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Thirty-two-bar Form
The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century. The song form consists of four sections: an eight-bar A section; a second eight-bar A section (which may have slight changes from the first A section); an eight-bar B section, often with contrasting harmony or "feel"; and a final eight-bar A section. The core melody line is generally retained in each A section, although variations may be added, particularly for the last A section. Examples of 32-bar AABA form songs include "Over the Rainbow", "I Got Rhythm", "What'll I Do", "Make You Feel My Love", "The Man I Love (song), The Man I Love", "Dream River", "Primrose Lane", "Let's Get Away From It All", and "Blue Skies (Irving Berlin song), Blue Skies". Many show tunes that have become jazz standards are 32-bar song forms. Basic song form At ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Judy Garland In The Wizard Of Oz Trailer
Judy is a short form of the name Judith. Judy may refer to: Places * Judy, Kentucky, village in Montgomery County, United States * Judy Woods, woodlands in Bradford, West Yorkshire, England, United Kingdom Animals * Judy (dog) (1936–1950), Royal Navy Second World War ship's dog awarded the Dickin Medal *Judy of Punch and Judy (dogs) (fl. 1946), British dog awarded the Dickin Medal * Judy the Beauty (foaled 2009), Canadian-American racehorse People and fictional characters * Judy (given name), a list of people and fictional characters * Judy (surname) Music * ''Judy'' (Judy Garland album) (1956) * ''Judy'' (Judy Rodman album) (1986) * "Judy" (Elvis Presley song) (1961) * "Judy" (The Pipettes song) (2005) * "Judy" (Thomas Anders song) (1980) * "Judy", a song from the album '' Lost & Found (1961–62)'' by The Beach Boys * "Judy", a song from the album '' On the Double'' by Golden Earring * "Judy", a song from Tony Bennett's album '' When Lights Are Low'' by Hoagy Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Theory
Music theory is the study of theoretical frameworks for understanding the practices and possibilities of music. ''The Oxford Companion to Music'' describes three interrelated uses of the term "music theory": The first is the "Elements of music, rudiments", that are needed to understand Musical notation, music notation (key signatures, time signatures, and Chord chart, rhythmic notation); the second is learning scholars' views on music from Ancient history, antiquity to the present; the third is a sub-topic of musicology that "seeks to define processes and general principles in music". The musicological approach to theory differs from music analysis "in that it takes as its starting-point not the individual work or performance but the fundamental materials from which it is built." Music theory is frequently concerned with describing how musicians and composers make music, including Musical tuning, tuning systems and composition methods among other topics. Because of the ever-expan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became Standard (music), standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway theatre, Broadway and in Hollywood films. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned jazz, popular music, popular and classical music. Among his best-known works are the songs "Swanee (song), Swanee" (1919) and "Fascinating Rhythm" (1924), the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930) and the opera ''Porgy and Bess'' (1935), which included the hit "Summertime (George Gershwin song), Summertime". His ''Of Thee I Sing'' (1931) was the first musical theater, musical to win the Pulitzer Prize for Drama. Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Da Capo Aria
The da capo aria () is a musical form for arias that was prevalent in the Baroque era. It is sung by a soloist with the accompaniment of instruments, often a small orchestra. The da capo aria is very common in the musical genres of opera and oratorio. According to Randel, a number of Baroque composers (he lists Scarlatti, Hasse, Handel, Porpora, Leo, and Vinci) composed more than a thousand da capo arias during their careers.Randel (2003:54) Form A da capo aria is in ternary form, meaning it is composed of three sections. The first section is a complete song with accompaniment, ending in the tonic key, and could in principle be sung by itself. The second section contrasts with the first in its musical key, texture, mood, and sometimes also tempo. The third section was usually not written out by the composer, who would instead simply note the instruction "da capo" (Italian for "from the head") - meaning from the beginning, i.e., the first section is to be repeated. The text ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ternary Form
Ternary form, sometimes called song form, is a three-part musical form consisting of an opening section (A), a following section (B) and then a repetition of the first section (A). It is usually schematized as A–B–A. Prominent examples include the da capo aria "The trumpet shall sound" from Handel's '' Messiah'', Chopin's Prelude in D-Flat Major "Raindrop", ( Op. 28) and the opening chorus of Bach's '' St John Passion''. Simple ternary form In ternary form each section is self-contained both thematically as well as tonally (that is, each section contains distinct and complete themes), and ends with an authentic cadence. The B section is generally in a contrasting but closely related key, usually a perfect fifth above or the parallel minor of the home key of the A section (V or i); however, in many works of the Classical period, the B section stays in tonic but has contrasting thematic material. It usually also has a contrasting character; for example section A might ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luck Be A Lady Tonight
"Luck Be a Lady" is a song written and composed by Frank Loesser in 1950 and first performed by Robert Alda. The song was featured in the musical ''Guys and Dolls''. The lyrics relate the point of view of a gambler, Sky Masterson, who hopes that he will win a bet, the outcome of which will decide whether or not he is able to save his relationship with the girl of his dreams. Notable uses and recordings *Marlon Brando sang the song in the ''Guys and Dolls'' ( 1955) film adaptation. In 2004, that version finished at No. 42 in AFI's 100 Years...100 Songs survey of top tunes in American cinema. * Jack Jones recorded it for his album, ''Bewitched'' (1964), arranged by Shorty Rogers. *Later, it became a signature song for Frank Sinatra (who also starred in ''Guys and Dolls'' 1955 film adaptation), first released on the compilation '' Reprise Musical Repertory Theatre'' (1963) and re-released on the album '' Sinatra '65: The Singer Today'' (1965). *Barbra Streisand recorded the song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let's Face The Music And Dance
"Let's Face the Music and Dance" is a song published in 1936 by Irving Berlin for the film ''Follow the Fleet'', where it was introduced by Fred Astaire and featured in a celebrated dance duet with Astaire and Ginger Rogers. The jazz song has also been covered by various artists years following its release, including Nat King Cole, Ella Fitzgerald, Frank Sinatra, Mel Torme, Todd Gordon and others. Background The song was composed and written by Irving Berlin. Berlin's repertoire of Hollywood compositions was growing at the time, as he ‘adapted’ to the trends and ideas in vogue in Cinema of the United States, Hollywood. “Let’s Face the Music and Dance’s” debut as an original song for the Hollywood film, ''Follow the Fleet'', signified the popularisation of jazz, demonstrating a notable example of jazz on the silver screen. This jazz composition adheres to the typical conventions within the genre of jazz in the 1930s paradigm, classed as part of the ‘classical age ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yesterday (Beatles Song)
"Yesterday" is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon–McCartney. It was first released on the album ''Help!'' in August 1965, except in the United States, where it was issued as a single in September. The song reached number one on the US ''Billboard'' Hot 100 chart. It subsequently appeared on the UK EP '' Yesterday'' in March 1966 and made its US album debut on '' Yesterday and Today'', in June 1966. McCartney's vocal and acoustic guitar, together with a string quartet, was essentially the band's first solo performance. It remains popular today and, with 2,200 cover versions, is one of the most covered songs in the history of recorded music. "Yesterday" was voted the best song of the 20th century in a 1999 BBC Radio 2 poll of music experts and listeners and was also voted the No. 1 pop song of all time by MTV and ''Rolling Stone'' magazine the following year. In 1997, the song was inducted into the Grammy Hall of Fam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name recitativo () is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by Basso continuo, continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verse–chorus Form
Verse–chorus form is a musical form going back to the 1840s, in such songs as "Oh! Susanna", " The Daring Young Man on the Flying Trapeze", and many others. It became passé in the early 1900s, with advent of the AABA (with verse) form in the Tin Pan Alley days. It became commonly used in blues and rock and roll in the 1950s, and predominant in rock music since the 1960s. In contrast to 32-bar form, which is focused on the refrain (contrasted and prepared by the B section), in verse–chorus form the chorus is highlighted (prepared and contrasted with the verse). The chorus often sharply contrasts the verse melodically, rhythmically, and harmonically, and assumes a higher level of dynamics and activity, often with added instrumentation. This is referred to as a "breakout chorus". See: arrangement. Contrasting verse–chorus form Songs that use different music for the verse and chorus are in contrasting verse–chorus form. Examples include: * " That'll Be the Day" by Budd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
