Corinthian bronze

Corinthian bronze, also named Corinthian brass or aes Corinthiacum, was a highly valuable metal alloy in classical antiquity. It is thought to be an alloy of copper with gold or silver (or both), although it has also been contended that it was simply a very high grade of bronze, or a kind of bronze that was manufactured in Corinth. It is referred to in various ancient texts, but no certain examples of Corinthian bronze exist today. However, it has been increasingly suggested that a number of artefacts previously described as niello in fact use a technique of patinated metal that may be the same as Corinthian bronze and is similar to the Japanese Shakudō.

Its composition was long a mystery, but contemporary thinking is that Corinthian bronze was "a patinated alloy of copper with some gold and silver", perhaps the same as the ''hesmen kem'' or "black copper" of Ancient Egyptian art. This is shown by ancient texts to be a prestigious material, and apparently survives in a number of statuettes of "distinctive black-patinated, inlaid metal", of which scientific analysis shows "that some have a highly unusual composition containing small amounts of gold, silver and arsenic in the alloy", and are broadly similar to Shakudō.Craddock

Classical antiquity

Of the known types of bronze or brass, not distinguished in classical antiquity and interchangeably known in Latin as ''aes'' and in Greek as χαλκός, Corinthian bronze was the most valuable. Statues, vases and vessels, or other objects formed of this metal were priceless, of greater value than if they had been made of silver or gold. Brewer, E. Cobham.
Corinthian Brass
" '' Dictionary of Phrase & Fable.'' 1898. Pliny the Elder distinguished it into three kinds, depending on the metal that is added to the copper base: in the first, gold is added ('' luteum''); in the second, silver ('' candidum''); in the third, gold, silver, and copper are equally blended.Pliny's chapter on Corinthian Brass
from '' Natural History''. English translation. Plutarch and Cicero both comment that Corinthian bronze, unlike many other copper alloys, is resistant to tarnishing. Pliny also refers to a fourth, dark alloy, known as hepatizon. Petronius and other authors mocked the connoisseurs of their day who claimed to be able to identify it.

According to legend, Corinthian bronze was first created by accident, during the burning of Corinth by Lucius Mummius Achaicus in 146 BC, when the city's immense quantities of gold, silver, and copper melted together. Pliny however, remarked that this story is unbelievable, because most of the creators of the highly valued works in Corinthian bronze in Ancient Greece lived at a much earlier period than second century BC. According to Pliny, the method of making it had been lost for a long time,Yeo, Richard (1999). "Brass", p. 435 in ''The Edinburgh Encyclopedia''. . although some sources describe the process by which it is created, involving heat treatment, quenching, leaching, and burnishing, in a process similar to depletion gilding. The lost ability to give an object made from bronze the appearance of gold or silver may be one strand behind the later alchemical quest to turn base metals into precious metals.

Outside classical antiquity

Articles made of Corinthian bronze are mentioned in the Bible. The Beautiful Gate (or Nicanor Gate) of the Second Temple in Jerusalem, mentioned in the Book of Acts 3:2–10, was a large, 18 metre (60 feet) wide structure said to be either solid, or covered in plates of, Corinthian brass. Another Biblical reference, in Book of Ezra 8:27, is usually translated "fine copper r bronze precious as gold".

Similar alloys are found outside Europe. The Hông-hee vases (1426) of China were said to be made of a similarly mixed metal allegedly formed when the Imperial palace was burnt to the ground. These vessels are of priceless value. An alloy of gold and copper, known as tumbaga was in widespread use in Pre-columbian Mesoamerica, and has an essentially identical composition to Corinthian brass. A similar metallurgical process for "the colouration hrôsisof gold" is described in the 15th recipe in the Leyden papyrus X, from Thebes in Egypt, dated to the 4th century AD.

Quotations

See also

* electrum – a naturally occurring alloy of gold and silver, often with trace amounts of copper, often used in antiquity
*hepatizon – a similar bronze alloy with a dark patina, also known in classical antiquity and sometimes identified as a sub-type of Corinthian bronze
*orichalcum – another metal mentioned in ancient texts, later used to refer to brass
*panchaloha
*thokcha, also known as "thunderbolt iron" – meteoric iron, ancient small metal objects made from this material, or made from an alloy including this material, or imitations of same; of religious significance in Tibetan culture and culturally-related areas
* tumbaga
*shakudō – a Japanese billon (alloy) of gold and copper with a dark blue-purple patina
*shibuichi

Notes

References

*Craddock, Paul and Giumlia-Mair, Allessandra, "Hsmn-Km, Corinthian bronze, Shakudo: black patinated bronze in the ancient world", Chapter 9 in ''Metal Plating and Patination: Cultural, technical and historical developments'', Ed. Susan La-Niece, 2013, Elsevier, {{ISBN, 1483292061, 9781483292069
P. T., "Metal" V. 4 and 5, ''Grove Art Online
'', Oxford Art Online. Oxford University Press. Web. 1 Oct. 2017
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External links

Aes
from Harry Thurston Peck, ''Harpers Dictionary of Classical Antiquities'' (1898)

Copper alloys
Precious metal alloys
Corinth
Hellenistic and Roman bronzes, *
History of metallurgy
Ancient Greek metalwork