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Sixteen-bar Blues
The sixteen-bar blues can be a variation on the standard twelve-bar blues or on the less common eight-bar blues. Sixteen-bar blues is also used commonly in ragtime music. Adaptation from twelve-bar progression Most sixteen bar blues are adapted from a standard twelve-bar progression. The standard twelve-bar blues progression is : where each cell in the table represents one measure (or "bar"), "I" represents the tonic chord, "IV" the subdominant chord, and "V" the dominant chord. Twelve-bar progressions are formed by applying one of several formulae, including the following. One adaptation extends the first section of tonic chords (bars 1–4) by doubling or repeating to become the first half (bars 1–8) of the sixteen-bar progression, : Examples include "I'm Your Hoochie Coochie Man", "Close to You", written by Willie Dixon and first performed by Muddy Waters, and "Oh, Pretty Woman", written by A.C. Williams and first recorded by Albert King (in this song, the instrumental ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woody Guthrie
Woodrow Wilson Guthrie (; July 14, 1912 – October 3, 1967) was an American singer, songwriter, and composer widely considered to be one of the most significant figures in American folk music. His work focused on themes of American Left, American socialism and anti-fascism and has inspired many generations both politically and musically with songs such as "This Land Is Your Land" and "Tear the fascists down, Tear the Fascists Down". Guthrie wrote hundreds of Country music, country, Folk music, folk, and Children's music, children's songs, along with ballads and improvised works. ''Dust Bowl Ballads'', Guthrie's album of songs about the Dust Bowl period, was included on ''Mojo (magazine), Mojo'' magazine's list of 100 Records That Changed the World, and many of his recorded songs are archived in the Library of Congress. Songwriters who have acknowledged Guthrie as a major influence on their work include Steve Earle, Bob Dylan, Lou Reed, Phil Ochs, Johnny Cash, Bruce Springst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
50s Progression
The 50s progression (also known as the " Heart and Soul" chords, the " Stand by Me" changes, the doo-wop progression and the "ice cream changes") is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am–F–G. As the name implies, it was common in the 1950s and early 1960s and is particularly associated with doo-wop. Theory In Western classical music during the common practice period, chord progressions are used to structure a musical composition. The destination of a chord progression is known as a cadence, or two chords that signify the end or prolongation of a musical phrase. The most conclusive and resolving cadences return to the tonic or I chord; following the circle of fifths, the most suitable chord to precede the I chord is a V chord. This particular cadence, V–I, is known as an authentic cadence. However, since a I–V–I progression is repetit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues Ballad
The term blues ballad is used to refer to a specific form of popular music which fused Anglo-American and Afro-American styles from the late 19th century onward. Early versions combined elements of the European influenced "native American ballad" with the forms of African American music. From the 20th century on it was also used to refer to a slow tempo, often sentimental song in a blues style. Structure and variations The blues ballad often uses the Thirty-two-bar form of verse-verse-bridge-verse, in contrast to the 12-bar or 8-bar blues forms.Boyd, Jack (1991). ''Encore!: A Guide to Enjoying Music'', p. 31, . " 2-bar formis sometimes called ballad form because so many of our popular ballads, middle-of-the-road popular songs, and Country Western songs use this form." Popular blues ballads The first blues ballads tended to deal with active protagonists, often anti-heroes, resisting adversity and authority, often in the context of industrialisation. They usually lacked the strong ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thirty-two-bar Form
The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century. The song form consists of four sections: an eight-bar A section; a second eight-bar A section (which may have slight changes from the first A section); an eight-bar B section, often with contrasting harmony or "feel"; and a final eight-bar A section. The core melody line is generally retained in each A section, although variations may be added, particularly for the last A section. Examples of 32-bar AABA form songs include "Over the Rainbow", "I Got Rhythm", "What'll I Do", "Make You Feel My Love", "The Man I Love (song), The Man I Love", "Dream River", "Primrose Lane", "Let's Get Away From It All", and "Blue Skies (Irving Berlin song), Blue Skies". Many show tunes that have become jazz standards are 32-bar song forms. Basic song form At ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eight-bar Blues
In music, an eight-bar blues is a common blues chord progression. Music writers have described it as "the second most common blues form" being "common to folk, rock, and jazz forms of the blues". It is often notated in or time with eight bars to the verse. Overview Early examples of eight-bar blues standards include: *" Ain't Nobody's Business If I Do" (Sara Martin, 1922) *" Trouble in Mind" ( Bertha Hill, 1926) *" How Long Blues" (Leroy Carr, 1928) *" Nobody Knows You When You're Down and Out" (Bessie Smith, 1929) *" It Hurts Me Too" (Tampa Red, 1940) *" Key to the Highway" (Big Bill Broonzy, 1941)James, Steve (2001). ''Inside Blues Guitar'', p.18. . *" Worried Life Blues" ( Big Maceo, 1941) One variant using this progression is to couple one eight-bar blues melody with a different eight-bar blues bridge to create a blues variant of the standard 32-bar song: "I Want a Little Girl" ( T-Bone Walker) and " Great Balls of Fire" (Jerry Lee Lewis)( Eight-bar blues progression ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo (music)
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beats per minute (bpm or BPM). In modern classical compositions, a " metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture. The others are meter, which is indicated by a time signature, and articulation, which determines how each ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramones
The Ramones were an American punk rock band formed in the New York City neighborhood Forest Hills, Queens in 1974. Known for helping establish the punk movement in the United States and elsewhere, the Ramones are often recognized as one of the first bands of the genre. Although they had never achieved significant commercial success during their existence, the band is seen today as highly influential in Punk subculture, punk culture. All members adopted pseudonyms ending with the surname Ramone, although none were biologically related; they were inspired by Paul McCartney, who would check into hotels under the alias Paul Ramon. The Ramones performed 2,263 concerts, touring virtually nonstop for 22 years, and released fourteen studio albums. In 1996, after a tour as part of the Lollapalooza music festival, they played a We're Outta Here!, farewell concert in Los Angeles and disbanded. By 2014, all four original members had died: lead singer Joey Ramone (1951–2001), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chris Montez
Chris Montez (born Ezekiel Christopher Montañez; January 17, 1943) is an American guitarist and vocalist, whose stylistic approach has ranged from rock & roll to pop standards and Latin music. His rock sound is exemplified in songs such as his 1962 hit " Let's Dance", which reached No. 4 on the ''Billboard'' Hot 100. When his early music's popularity began to fade, he switched to a more traditional role as a popular singer of soft ballads, scoring hits with “ The More I See You” and “ Call Me" in 1966. He has also recorded in Latin styles. Over the intervening years, he has continued to work in all three modes. Early life Born in Los Angeles, California, United States, Montez grew up in Hawthorne, California, in a Mexican-American family and was influenced by the Latino-flavored music of his community and the success of his musical hero Ritchie Valens whom he met briefly at a show in 1958. He studied music composition at El Camino College. In 1962, he recorded th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let's Dance (Chris Montez Song)
"Let's Dance" is a 1962 hit single by Chris Montez, written and produced by Jim Lee. Original version The song was written by Jim Lee, who produced and released the song on his own Monogram Records. When initially released, the song shot to #4 on the Billboard Hot 100, ''Billboard'' Hot 100 chart in the U.S., and to No. 2 in the UK Singles Chart. In 1972 the song was coupled as an "oldie" with the Shirelles "Will You Love Me Tomorrow" and re-released in Europe. Based on radio play, the record company, London Recordings, London Records, quickly removed the Shirelles cut and replaced it with the original flip side "You're the One". Consequently, the recording reached the top five for a second time, in both UK, Britain and West Germany, Germany. It was also the title track of a 1972 album by Montez. Charts Ola and the Janglers version Throughout 1968, Ola and the Janglers chart success had started waning. Between January and March of that year, they had released three singl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbie Hancock
Herbert Jeffrey Hancock (born April 12, 1940) is an American jazz musician, bandleader, and composer. He started his career with trumpeter Donald Byrd's group. Hancock soon joined the Miles Davis Quintet, where he helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, he experimented with jazz fusion, funk, and electro-funk, electro styles using a wide array of synthesizers and electronics. It was during this time that he released one of his best-known and most influential albums, ''Head Hunters''. Hancock's best-known compositions include "Cantaloupe Island", "Watermelon Man (composition), Watermelon Man", "Maiden Voyage (composition), Maiden Voyage", and "Chameleon (composition), Chameleon", all of which are jazz standards. During the 1980s, he had a hit single with the electronic instrumental "Rockit (song), Rockit", a collaboration with bassist/producer Bill Laswell. Hancock has won an Academy Awards, Ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
