''Perumthachan'' () is a 1991 Indian
Malayalam
Malayalam (; , ) is a Dravidian languages, Dravidian language spoken in the Indian state of Kerala and the union territories of Lakshadweep and Puducherry (union territory), Puducherry (Mahé district) by the Malayali people. It is one of ...
-language
period drama
A historical drama (also period drama, period piece or just period) is a dramatic work set in the past, usually used in the context of film and television, which presents history, historical events and characters with varying degrees of fiction s ...
film directed by
Ajayan and written by
M. T. Vasudevan Nair
Madath Thekkepaattu Vasudevan Narayanan Nair (15 July 1933 – 25 December 2024) was an Indian author, lecturer, Screenwriter, screenplay writer and film director. He was a prolific and versatile writer in modern Malayalam literature, and was o ...
. It is based on the legend of
Perumthachan
Perumthachan (പെരുന്തച്ചന്), also spelled as ''"Perunthchan"'' (പെരു - Peru/big, തച്ചന് - thachan/craftsman), meaning ''the master carpenter'' or ''the master craftsman'', is an honorific title ...
in the
Parayi Petta Panthirukulam folklore. The problems caused by the
generation gap
A generation gap or generational gap is a difference of opinions and outlooks between one generation and another. These differences may relate to beliefs, politics, language, work, demographics and values. The differences between generations can ...
are explored through the relationship between a skilled carpenter and his tradition-breaking son.
The film won the
National Film Award for Best First Film of a Director and
Filmfare Award for Best Film - Malayalam
''Filmfare'' is an Indian English-language fortnightly magazine published by Worldwide Media. Acknowledged as one of India's most popular entertainment magazines, it publishes pieces involving news, interviews, photos, videos, reviews, events, ...
. It was nominated for the
Golden Leopard Award and is now considered as a classic in
Malayalam cinema
Malayalam cinema, also referred to as Mollywood, is a segment of Cinema of India, Indian cinema dedicated to producing films in the Malayalam, Malayalam language, primarily spoken in Kerala and the Lakshadweep islands. It encompasses both th ...
. The film marks the debut of
Prashanth
Prashanth Thiagarajan (born 6 April 1973), known professionally as Prashanth, is an Indian actor, businessman, playback singer and film producer known for his works predominantly in Tamil cinema. Besides Tamil films, he has also appeared in f ...
in Malayalam cinema.
Plot
In this story based on a Kerala legend, a pious and disciplined master carpenter of a mixed caste, Perumthachan, moves effortlessly in his world, constructing temples and carving intricate stone statues. He is content with his life, at peace with himself and the social norms of the time. In contrast, his son, Kannan Vishwakarman, has a rebellious nature and questions the traditional social hierarchies. Kannan falls in love with the daughter of a royal household, which ultimately leads to his downfall.
Raman Perumthachan is an exceptional wood-carver, sculptor, and architect. His creations are so remarkable that he is believed to be the reincarnation of the architect of the gods(Vishwakarma). Although raised as a carpenter from a family of Vishwakarma Brahmins(Vishwabrahmins), there are suggestions that he may be the son of a Nambudiri Brahmin(Orthodox Brahmins of Kerala). However, Perumthachan himself doubts this claim. At one point, he acknowledges with amusement his son's suggestion that the story of his Nambudiri lineage might have been fabricated by the Nambudiris to claim his abilities and prestige.
One evening, an old temple servant (Ambalavasi Brahmin) struggles to light a stone lamp due to strong winds. A man resting nearby gets up and places a stone slab to shield the lamp from the wind. The man, wearing the sacred thread (poonool), is mistaken for a Nambudiri, but he clarifies that he is a carpenter (Asari/Achary) who forgot to remove his sacred thread after constructing a temple. The servant soon realizes that this man is the legendary Perumthachan. News of his arrival spreads quickly.
Perumthachan reconnects with a childhood friend, a Nambudiri Brahmin who is now the head of a wealthy royal household (Kovilakam). He is asked to oversee the construction of the family's shrine and carve the image of the goddess. The beauty of Bhargavi Thampuratti, the Nambudiri's wife, captivates him, and he sculpts the goddess's face in her likeness. Although drawn to her, Perumthachan refrains from acting on his feelings, understanding the consequences. This attraction leads to a misunderstanding with the Nambudiri, who becomes suspicious of Perumthachan and insults him during the idol's consecration. Disillusioned, Perumthachan leaves.
Over time, Kannan grows into a talented and charismatic young man. While Perumthachan is proud of his son's abilities, he is concerned about Kannan's disregard for traditional artistic rules and his growing self-centeredness, which reflects the materialistic outlook of the younger generation. Perumthachan had long desired to build the Saraswati mandapam, as Bhargavi Thampuratti had wished, but Bhargavi's daughter, Kunhikkavu Thampuratti, selects Kannan for the task.
Kannan begins working at the same Nambudiri household where Perumthachan had once carved a statue of the goddess. During this time, Kannan falls in love with Kunhikkavu, causing a scandal within the royal family. The girl's father expresses his deep disappointment to Perumthachan, stating that he would have preferred Kannan's accidental death over the dishonor brought upon the family. Concerned about the impact on the household, Perumthachan steps in to oversee the temple's construction. He tries to convince Kannan to end the relationship, but Kannan refuses. In a moment of desperation, Perumthachan drops his chisel on Kannan's neck, killing him during the final stages of the temple's construction. Unable to bear the consequences, Perumthachan later sets fire to his home, taking his own life to escape the villagers’ retribution for Kannan's death.
Cast
*
Thilakan
Palappurathu Keshavan Surendranatha Thilakan (15 July 1935 – 24 September 2012) was an Indian film and stage actor who appeared in over 200 Malayalam films. Thilakan was known for his elaborate method acting, realistic and spontaneous appeara ...
as Raman Perumthachan
*
Prashanth
Prashanth Thiagarajan (born 6 April 1973), known professionally as Prashanth, is an Indian actor, businessman, playback singer and film producer known for his works predominantly in Tamil cinema. Besides Tamil films, he has also appeared in f ...
as Kannan Vishwakarman, Perumthachan's son
*
Vinaya Prasad
Vinaya Prakash ( Bhat), (22 November 1967) also credited as Vinaya Prasad, is an Indian actress known for her work in Kannada, Malayalam and Telugu films, as well as television serials.
Career
Vinaya Prasad hails from Udupi district of Karna ...
as Bhargavi Thampuratti
*
Nedumudi Venu
Kesavan Venugopal (22 May 1948 – 11 October 2021), better known by his stage name Nedumudi Venu, was an Indian actor and screenwriter from Kerala, who predominantly worked in Malayalam cinema. He acted in more than 500 films, primarily in M ...
as Unni Thampuran
*
Monisha Unni as Kunjikkavu Thamburatti
*
Jalaja
Jalaja (born 13 December 1961) is an Indian actress in Malayalam cinema, Malayalam films and few Tamil cinema, Tamil films, who was active during the 1970s and 1980s. She had won Kerala State Film Award for Best Actress and Filmfare Award fo ...
as Devaki
*
Manoj K. Jayan
Manoj Kadampoothramadam Jayan, also known as Manoj K. Jayan is an Indian actor who acts in Malayalam cinema, Malayalam films in addition to a few Tamil cinema, Tamil films. Manoj has won three Kerala State Film Award for Second Best Actor for h ...
as Thirumangalam Neelakantan Nambudiri
*
M.S. Thripunithura
Madathilparambil Seshan Venkitaraman (26 May 1943 – 8 March 2006), known by his stage name M. S. Thripunithura, was an Indian actor who worked in Malayalam film Industry. He was born in Thripunithura in the erstwhile Cochin State. He died ...
as Maani Embrandiri
*
Babu Namboothiri
Babu Namboothiri (born 12 August 1947) is a retired Chemistry Professor and Head Of Department of Deva Mata College Kuravilangad and an Indian film and TV actor who has starred in more than 100 Malayalam films and various serials. He is famou ...
as Kesavan
*
T. P. Madhavan
T. P. Madhavan (7 November 1935 – 9 October 2024) was an Indian actor who worked in Malayalam cinema, Malayalam films. He began acting at age 40 and appeared in over 600 films. Initially known for playing antagonistic roles, he transitioned t ...
as Pramani, the village chief
*
Kozhikode Narayanan Nair
Kozhikode Narayanan Nair is an Indian actor who appears in Malayalam films. He has acted in more than 300 films. He was a stage actor before entering Malayalam film industry. His first film was '' Aabhijathyam'' (1970), and he is also remembered ...
as Nedumbaram Mooss
*
Adoor Pankajam
Adoor Pankajam (1925 – 26 June 2010) was an Indian actress, in Malayalam movies. She hailed from Adoor in Pathanamthitta district of Kerala state. Mainly, she was a supporting actress and a comedian. Her sister Adoor Bhavani was also a Mala ...
as Unnimaya Valyamma
* Prabhakaran as Variar
* Sreelatha Menon as Thozhi
* Kozhikode Sarada as Keshavan's mother
Production
This film was directed by Ajayan with Santosh Sivan as the cinematographer. The story was written by M.T. Vasudevan Nair and the warm background music was composed by Johnson. In the
afterword
An afterword is a literary device that is often found at the end of a piece of literature. It generally covers the story of how the book came into being, or of how the idea for the book was developed.
An afterword may be written by someone oth ...
to his book ''The Master Carpenter'', M. T. Vasudevan Nair wrote that Ajayan first approached him for a
screenplay
A screenplay, or script, is a written work produced for a film, television show (also known as a '' teleplay''), or video game by screenwriters (cf. ''stage play''). Screenplays can be original works or adaptations from existing pieces of w ...
of his story ''Manikkakkallu''. That did not materialise and later he approached with another dream project ''Perumthachan''.
[ In the end of the afterword, M. T. thanks Ajayan for persuading him to write screenplay for ''Perumthachan''.]
Reception
Critical response
In a 2005 article, Nimi Kurian of ''The Hindu
''The Hindu'' is an Indian English-language daily newspaper owned by The Hindu Group, headquartered in Chennai, Tamil Nadu. It was founded as a weekly publication in 1878 by the Triplicane Six, becoming a daily in 1889. It is one of the India ...
'' wrote that "M.T. Vasudevan Nair has told this legendary story of the master carpenter with finesse, bringing to mind the old rituals and traditions and a world since long forgotten. He systematically builds up the suspense until ultimately the ending comes upon you surprisingly, almost shockingly, leaving you cold and unbelieving"."
Awards
*The film won Filmfare Award for Best Film - Malayalam
''Filmfare'' is an Indian English-language fortnightly magazine published by Worldwide Media. Acknowledged as one of India's most popular entertainment magazines, it publishes pieces involving news, interviews, photos, videos, reviews, events, ...
received by G. Jayakumar
*National Film Award for Best Cinematography
The National Film Award for Best Cinematography is one of the National Film Awards presented annually by the National Film Development Corporation of India. It is one of several awards presented for feature films and awarded with Rajat Kamal (S ...
was won by Santhosh Sivan movie-awards, national-awards-winners
/ref>
References
External links
*
{{Filmfare Award for Best Film – Malayalam
1990 films
1990s Malayalam-language films
Films with screenplays by M. T. Vasudevan Nair
Films whose cinematographer won the Best Cinematography National Film Award
Best Debut Feature Film of a Director National Film Award winners
Films scored by Johnson