamea that had ended the Roman-Seleucid War. His father was likely murdered by his finance minister Hel ...
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Alexander I Syria
Alexander is a male given name. The most prominent bearer of the name is Alexander the Great, the king of the Ancient Greek kingdom of Macedonia who created one of the largest empires in ancient history. Variants listed here are Aleksandar, Aleksander and Aleksandr. Related names and diminutives include Iskandar, Alec, Alek, Alex, Alexandre, Aleks, Aleksa and Sander; feminine forms include Alexandra, Alexandria, and Sasha. Etymology The name ''Alexander'' originates from the (; 'defending men' or 'protector of men'). It is a compound of the verb (; 'to ward off, avert, defend') and the noun (, genitive: , ; meaning 'man'). It is an example of the widespread motif of Greek names expressing "battle-prowess", in this case the ability to withstand or push back an enemy battle line. The earliest attested form of the name, is the Mycenaean Greek feminine anthroponym , , (/ Alexandra/), written in the Linear B syllabic script. Alaksandu, alternatively called ''Alakasandu ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Cleopatra Thea
Cleopatra Thea ( el, Κλεοπάτρα Θεά, which means "Cleopatra the Goddess"; c. 164 – 121 BC) surnamed Eueteria (i.e., "good-harvest/fruitful season") was the ruler of the Hellenistic Seleucid Empire. She was queen consort of Syria from 150 to about 125 BC as the wife of three Syrian kings: Alexander Balas, Demetrius II Nicator, and Antiochus VII Sidetes. She ruled Syria from 125 BC after the death of Demetrius II Nicator, eventually in co-regency with her son Antiochus VIII Grypus until 121 or 120 BC.Aidan Dodson, Dyan Hilton, The Complete Royal Families of Ancient Egypt, 2004Cleopatra Thea
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Biography


Childhood and first marriage

Cleopatra Thea grew up in Egypt as the daughter of
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Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ...
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