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Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountains,
valleys A valley is an elongated low area often running between hills or mountains, which will typically contain a river or stream running from one end to the other. Most valleys are formed by erosion of the land surface by rivers or streams ...
, trees,
river A river is a natural flowing watercourse, usually freshwater, flowing towards an ocean, sea, lake or another river. In some cases, a river flows into the ground and becomes dry at the end of its course without reaching another body of ...
s, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism. Landscape views in art may be entirely imaginary, or copied from reality with varying degrees of accuracy. If the primary purpose of a picture is to depict an actual, specific place, especially including buildings prominently, it is called a ''topographical view''. Such views, extremely common as prints in the West, are often seen as inferior to fine art landscapes, although the distinction is not always meaningful; similar prejudices existed in Chinese art, where literati painting usually depicted imaginary views, while professional artists painted real views. The word "landscape" entered the modern
English language English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the ...
as ''landskip'' (variously spelt), an anglicization of the Dutch ''landschap'', around the start of the 17th century, purely as a term for works of art, with its first use as a word for a
painting Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and a ...
in 1598. Within a few decades it was used to describe vistas in poetry, and eventually as a term for real views. However the cognate term ''landscaef'' or ''landskipe'' for a cleared patch of land had existed in
Old English Old English (, ), or Anglo-Saxon, is the earliest recorded form of the English language, spoken in England and southern and eastern Scotland in the early Middle Ages. It was brought to Great Britain by Anglo-Saxon settlers in the mid-5th ...
, though it is not recorded from
Middle English Middle English (abbreviated to ME) is a form of the English language that was spoken after the Norman conquest of 1066, until the late 15th century. The English language underwent distinct variations and developments following the Old Englis ...
.


History

The earliest forms of art around the world depict little that could really be called landscape, although ground-lines and sometimes indications of mountains, trees or other natural features are included. The earliest "pure landscapes" with no human figures are frescos from Minoan art of around 1500 BCE. Hunting scenes, especially those set in the enclosed vista of the reed beds of the Nile Delta from Ancient Egypt, can give a strong sense of place, but the emphasis is on individual plant forms and human and animal figures rather than the overall landscape setting. The frescos from the Tomb of Nebamun, now in the
British Museum The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is among the largest and most comprehensive in existence. It docum ...
(c. 1350 BC), are a famous example. For a coherent depiction of a whole landscape, some rough system of perspective, or scaling for distance, is needed, and this seems from literary evidence to have first been developed in
Ancient Greece Ancient Greece ( el, Ἑλλάς, Hellás) was a northeastern Mediterranean civilization, existing from the Greek Dark Ages of the 12th–9th centuries BC to the end of classical antiquity ( AD 600), that comprised a loose collection of cu ...
in the Hellenistic period, although no large-scale examples survive. More ancient Roman landscapes survive, from the 1st century BCE onwards, especially frescos of landscapes decorating rooms that have been preserved at archaeological sites of Pompeii, Herculaneum and elsewhere, and mosaics. The Chinese ink painting tradition of shan shui ("mountain-water"), or "pure" landscape, in which the only sign of human life is usually a sage, or a glimpse of his hut, uses sophisticated landscape backgrounds to figure subjects, and landscape art of this period retains a classic and much-imitated status within the Chinese tradition. Both the Roman and Chinese traditions typically show grand panoramas of imaginary landscapes, generally backed with a range of spectacular mountains – in China often with waterfalls and in Rome often including sea, lakes or rivers. These were frequently used, as in the example illustrated, to bridge the gap between a foreground scene with figures and a distant panoramic vista, a persistent problem for landscape artists. The Chinese style generally showed only a distant view, or used dead ground or mist to avoid that difficulty. A major contrast between landscape painting in the West and East Asia has been that while in the West until the 19th century it occupied a low position in the accepted hierarchy of genres, in East Asia the classic Chinese mountain-water ink painting was traditionally the most prestigious form of visual art. Aesthetic theories in both regions gave the highest status to the works seen to require the most imagination from the artist. In the West this was history painting, but in East Asia it was the imaginary landscape, where famous practitioners were, at least in theory, amateur literati, including several Emperors of both China and Japan. They were often also poets whose lines and images illustrated each other. However, in the West, history painting came to require an extensive landscape background where appropriate, so the theory did not entirely work against the development of landscape painting – for several centuries landscapes were regularly promoted to the status of history painting by the addition of small figures to make a narrative scene, typically religious or mythological.


Western tradition


Medieval

In early Western medieval art interest in landscape disappears almost entirely, kept alive only in copies of Late Antique works such as the Utrecht Psalter; the last reworking of this source, in an early Gothic version, reduces the previously extensive landscapes to a few trees filling gaps in the composition, with no sense of overall space. A revival in interest in nature initially mainly manifested itself in depictions of small gardens such as the Hortus Conclusus or those in
millefleur Millefleur, millefleurs or mille-fleur (French mille-fleurs, literally "thousand flowers") refers to a background style of many different small flowers and plants, usually shown on a green ground, as though growing in grass. It is essentially res ...
tapestries. The frescos of figures at work or play in front of a background of dense trees in the Palace of the Popes, Avignon are probably a unique survival of what was a common subject. Several frescos of gardens have survived from Roman houses like the
Villa of Livia The Villa of Livia ( la, Ad Gallinas Albas) is an ancient Roman villa at Prima Porta, north of Rome, Italy, along the Via Flaminia. It may have been part of Livia Drusilla's dowry that she brought when she married Octavian (later called the emp ...
. During the 14th century Giotto di Bondone and his followers began to acknowledge nature in their work, increasingly introducing elements of the landscape as the background setting for the action of the figures in their paintings. Early in the 15th century, landscape painting was established as a genre in Europe, as a setting for human activity, often expressed in a religious subject, such as the themes of the
Rest on the Flight into Egypt
', the ''Journey of the Magi'', or ''Saint Jerome in the Desert''. Luxury illuminated manuscripts were very important in the early development of landscape, especially series of the
Labours of the Months The term Labours of the Months refers to cycles in Medieval and early Renaissance art depicting in twelve scenes the rural activities that commonly took place in the months of the year. They are often linked to the signs of the Zodiac, and are ...
such as those in the Très Riches Heures du Duc de Berry, which conventionally showed small genre figures in increasingly large landscape settings. A particular advance is shown in the less well-known Turin-Milan Hours, now largely destroyed by fire, whose developments were reflected in Early Netherlandish painting for the rest of the century. The artist known as "Hand G", probably one of the Van Eyck brothers, was especially successful in reproducing effects of light and in a natural-seeming progression from the foreground to the distant view. This was something other artists were to find difficult for a century or more, often solving the problem by showing a landscape background from over the top of a parapet or window-sill, as if from a considerable height.


Renaissance

Landscape backgrounds for various types of painting became increasingly prominent and skillful during the 15th century. The period around the end of the 15th century saw pure landscape drawings and watercolours from Leonardo da Vinci, Albrecht Dürer,
Fra Bartolomeo Fra Bartolomeo or Bartolommeo (, , ; 28 March 1472 – 31 October 1517), also known as Bartolommeo di Pagholo, Bartolommeo di S. Marco, and his original nickname Baccio della Porta, was an Italian Renaissance painter of religious subjects ...
and others, but pure landscape subjects in painting and printmaking, still small, were first produced by Albrecht Altdorfer and others of the German Danube School in the early 16th century. However, the outsides of the wings of a triptych by Gerard David, dated to "about 1510-15", are the earliest from the
Low Countries The term Low Countries, also known as the Low Lands ( nl, de Lage Landen, french: les Pays-Bas, lb, déi Niddereg Lännereien) and historically called the Netherlands ( nl, de Nederlanden), Flanders, or Belgica, is a coastal lowland region in N ...
, and possibly in Europe. At the same time Joachim Patinir in the
Netherlands ) , anthem = ( en, "William of Nassau") , image_map = , map_caption = , subdivision_type = Sovereign state , subdivision_name = Kingdom of the Netherlands , established_title = Before independence , established_date = Spanish Netherl ...
developed the " world landscape" a style of panoramic landscape with small figures and using a high aerial viewpoint, that remained influential for a century, being used and perfected by
Pieter Brueghel the Elder Pieter Bruegel (also Brueghel or Breughel) the Elder (, ; ; – 9 September 1569) was the most significant artist of Dutch and Flemish Renaissance painting, a painter and printmaker, known for his landscapes and peasant scenes (so-called ge ...
. The Italian development of a thorough system of
graphical perspective Linear or point-projection perspective (from la, perspicere 'to see through') is one of two types of graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, ...
was now known all over Europe, which allowed large and complex views to be painted very effectively. Landscapes were idealized, mostly reflecting a pastoral ideal drawn from classical poetry which was first fully expressed by Giorgione and the young Titian, and remained associated above all with hilly wooded Italian landscape, which was depicted by artists from Northern Europe who had never visited Italy, just as plain-dwelling literati in China and Japan painted vertiginous mountains. Though often young artists were encouraged to visit Italy to experience ''Italian light'', many Northern European artists could make their living selling ''Italianate'' landscapes without ever bothering to make the trip. Indeed, certain styles were so popular that they became formulas that could be copied again and again. The publication in Antwerp in 1559 and 1561 of two series of a total of 48 prints (the ''Small Landscapes'') after drawings by an anonymous artist referred to as the
Master of the Small Landscapes The Master of the Small Landscapes (in Dutch: Meester van de Kleine Landschappen) was a Flemish artist from the mid-16th century known for his landscape drawings. The name of this unidentified artist is derived from a series of 44 prints of lan ...
signaled a shift away from the imaginary, distant landscapes with religious content of the world landscape towards close-up renderings at eye-level of identifiable country estates and villages populated with figures engaged in daily activities. By abandoning the panoramic viewpoint of the world landscape and focusing on the humble, rural and even topographical, the Small Landscapes set the stage for Netherlandish landscape painting in the 17th century. After the publication of the Small Landscapes, landscape artists in the Low Countries either continued with the world landscape or followed the new mode presented by the Small Landscapes.


17th and 18th centuries

The popularity of exotic landscape scenes can be seen in the success of the painter
Frans Post Frans Janszoon Post (17 November 1612 – 17 February 1680) was a painter during the Dutch Golden Age. He was the first European artist to paint landscapes of the Americas, during and after the period of Dutch Brazil In 1636 he traveled to ...
, who spent the rest of his life painting Brazilian landscapes after a trip there in 1636–1644. Other painters who never crossed the Alps could make money selling Rhineland landscapes, and still others for constructing fantasy scenes for a particular commission such as Cornelis de Man's view of Smeerenburg in 1639. Compositional formulae using elements like the
repoussoir In two-dimensional works of art, such as painting, printmaking, photography or bas-relief, ''repoussoir'' (, ''pushing back'') is an object along the right or left foreground that directs the viewer's eye into the composition by bracketing ( f ...
were evolved which remain influential in modern photography and painting, notably by Poussin and Claude Lorrain, both French artists living in 17th century Rome and painting largely classical subject-matter, or Biblical scenes set in the same landscapes. Unlike their Dutch contemporaries, Italian and French landscape artists still most often wanted to keep their classification within the hierarchy of genres as history painting by including small figures to represent a scene from classical mythology or the Bible. Salvator Rosa gave picturesque excitement to his landscapes by showing wilder Southern Italian country, often populated by ''banditi''. Dutch Golden Age painting of the 17th century saw the dramatic growth of landscape painting, in which many artists specialized, and the development of extremely subtle realist techniques for depicting light and weather. There are different styles and periods, and sub-genres of marine and animal painting, as well as a distinct style of Italianate landscape. Most Dutch landscapes were relatively small, but landscapes in Flemish Baroque painting, still usually peopled, were often very large, above all in the series of works that
Peter Paul Rubens Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradit ...
painted for his own houses. Landscape prints were also popular, with those of Rembrandt and the experimental works of
Hercules Seghers Hercules Pieterszoon Seghers or Segers ( 1589 – 1638) was a Dutch painter and printmaker of the Dutch Golden Age. Segers is in fact the more common form in contemporary documents, and was used by the painter himself (modern use is about equall ...
usually considered the finest. The Dutch tended to make smaller paintings for smaller houses. Some Dutch landscape specialties named in period inventories include the ''Batalje'', or battle-scene; the ''Maneschijntje'', or moonlight scene; the ''Bosjes'', or woodland scene; the ''Boederijtje'', or farm scene, and the ''Dorpje'' or village scene. Though not named at the time as a specific genre, the popularity of Roman ruins inspired many Dutch landscape painters of the period to paint the ruins of their own region, such as monasteries and churches ruined after the
Beeldenstorm ''Beeldenstorm'' () in Dutch and ''Bildersturm'' in German (roughly translatable from both languages as 'attack on the images or statues') are terms used for outbreaks of destruction of religious images that occurred in Europe in the 16th centu ...
. Jacob van Ruisdael is considered the most versatile of all Dutch Golden Age landscape painters. The popularity of landscapes in the Netherlands was in part a reflection of the virtual disappearance of religious painting in a
Calvinist Calvinism (also called the Reformed Tradition, Reformed Protestantism, Reformed Christianity, or simply Reformed) is a major branch of Protestantism that follows the theological tradition and forms of Christian practice set down by John C ...
society, and the decline of religious painting in the 18th and 19th centuries all over Europe combined with Romanticism to give landscapes a much greater and more prestigious place in 19th-century art than they had assumed before. In England, landscapes had initially been mostly backgrounds to portraits, typically suggesting the parks or estates of a landowner, though mostly painted in London by an artist who had never visited his sitter's rolling acres. The English tradition was founded by Anthony van Dyck and other mostly Flemish artists working in England, but in the 18th century the works of Claude Lorrain were keenly collected and influenced not only paintings of landscapes, but the
English landscape garden The English landscape garden, also called English landscape park or simply the English garden (french: Jardin à l'anglaise, it, Giardino all'inglese, german: Englischer Landschaftsgarten, pt, Jardim inglês, es, Jardín inglés), is a sty ...
s of Capability Brown and others. In the 18th century,
watercolour Watercolor (American English) or watercolour (British English; see spelling differences), also ''aquarelle'' (; from Italian diminutive of Latin ''aqua'' "water"), is a painting method”Watercolor may be as old as art itself, going back to ...
painting, mostly of landscapes, became an English specialty, with both a buoyant market for professional works, and a large number of amateur painters, many following the popular systems found in the books of Alexander Cozens and others. By the beginning of the 19th century the English artists with the highest modern reputations were mostly dedicated landscape painters, showing the wide range of Romantic interpretations of the English landscape found in the works of John Constable, J.M.W. Turner and Samuel Palmer. However all these had difficulty establishing themselves in the contemporary art market, which still preferred history paintings and portraits. In Europe, as John Ruskin said, and
Sir Kenneth Clark Kenneth Mackenzie Clark, Baron Clark (13 July 1903 – 21 May 1983) was a British art historian, museum director, and broadcaster. After running two important art galleries in the 1930s and 1940s, he came to wider public notice on television ...
confirmed, landscape painting was the "chief artistic creation of the nineteenth century", and "the dominant art", with the result that in the following period people were "apt to assume that the appreciation of natural beauty and the painting of landscape is a normal and enduring part of our spiritual activity" In Clark's analysis, underlying European ways to convert the complexity of landscape to an idea were four fundamental approaches: the acceptance of descriptive symbols, a curiosity about the facts of nature, the creation of fantasy to allay deep-rooted fears of nature, and the belief in a Golden Age of harmony and order, which might be retrieved. The 18th century was also a great age for the topographical print, depicting more or less accurately a real view in a way that landscape painting rarely did. Initially these were mostly centred on a building, but over the course of the century, with the growth of the Romantic movement pure landscapes became more common. The topographical print, often intended to be framed and hung on a wall, remained a very popular medium into the 20th century, but was often classed as a lower form of art than an imagined landscape. Landscapes in
watercolour Watercolor (American English) or watercolour (British English; see spelling differences), also ''aquarelle'' (; from Italian diminutive of Latin ''aqua'' "water"), is a painting method”Watercolor may be as old as art itself, going back to ...
on paper became a distinct specialism, above all in England, where a particular tradition of talented artists who only, or almost entirely, painted landscape watercolours developed, as it did not in other countries. These were very often real views, though sometimes the compositions were adjusted for artistic effect. The paintings sold relatively cheaply, but were far quicker to produce. These professionals could augment their income by training the "armies of amateurs" who also painted. Leading artists included
John Robert Cozens John Robert Cozens (1752 – 14 December 1797) was a British draftsman and painter of romantic watercolour landscapes. Cozens executed watercolors in curious atmospheric effects and illusions which had an influence on Thomas Girtin and J.M ...
,
Francis Towne Francis Towne (1739 or 1740 – 7 July 1816) was a British watercolour painter of landscapes that range from the English Lake District to Naples and Rome. After a long period of obscurity, his work has been increasingly recognised from th ...
, Thomas Girtin, Michael Angelo Rooker,
William Pars William Pars (28 February 1742 – 1782) was an English watercolour portrait and landscape painter, draughtsman, and illustrator. Life and works Pars was born in London, the son of a metal engraver. He studied at "Shipley's Drawing Schoo ...
, Thomas Hearne, and
John Warwick Smith John "Warwick" Smith (26 July 1749 – 22 March 1831) was a British watercolour landscape painter and illustrator. Life and work Smith was born at Irthington, near Carlisle, Cumberland, the son of a gardener to the Gilpin family, and ...
, all in the late 18th century, and John Glover,
Joseph Mallord William Turner Joseph Mallord William Turner (23 April 177519 December 1851), known in his time as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbul ...
,
John Varley John Varley may refer to: * John Varley (canal engineer) (1740–1809), English canal engineer * John Varley (painter) (1778–1842), English painter and astrologer * John Varley (author) (born 1947), American science fiction author * John Silvest ...
,
John Sell Cotman John Sell Cotman (16 May 1782 – 24 July 1842) was an English marine and landscape painter, etcher, illustrator, author and a leading member of the Norwich School of painters. Born in Norwich, the son of a silk merchant and lace dealer, C ...
, Anthony Copley Fielding, Samuel Palmer in the early 19th.


19th and 20th centuries

The Romantic movement intensified the existing interest in landscape art, and remote and wild landscapes, which had been one recurring element in earlier landscape art, now became more prominent. The German Caspar David Friedrich had a distinctive style, influenced by his Danish training, where a distinct national style, drawing on the Dutch 17th-century example, had developed. To this he added a quasi-mystical Romanticism. French painters were slower to develop landscape painting, but from about the 1830s Jean-Baptiste-Camille Corot and other painters in the Barbizon School established a French landscape tradition that would become the most influential in Europe for a century, with the Impressionists and Post-Impressionists for the first time making landscape painting the main source of general stylistic innovation across all types of painting. The
nationalism Nationalism is an idea and movement that holds that the nation should be congruent with the State (polity), state. As a movement, nationalism tends to promote the interests of a particular nation (as in a in-group and out-group, group of peo ...
of the new United Provinces had been a factor in the popularity of Dutch 17th-century landscape painting and in the 19th century, as other nations attempted to develop distinctive national schools of painting, the attempt to express the special nature of the landscape of the homeland became a general tendency. In Russia, as in America, the gigantic size of paintings was itself a nationalist statement. In
Spain , image_flag = Bandera de España.svg , image_coat = Escudo de España (mazonado).svg , national_motto = '' Plus ultra'' (Latin)(English: "Further Beyond") , national_anthem = (English: "Royal March") , ...
, the main promoter of the genre was the Belgium-born painter
Carlos de Haes Carlos Sebastián Pedro Hubert de Haes (January 25, 1829 – June 17, 1898) was a Spanish painter from Belgium.Caso, E. F., ''Les Orientalistes de l'école Espagnole,'' ACR edition, 1997, p. 128 He was noted for the Realism in his landscapes, ...
, one of the most active landscape professors at the Academy of Fine Arts of San Fernando in Madrid since 1857. After studying with the great Flemish landscape masters, he developed his technique to paint outdoors. Back in Spain, Haes took his students with him to paint in the countryside; under his teaching the "painters proliferated and took advantage of the new railway system to explore the furthest corners of the nation's topography." In the
United States The United States of America (U.S.A. or USA), commonly known as the United States (U.S. or US) or America, is a country Continental United States, primarily located in North America. It consists of 50 U.S. state, states, a Washington, D.C., ...
, the Hudson River School, prominent in the middle to late 19th century, is probably the best-known native development in landscape art. These painters created works of mammoth scale that attempted to capture the epic scope of the landscapes that inspired them. The work of Thomas Cole, the school's generally acknowledged founder, has much in common with the philosophical ideals of European landscape paintings — a kind of secular faith in the spiritual benefits to be gained from the contemplation of natural beauty. Some of the later Hudson River School artists, such as Albert Bierstadt, created less comforting works that placed a greater emphasis (with a great deal of Romantic exaggeration) on the raw, even terrifying power of nature. Frederic Edwin Church, a student of Cole, synthesized the ideas of his contemporaries with those of European Old Masters and the writings of John Ruskin and
Alexander von Humboldt Friedrich Wilhelm Heinrich Alexander von Humboldt (14 September 17696 May 1859) was a German polymath, geographer, naturalist, explorer, and proponent of Romantic philosophy and science. He was the younger brother of the Prussian minister ...
to become the foremost American landscape painter of the century. The best examples of Canadian landscape art can be found in the works of the Group of Seven, prominent in the 1920s. Although certainly less dominant in the period after World War I, many significant artists still painted landscapes in the wide variety of styles exemplified by Edvard Munch, Georgia O'Keeffe,
Charles E. Burchfield Charles Ephraim Burchfield (April 9, 1893 – January 10, 1967) was an American painter and visionary artist, known for his passionate watercolors of nature scenes and townscapes. The largest collection of Burchfield's paintings, archives and j ...
,
Neil Welliver Neil Gavin Welliver (July 22, 1929 – April 5, 2005) was an American modern artist, best known for his large-scale landscape paintings inspired by the deep woods near his home in Maine. One of his sons, Titus Welliver, later became a successful ...
,
Alex Katz Alex Katz (born July 24, 1927) is an American figurative artist known for his paintings, sculptures, and prints. Early life and career Alex Katz was born July 24, 1927, to a Jewish family in Brooklyn, New York, as the son of an émigré who ...
,
Milton Avery Milton Clark Avery (March 7, 1885 – January 3, 1965Haskell, B. (2003). "Avery, Milton". Grove Art Online.) was an American modern painter. Born in Altmar, New York, he moved to Connecticut in 1898 and later to New York City. He was the husba ...
,
Peter Doig Peter Doig ( ; born 17 April 1959) is a Scottish painter. One of the most renowned living figurative painters, he has settled in Trinidad since 2002. In 2007, his painting ''White Canoe'' sold at Sotheby's for $11.3 million, then an auction r ...
,
Andrew Wyeth Andrew Newell Wyeth ( ; July 12, 1917 – January 16, 2009) was an American visual artist, primarily a realist painter, working predominantly in a regionalist style. He was one of the best-known U.S. artists of the middle 20th century. In his ...
, David Hockney and Sidney Nolan.


Gallery

File:John Constable The Hay Wain.jpg, John Constable, 1821, '' The Hay Wain''. Early Romanticism File:Joseph Mallord William Turner 015.jpg,
Joseph Mallord William Turner Joseph Mallord William Turner (23 April 177519 December 1851), known in his time as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbul ...
, ''The Park at Petworth House'', c. 1830 File:Church Heart of the Andes.jpg, Frederic Edwin Church, '' The Heart of the Andes,'' 1859. Church was part of the American Hudson River School. File:Aivasovsky Ivan Constantinovich The Caucasus.jpg, Ivan Aivazovsky, 1863, ''The
Caucasus The Caucasus () or Caucasia (), is a region between the Black Sea and the Caspian Sea, mainly comprising Armenia, Azerbaijan, Georgia, and parts of Southern Russia. The Caucasus Mountains, including the Greater Caucasus range, have historica ...
''. Late Romanticism File:Corot.villedavray.750pix.jpg, Jean-Baptiste-Camille Corot, c. 1867, ''
Ville d'Avray Ville-d'Avray () is a commune in the western suburbs of Paris, France. It is located from the centre of Paris. The commune is part of the arrondissement of Boulogne-Billancourt in the Hauts-de-Seine department. In 2019, it had a population of ...
'' National Gallery of Art,
Washington, DC. ) , image_skyline = , image_caption = Clockwise from top left: the Washington Monument and Lincoln Memorial on the National Mall, United States Capitol, Logan Circle, Jefferson Memorial, White House, Adams Morgan, Na ...
Barbizon school File:Pissarro lordship.jpg, Camille Pissarro, '' Lordship Lane Station'', East Dulwich,
London London is the capital and List of urban areas in the United Kingdom, largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary dow ...
, England, c. 1870.
Impressionism Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passa ...
. File:Paul Cézanne - Mont Sainte-Victoire and the Viaduct of the Arc River Valley (Metropolitan Museum of Art).jpg,
Paul Cézanne Paul Cézanne ( , , ; ; 19 January 1839 – 22 October 1906) was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically d ...
, ''
Mont Sainte-Victoire Montagne Sainte-Victoire ( Provençal oc, Venturi / Santa Venturi according to classical orthography and oc, Ventùri / Santo Ventùri, label=none according to Mistralian orthography) is a limestone mountain ridge in the south of France w ...
,'' 1882–1885,
Metropolitan Museum of Art The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ...
.
Post-Impressionism Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction ...
File:Claude Monet - Branch of the Seine near Giverny.JPG,
Claude Monet Oscar-Claude Monet (, , ; 14 November 1840 – 5 December 1926) was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During ...
, ''Branch of the Seine near Giverny,'' 1897. The Impressionists often, though by no means always, painted en plein air. File:Shishkin DozVDubLesu 114.jpg,
Ivan Shishkin Ivan Ivanovich Shishkin (russian: Ива́н Ива́нович Ши́шкин; 25 January 1832 – 20 March 1898) was a Russian landscape painter closely associated with the Peredvizhniki movement. Biography Shishkin was born to a Russian m ...
, ''Rain in an Oak Forest'', 1891, Tretyakov Gallery. Peredvizhniki File:Levitan nad vech pok28.jpg, Isaac Levitan, ''Above Eternal Peace,'' 1894. File:VanGogh-starry night ballance1.jpg, Vincent van Gogh, '' The Starry Night'', 1889, The Museum of Modern Art,
New York City New York, often called New York City or NYC, is the List of United States cities by population, most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the L ...
.
Post-Impressionism Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction ...
File:'Scottish Highlands'.jpg, Henry Bates Joel's 1890's 'Scottish Highlands'; a late-romantic stylized interpretation of nature typical of Victorian painting. File:Giving Directions by Willis Pryce.jpg, "Giving Directions" by
George Willis-Pryce George Willis-Pryce (1866–1949) was an English landscape painter who worked in the late 19th century and the early 20th century. Several of his paintings are exhibited in galleries and museums, such as the Wednesbury Museum and Art Gallery and ...
.


East Asian tradition


China

Landscape painting has been called "China's greatest contribution to the art of the world", and owes its special character to the Taoist (Daoist) tradition in Chinese culture. William Watson notes that "It has been said that the role of landscape art in Chinese painting corresponds to that of the nude in the west, as a theme unvarying in itself, but made the vehicle of infinite nuances of vision and feeling". There are increasingly sophisticated landscape backgrounds to figure subjects showing hunting, farming or animals from the
Han dynasty The Han dynasty (, ; ) was an Dynasties in Chinese history, imperial dynasty of China (202 BC – 9 AD, 25–220 AD), established by Emperor Gaozu of Han, Liu Bang (Emperor Gao) and ruled by the House of Liu. The dynasty was preceded by th ...
onwards, with surviving examples mostly in stone or clay
relief Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term '' relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that th ...
s from tombs, which are presumed to follow the prevailing styles in painting, no doubt without capturing the full effect of the original paintings. The exact status of the later copies of reputed works by famous painters (many of whom are recorded in literature) before the 10th century is unclear. One example is a famous 8th-century painting from the Imperial collection, titled ''The Emperor Ming Huang traveling in Shu''. This shows the entourage riding through vertiginous mountains of the type typical of later paintings, but is in full colour "producing an overall pattern that is almost Persian", in what was evidently a popular and fashionable court style. The decisive shift to a monochrome landscape style, almost devoid of figures, is attributed to Wang Wei (699-759), also famous as a poet; mostly only copies of his works survive. From the 10th century onwards an increasing number of original paintings survive, and the best works of the
Song Dynasty The Song dynasty (; ; 960–1279) was an imperial dynasty of China that began in 960 and lasted until 1279. The dynasty was founded by Emperor Taizu of Song following his usurpation of the throne of the Later Zhou. The Song conquered the res ...
(960–1279) Southern School remain among the most highly regarded in what has been an uninterrupted tradition to the present day. Chinese convention valued the paintings of the amateur scholar-gentleman, often a poet as well, over those produced by professionals, though the situation was more complex than that. If they include any figures, they are very often such persons, or sages, contemplating the mountains. Famous works have accumulated numbers of red "appreciation seals", and often poems added by later owners - the Qianlong Emperor (1711–1799) was a prolific adder of his own poems, following earlier Emperors. The shan shui tradition was never intended to represent actual locations, even when named after them, as in the convention of the Eight Views. A different style, produced by workshops of professional court artists, painted official views of Imperial tours and ceremonies, with the primary emphasis on highly detailed scenes of crowded cities and grand ceremonials from a high viewpoint. These were painted on scrolls of enormous length in bright colour (example below). Chinese sculpture also achieves the difficult feat of creating effective landscapes in three dimensions. There is a long tradition of the appreciation of " viewing stones" - naturally formed boulders, typically limestone from the banks of mountain rivers that has been eroded into fantastic shapes, were transported to the courtyards and gardens of the literati. Probably associated with these is the tradition of carving much smaller boulders of jade or some other semi-precious stone into the shape of a mountain, including tiny figures of monks or sages. Chinese gardens also developed a highly sophisticated aesthetic much earlier than those in the West; the ''karensansui'' or
Japanese dry garden The or Japanese rock garden, often called a zen garden, is a distinctive style of Japanese garden. It creates a miniature stylized landscape through carefully composed arrangements of rocks, water features, moss, pruned trees and bushes, and us ...
of
Zen Buddhism Zen ( zh, t=禪, p=Chán; ja, text= 禅, translit=zen; ko, text=선, translit=Seon; vi, text=Thiền) is a school of Mahayana Buddhism that originated in China during the Tang dynasty, known as the Chan School (''Chánzong'' 禪宗), an ...
takes the garden even closer to being a work of sculpture, representing a highly abstracted landscape. File:Li Cheng, Luxuriant Forest among Distant Peaks.jpg, Li Cheng (; 919–967), ''Luxuriant Forest among Distant Peaks'', detail, Liaoning Provincial Museum, 10th century China Image:Fan Kuan - Travelers Among Mountains and Streams - Google Art Project.jpg,
Fan Kuan Fan Zhongzheng (c. 960 – c. 1030), courtesy name Zhongli, better known by his pseudonym Fan Kuan (), was a Chinese landscape painter of the Song dynasty. ''Travelers among Mountains and Streams'', a large hanging scroll, is Fan Kuan's best kno ...
(, c. 960 – c. 1030), ''Travellers among Mountains and Streams'' (谿山行旅), ink and slight color on silk, dimensions of 6¾ ft x 2½ ft. 11th century, China.Ebrey, ''Cambridge Illustrated History of China'', 162. National Palace Museum, TaipeiLiu, 50. Image:Xia Gui, Streams and Mountains with a Clear Distant View, detail.jpg, Detail from the hand scroll ''Pure and Remote View of Streams and Mountains'', one of Xia Gui's most important works, 13th century China Image:Likan Bamboo and Rocks.jpg,
Li Kan Li Kan may refer to: * Li Kan (painter) (李衎), Yuan dynasty painter * Li Kan (李堪), Eastern Han dynasty warlord who was involved in the Battle of Tong Pass (211) * Li Kan (李戡, born 1992), son of Li Ao Li Ao (, also spelled Lee Ao; 2 ...
, ''Bamboos and Rock'' c. 1300 AD., China File:Tao Chi 003.jpg, Tao Chi, late 17th century China Image:T'ang Yin 003.jpg,
Tang Yin Tang Yin (; 1470–1524), courtesy name Bohu (), was a Chinese painter, calligrapher, and poet of the Ming dynasty period. Even though he was born during the Ming dynasty, many of his paintings, especially those of people, were illustrated with el ...
, ''A Fisher in Autumn'', 1523 AD., China Image:Poetonmountain.jpg, Shen Zhou, ''Poet on a Mountain'' c. 1500. Painting and poem by Shen Zhou: "White clouds encircle the mountain waist like a sash,/Stone steps mount high into the void where the narrow path leads far./Alone, leaning on my rustic staff I gaze idly into the distance./My longing for the notes of a flute is answered in the murmurings of the gorge." File:Autumn flowers and white pheasants 秋花白鷴图.jpg, Cai Han and Jin Xiaozhu, ''Autumn Flowers and White Pheasants'', 17th century, China. File:ShiTao-Pine Pavilion Near A Spring.jpg, Shitao, ''Pine Pavilion Near a Spring'', 1675, collection of the Shanghai Museum, 17th century, China.


Japan

Japanese art initially adapted Chinese styles to reflect their interest in narrative themes in art, with scenes set in landscapes mixing with those showing palace or city scenes using the same high view point, cutting away roofs as necessary. These appeared in the very long yamato-e scrolls of scenes illustrating the '' Tale of Genji'' and other subjects, mostly from the 12th and 13th centuries. The concept of the gentleman-amateur painter had little resonance in feudal Japan, where artists were generally professionals with a strong bond to their master and his school, rather than the classic artists from the distant past, from which Chinese painters tended to draw their inspiration. Painting was initially fully coloured, often brightly so, and the landscape never overwhelms the figures who are often rather oversized. The scene from the ''Biography of the Priest Ippen'' illustrated below is from a scroll that in full measures 37.8 cm × 802.0 cm, for only one of twelve scrolls illustrating the life of a
Buddhist Buddhism ( , ), also known as Buddha Dharma and Dharmavinaya (), is an Indian religion or philosophical tradition based on teachings attributed to the Buddha. It originated in northern India as a -movement in the 5th century BCE, and ...
monk; like their Western counterparts, monasteries and temples commissioned many such works, and these have had a better chance of survival than courtly equivalents. Even rarer are survivals of landscape byōbu folding screens and hanging scrolls, which seem to have common in court circles - the ''Tale of Genji'' has an episode where members of the court produce the best paintings from their collections for a competition. These were closer to Chinese shan shui, but still fully coloured. Many more pure landscape subjects survive from the 15th century onwards; several key artists are Zen Buddhist clergy, and worked in a monochrome style with greater emphasis on brush strokes in the Chinese manner. Some schools adopted a less refined style, with smaller views giving greater emphasis to the foreground. A type of image that had an enduring appeal for Japanese artists, and came to be called the "Japanese style", is in fact first found in China. This combines one or more large birds, animals or trees in the foreground, typically to one side in a horizontal composition, with a wider landscape beyond, often only covering portions of the background. Later versions of this style often dispensed with a landscape background altogether. The ukiyo-e style that developed from the 16th century onwards, first in painting and then in coloured woodblock prints that were cheap and widely available, initially concentrated on the human figure, individually and in groups. But from the late 18th century landscape ukiyo-e developed under Hokusai and Hiroshige to become much the best known type of Japanese landscape art. Image:Shubun - untitled.jpg,
Tenshō Shūbun was a Japanese Zen Buddhist monk and painter of the Muromachi period.Nussbaum, Louis-Frédéric. (2005). "''Shūbun''" in History Shūbun was born in the late 14th century in Ōmi Province and became a professional painter around 1403. He se ...
, a Zen Buddhist monk, an early figure in the revival of Chinese styles in Japan. ''Reading in a Bamboo Grove,'' 1446, Japan File:Zhou Maoshu Appreciating Lotuses.jpg,
Kanō Masanobu was a Japanese painter. He was the chief painter of the Ashikaga shogunate and is generally considered the founder of the Kanō school of painting. Kano Masanobu specialized in Zen paintings as well as elaborate paintings of Buddhist deities and ...
, 15th century founder of the
Kanō school The is one of the most famous schools of Japanese painting. The Kanō school of painting was the dominant style of painting from the late 15th century until the Meiji period which began in 1868, by which time the school had divided into many ...
, which dominated Japanese brush painting until the 19th century, ''Zhou Maoshu Appreciating Lotuses'', hanging scroll File:Japanischer Maler 001.jpg, ''The Bridge at Ubi'' a famous screen composition, found in many 16th or 17th century versions, showing the colourful abstracted style of the professional painters. Yamato-e style of
Japanese painting is one of the oldest and most highly refined of the Japanese visual arts, encompassing a wide variety of genres and styles. As with the history of Japanese arts in general, the long history of Japanese painting exhibits synthesis and competitio ...
. File:Ippen Biography 13.jpg, A scene from the ''Biography of the Priest Ippen'' yamato-e scroll, 1299


Persia and India

Though there are some landscape elements in earlier art, the landscape tradition of the Persian miniature really begins in the Ilkhanid period, largely under Chinese influence. Rocky mountainous country is preferred, which is shown full of animals and plants which are carefully and individually depicted, as are rock formations. The particular convention of the elevated viewpoint that developed in the tradition fills most of the vertical format picture spaces with the landscape, though clouds are also typically shown in the sky, shown in a curling convention drawn from Chinese art. Usually, everything seen is fairly close to the viewer, and there are few distant views. Normally all landscape images show narrative scenes with figures, but there are a few drawn pure landscape scenes in albums. Hindu painting had long set scenes amid lush vegetation, as many of the stories depicted demanded. Mughal painting combined this and the Persian style, and in miniatures of royal hunts often depicted wide landscapes. Scenes set during the monsoon rains, with dark clouds and flashes of lightning, are popular. Later, influence from European prints is evident. File:Sleeping Rustam.jpg, The Persian hero Rustam sleeps, while his horse Rakhsh fends off a lion. Probably an early work by Sultan Mohammed, 1515–20 File:"The Feast of Sada", Folio 22v from the Shahnama (Book of Kings) of Shah Tahmasp MET is1970.301.2.R (cropped).jpg, ''The Feast of Sada'', Folio 22v from the Shahnama of Shah Tahmasp, Sultan Mohammed, c. 1525 File:Nizami - Khusraw discovers Shirin bathing in a pool.jpg, Khusraw discovers Shirin bathing in a pool, a favourite scene, here from 1548. The black stream is silver that has oxidized. File:Sudama bows at the glimpse of Krishna's golden palace in Dwarka. ca 1775-1790 painting.jpg, Sudama bows at the glimpse of Krishna's golden palace in Dwarka. ca 1775-1790 Pahari painting. File:Jahangir's Lion Hunt ca. 1615, Aga Khan Museum, Geneva.jpg, The Mughal emperor Jahangir's Lion Hunt, c. 1615, in a Persian-style landscape File:Jahangir hunting with a falcon..jpg, Jahangir hunting with a falcon, in Western-style country. File:6 Master of the Isarda Bhagavata Purana. The Gopis Plead with Krishna to Return Their Clothing. Folio from Isarda Bhagavata Purana. 1560-65, Metmuseum.jpg, ''The Gopis Plead with
Krishna Krishna (; sa, कृष्ण ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme god in his own right. He is the god of protection, compassion, tenderness, and love; and is on ...
to Return Their Clothing'', 1560s


Techniques

Most early landscapes are clearly imaginary, although from very early on
townscape In the visual arts, a cityscape (urban landscape) is an artistic representation, such as a painting, drawing, print or photograph, of the physical aspects of a city or urban area. It is the urban equivalent of a landscape. ''Townscape'' is ...
views are clearly intended to represent actual cities, with varying degrees of accuracy. Various techniques were used to simulate the randomness of natural forms in invented compositions: the medieval advice of Cennino Cennini to copy ragged crags from small rough rocks was apparently followed by both Poussin and Thomas Gainsborough, while Degas copied cloud forms from a crumpled handkerchief held up against the light. The system of Alexander Cozens used random ink blots to give the basic shape of an invented landscape, to be elaborated by the artist. The distinctive background view across Lake Geneva to the Le Môle peak in ''The Miraculous Draught of Fishes'' by
Konrad Witz Konrad Witz (1400/1410 probably in Rottweil, Germany – winter 1445/spring 1446 in Basel, in current day Switzerland) was a German painter, active mainly in Basel. His 1444 panel '' The Miraculous Draft of Fishes'' (a portion of a lost altarpiec ...
(1444) is often cited as the first Western rural landscape to show a specific scene.Clark, 34 The landscape studies by Dürer clearly represent actual scenes, which can be identified in many cases, and were at least partly made on the spot; the drawings by Fra Bartolomeo also seem clearly sketched from nature. Dürer's finished works seem generally to use invented landscapes, although the spectacular bird's-eye view in his engraving ''Nemesis'' shows an actual view in the
Alps The Alps () ; german: Alpen ; it, Alpi ; rm, Alps ; sl, Alpe . are the highest and most extensive mountain range system that lies entirely in Europe, stretching approximately across seven Alpine countries (from west to east): France, Sw ...
, with additional elements. Several landscapists are known to have made drawings and watercolour sketches from nature, but the evidence for early oil painting being done outside is limited. The Pre-Raphaelite Brotherhood made special efforts in this direction, but it was not until the introduction of ready-mixed oil paints in tubes in the 1870s, followed by the portable "box easel", that painting en plein air became widely practiced. A curtain of mountains at the back of the landscape is standard in wide Roman views and even more so in Chinese landscapes. Relatively little space is given to the sky in early works in either tradition; the Chinese often used mist or clouds between mountains, and also sometimes show clouds in the sky far earlier than Western artists, who initially mainly use clouds as supports or covers for divine figures or heaven. Both panel paintings and miniatures in manuscripts usually had a patterned or gold "sky" or background above the horizon until about 1400, but frescos by Giotto and other Italian artists had long shown plain blue skies. The single surviving altarpiece from
Melchior Broederlam Melchior Broederlam (born Ypres, perhaps 1350; died Ypres?, after 1409) was one of the earliest Early Netherlandish painters to whom surviving works can be confidently attributed. He worked mostly for Philip the Bold, Duke of Burgundy, and is do ...
, completed for Champmol in 1399, has a gold sky populated not only by God and angels, but also a flying bird. A coastal scene in the Turin-Milan Hours has a sky overcast with carefully observed clouds. In woodcuts a large blank space can cause the paper to sag during printing, so Dürer and other artists often include clouds or squiggles representing birds to avoid this. The monochrome Chinese tradition has used ink on silk or paper since its inception, with a great emphasis on the individual brushstroke to define the ''ts'un'' or "wrinkles" in mountain-sides, and the other features of the landscape. Western watercolour is a more tonal medium, even with underdrawing visible.


Related ''-scapes''

Traditionally, landscape art depicts the surface of the
Earth Earth is the third planet from the Sun and the only astronomical object known to harbor life. While large volumes of water can be found throughout the Solar System, only Earth sustains liquid surface water. About 71% of Earth's sur ...
, but there are other sorts of landscapes, such as
moonscape A moonscape is an area or vista of the lunar landscape (generally of the Earth's moon), or a visual representation of this, such as in a painting. The term "moonscape" is also sometimes used metaphorically for an area devastated or flattened by ...
s. * Skyscapes or Cloudscapes are depictions of clouds, weatherforms, and atmospheric conditions. *
Moonscape A moonscape is an area or vista of the lunar landscape (generally of the Earth's moon), or a visual representation of this, such as in a painting. The term "moonscape" is also sometimes used metaphorically for an area devastated or flattened by ...
s show the landscape of a moon. * Seascapes depict oceans or beaches. * Riverscapes depict rivers or creeks. * Cityscapes or townscapes depict cities (urban landscapes). * Battle scenes are a subdivision of military painting which, when depicting a battle from afar, are set within a landscape, seascape or even a cityscape. * Hardscapes are paved over areas like streets and sidewalks, large business complexes and housing developments, and industrial areas. * Aerial landscapes depict a surface or ground from above, especially as seen from an airplane or spacecraft. (When the viewpoint is directly overhead, looking down, there is of course no depiction of a horizon or sky.) This genre can be combined with others, as in the aerial cloudscapes of Georgia O'Keeffe, the aerial
moonscape A moonscape is an area or vista of the lunar landscape (generally of the Earth's moon), or a visual representation of this, such as in a painting. The term "moonscape" is also sometimes used metaphorically for an area devastated or flattened by ...
s of
Nancy Graves Nancy Graves (December 23, 1939 – October 21, 1995, in Massachusetts) was an American sculptor, painter, printmaker, and sometime- filmmaker known for her focus on natural phenomena like camels or maps of the Moon. Her works are included in ...
, or the aerial cityscapes of
Yvonne Jacquette Yvonne Jacquette (born 1934) is an American painter and printmaker known in particular for her depictions of aerial landscapes, especially her low-altitude and oblique aerial views of cities or towns, often painted using a distinctive, pointil ...
. * Inscapes are landscape-like (usually surrealist or abstract) artworks which seek to convey the psychoanalytic view of the mind as a three-dimensional space. or_sources_on_this_statement,_see_the_Inscape_(visual_art)_article..html" ;"title="Inscape_(visual_art).html" ;"title="or sources on this statement, see the Inscape (visual art)">or sources on this statement, see the Inscape (visual art) article.">Inscape_(visual_art).html" ;"title="or sources on this statement, see the Inscape (visual art)">or sources on this statement, see the Inscape (visual art) article.*Vedute is the Italian term for ''view'', and generally used for the painted landscape, often cityscapes which were a common 18th-century painting thematic. *Landscape photography


Landscape and modernism

File:Albert Pinkham Ryder - Moonlit Cove - Google Art Project.jpg,
Albert Pinkham Ryder Albert Pinkham Ryder (March 19, 1847 – March 28, 1917) was an American painter best known for his poetic and moody allegorical works and seascapes, as well as his eccentric personality. While his art shared an emphasis on subtle variations of ...
, ''Seacoast in Moonlight'', 1890, the Phillips Collection, Washington, D.C. Proto- American Modernist associated with Tonalism. File:Wassily Kandinsky, 1903, The Blue Rider (Der Blaue Reiter), oil on canvas, 52.1 x 54.6 cm, Stiftung Sammlung E.G. Bührle, Zurich.jpg, Wassily Kandinsky, '' Der Blaue Reiter'', 1903. Der Blaue Reiter, an
Expressionist Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radi ...
group active from 1911 to 1914. File:Matisse Les toits.jpg, Henri Matisse, '' Landscape at Collioure'', 1905, Museum of Modern Art,
New York City New York, often called New York City or NYC, is the List of United States cities by population, most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the L ...
. Fauvism a Modernist movement in Paris active from 1900 to 1907. File:André Derain, 1905, Le séchage des voiles (The Drying Sails), oil on canvas, 82 x 101 cm, Pushkin Museum, Moscow. Exhibited at the 1905 Salon d'Automne.jpg,
André Derain André Derain (, ; 10 June 1880 – 8 September 1954) was a French artist, painter, sculptor and co-founder of Fauvism with Henri Matisse. Biography Early years Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In ...
, 1905, ''Le séchage des voiles (The Drying Sails)'', oil on canvas, 82 × 101 cm, Pushkin Museum, Moscow. Exhibited at the 1905
Salon d'Automne The Salon d'Automne (; en, Autumn Salon), or Société du Salon d'automne, is an art exhibition held annually in Paris, France. Since 2011, it is held on the Champs-Élysées, between the Grand Palais and the Petit Palais, in mid-October. The ...
File:Jean Metzinger, 1906, Coucher de Soleil No. 1 (Landscape), oil on canvas, 72.5 x 100 cm, Rijksmuseum Kröller-Müller, Otterlo, Netherlands.jpg, Jean Metzinger, 1906, '' Coucher de soleil no. 1 (Landscape)'', oil on canvas, 72.5 × 100 cm, Rijksmuseum Kröller-Müller, Otterlo, Netherlands File:Pablo Picasso, 1908, Paysage aux deux figures (Landscape with Two Figures), oil on canvas, 60 x 73 cm, Musée Picasso, Paris.jpg, Pablo Picasso, 1908, ''Paysage aux deux figures (Landscape with Two Figures)'', oil on canvas, 60 x 73 cm, Musée Picasso, Paris File:Henri Rousseau 005.jpg, Henri Rousseau, '' The Dream'', 1910, Museum of Modern Art, New York File:Ernst Ludwig Kirchner Spielende nackte Menschen 1910-1.jpg,
Ernst Ludwig Kirchner Ernst Ludwig Kirchner (6 May 1880 – 15 June 1938) was a German expressionist painter and printmaker and one of the founders of the artists group Die Brücke or "The Bridge", a key group leading to the foundation of Expressionism in 20th-century ...
, ''Naked Playing People'', 1910. Die Brücke, an
Expressionist Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radi ...
group active after 1905. File:Recoveredgleizes.jpg, Albert Gleizes, 1911, '' Le Chemin, Paysage à Meudon, Paysage avec personnage'', oil on canvas, 146.4 × 114.4 cm. Stolen by Nazi occupiers from the home of collector Alphonse Kann during World War II


Landscape art movements


East Asian

; China * Southern School, 8th–16th centuries, also known as the literati school *
Four Masters of the Yuan Dynasty The Four Masters of the Yuan dynasty () is a name used to collectively describe the four Chinese painters: Huang Gongwang, Wu Zhen, Ni Zan, and Wang Meng, who were active during the Yuan dynasty (1271–1368). They were revered during the Ming ...
*
Four Masters of the Ming Dynasty The Four Masters of the Ming dynasty () are a traditional grouping in Chinese art history of four famous Chinese painters that lived during the Ming dynasty. The group consists of Shen Zhou (1427–1509), Wen Zhengming (1470–1559), Tang Yin (1 ...
*
Six Masters of the early Qing period The Six Masters of the early Qing period () were a group of major Chinese artists who worked in the 17th and early 18th centuries during the Qing dynasty. Also known as orthodox masters, they continued the tradition of the scholar-painter, follow ...
, including the
Four Wangs The Four Wangs () were four Chinese landscape painters in the 17th century, all with the surname Wang. They are best known for their accomplishments in '' shan shui'' painting. The painters They were Wang Shimin (1592–1680), Wang Jian (1 ...
; Japan—often dynastic * Tosa school 14th or 15th century to 19th *
Kanō school The is one of the most famous schools of Japanese painting. The Kanō school of painting was the dominant style of painting from the late 15th century until the Meiji period which began in 1868, by which time the school had divided into many ...
15th to 19th centuries *
Hasegawa school The Hasegawa school (長谷川派, ''-ha'') was a school (style) of Japanese painting founded in the 16th century by Hasegawa Tōhaku and disappeared around the beginning of the 18th century. The school painted mostly ''fusuma'' (sliding doors), ...
mid-16th to early 18th century * Nanga ("Southern painting"), professionals in the
Edo period The or is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's 300 regional '' daimyo''. Emerging from the chaos of the Sengoku period, the Edo period was character ...
influenced by Chinese literati painting - 17th to 19th centuries


Western

; Pre–19th century * Danube school ; 19th and 20th century *
American Barbizon school The American Barbizon School was a group of painters and style partly influenced by the French Barbizon school, who were noted for their simple, pastoral scenes painted directly from nature. American Barbizon artists concentrated on painting rur ...
* American Impressionism *
Amsterdam Impressionism Amsterdam Impressionism was an Art, art movement in late 19th-century Holland. It is associated especially with George Hendrik Breitner and is also known as the ''School of August Allebé, Allebé''. The innovative ideas about painting of the Fre ...
* Barbizon School *
Düsseldorf school of painting The Düsseldorf school of painting is a term referring to a group of painters who taught or studied at the Düsseldorf Academy (now the Staatliche Kunstakademie Düsseldorf or Düsseldorf State Art Academy) during the 1830s and 1840s, when the A ...
* Etching revival * Fauvism * Group of Seven (Canada) *
Hague School The Hague School is a group of artists who lived and worked in The Hague between 1860 and 1890. Their work was heavily influenced by the realist painters of the French Barbizon school. The painters of the Hague school generally made use of relat ...
* Heidelberg School (Australia) * Hoosier Group * Hudson River School *
Impressionism Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passa ...
* Luminism (American) * Luminism (Impressionism) * Macchiaioli *
Neo-Impressionism Neo-Impressionism is a term coined by French art critic Félix Fénéon in 1886 to describe an art movement founded by Georges Seurat. Seurat's most renowned masterpiece, ''A Sunday Afternoon on the Island of La Grande Jatte'', marked the begi ...
*
Norwich School Norwich School (formally King Edward VI Grammar School, Norwich) is a selective English independent day school in the close of Norwich Cathedral, Norwich. Among the oldest schools in the United Kingdom, it has a traceable history to 1096 as a ...
* Peredvizhniki * Pont-Aven School *
Post-Impressionism Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction ...
* Pre-Raphaelite Brotherhood *
The Ten ''The Ten'' is a 2007 anthology comedy film directed by David Wain and cowritten by Wain and Ken Marino. It was released through ThinkFilm. The film was released on August 3, 2007. The DVD was released on January 15, 2008. It is an internation ...
* Tonalism * White Mountain art * Land art


See also

* Claude glass * Landscape architecture * Vädersolstavlan * Visual arts * Skyscraper * :Landscape paintings


Notes


References

* Clark, Sir Kenneth, ''Landscape into Art'', 1949, page refs to Penguin edn of 1961 * Dreikausen, Margret, "Aerial Perception: The Earth as Seen from Aircraft and Spacecraft and Its Influence on Contemporary Art" (Associated University Presses: Cranbury, NJ; London; Mississauga, Ontario: 1985) * Growth, Paul Erling Wilson, Chris, ''Everyday America: Cultural Landscape Studies After J.B. Jackson'', 2003, University of California Press, , 9780520229617
google books
* Hugh Honour and John Fleming, A World History of Art,1st edn. 1982 & later editions, Macmillan, London, page refs to 1984 Macmillan 1st edn. paperback. * Ingold, Tim, "Being Alive", 2011, Routledge, Abingdon * Jackson, John B., "The Word Itself", in ''The Cultural Geography Reader'', Eds. Tim Oakes, Patricia Lynn Price, 2008, Routledge, , 9781134113163 * Paine, Robert Treat, in: Paine, R. T. & Soper A, "The Art and Architecture of Japan", Pelican History of Art, 3rd ed 1981, Penguin (now Yale History of Art), * Plesu, Andrei, ''Pittoresque et mélancolie : Une analyse du sentiment de la nature dans la culture européenne'', Somogy éditions d'art, 2007 * Reitlinger, Gerald; ''The Economics of Taste, Vol I: The Rise and Fall of Picture Prices 1760-1960, Barrie and Rockliffe, London, 1961 * Sickman, Laurence, in: Sickman L & Soper A, "The Art and Architecture of China", Pelican History of Art, 3rd ed 1971, Penguin (now Yale History of Art), LOC 70-125675 * Silver, Larry, ''Peasant Scenes and Landscapes: The Rise of Pictorial Genres in the Antwerp Art Market'', University of Pennsylvania Press, 2012 * Slive, Seymour; Hoetink, Hendrik Richard, "Jacob van Ruisdael" (Abbeville Press: New York: 1981
Virtual Vault
an online exhibition of Canadian historical art at Library and Archives Canada * Wilton, Andrew; T J Barringer; Tate Britain (Gallery); Pennsylvania Academy of the Fine Arts.; Minneapolis Institute of Arts. ''American sublime : landscape painting in the United States, 1820-1880'' ( Princeton, NJ :
Princeton University Princeton University is a private research university in Princeton, New Jersey. Founded in 1746 in Elizabeth as the College of New Jersey, Princeton is the fourth-oldest institution of higher education in the United States and one of the ...
Press, 2002) * Watson, William, ''Style in the Arts of China'', 1974, Penguin, * Watson, William, ''The Great Japan Exhibition: Art of the Edo Period 1600–1868'', 1981, Royal Academy of Arts/Weidenfeld & Nicolson * Andrew Wilton & Anne Lyles, ''The Great Age of British Watercolours, 1750–1880'', 1993, Prestel, * Christopher S Wood, Albrecht Altdorfer and the Origins of Landscape, 1993, Reaktion Books, London,


Further reading

*
Büttner, Nils. "Landscape Painting. A History", New/York/London 2006
* * ''The Landscape in Twentieth-Century American Art'', Selections from the
Metropolitan Museum of Art The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ...
, Rizzoli, NY 1991, . Introduction by
Robert Rosenblum Robert Rosenblum (July 24, 1927 – December 6, 2006) was an American art historian and curator known for his influential and often irreverent scholarship on European and American art of the mid-eighteenth to 20th centuries. Biography Rosenblum wa ...
, and essays by Lowery Stokes Sims and Lisa Messinger


External links


History of European landscape painting
from the National Gallery of Art {{Authority control Landscape painting,